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1964 New York World's Fair

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The 1964/1965 New York World's Fair was the third major World's Fair to be held in New York City.[1]

View of the New York World's Fair 1964/1965 as seen from the observation towers of the New York State pavilion. The Fair's symbol, Unisphere, is the central image.
View of the Unisphere as seen from ground level.

Overview

The site is Flushing Meadows Corona Park in the Borough of Queens and held both the 1964/1965 New York World’s Fair and the 1939/1940 New York World’s Fair. Preceding these Fairs is the 1853-54, New York’s World’s Fair, called the Crystal Palace Exhibition, located on the site of Bryant Park in the borough of Manhattan, New York City. The 1964/1965 New York World's Fair opened on April 22, 1964, and ran for two six-month seasons concluding on October 17, 1965. The World's Fair took place without sanctioning from the Bureau of International Expositions, the only one to do so.

It was the largest World's Fair to be held in the United States, occupying nearly a square mile (2.6 km²) of land. Hailing itself as a "Universal and International" exposition, the Fair's theme was "Peace Through Understanding," dedicated to "Man's Achievement on a Shrinking Globe in an Expanding Universe." The theme was symbolized by a twelve-story high, stainless-steel model of the earth called Unisphere. United States corporations dominated the exposition as exhibitors. The Fair is best remembered as a showcase of mid-twentieth century American culture. The nascent Space Age, with its vista of promise was well-covered by the exhibits. More than fifty-one million people attended the Fair, but this was less than the hoped-for seventy million.

Controversial beginnings

The 1964/1965 Fair was conceived by a group of New York businessmen who fondly remembered their childhood experiences at the 1939/1940 New York World's Fair and wanted to provide that same experience for their children and grandchildren. Thoughts of an economic boom to the city as the result of increased tourism was also a major reason for holding another Fair twenty-five years after the 1939/1940 extravaganza.

Organizers turned to private financing and the sale of bonds to pay the huge costs to stage them. The organizers hired New York's "Master Builder," Robert Moses, to head the corporation established to run the Fair because he was experienced in raising money for vast public projects. Moses had been a formidable figure in the city since coming to power in the 1930s. He was responsible for the construction of much of the city's highway infrastructure and, as Parks Commissioner for decades, the creation of much of the city's park system.

In the mid-1930s, Moses oversaw the conversion of a vast Queens tidal marsh - garbage dump into the glittering fairgrounds that hosted the 1939/1940 World's Fair. Called Flushing Meadows Park, it was Moses' grandest park scheme. He envisioned this vast park, comprising some 1,300 acres (5 km²) of land and located in the center of the city, as a major recreational playground for New Yorkers. When the 1939/1940 World's Fair ended in financial failure, Moses did not have the available funds to complete work on his project. He saw the 1964/1965 Fair as a means to finish what the earlier Fair had begun.

To ensure profits to complete the Park, Fair organizers knew they would have to maximize receipts from the Fair. An attendance of seventy million people would be needed in order to turn a profit and, for an attendance that large to be possible, the Fair would need to be held for two years. The World's Fair Corporation also decided to charge site rental fees to all exhibitors who wished to construct pavilions on the Fairgrounds. This decision caused the Fair to come to terms with the Bureau of International Expositions (BIE), the international body headquartered in Paris that sanctions World's Fairs. The United States was not a member of the BIE at the time but Fair organizers understood that a sanction by the BIE would assure that its nearly forty member nations would participate in the Fair.

BIE rules stated that an international exposition may run for one six-month period only, no rent may be charged to exhibitors who wish to participate and only one exposition may be held in any given country within a 10-year period. Both Seattle, Washington and Montreal, Canada had already been sanctioned by the BIE to host World's Fairs in 1962 and 1967 respectively at the time New York put their World's Fair bid before the BIE in 1960. Robert Moses, undaunted by these rules, journeyed to Paris to seek official approval for the New York Fair. When the BIE balked at New York's bid, Moses, used to having his way in New York, angered the BIE delegates by taking his case to the press, publicly stating his disdain for their organization and their rules. The BIE retaliated by taking the action of formally requesting their member nations not to participate in the New York Fair. The 1964/1965 New York World's Fair thus became the only significant World's Fair in history to be held without BIE endorsement.

