Beauty Behind the Madness
Beauty Behind the Madness | ||||
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Released | August 28, 2015 | |||
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Length | 65:06 | |||
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Singles from Beauty Behind the Madness | ||||
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Beauty Behind the Madness is the second studio album by Canadian singer the Weeknd. It was released on August 28, 2015, through XO and Republic Records. The album features guest appearances from Labrinth, Ed Sheeran and Lana Del Rey, with production by the Weeknd himself, Kanye West, Stephan Moccio, DaHeala, Illangelo, Ben Billions, DannyBoyStyles, Max Martin, and Ali Payami, among others.
Beauty Behind the Madness was supported by five singles: "Often", "The Hills", "Can't Feel My Face", "In the Night", and "Acquainted". "The Hills" and "Can't Feel My Face" both reached number one on the US Billboard Hot 100. The album also includes the Academy Award-nominated song "Earned It", which was released as a single from the soundtrack to Fifty Shades of Grey.
Beauty Behind the Madness received generally positive reviews from critics, debuting at number one in several countries, including the United States and the United Kingdom, and in its first week recorded sales of 412,000 units in addition to streaming. According to the International Federation of the Phonographic Industry, it became the tenth best-selling album of 2015, with 1.5 million copies sold worldwide.
Background
In 2013, in an interview with MTV, following the release of his debut album, The Weeknd spoke of his compilation album Trilogy, as the first chapter of his life and Kiss Land as the second chapter. He described his first two releases, saying:
Trilogy was more of a claustrophobic body of work, before it was released I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life in one setting, that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song. Kiss Land is the story after Trilogy – it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me, "Why Japan?" I simply tell them it's the furthest I've ever been from home. It really is a different planet.[4]
Following the release of his debut album Kiss Land, the Weeknd began appearing in numerous soundtracks; including the soundtrack to The Hunger Games: Catching Fire, contributing "Devil May Cry" and featuring on "Elastic Heart" by Sia, released as the second single from the soundtrack,[5][6] and the song "Love Me Harder" was released as a duet between the Weeknd and Ariana Grande, and became a commercial success.[7]
On June 26, 2014, the Weeknd announced that he would be headlining the King of the Fall tour, essentially a mini-tour across America in September and October 2014. Schoolboy Q and Jhené Aiko were confirmed as support acts.[8] The announcement came on the day after the Weeknd released his new song "Often" on SoundCloud, leading to speculation the tour will unveil more new material from him.[8] On December 23, 2014, "Earned It" was released as a single from the soundtrack of the film Fifty Shades of Grey (2015).[9] The song peaked at number three on the US Billboard Hot 100.[10]
On July 5, 2015, Ed Sheeran revealed on Beats 1 that he had worked with the Weeknd on his forthcoming album. Sheeran also said that Kanye West would feature in this collaboration on the album.[11] On July 9, 2015, the Weeknd announced that his second studio album would be titled Beauty Behind the Madness and shared the album artwork on Twitter.[12]
Promotion
On July 4, 2015, the Weeknd headlined FVDED in the Park in Surrey, British Columbia, Canada. On July 9, the Weeknd continued to promote the album by headlining summer music festivals, including Lollapalooza in Chicago, the Hard Summer Music Festival in Pomona, California, the Summer Set Music and Camping Festival in Somerset, Wisconsin, Philadelphia's Made in America Festival, Austin City Limits in Austin, and Seattle's Bumbershoot Festival.[13]
This followed the leak of three songs from the album in May 2015: "In the Night", "Can't Feel My Face", and a working version of "Acquainted" referred to as "Girls Born in the 90s" that was heavily reworked before release.[14]
Singles
The first single, "Often", was released on July 31, 2014.[15] The song peaked at number 59 on the US Billboard Hot 100,[10] it also peaked at number 69 on the Canadian Hot 100.[16]
The album's second single, "The Hills", was released on May 27, 2015.[17] The song peaked at number one on the Billboard Hot 100.[10]
The album's third single, "Can't Feel My Face", was released on June 8, 2015, following the performance of the song by the Weeknd at Apple Worldwide Developers Conference on the same day.[18] The song peaked at number one on the Billboard Hot 100.[10]
