Days Gone Bye (The Walking Dead)

"Days Gone Bye (The Walking Dead)"

"Days Gone Bye" is the first episode of the post-apocalyptic horror television series The Walking Dead. It originally aired on AMC in the United States on October 31, 2010. The episode was written and directed by Frank Darabont, the creator of the series. In this episode, Rick Grimes, a sheriff's deputy of a small town in Georgia, wakes up in an abandoned hospital from a coma after being severely wounded. Realizing that the world has been riddled with zombies, Grimes ventures out to locate his home where his wife and son are. After finding out that both Lori and his son are missing, he later encounters some other survivors, holed up in a neighbors house, who reveal that the Centers for Disease Control and Prevention has set up a quarantine zone in Atlanta, Georgia. Grimes travels to the city in the hopes of finding his family.

Robert Kirkman, the creator of the series of comic books of the same name, initially considered the idea of creating a television show based on the comic series. However, such ideas were never pursued by Kirkman. Frank Darabont later expressed interest of developing the series for television. In January 2010, AMC formally announced that it had ordered a pilot for a possible series adapted from The Walking Dead comic book series. In the announcement, the executives of the network stated that Darabont would serve as a writer, director, and an executive producer for the show alongside with Gale Anne Hurd.

Principal photography for the pilot episode commenced in May 2010 in Atlanta, Georgia. It was wholly shot in 16 mm film, and was edited using computer-generated imagery. "Day Gone Bye" was heavily promoted following the months proceeding its release; as part of an expansive advertising campaign, zombie invasion events were coordinated in selected locations including New York City, Washington, D.C., London, and Madrid. The episode premiered in 120 countries worldwide.

"Days Gone Bye" was critically acclaimed by television critics, who expressed that the episode contained cinematic qualities. Several critics noted comparisons to the episode with those of Lost. In the United States, the series premiere achieved a viewership of 5.35 million, making it the most-watched series premiere in its network's history. The episode garnered a Nielsen rating of 2.7 in the 18–49 demographic, translating to 3.6 million viewers.

Plot

Sheriff's deputy Rick Grimes (Andrew Lincoln) and partner Shane Walsh (Jon Bernthal) are called to a high speed pursuit, where they face two armed men. The two men are shot, after which a third emerges from the vehicle and shoots Rick in the chest, leaving him severely wounded. After remaining in a coma for an undisclosed amount of time, Rick regains consciousness in an abandoned hospital. He investigates the building and encounters his first undead—a group of zombies barred into a locked room—as well as rows of bodies in body bags. In a nearby park he encounters a severely deteriorated zombie with nothing left of her lower body but trailing bones and organs. Shaken, he returns to his home to look for his family. Unable to find any sign of them, he sits outside and is suddenly hit in the head with a shovel by a young man—Duane Jones (Adrian Kali Turner)—who initially mistakes him for a zombie.

Rick later wakes up tied to a bed. The young man's father, Morgan (Lennie James), checks Rick for zombie bites or fever, either of which could indicate he is turning into a zombie himself. After deciding Rick is not a threat, Morgan frees him and shares what information he has regarding the zombie apocalypse. The following day, Rick tells Morgan that his family are missing and that they are most likely alive (based on family photos that had been taken from the house). Morgan and Duane tell Rick that they might have set off to Atlanta, where the Centers for Disease Control and Prevention has set up a quarantine zone. Rick takes Morgan and his son to his former Sheriff's headquarters, where the trio use the emergency generator to power up the station. They take hot showers and clean out the armory. As they depart, with Rick heading off to Atlanta while Morgan and Dwayne stay behind, Rick gives Morgan a rifle and a walkie-talkie and says he will broadcast every morning. Before he leaves Rick finds fellow police officer Leon Basset (Linds Edwards)—now a zombie—and dispatches him. Morgan goes to the top floor of his house, where he looks through old family photos before shooting several zombies. As he hoped, the noise attracts more walkers, including his dead wife, but Morgan is unable to shoot her and breaks down into tears. Rick returns to the park where he encountered the badly decayed zombie, apologizes to it, and shoots it in the head.