International participation

The BIE decision was nearly a disaster for the Fair. The absence of Canada, Australia, most of the major European nations and the Soviet Union, all members of the BIE, tarnished the image of the Fair. Additionally, New York was forced to compete with both Seattle and Montreal for international participants, with many nations choosing the officially sanctioned World's Fairs of those cities over the New York Fair. The Fair turned to trade and tourism organizations within many countries to host national exhibits in lieu of official government sponsorship of pavilions.

New York City, in the middle of the 20th century, was at a zenith of economic power and world prestige. Unconcerned by BIE rules, smaller nations saw it as an honor to host an exhibit at the Fair in the world's most prestigious city[citation needed]. Therefore smaller nations and so-called third-world countries made up the majority of the international participation. In the end, only Spain and Vatican City hosted a major national presence at the Fair. Other international participants included Japan, Mexico, Sweden, Austria, Denmark, Thailand, Philippines, Greece and Pakistan, to name a few.

One of the Fair's most popular exhibits was the Vatican pavilion where Michelangelo's Pietà was displayed, and a small plaza marking the spot (and Pope Paul VI's visit) remains there. A recreation of a medieval Belgian village proved to be very popular also. There, Fairgoers were treated to a new taste sensation in the form of the "Bel-Gem Waffle" — a combination of waffle, strawberries and whipped cream. As "Belgian Waffles" they continue to be sold in America.

Elsewhere emerging African nations displayed their wares in the Africa Pavilion. Controversy broke out when the Jordanian pavilion displayed a mural emphasizing the plight of the Palestinian people. The Jordanians also donated an ancient column which remains at their site. The city of West Berlin, a Cold War hotspot, hosted a popular display.

American industry takes the spotlight

File:NYWF Bag 1964.JPG
Souvenir bag art

At the 1939/1940 World's Fair, industrial exhibitors played a major role by hosting huge, elaborate exhibits. Many of them returned to the 1964/1965 Fair with even more elaborate versions of the shows they had presented twenty-five years earlier. The most notable of these was General Motors Corporation whose Futurama, a show in which visitors seated in moving armchairs glided past detailed scenery showing what life might be like in the "near-future," proved to be the Fair's most popular exhibit. Nearly twenty-six million people took the journey into the future during the Fair's two-year run.

Other popular exhibits included that of the IBM Corporation, where a giant five hundred-seat grandstand was pushed by hydraulic rams high up into a rooftop theater. There, a nine-screen film showed the workings of computer logic. The Bell System hosted a fifteen-minute ride in moving armchairs depicting the history of communications in dioramas and film. DuPont presented a musical review by composer Michael Brown called "The Wonderful World of Chemistry." At Parker Pen, a computer would make a match to a world-wide International Penfriend. The Westinghouse Corporation planted a second time capsule next to the 1939 one; today both Westinghouse Time Capsules are marked by a monument southwest of the Unisphere.

The surprise hit of the Fair was a non-commercial movie short presented by the SC Johnson Company (S.C. Johnson Wax) called "To be alive!" The film celebrated the joy of life found worldwide and in all cultures. The movie went on to win an Academy Award in 1966.

Ford Motor Company introduced the Ford Mustang automobile to the public at their pavilion on April 17, 1964.

Disney influence

The Fair is remembered as the vehicle Walt Disney used to design and perfect the system of "audio-animatronics," in which a combination of sound and computers control the movement of life-like robots to act out scenes. The Walt Disney Company was responsible for the creation of four shows at the Fair:

  • In the "it's a small world" attraction at the Pepsi pavilion, animated dolls and animals frolicked in a spirit of international unity on a boat-ride around the world. The song was provided by the Sherman Brothers.
  • General Electric sponsored the "Carousel of Progress" where an audience seated in a revolving auditorium saw an audio-animatronics presentation of the progress of electricity in the home. The Sherman Brothers song "There's a Great Big Beautiful Tomorrow" was composed for this attraction.
  • Ford Motor Company presented Disney's "The Magic Skyway," the second most popular exhibit at the fair, using Ford cars in an early prototype of the Omnimover system to move the audience through scenes featuring life-sized audio-animatronic dinosaurs and cavemen. The Walt Disney Company had earlier been asked by General Motors to produce their exhibit, but they were declined. When Walt Disney heard that someone had told Ford no, he fired them and told Ford that they would definitely design their pavilion.
  • At the Illinois pavilion, a life-like Abraham Lincoln recited his famous speeches in "Great Moments with Mr. Lincoln."