"In the Night" was released to contemporary hit radio on November 17, 2015, as the album's fourth single in the United States.[19] The song peaked at number 12 on the Billboard Hot 100.[10]
"Acquainted" was released to urban contemporary radio on November 17, 2015, as the album's fifth and final single in the United States.[20] It was also released to rhythmic contemporary on February 16, 2016.[21] The song peaked at number 60 on the Billboard Hot 100.[10]
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.9/10[22] |
Metacritic | 74/100[23] |
Review scores | |
Source | Rating |
AllMusic | [3] |
The A.V. Club | B[24] |
Chicago Tribune | [25] |
The Daily Telegraph | [26] |
Entertainment Weekly | B[27] |
NME | 7/10[28] |
The Observer | [29] |
Pitchfork | 7.2/10[30] |
Rolling Stone | [31] |
Spin | 7/10[32] |
Beauty Behind the Madness was met with generally positive reviews. At Metacritic, the album received an average score of 74, based on 26 reviews.[23] Aggregator AnyDecentMusic? gave it 6.9 out of 10, based on their assessment of the critical consensus.[22]
Sheldon Pearce of The A.V. Club said, "It expertly and carefully closes the gap between the Weeknd's perception and his reality."[24] Greg Kot of the Chicago Tribune said, "He's aiming for harder truths, creating pop that also works as a commentary on choice and consequence."[25] Mackenzie Herd of Exclaim! said, "Beauty Behind the Madness proves that the Weeknd can thrive in the mainstream, and while the lyrics aren't overtly profound, he's proven that he is more versatile than previously thought, which is perhaps of greater importance at this stage in his career."[33] Kyle Anderson of Entertainment Weekly said, "Anyone looking for a collection of homages to the King of Pop will be disappointed. Those masterpieces ["Can't Feel My Face" and "In The Night"] are outliers, and they end up making Madness' missteps all the more jarring.... In the middle of those two poles lies a series of bass-heavy throb-and-moan blasts with the signature oddness (shape-shifting melodies, twitchy percussion) that makes the Weeknd a compelling artist."[27] April Clare Welsh of NME said, "He may have softened his edge, upped the production and pulled in the stars, but the Weeknd remains an outsider."[28] Andrew Ryce of Pitchfork said, "In the end, enjoying the Weeknd requires a certain suspension of disbelief, and that remains true on Beauty Behind the Madness. You really have to buy into his bad-guy persona.... For newcomers, there's a whole world to explore, and on Beauty Behind the Madness it's richer and smarter than ever."[30]
Jon Dolan of Rolling Stone said, "If the sound has widened and even brightened in spots, the Weeknd still rocks a serious Eeyore vibe for much of Beauty Behind the Madness."[31] Harley Brown of Spin said, "Beauty Behind the Madness is front-loaded with fresh directions for the Weeknd that achieve the impossible: make it sound like he's actually enjoying himself."[32] Andy Kellman of AllMusic said, "The commercial strides are obvious. The creative advancements are less apparent, obstructed by some unappealing measures, but they're in there."[3] Helen Brown of The Daily Telegraph said, ""Real Life" builds up to a pitch of doomed drama from a corrosive slash of guitar as Tesfaye confides that even his "Mama called me destructive". But Ed Sheeran fails to rescue him on the tedious "Dark Times" and Lana Del Rey—who ought to be his perfect partner in pop-noir—adds nothing but a bored spritz of vocal perfume to the lethargic "Prisoner"."[26] Andy Gill of The Independent said, "Beauty Behind the Madness leaves one feeling just as estranged from Abel Tesfaye's depraved character as previous releases boasting less adhesive tunes."[34] Kitty Empire of The Observer said, "The Weeknd's most conventional songs thus far are Sheeran's boringly retro "Dark Times", and "Shameless", a guitar ballad unredeemable even by its deranged guitar solo. Elsewhere, the step up is more convincing, if not always easy to listen to."[29]
Accolades
Publication | Accolade | Rank | Ref. |
---|---|---|---|
Billboard | 25 Best Albums of 2015 | 18
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Complex | Best Albums of 2015 | 23
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Digital Spy | The 25 Best Albums of 2015 | 17
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Exclaim! | Exclaim!'s Top 10 Soul and R&B Albums of 2015 | 4
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[38] |
Mojo | Top 50 Albums of 2015 | 45
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The New York Times | The Best Albums of 2015 (Jon Caramanica) | 2
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NME | NME's Albums of the Year 2015 | 19
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Now | The Top Toronto Albums of 2015 | 8