While on his way to Atlanta, Rick sends out a broadcast via his radio. The transmissions are received by a camp located just outside the city, but they are unable to send a response to warn him of the situation in the city. Among the survivors are Rick's partner Shane, his wife Lori (Sarah Wayne Callies), and Carl (Chandler Riggs). Rick later runs out of gasoline; he approaches an abandoned gas station, where he encounters (and shoots) a preadolescent female zombie. Unable to find any gas, he abandons his car on the highway and heads out on foot. He approaches a farmhouse, where the occupants are dead in an apparent murder-suicide. Rick finds a horse nearby and rides it to Atlanta, carrying a sack of guns from the police armory.

Rick arrives in Atlanta and finds the city in an extreme state of devastation. He then searches the streets on horseback, finding an overrun military blockade. Rick hears a helicopter pass overhead and tries to follow it, but rides straight into a horde of walkers. The undead swarm Rick's horse, toppling Rick and making him drop the sack of guns. While many of the zombies swarm around the horse, tearing it apart and eating it, Rick scrambles underneath an abandoned tank. With zombies crawling after him on both sides, Rick shoots several of them, then places the gun to his temple. Looking up, he sees an open hatch underneath the tank and crawls inside. The walkers surround the tank as Rick seals himself inside. After firing his revolver into the head of an undead tank crewman; therefore deafening him due to the confines of the M1 tank and then sealing the top hatch, Rick is safe—but trapped—in the tank. A voice comes over the radio sarcastically asking if he is cozy inside. The episode ends with a view of a mass of zombies swarming around the tank and the fallen horse.

Production

Conception

Robert Kirkman, who created the comic book series in 2003, says he had considered the idea of a television series, but never actively pursued it. When Frank Darabont became interested in adapting the comic books for television, Kirkman said it was "extremely flattering" and went on to say that "he definitely cares about the original source material, and you can tell that in the way he's adapting it." In his interview, Kirkman exclaimed that it was "an extreme validation of the work", and continued by expressing that "never in a million years could [he] have thought that if Walking Dead were to ever be adapted that everything would be going this well."

The Walking Dead institutes elements from George A. Romero's horror film Night of the Living Dead (1968). Darabont admitted to being a fan of the film since age fourteen. He insisted that the film has a "weird vibe", comparing it to that of pornography. He continued: "It had this marvelously attractive, disreputable draw [...] I loved it immediately." Darabont recalls walking into a comic book store in Burbank, California and seeing The Walking Dead on the shelf in 2005.

Being that I've always had 'the love of zombies gene', I of course grabbed it, took it home and read it, and immediately started pursuing the rights to it. I thought it would make a great TV show. I loved the idea of an extended, ongoing, serialized dramatic presentation set in the zombie apocalypse.

Robert Kirkman

Darabont described the process of developing the series and getting it set up at a network as "four years of frustration". He first initiated a deal with NBC to own copyrights to The Walking Dead, but was later declined. "They were very excited about the idea of doing a zombie show until I handed them a zombie script where zombies were actually doing zombie shit," he stated. Darabont credits Gale Anne Hurd with finally getting the series on AMC. "Gale was tremendously instrumental in jump-starting it at a point where it felt like it was languishing, "he asserted. "I'd gotten turned down enough times, which is no reflection on the material, but no matter what you're trying to sell in Hollywood, you're Willy Loman and it's Death of a Salesman. You're out there trying to sell shit that nobody wants. Even if it's good shit."

Hurd recalled that he had heard of the comics before, and upon reading it, felt that it would be great for film. She stated: "When I first read the book, I thought, 'This would be a great film,' and boy was I wrong. It's a much better TV series. Fast forward, I knew that Frank had initially developed it for NBC, which to me seemed like an odd pairing for this. Then I heard it wasn't going forward at NBC so I talked to Frank." On January 20, 2010, AMC officially announced that it had ordered a pilot for a possible series adapted from The Walking Dead comic book series, with Darabont and Hurd acting as executive producers; the former wrote the script and directed the episode. The entire series was pre-ordered based just on the strength of the source material, the television scripts, and Darabont's involvement.

