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Claes Oldenburg

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Claes Oldenburg
Born
Claes Oldenburg

(1929-01-28) January 28, 1929 (age 95)
Stockholm, Sweden
NationalitySwedish-American
EducationLatin School of Chicago,
Art Institute of Chicago,
Yale University
Known forSculpture, Public Art
MovementPop Art

Claes Oldenburg (born January 28, 1929) is a Swedish sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009 after 32 years of marriage.

Biography

Lipstick (Ascending) on Caterpillar Tracks

Claes Oldenburg was born January 28th, 1929 in Stockholm, Sweden, he was the son of a Swedish diplomat stationed in New York. In 1936 his father was transferred to Chicago where Oldenburg grew up, attending the Latin School of Chicago. He studied at Yale University from 1946 to 1950, then returned to Chicago where he took classes at The School of the Art Institute of Chicago. While further developing his craft, he worked as a reporter at the City News Bureau of Chicago. He also opened his own studio and, in 1953, became a naturalized citizen of the United States. His first recorded sales of artworks were at the 57th Street Art Fair in Chicago, where he sold 5 items for a total price of $25.[1] He moved back to New York City in 1956. There he met a number of artists, including Jim Dine, Red Grooms, and Allan Kaprow, whose Happenings incorporated theatrical aspects and provided an alternative to the abstract expressionism that had come to dominate much of the art scene. Oldenburg's first show that included 3 dimensional works, in May of 1959, was at the Judson Gallery, at Judson Memorial Church on Washington Square. [2] During this time, artist Robert Beauchamp described Oldenburg as "brilliant," due to the reaction that the pop artist brought to a "dull" abstract expressionist period.[3]

Sculptures, though quite large, often have interactive capabilities. One such interactive early sculpture was a soft sculpture of a tube of lipstick which would deflate unless a participant re-pumped air into it. In 1974, this sculpture, Lipstick (Ascending) on Caterpillar Tracks, was redesigned in a sturdier aluminum form, the giant lipstick being placed vertically atop tank treads. Originally installed in Beinecke Plaza at Yale, it now resides in the Morse College courtyard.

Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. In the 1960s he became associated with the Pop Art movement and created many so-called happenings, which were performance art related productions of that time. The name he gave to his own productions was "Ray Gun Theater".

File:Soft Bathtub.jpg
Claes Oldenburg, Soft Bathtub (Model)—Ghost Version 1966, acrylic and pencil on foam-filled canvas with wood, cord, and plaster. Hirshhorn Museum, Washington, DC

His first wife (1960–1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. But Oldenburg's spirited art found first a niche then a great popularity that endures to this day.

Between 1969 and 1977, Oldenburg was in a relationship with the feminist artist and sculptor, Hannah Wilke, who died in 1993.[4] They shared several studios and traveled together, and Wilke often photographed him.

Claes Oldenburg and Coosje van Bruggen, Typewriter Eraser, Scale X, 1999, painted stainless steel and fiberglas, National Gallery of Art, Washington, DC.

Oldenburg's collaboration with Dutch/American writer and art historian Coosje van Bruggen dates from 1976. They were married in 1977.[5] In 1988, he and van Bruggen created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser, Scale X (1999) is in the National Gallery of Art Sculpture Garden.

In addition to freestanding projects, they occasionally contribute to architectural projects, most notably the former Chiat/Day advertising agency headquarters designed by Frank O. Gehry in the Venice district of Los Angeles, California—the main entrance is a pair of giant binoculars. The advertising agency DDB is the current tenant.

Another well known construction is the Free Stamp in downtown Cleveland, Ohio. This Free Stamp has an energetic cult following.[citation needed]

In 2000, he was awarded the National Medal of Arts.[6]

In 2001, Oldenburg and van Bruggen created 'Dropped Cone', a huge inverted ice cream cone, on top of a shopping center in Cologne, Germany.[7]

His wife died on January 10, 2009, from the effects of breast cancer.

Claes Oldenburg supposedly has a work of art on the moon in the Moon Museum.

Paint Torch is slated for installation in Philadelphia at the Pennsylvania Academy of the Fine Arts in the fall of 2011. Paint Torch is a towering 53-foot-high pop sculpture of a paintbrush, capped with bristles that will be illuminated at night. The sculpture will be installed at a daring 60-degree angle, as if in the act of painting.[8]

Claes Oldenburg is represented by The Pace Gallery in New York.

Books

  • Busch, Julia M., A Decade of Sculpture: the New Media in the 1960s (The Art Alliance Press: Philadelphia; Associated University Presses: London, 1974) ISBN 0-87982-007-1
  • Axsom, Richard H., Printed Stuff: Prints, Poster, and Ephemera by Claes Oldenburg A Catalogue Raisonne 1958–1996 (Hudson Hills Press: 1997) ISBN 1-555951-23-6
  • Oldenburg, Claes Raw Notes: Documents and Scripts of the Performances: Stars, Moveyhouse, Massage, The Typewriter, with annotations by the author. (The Press of the Nova Scotia College of Art and Design: Halifax, 2005) ISBN 0-919616-43-7
  • Gianelli, Ida and Beccaria, Marcella (editors) Claes Oldenburg Coosje van Bruggen: Sculpture by the Way Fundació Joan Miró 2007
  • Haskell, Barbara. Claes Oldenburg. Pasadena, CA: Pasadena Art Museum, 1971.
  • Valentin, Eric, Claes Oldenburg, Coosje van Bruggen. Le grotesque contre le sacré, Paris, collection Art et artistes, Gallimard, 2009. ISBN 978-2-07-078627-5

References

  1. ^ David McCracken, "The Art Fair That's Been In the Picture the Longest", Chicago Tribune, June 5th, 1987, page 3
  2. ^ Claes Oldenburg, "Remembering Judson House," New York: Judson Memorial Church, p. 292
  3. ^ Paul Cummings (1975). "Oral history interview with Robert Beauchamp, 1975 Jan. 16". Oral history interview. Archives of American Art. Retrieved 30 Jun 2011.
  4. ^ Nancy Princenthal, Hannah Wilke, Prestel Publishing, New York
  5. ^ "Claes Oldenburg & Coosje van Bruggen: Biographies". OldenburgVanBruggen.com. Retrieved 13 April 2011.
  6. ^ Lifetime Honors – National Medal of Arts
  7. ^ http://www.oldenburgvanbruggen.com/largescaleprojects/droppedcone.htm Dropped Cone
  8. ^ http://www.pafa.org/About/Lenfest-Plaza/Oldenburg-s-Paint-Torch/843/
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