After the Fair, there was some discussion of the Disney company retaining these exhibits on-site and converting Flushing Meadows Park into an east coast version of Disneyland, but this idea was abandoned. Instead, Disney relocated several of these exhibits to Disneyland, and subsequently replicated them at other Disney Theme Parks; Walt Disney World is essentially the realization of the original concept of an "east coast Disneyland".

Federal and state exhibits

The Federal exhibit was titled "Challenge to Greatness" and focused on President Johnson's "Great Society" proposals. The main show in the multi-million dollar pavilion was a fifteen-minute ride through a filmed presentation of American history. Visitors seated in moving grandstands rode past movie screens that slid in, out and over the path of the traveling audience. Elsewhere, there were tributes to President John F. Kennedy, who had broken ground for the pavilion back in December 1962 but had been assassinated in November 1963 before the fair opened.

New York State played host to the Fair at its six million dollar open-air pavilion called the "Tent of Tomorrow." Designed by famed modernist architect Philip Johnson, the pavilion also boasted the Fair's high spot observation towers.

Wisconsin exhibited the "World's Largest Cheese." Florida brought a dolphin show and water skiers to New York. Oklahoma gave weary Fairgoers a restful park to relax in. Missouri displayed the state's space-related industries. Visitors could dine at Hawaii's "Five Volcanoes" restaurant. At the New York City pavilion, a huge scale model of the City of New York was on display complete with a simulated helicopter ride for easy viewing. Left over from the 1939 Fair, this building had also hosted the United Nations from 1946-51.

Failure of Amusements

The most discouraging aspect of the Fair may have been the absence of a midway. The Fair's organizers were opposed, on principle, to the honky-tonk atmosphere engendered by midways, and this was another thing that irked the BIE, which insisted that all officially sanctioned fairs have a midway. What amusements the Fair actually had were groomed until tame, predictable, and dull. The Meadow Lake Amusement Area wasn't easily accessible anyway, and although this area was supposed to remain open for 4 hours after the exhibits closed at 10 p.m., the Fair presented a fountain and fireworks every night at 9 p.m. at the Pool of Industry. Fairgoers would see this show and then leave the Fair rather than head over to the Amusement Area; one was hard pressed to see anyone on the Fair grounds by midnight. The Fair's big entertainment spectacles, including the "Wonder World" at the Meadow Lake Amphitheatre, "To Broadway with Love" in the Texas Pavilion, and Dick Button's "Ice-travaganza" in the New York City Pavilion, all closed early, with heavy losses. Clearly, the fairgoers didn't go the Fair for its entertainment value; after all, they could find plenty of entertainment in Manhattan.

Controversial ending

The Fair came to a close embroiled in controversy over allegations of financial mismanagement. Controversy had plagued it during much of its two-year run mainly due to Robert Moses' inability to get along with the press. As a result the press seemed harsh on the Fair, criticizing everything from a lack of fine art displays to the prices charged for admission. Only twenty-four million people attended the Fair by the close of the 1964 season.

The Fair Corporation had taken in millions of dollars in advance ticket sales for both the 1964 and 1965 seasons. However, the receipts of these sales were booked entirely against the first season of the Fair. This made it appear that the Fair had plenty of operating cash when, in fact, they were inadvertently borrowing from the second season's gate to pay the bills. Before and during the 1964 season, the Fair spent much money despite attendance that was way below the expectations. By the end of the 1964 season Moses, and the press, began to realize that there would not be enough money to pay the bills and the Fair teetered on bankruptcy. There would be millions of people attending in 1965 who had tickets to enter but whose receipts had already been spent. The press, and soon the City of New York, began to demand accountability for what they considered mismanagement of the Fair.