Writing

Darabont wrote a 60-page scriptment for "Days Gone Bye". His initial script for the episode was split half and embellished, subsequently making it into an arc between two episodes. Darabont explained that he did this to "slow the narrative down and dig into the characters more deeply, so it's not just plot-driven, event-driven stuff. You really want to drag these characters into the equation." Darabont felt that instituting visual maneuvers would increase the surreal atmosphere of a scene. Upon reading the script, Kirkman thought that producers were consistent with his comics, adding that they could possibly improve his initial work. "Reading that pilot was just a revelation. t’s extremely faithful. There are things that are so much like the comic, I can’t really remember the nuance of what’s different and what’s not from the comic. He’s definitely being more faithful than I expected, and everything that he’s changing is brilliant. I couldn’t be happier. I think the fans of the book are going to just love it."

Casting

Shortly after initiating principal photography for "Days Gone Bye", there was a high demand for extras as zombies. In an interview with MTV News, special effects artist Greg Nicotero stated that while anyone was welcome to audition, the producers of the show were looking specifically for people who possessed exceptional height and thin features. Casting for extras took approximately three days. Once accepted, the extras would be sent to "zombie school" for training and preparing for filming. Nicotero stated that "it was interesting because I initially thought my experience with zombie movies is you just let them do whatever they want to do. George [Romero] always said, 'You show 50 people one movement, then you have 50 people doing all the same thing.' So we sort of just lined them up and said, 'Let's see what your zombie walk would look like,' and then they would do it and we would say, 'Try this or try that.' You know, sort of fine tuning everybody." Alongside with Darabont, Nicotero had previously collaborated with Romero on several occasions, and looked at the structure of the zombies in his films for inspiration. "It's not that I'm against [fast zombies]. It's just not what I grew up with. It's interesting, too, because a couple takes we did, where a couple of the zombies kind of broke into a run, and after one take Frank's like, 'Did they run too fast? They shouldn't be running. Slow them down.' This is trying to be creepy and moody and, you know, you're building up all this kind of scary tension."

I got an e-mail outlining the project. The first thing I read was AMC. I went, 'Great! I've been waiting for an AMC opportunity!' Then it said The Walking Dead. Terrific title. Then the names. Frank Darabont. Gale Anne Hurd. Great. And then it said 'zombie survival horror.' I think I actually did a literal double take. I was like, 'Really?!'

Andrew Lincoln

In April 2010, The Hollywood Reporter revealed that Jon Bernthal and Andrew Lincoln were accessed by producers for the main cast of the series. Bernthal was portrayed as Shane Walsh, while Lincoln provided the role of Rick Grimes, the central character of The Walking Dead. While Hurd didn't expect to cast Lincoln, Kirkman was ecstatic with Lincoln's acting, evaluating him as an "amazing find". In his interview with Dread Central, Kirkman added that "writing Rick Grimes month after month in the comic series, I had no idea he was an actual living, breathing human being, and yet, here he is. I couldn't be more thrilled with how this show is coming together." Although he was initially shocked upon hearing of The Walking Dead, Lincoln thought that the episode's script was well-written. "I read it and thought it was well written, and I put myself on tape just for one scene. I didn't know who was involved at this point." The succeeding day, his agent called him about the development of the pilot. Lincoln described the moment as "kind of like a dream list". He later communicated with Darabont via Skype; "We spoke for about 40 minutes about his ideas for the project, about what I liked about Episode One and then he asked would I fly over to come and test." Lincoln flew to Darabont's home, where he viewed "Days Gone Bye" in his garage. He opined that was "brilliant" and "very intimate".

Bernthal was extremely comfortable with his character while on set. "The second he opened his mouth and started reading the scene, I knew it was him," he said. "There was no question. I saw Frank and I knew it. He's the guy. He's a wonderful actor, and he's going to kill it in this role." Bernthal admitted that he had no prior knowledge of The Walking Dead comics. He reminisced that he reacted so "organically" to the script that he "didn't want to be colored by anything else. When I did read the comic, I was shocked. Look, I'm not going to sit here and regret. One of the great things about doing TV versus film is to be surprised yourself, to not let where you're going color where you are." The pilot episode's script was amongst several other scripts for proposed television pilots that Bernthal skimmed through; He felt that the script overshadowed the others. "[It was] pilot season, and I read everything that was out there. I still remember the day that I got this script. I told my agent that I’d be thrilled to be an extra in this, it’s so good. It just blew the rest of them right out of the water."

