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Please Please Me

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Untitled

Please Please Me was the title of the Beatles' first album. The album was released on March 22, 1963 in the United Kingdom, due to the constant efforts of producer George Martin. To date, the Beatles had released only two singles ("Love Me Do"/"P.S. I Love You" - October 5, 1962; "Please Please Me"/"Ask Me Why" - January 11, 1963). The former was a moderate success, due in part to their manager’s record store buying a large volume of the single. The latter, however, as Martin pronounced after they finished recording the song, was their first number one hit in the UK. At the time, groups rarely released an LP unless the album was supported by a massive hit or popular film. Martin pushed for the album to be released, and many of the tracks came to be hits in the UK and the United States; some didn't become hits until the LP was re-released two years later (see Capitol's The Early Beatles). Copies of the original pressing of this album, in good condition, fetch up to £5000 today. American audiences saw only one Beatles single ("Please Please Me"/"Ask Me Why" - February 25, 1963) before Please Please Me was released (under the title Introducing... The Beatles on Vee-Jay Records). "Please Please Me" and "Ask Me Why" were not included on the original American release of the album.

The most remarkable thing about this album was that it was recorded in just fifteen hours on February 11, 1963, except for "Love Me Do" and "P.S. I Love You" (September 11, 1962), and "Please Please Me" and "Ask Me Why" (November 26, 1962). Some of the tracks on the album were not actually composed by the group, but were covers of rock standards of the time and are interesting for the insight they give into the band's own tastes in music.

Please Please Me was recorded on a two-track recorder at Abbey Road Studios, released originally in mono and then stereo. The stereo version has never been released except on vinyl.

Most of the songs were recorded with the following credits (exceptions are noted):

George Harrison: lead guitar
John Lennon: rhythm guitar
Paul McCartney: bass guitar
Ringo Starr: drums

The Cover

The photo on the front was taken inside EMI's London headquarters, but George Martin suggested that they should stand outside the Insect House at London Zoo instead.

Covers

"Anna"

"Chains"

"Boys"

  • originally performed by The Shirelles, written by Dixon/Farrell
  • Ringo Starr - lead vocals (As became the standard, Ringo performed the lead vocals on exactly one track on the album.) Paul, John and George did the background vocals.
  • As Ringo's first recorded vocals, this song remains one of the standards for his vocal performances. Ringo had his own following throughout Beatlemania, and this was one of his fans' favourite songs.

"Baby It's You"

"A Taste of Honey"

"Twist and Shout"

  • Originally performed by The Top Notes in 1961
  • Popular remake by The Isley Brothers released May 7, 1962
  • By the time Lennon got to this song in the recording marathon for Please Please Me, his throat was in much pain, hence the pained and tortured delivery that makes the Beatles version of this popular cover both distinctive and definitive. Lennon claimed: "I couldn't sing the damn thing, I was just screaming."
  • Memorably used in the film Ferris Bueller's Day Off, it was subsequently rereleased as a single in 1986.
  • Paul McCartney and George Harrison - backup vocals

Originals

"I Saw Her Standing There"

  • John Lennon - harmony
  • Paul McCartney - lead vocals
  • Written by John Lennon and Paul McCartney
    • Originally titled "Seventeen"
    • Originally written on a Liverpool Institute exercise book
    • Lennon changed "never been a beauty queen" to "you know what I mean".
  • Distinct for its "One-two-three-FAA!" opening (done to make it seem live), "I Saw Her Standing There" is one of the most enduring songs on the album. It is about the singer, attending a dance and seeing a girl who is "beyond compare". The chorus has an unusual chord progression for rock and roll songs. The song is known for being one of the better examples of Ringo's drum fills, as well as including a Chuck Berry-influenced guitar solo by George Harrison. The bassline was taken from Berry's "I'm Talking About You".
  • Considered by Carr & Tyler's The Beatles: An Illustrated Record as only the third all-British rock classic up to that time, the two previous having been Cliff Richard's "Move It" and Johnny Kidd's "Shakin' All Over"
  • released as a B-side to "I Want to Hold Your Hand" (December 26, 1963; Capitol Records), a seven-week American #1 hit on January 18, 1964
  • A 1974 live version was released as a duet between Elton John and John Lennon
  • By the turn of the century, this song had become a staple of American life, played by D.J.s at weddings and bar/bat mitzvahs, played over P.A. systems during sporting events, and so forth
  • During the 2001 World Series in New York, this was played over the P.A. system between innings. McCartney was in attendance at that game near the Yankees dugout, and the television broadcast showed him singing along to it. During the "woooo"s at the end, he stood up and waved his arms like everyone else.