The Fair was eventually able to limp through the second season without having to declare bankruptcy because of emergency money provided by the city, an increase in ticket prices and a surge in attendance as the Fair drew to a close. However, the financial crisis further ruined the image of the Fair and of its owner.

Epilogue

Aerial view of the remaining structures in Flushing Meadows in 2004
The observatory towers.

Like its predecessor, the 1964/1965 New York World's Fair lost money. It was unable to repay its financial backers their investment and it became embroiled in legal disputes with its creditors until 1970, when the books were finally closed and the New York World's Fair 1964-1965 Corporation was dissolved. Most of the pavilions constructed for the Fair were demolished within six months following the Fair's close. While only a handful of pavilions survived, some of them traveled great distances and found reuse following the Fair:

  • The Austria pavilion became a ski lodge in western New York.
  • The Wisconsin pavilion became a radio station in Neillsville, Wisconsin.
  • The US Royal Tire-shaped Ferris Wheel was relocated to become a road sign along Interstate 94 in the Metro Detroit Downriver community of Allen Park, MI.
  • The Pavilion of Spain relocated to St. Louis, Missouri and is now a part of a Hilton Hotel.
  • The Parker Pen pavilion became offices for the Lodge of Four Seasons in Lake of the Ozarks, Missouri.
  • The Johnson Wax disc-shaped theater was reworked and became part of the S.C. Johnson Wax complex in Racine, Wisconsin designed by Frank Lloyd Wright.
  • The stained glass windows from the Vatican pavilion were built into Saint Mary's Church in Groton, Connecticut.
  • The Christian Science pavilion became a church in Poway, California. The structure was demolished in 2006.
  • A large oil painting of a woman, painted in 1964 by Roy Lichtenstein and titled "New York World's Fair," is in the Weisman Art Museum in Minneapolis, Minnesota.
  • The Carillon from the Coca-Cola Pavilion was moved to Stone Mountain Park, near Atlanta, Georgia.
  • As noted, the Disney-created ride called "it's a small world" was transferred to Disneyland, as was the "Carousel of Progress." The Abraham Lincoln animatronics figure became the centerpiece of the "Great Moments With Mr. Lincoln" Show, but this figure has since been retired for an updated figure. Scenes from the Ford Magic Skyway were used in Disneyland Railroad's Primeval World Diorama and the ride system was improved upon and used for the PeopleMover.
  • Some of the light fixtures that lined the walkways can be found still functioning at Penn Hills Resort in the Poconos, Analomink, PA.

New York City was left with a much improved Flushing Meadows Park following the Fair, taking possession of the Park from the Fair Corporation in June, 1967. It is heavily used for both walking and recreation. The paths and their names remain almost unchanged from the days of the Fair.

At the center of the park stands the symbol of "Man's Achievements on a Shrinking Globe in an Expanding Universe" – the Fair's Unisphere symbol, depicting our earth of "The Space Age." (The Unisphere later was made famous again in 1997 when it was featured in the film Men in Black.) The Unisphere has become a symbol of Queens, and has appeared on the cover of the county's phone books. Today, with the fountains long dry, it is a popular skateboarding site. The city also received a multi-million dollar Science Museum and Space Park exhibiting the rockets and vehicles used in America's early space exploration projects.

Both the New York State pavilion and the Federal pavilion were retained for future use. No reuse was ever found for the Federal pavilion and it became severely deteriorated and vandalized before being demolished in 1977. The New York State pavilion also found no residual use other than as TV and movie sets, such as an episode of McCloud; for The Wiz; and part of the setting (and the plot) for Men in Black. In the decades after the Fair closed it remains an abandoned and badly neglected relic of the Fair, with its roof gone the once bright floors and walls are almost faded away. In 1994 the Queens Theatre took over the circular Circarama adjacent to the towers and continues to operate there, using the ruined state pavilion as a storage depot.

The Space Park deteriorated due to neglect, but the surviving rockets were restored and placed back on display in 2004. It is presently open again as part of the New York Hall of Science, a portion of which is a remnant of the Fair. The Fair's Heliport has found reuse as a banquet / catering facility called "Terrace on the Park."