Shortly after the announcement, Sarah Wayne Callies was approached to play the role of Lori Grimes, the wife of Rick and the lead female of the series, while in the following month, Laurie Holden attained the role of Andrea. Holden previously worked with Darabont in the science-fiction horror film The Mist (2007). Other actors garnering roles in the main cast include Steven Yeun, Chandler Riggs, and Jeffrey DeMunn. "Days Gone Bye" featured guest appearances from numerous actors and actresses. Emma Bell appeared on the episode as Amy, the younger sister of Andrea. Bell would later become part of the main cast as a recurring character. Lennie James provided the role for Morgan, and Jim Coleman guest starred on the episode as Lam Kendal. Samuel Witwer, who had corroborated with Darabont in The Mist (2007), appeared on the installment as a dying soldier.

Filming

Principal photography for the episode largely took place in the Fairlie-Poplar district of Atlanta.

Producers of The Walking Dead chose to film in Atlanta, Georgia because of its geographic proximity to Cynthiana, Kentucky, Kirkman's hometown and the setting of the first issue of his comics. "At the beginning they talk about how some of the people in neighboring states would have gone to larger cities so they could fortify them and protect the population." Kirkman considered other cities, particularly New York City, Miami, and Chicago. Hurd had prior experince filming in Atlanta, having previously filmed in the city for Lifetime. Darabont felt that Atlanta offered the essentials he desired for the show; "Atlanta and Georgia all-told is proving to be brilliant for us in terms of what it has to offer, in terms of what the story needed, in terms of the variety of locations—it really is a fantastic place to shoot." Prior to filming, Kirkman toured with Darabont around the central business district of the city. He stated, "I tagged along on a location-scouting expedition, and that was pretty fun—watching Frank Darabont walking through the streets of Atlanta as if he owned the entire city, daring cars to hit him. That was a lot of fun." Darabont ventured onto the middle of a street to grasp a perfect shot, despite being oblivious to oncoming traffic.

Atlanta's climate was cited as a potential issue that would hinder production. Darabont recalled that he found it difficult to adjust to the sweltering heat, adding that he "never had clothes stick to me like this in my life". Lincoln retorted that it was "becoming a running joke that people arrive on set ready for the day and then they are battered and beaten up by the weather." Despite such assertions, he opined that it added to the episode's overall emotion. "There's a lot of hard-earned sweat on camera. It's not comfortable and it's not pleasant, but it's as you would imagine it would be trying to survive in this world."

Principal photography for "Days Gone Bye" first took place in the city on May 15, 2010, after AMC had officially ordered the production of six episodes for the series. Filmography for the episode took place over a period of two months, ending in early July 2010. Filming locations were set up in various areas within the central business district, particularly in the Fairlie-Poplar District. The season premiere was shot completely in anamorphic format on 16 mm film. David Tattersall was the director of photography for the pilot episode, while the episode's production design was headed by Greg Melton and Alex Hajdu. The effects team included veteran special effects makeup designer Gregory Nicotero, special effects coordinator Darrell Pritchett, and visual effects supervisors Sam Nicholson and Jason Sperling.

Computer-generated imagery was used in much of "Days Gone Bye", particularly in a sequence in which Rick encounters a legless walker. "The woman was wearing basically blue stockings and then everything was cleaned out. There is an alarming amount of CGI in the pilot episode and in the whole show, and you would never know it," articulated Robert Kirkman. Kirkman felt that Stargate Studios, which was chosen by producers to edit the pilot episode, did a splendid job. He stated: "There's a shot where Rick is riding off on the horse and his hat actually blew off, and they really liked that shot, and so they had Stargate go in and digitally put the hat back on his head."