"Misery"

  • Written by John Lennon backstage at the King's Hall, Glebe Street, Stoke-on-Trent on January 26, 1963
  • "Misery"'s emotional tone and pace speeds up, intensifies and slows down repeatedly, making this song one of the more innovative ones on the album, as far as defining the Beatles' future sound. The song was originally offered to British singer Helen Shapiro but her management refused it. The opening line, "The world is treating me bad, misery" was originally "You've been treating me bad, misery" until Lennon and McCartney changed it in order to give the song a more universal appeal.

"Ask Me Why"

  • "Ask Me Why" is a slow song, though it is distinctively early 1960s, and has not aged terribly well. The song was written by John Lennon. The song owes a strong debt to Smokey Robinson, one of Lennon's favorite singers.
  • B-side to first American single, "Please Please Me", released February 25, 1963 on Vee-Jay Records
  • George Harrison, Paul McCartney - harmony

"Love Me Do"

  • The band's first single, "Love Me Do" is a heartfelt pop song with John Lennon's harmonica work. The lyrics were written by Paul McCartney. The single version was not the same as that released on Please Please Me; the single was recorded September 4, 1962 in fifteen takes, but George Martin was not entirely satisfied. One week later, Andy White, a session drummer, was invited (by Martin) to replace Ringo (who had only just replaced Pete Best as drummer) on the track. Ringo played the tambourine while White played on a take of the song. The single included Ringo on drums, but for hazy reasons, Martin used White's on the album. He claimed it was because the master tape had been sent overseas to an EMI subsidiary company. After 1963, all single re-releases of "Love Me Do" were White's.
  • British single released October 5, 1962 (Parlophone R4949)
  • American single released April 27, 1964 (Tollie 9008), not released until after the band became a massive American success. Featured Andy White on drums.
  • Peaked at #17 on the British charts
  • #1 on American charts (May 30, 1964), Top 100 for 14 weeks
  • John Lennon, Paul McCartney and George Harrison - harmony

"P.S. I Love You"

  • "P.S. I Love You" seems dated to most modern ears, but is a heartfelt love song, distinctively written by Paul McCartney.
  • Ringo Starr - maracas
  • Andy White - drums
  • John Lennon and Paul McCartney - lead vocals
  • George Harrison - harmony

"Do You Want to Know a Secret"

  • George Harrison - lead vocals
  • John Lennon and Paul McCartney - backup vocals
  • This song was written by Lennon to his then-pregnant wife, Cynthia. The titular "secret", according to Lennon was that "Brian Epstein gave us his secret flat he kept in Liverpool to keep his sexual liaisons separate from his home life" (quoted in Two of Us by G. Giuliano). A second layer of secrecy was that of John and Cynthia's marriage in August of 1962 which, at Brian's insistence, was not to be revealed formally lest it alienate female Beatle fans. The song was inspired by Snow White and the Seven Dwarfs (the Disney movie), which includes Snow White singing "Wanna know a secret? Promise not to tell? We are standing by a wishing well" to a group of doves. George Harrison, the singer, claimed the song was partially inspired by "I Really Love You" (The Stereo; 1961), a doo wop hit. Lennon let Harrison sing it because "it only had three notes and he wasn't the best singer in the world"; Harrison strains to hit the high notes. "Do You Want to Know a Secret" was innovative for its time in that the opening phrase was not repeated elsewhere in the song. The song remarkably shifts in tone, from gloom at the beginning to minor-chord plucking uncertainty.
  • Originally released by Billy J. Kramer & the Dakotas, a #2 hit in the UK

"There's a Place"

  • "There's a Place" could be a reprise of "Love Me Do", but instead, takes on its own identity, almost echoing Brian Wilson's "In My Room". Both songs are about the singer's inability to cope with the real world, and his retreat into a special place to be alone and isolated.
  • John Lennon - harmonica
  • Paul McCartney - harmony
  • A cover version was released by The Flamin' Groovies.

"Please Please Me"

  • John Lennon - harmonica
  • George Harrison, Paul McCartney - harmony
  • "Please Please Me" is the epitome of the Beatles early sound, Merseybeat. It is usually considered sexual in tone, as Lennon (the songwriter) implores a girl to sleep with him ("Last night I said these words to my girl/You know you never even try girl/Come on, come on, come on, come on/Please please me, o yeah, like I please you"). The song was inspired by Lennon's love for Roy Orbison, though the title comes from a Bing Crosby song ("Please", 1932, written by Leo Robin and Ralph Rainger, a massive hit), which begins "Oh please, lend your little ear to my pleas"; Lennon fondly remembered his mother singing the song as a child, and used the repetition of the sounds "pleas" in his own composition. Lennon had originally intended for the song to be much slower than it ended up being, but it was sped up at Martin's insistence.
  • Producer George Martin accurately predicted (through the studio intercom) "Gentlemen, you've just recorded your first number-one record."
  • First American single, released February 25, 1963 on Vee-Jay Records, with "Ask Me Why" as the B-side
  • Cover version released in French by Petula Clark in 1963
  • Cover version released by The Score soon after Clark's version
  • added to Paul McCartney's live playlist in September 2005