In 1978, Flushing Meadows-Corona Park, as it is now called, became the home of the United States Tennis Association and the US Open tennis tournament is played there annually. The former Singer Bowl, later renamed Louis Armstrong Stadium, was the tournament's primary venue until the larger Arthur Ashe Stadium was built on the site of the former Federal Pavilion and opened in August 1997. Collectively, the complex is called the USTA National Tennis Center.

The R36 cars built for the IRT 7 subway route that served the 1964 fair ran the route for over 39 years afterwards, with some cars lasting into 2003. Some of them still survive today in work use or storage.

The former New York City building is home to the Queens Museum of Art and continues to display the multi-million dollar model of the city of New York. This historic structure also (as of 2007) has an excellent display of memorabilia from the two Fairs. The section where the early United Nations General Assembly met had now reverted back to its historic role as an ice skating rink.

Shea Stadium, while not part of the Fair grounds proper, was opened at the same time as the fair and was listed in the fair's maps. It remains the home of the New York Mets baseball team, who are building a new stadium (Citi Field) next to Shea that is scheduled to open in 2009.

Commemorative postage stamps were produced for the Fair, souvenir medals were issued, and a lot of memorabilia remains in private hands. There is significant interest in collecting these pieces. Items of all types, many quite inexpensive, frequently appear in sales.

In 1995, PBS produced The 1964 World's Fair, a 52-minute documentary about the Fair, narrated by Judd Hirsch. [1]

Also, parts of Universal Studios Florida in Orlando, Florida may have been inspired by the 1964 New York World's Fair.[citation needed] The entrance to the park has a globe that resembles the Unisphere with "Universal Studios" on it, and an area of the park called "World Expo" that features worldly music and flags of many nations. In 1999, the World Expo area expanded and opened the Men In Black: Alien Attack attraction with recreations of New York observatory towers in front of the building. The attraction itself is based on a fictional World's Fair pavilion, you enter as a tourist but soon you ride an elevator to the facility and learn that you are trying out to be a part of the Men In Black.

Influence on They Might Be Giants

New York native band They Might Be Giants has paid homage to the fair several times[2]:

  • Their song "Birdhouse in Your Soul" has several references to attractions at the fair. The song "Purple Toupee" references it as well.
  • "Ana Ng" mentions the line "All alone at the Sixty-Four World's Fair / Eighty dolls yelling 'Small Girl After All'", a direct reference to the fair and the "It's a Small World" attraction.
  • The band made the music video for their single "Don't Let's Start" at the former fair site, in Queens, New York.
  • The band performed a cover of the theme song to the Carousel of Progress ("There's a Great Big Beautiful Tomorrow") on the soundtrack to the film Meet the Robinsons.

In addition, co-founding member of the band John Linnell mentioned that he and Flansburgh had both attended the fair as children[3].

Footnotes

  1. ^ Archdiocese History, Archdiocese of New York. Accessed November 5, 2007.
  2. ^ 1964 World's Fair at This Might Be a Wiki
  3. ^ Don't Let's Start at This Might Be a Wiki

References

Text material

  • World's Fair Legacies William P. Young. [2]
  • Flushing Meadows-Corona Park Today William P. Young. [3]
  • International Participation in the New York World's Fair 1964-1965 Sharyn Elise Jackson. [4]
  • Editors, Time-Life Books Official Guide: 1964-1965 New York World's Fair . Book Sales: 1963-1965.
  • Third Supplemental Report on New York World's Fair 1964 -1965 Corporation Covering Operations from Inception to December 31, 1966. October 26, 1967. [5]
  • New York Public Library archives of '64-'65 World's Fair. Manuscripts & Archives Division of Fair Administration, Construction, Maintenance, Participation, and Public Relations. [6]

Photographs

Wikimedia Commons has media related to 1964 New York World's Fair.
  • Aerial View of Relics of the Fair Source: Unknown (not placed by the author). GNU Public Domain Photograph
  • Fairgrounds view from the observation towers of the NY State Pavilion Photograph by Max Mordecai (deceased).
Donated to GNU by son, Glen Mordecai, July 19, 2005. [7]

External sources

External link videos

Disney participation in the 1964 World's Fair

Carousel of Progress at Magic Kingdom
Carousel of Progress at Magic Kingdom
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