Marketing

Locations of zombie invasion events

Palace of Westminster

Lincoln Memorial

Brooklyn Bridge

The show's official website released a motion comic based on the first issue of the original comic and voiced by Phil LaMarr. The site also posted a making-of documentary primarily about the first episode, as well as a number of other behind-the-scenes videos and interviews. In the documentary, comic series creator and show executive producer Robert Kirkman as well as artist Charlie Adlard expressed that they were pleased with how faithful the show is to the comic and remark on the similarities between the actors and the comic's original character drawings. Several scenes from "Days Gone Bye" were screened July 23, 2010 as part of the 2010 San Diego Comic-Con International. Hurd asserted that "[they] really are doing six one-hour movie", and Darabont insisted that the series would closely reflect the development in the comics. "The path is a very strong template. But we're going to take every interesting detour we feel like taking. As long as were staying on the path of what Robert has done, I don't see any reason not to. If they have patience we'll eventually catch up to what Robert is doing."

The Walking Dead debuted during the same week in 120 countries. "Days Gone Bye" premiered in Hong Kong on TVB Pearl on August 30, 2011, while it expanded in international markets during the first week of November. Two weeks prior to its official premiere in the United States, the contents of the episode leaked online. As part of an expansive campaign to advertise and heighten anticipation for the premiere, international broadcasting affiliates of AMC and Fox coordinated a worldwide zombie invasion event proceeding days prior to premiere of the episode in the United States. The event occurred in twenty six cities worldwide, and were hosted in select locations including the Brooklyn Bridge in New York City, Lincoln Memorial in Washington, D.C., Palace of Westminster in London, Bosphorus Bridge in Istanbul, Acropolis of Athens in Athens, and the Museo del Prado in Madrid. The campaign events commenced in Hong Kong and Taipei, and culminated in Los Angeles.

Themes

Romance is an underlying theme in "Days Gone Bye". After returning from the hospital, Rick Grimes unsuccessfully looks for signs of his family. Determined to meet up with his family, Grimes travels to Atlanta, which is deemed as a haven because of its approximate location to the Centers for Disease Control and Prevention. He picks up a transmission to a campsite, to which some of the survivors include his wife Lori, son Carl, and officer Shane Walsh. Robert Kirkman said of the developing storyline:

Well, I didn’t know how long the comic book series was going to last. I hoped that it would become a success and survive for years and years. But at that time in my career, it was very early, I had had a lot of books canceled, just because of poor sales. So early on in the book I would move past storylines very quickly. I set up this love triangle and I resolved that story and moved along within the first [few] issues. But there’s a lot of story potential to mine there. One of the things that the TV show is able to do is to look at the comic book series with hindsight and go, 'This would probably be something that we could explore more.' And that's what we’re going to be doing. So we'll be seeing a lot more of the Lori-Shane-Rick love triangle.

The episode contains a scene in which Grimes regains consciousness from a coma in an abandoned hospital. Confused and disgruntled, he investigates the whereabouts of the area. The sequence is reminiscent to the British horror films The Day of the Triffids (1962) and 28 Days Later (2002). Kirkman insisted that the similarities especially with 28 Days Later was coincidental. "I saw 28 Days Later shortly before the first issue of Walking Dead was released," he stated. "That first issue came out in October of 2003 and 28 Days Later was released in the States in June of 2003. So we were working on our second issue by the time I saw it. It was going to be a matter of somehow trying to restage the entire first issue, because it was a very similar coma opening. I made a decision—which I pretty much regret at this point—I said, 'You know what? It’s so different [from that point on], I will probably never hear anything about this.' And I was wrong."

Reception

Ratings

"Days Gone Bye" was originally broadcast on October 31, 2010 in the United States on AMC. Upon airing, the episode attained 5.35 million viewers, making it the most-viewed series premiere in the network's history. It garnered a 2.7 rating in the 18-49 demographic, translating to 3.6 million viewers according to Nielsen ratings. It subsequently attained the highest rating in the 18–49 demographic amongst all cable television programs that year. Following two encore presentations, total viewership culminated to 8.1 million. "Days Gone Bye" became the highest-rated cable telecast of the day, obtaining significantly higher figures than predecessors Swamp People and Ice Road Truckers on History. The episode performed well in several key demographics: it obtained 2.1 million viewers from the 18–34 demographic while simultaneously attracting 3.1 million from people amongst the 25–54 demographic. It became the highest-rated non sport cable program of the week, as well as the third highest-rated over program of the week dated October 30; "Days Gone Bye" was outperformed by a game between the Miami Heat and the Boston Celtics as part of the 2010–11 NBA season and a match between the New York Giants and the Dallas Cowboys as part of the 2010 NFL season. It is the third most-watched installment of The Walking Dead's first season, only scoring less than "Wildfire" (5.56 million), and "TS-19" (5.97 million). "Days Gone Bye" garnered the highest total viewership for a season premiere out of any cable program up until the airing of its successor, "What Lies Ahead", which attracted 7.3 million viewers.