Influence

The Beatles synthesized multiple genres of music from the 1950s and early 1960s. Girl groups (The Shirelles, The Angels, The Crystals), as well as other early rock and roll (Little Richard), soul (Roy Orbison), surf rock (The Beach Boys) and R&B (Smokey Robinson) artists. In particular, "Misery" and "There's a Place" are influenced by the best of the girl groups, incorporated a dance-able beat with beautiful harmonies and downbeat subject matter. Little Richard's influence can be heard in songs like "I Saw Her Standing There", with McCartney's gospeli-inflected bridge climax. In "Please Please Me", Harrison's guitar riff, which seems to be a response to the lyrics, sound strongly influenced by The Everly Brothers, ascending, climactic style. The same song was an explicit ode to Lennon's hero, Roy Orbison. Songs like "Love Me Do" reflected an influence from American blues, while jazz chords can be heard in "P.S. I Love You", which also shows a vocal debt to Buddy Holly. "Do You Want to Know a Secret" has identifiably doo wop vocals, influenced, according to George Harrison, by The Stereo's 1961 hit "I Really Love You".

Stylistically, Please Please Me was massively influential, bringing the most influential group into international consciousness. The Beatles' interpretation of rock came to dominate the world's popular music scene starting soon after the release of this album, and has thus come to influence most genres of music that came afterwards. The most direct descendant is the harmony-driven pop of groups like The Beach Boys (All Summer Long - 1964) and The Zombies (Odessey and Oracle - 1968), and power pop, beginning the early 1970s (Big Star; Radio City - 1974). In addition, the British Invasion was led by the Beatles, and all of the groups involved sounded at least somewhat like the Beatles, ranging from the folk-pop of The Kinks (The Kink Kontroversy - 1965) to the harder rock of The Rolling Stones (England's Newest Hitmakers - 1964) and The Who (The Who Sings My Generation - 1965). The Beatles' casual, danceable sound helped provide the basis for what would eventually become heavy metal, pub bands like The Yardbirds (Five Live Yardbirds - 1964) and The Small Faces (The Small Faces - 1966). In addition, the Beatles would go on to help lead the hippies in the late 1960s, and thus came to influence the music of that time, folk-pop like The Band (The Band - 1969) and Crosby, Stills, Nash & Young (Déjà Vu - 1970), as well as the acid rock of the Jimi Hendrix Experience (Are You Experienced? - 1967) and Cream (Disraeli Gears - 1967).

Track listing

Side one

All Tracks McCartney/Lennon, except where noted,

  1. "I Saw Her Standing There" - 2:55
  2. "Misery" - 1:50
  3. "Anna (Go to Him)" (Alexander) - 2:57
  4. "Chains" (Goffin/King) - 2:26
  5. "Boys" (Dixon/Farrell) - 2:27
  6. "Ask Me Why" - 2:27
  7. "Please Please Me" - 2:03, SAMPLE (62k)

Side two

  1. "Love Me Do" - 2:22
  2. "P.S. I Love You" - 2:05
  3. "Baby It's You" (David/Williams/Bacharach) - 2:38
  4. "Do You Want to Know a Secret" - 1:59, SAMPLE (90k)
  5. "A Taste of Honey" (Scott/Marlow) - 2:05
  6. "There's a Place" - 1:52
  7. "Twist and Shout" (Medley/Russel) - 2:33, SAMPLE (123k)

Personnel

  • George Harrison - Guitar, Vocals
  • John Lennon - Guitar, Harmonica, Guitar (Rhythm), Vocals
  • Paul McCartney - Bass Guitar, Vocals
  • Ringo Starr - Drums, Maraccas, Tambourine, Vocals
  • George Martin - Piano, Producer
  • Tony Barrow - Liner Notes
  • Angus McBean - Photography
  • Andy White - Drums

Charting singles

Billboard Music Charts (North America)

1964Do You Want To Know A SecretPop SinglesNo. 2
1964Love Me DoPop SinglesNo. 1
1964P.S. I Love YouPop SinglesNo. 10
1964Please Please MePop SinglesNo. 3
1964There's A PlacePop SinglesNo. 74
1986Twist And ShoutThe Billboard Hot 100No. 23

Album Charting

Highest chart position: Disc Weekly) #1; Melody Maker) #1; NME) #1; Record Retailer) #1 It stayed top for 30 weeks (from 11th May 1963) Weeks in chart: 74 (seventy weeks from 6th April 1963, and four weeks from 7th March 1987)

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