"Days Gone Bye" echoed similar successes in European markets. It debuted in 120 countries in 33 languages. In the United Kingdom, the episode acquired 579,000 viewers, with an estimated 315,000 originating from the 18–49 demographic. It became the most-watched FX telecast of the week dated November 5. The terrestrial premiere (including Ireland and Scotland) aired on Channel 5 on April 10, 2011, garnering 1.5 million viewers. In Italy, "Days Gone Bye" became the highest-rated telecast of the night on pay television, delivering 360,000 spectators. In Spain, the pilot episode attained a 10.2% share in the television market amongst pay television programs, ultimately obtaining 105,000 viewers. It became the highest-rated series premiere on Fox that year.

The episode performed strongly in Asian markets. In South Korea, "Days Gone Bye" secured 57,000 spectators, subsequently becoming the highest-rated program on Fox that year. In Southeast Asia, total viewership climaxed to 380,000, beating out all Western television programs. "Days Gone Bye" saw its strongest figures in Singapore and the Philippines, where its ratings exceeded the time slot average by 425% and 1,700%, respectively.

"Days Gone Bye" achieved substantial ratings in the 18–49 demographic in several Latin American countries. In Argentina, the pilot episode attained a 3.5 rating in the 18–49 demographic, thereby outperforming the time slot average by 341% and becoming the highest-rated program in its time slot on pay television. It acquired a 2.1 rating in Colombia and Peru, where it exceeded time slot averages by 176% and 970%, respectively. It became the highest-rated program in its time slot on pay television in both countries. "Days Gone Bye" garnered a 1.2 rating in the 18–49 demographic in Venezuala, becoming the highest-rated television program of the day on pay television.

Reaction

Several executives and producers of the show issued responses as a result of the show's success. Charlie Collier, the president of AMC, stated that it was "a good day to be dead. We are so proud of this series, its depth of storytelling and the remarkable talent attached. As the network dedicated to bringing viewers the best stories on television, we are so pleased to have the opportunity with The Walking Dead to raise the bar within this popular genre and continue our commitment to being the home of premium television on basic cable." Senior Vice President Joel Stillerman ascribed that much of its success came from the storytelling presented in the episode; "The Walking Dead is that rare piece of programming that works on so many levels. It is legitimately great storytelling that is not only highly entertaining, but incredibly thought provoking as well. People who are familiar with the comic books know what's coming, but suffice it to say, this is only the beginning of a long, intense, and powerful ride. Long live The Walking Dead."

Critical response

And there’s no underplaying the role of AMC, too, which is creating a distinctive brand out of very different series such as Mad Men, Breaking Bad, Rubicon, and now The Walking Dead. AMC makes sure that all of its shows breathe and move at a deliberate and challenging pace that is anathema to the networks. Also, AMC seems to require the kind of arresting visuals most often associated with the big screen.

Matthew Gilbert
The Boston Globe

"Days Gone Bye" was critically acclaimed by television commentators upon release. Sebastian Liver of Der Tagesspiegel insisted that the episode was setting new standards, and elaborated that it illuminates even during its timid moments. Mike Ryan of Vanity Fair reflected parallel sentiments, calling it the "best new television show of the year." Ryan felt that the series would broaden the audience of the horror genre, as well as attract new fans. "Finally, a horror show on television for people who hate horror. It's not that The Walking Dead isn’t scary or doesn’t contain gratuitous amounts of gore [...] but, where other horror projects opt for camp, The Walking Dead grounds itself in reality." Writing for The Atlantic, Scott Meslow affirmed that The Walking Dead was "as dark, intelligent, and uncompromising as any of AMC's other dramas."

St. Louis Post-Dispatch's Gail Pennington appraised "Days Gone Bye" as "genuinely terrifying", adding that despite being too gruesome for her tastes, it was "too engrossing not to watch." Pennington commended the character development in the episode, stating that Darabont "finds time for the human tragedy of the situation." In an A- grade review, Boston Herald journalist Mark Perigard said that the pilot episode was a "suspenseful thriller", while Robert Bianco of USA Today avouched that it was "one killer of a zombie show." The Wall Street Journal writer Nancy deWolf Smith felt that "Days Gone Bye" contained a cinematic quality to it; "The pilot episode [is] so good that it has hooked even a zombie hater like me." Steve West of Cinema Blend praised the episode, calling it "the best pilot since Lost's introduction" and "a brilliant examination of what makes us human." Leonard Pierce of The A.V. Club gave the episode an 'A-' grade, and described it as a "stunning debut".

Matthew Gilbert of The Boston Globe said that the installment was "fully dynamic and engaging". "The Walking Dead is a promising human story built over a sea of grunting corpses. It’s a scare-fest at points [...] and it's definitely extremely bloody, as zombie guts splatter all over the place like chunky borscht. The 90-minute premiere is a gory Halloween horror event, for sure." Liz Kelly and Jen Chaney of The Washington Post reacted positively to the series premiere, deeming it as a "chilling show", and exclaiming that it had a "very real sense that the world can go completely mad, and stay that way for good." Kris King of Starpulse said that it was "a welcome reprieve from the camp-laden world of zombie culture." Josh Jackson of Paste gave the episode an 8.8 out of 10. Jackson praised the final moments of the episode, describing it as "epic". IGN's Eric Goldman issued "Day Gone Bye" a nine out of ten, signifying an "amazing" rating. Jeff Jensen of Entertainment Weekly evaluated the pilot episode as intense, and felt that it delivered above expectations. He added that it was an "instant classic". Fellow journalist Dan Snierson agreed with Jensen's opinion, complimenting the show for its unpredictability.

James Poniewozik of Time reacted positively to the episode, exclaiming that it "paints a thoroughly convincing postapocalyptic world, both visually and emotionally." Variety's Brian Lowry avouched that "Days Gone Bye" was "surprisingly fresh", despite having initial thoughts of a stale premise. He wrote: "The Walking Dead draws the audience in almost instantly with its cinematic 90-minute pilot, then incorporates tasty soap-like elements meant to animate the ensuing episodes. Although we've seen no shortage of zombies and post-apocalyptic stories, producer-writer-director Frank Darabont has deftly tackled the seemingly perilous task of adapting a comic book about zombies into a viable episodic series." In a three out of four star review, Linda Stasi of New York Post summated, "The zombies are truly scary and disgusting. The survivors are terrific characters, and the gore is enough for any lunatic to love."

Critics were polarized with Andrew Lincoln's performance. Despite citing that the delivery of his accent was "dodgy", Pierce lauded Lincoln's acting. "his body language and expression here is totally different now than when we saw him before," he opined. "He's a fast learner." Gilbert referred to his accent as "spotty", while Goldman professed that Lincoln fit into character very well; "For much of the pilot, he's on his own and exudes a lot of believable, shocked emotion, as Rick tries to process what he is seeing. Tim Goodman of The Hollywood Reporter felt that Lincoln's performance was one of the episode's drawback. He wrote: "One drawback in [The Walking Dead] is that Lincoln plays his emotion a little too close to his deputy’s badge. We're told — by him — that all he wants to do is find his wife and kid. His belief that they still are alive is the emotional drive of the story, but there's not enough deep pain that seeps up to coat the dialogue Lincoln delivers.

Accolades

The episode received three Creative Arts Emmy Award nominations for the 63rd Primetime Emmy Awards, for Outstanding Sound Editing for a Series and Outstanding Special Visual Effects for a Series, and won for Outstanding Prosthetic Makeup for a Series, Miniseries, Movie or a Special.

References

Bibliography

• Goldberg, Matt; Holeman, Kurt; Fischer, Russ (January 15, 2012). Running Dialogue, episode 19: "The Walking Dead" (Dialogue). Creative Loafing. {{cite AV media}}: |format= requires |url= (help); Italic or bold markup not allowed in: |publisher= (help)

External links

• "Days Gone Bye" at AMC
• "Days Gone Bye" at IMDb
• Template:Tv.com episode