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Pitchfork | Best Albums of 2015 (Reader's Poll) | 43
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Rolling Stone | 50 Best Albums of 2015 | 5
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20 Best R&B Albums of 2015 | 2
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500 Greatest Albums of All Time | 442
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Year | Ceremony | Category | Result | Ref. |
---|---|---|---|---|
2015 | American Music Awards | Favorite Soul/R&B Album | Won | [47] |
GAFFA Awards (Sweden) | Best Foreign Album | Won | [48] | |
MOBO Awards | Best International Album | Nominated | [49] | |
Soul Train Music Awards | Best Album of the Year | Won | [50] | |
2016 | Grammy Awards | Best Urban Contemporary Album | Won | [51] |
Album of the Year | Nominated | |||
Billboard Music Awards | Top R&B Album | Won | [52] | |
Top Billboard 200 Album | Nominated | |||
ECHO Music Awards | Best International Hip-Hop/Urban Album | Nominated | [53] | |
iHeartRadio Music Awards | Album of the Year | Nominated | [54] | |
Juno Awards | Album of the Year | Won | [55] | |
R&B/Soul Recording of the Year | Won | |||
NAACP Image Awards | Outstanding Album | Nominated | [56] | |
People's Choice Awards | Favorite Album | Nominated | [57] | |
Polaris Music Prize | Polaris Music Prize | Longlisted | [58] | |
2017 | Guinness World Records | Most Streamed Album in One Year | Won | [59] |
Commercial performance
On August 31, 2015, Billboard estimated that Beauty Behind the Madness would sell approximately 300,000 copies during the first week of its release in the United States.[60] The album debuted at number one on the US Billboard 200 with 412,000 album-equivalent units; it sold 326,000 copies in its first week, with the remainder of its unit total reflecting its streaming activity and track sales. Its number-one debut gave the Weeknd his first number-one album.[61] It remained atop the chart for the next two weeks and was the first album to spend three weeks at number one consecutively since Taylor Swift's 1989.[62][63] The album also remained in the top 10 on the Billboard 200 for a total of 21 consecutive weeks.[64] According to International Federation of the Phonographic Industry, Beauty Behind the Madness was the tenth best-selling album of 2015 worldwide.[65] As of August 2017, the album has earned 3.7 million equivalent album units in the United States, of which 1.23 million are in traditional album sales. The set has also generated 2.05 billion on-demand audio streams for its songs.[66]
Track listing
Credits were adapted from the album's liner notes.[67]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Real Life" |
| 3:43 | |
2. | "Losers" (featuring Labrinth) |
| 4:41 | |
3. | "Tell Your Friends" |
| 5:34 | |
4. | "Often" |
|
| 4:09 |
5. | "The Hills" |
|
| 4:02 |
6. | "Acquainted" |
|
| 5:48 |
7. | "Can't Feel My Face" |
| 3:33 | |
8. | "Shameless" |
|
| 4:13 |
9. | "Earned It (Fifty Shades of Grey)" |
|
| 4:37 |
10. | "In the Night" |
|
| 3:55 |
11. | "As You Are" |
|
| 5:40 |
12. | "Dark Times" (featuring Ed Sheeran) |
| Illangelo | 4:20 |
13. | "Prisoner" (featuring Lana Del Rey) |
|
| 4:34 |
14. | "Angel" |
|
| 6:17 |
Total length: | 65:06 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
15. | "Can't Feel My Face" (Martin Garrix Remix) |
|
| 4:12 |
16. | "The Hills" (featuring Eminem) |
|
| 4:23 |
17. | "The Hills" (featuring Nicki Minaj) |
|
| 4:02 |
Total length: | 81:43 |
Notes
Sample credits
- "Tell Your Friends" contains a sample of "Can't Stop Loving You", written by Carl Marshall and Robert Holmes, and performed by Soul Dog.
- "Often" contains a sample of "Ben Gene Sana Mecburum", performed by Nükhet Duru.
Personnel
Credits adapted from album's liner notes.[67]
- Klas Åhlund – synth guitar solo (track 8)
- Andy Barnes – mixing assistant (track 4)
- Jonathan Martin Berry – guitars (tracks 1, 9, 14)
- Cory Bice – assistant engineer (tracks 7, 8, 10)
- Jay Paul Bicknell – engineer (tracks 1, 9, 14), programming and keyboards (tracks 1, 14), additional programming (track 9)
- Ben Billions – producer (tracks 4, 6, 11)
- Edie Lehmann Boddicker – children's choir director (track 14)
- Christopher Bradford – children's choir (track 14)
- David Bukovinszky – cello (track 8)
- Paul Bushnell – bass (tracks 1, 9, 14)
- Mattias Bylund – strings arranging, engineering, and editing (track 8)
- Peter Carlsson – vocal editing (tracks 7, 8, 10)
- Vinnie Colaiuta – additional percussion (track 14)
- Tom Coyne – mastering (tracks 1–3, 5–14)
- DannyBoyStyles – producer (tracks 6, 11)
- Mike Dean – co-producer and guitar (track 3)
- Lana Del Rey – vocals (track 13)
- Greg Eliason – mixing assistant (tracks 1, 14)
- Vanessa Freebairn-Smith – cello (track 1)
- Kyle Gaffney – assistant engineer (track 14)
- Serban Ghenea – mixing (tracks 7, 8, 10)
- Noah Goldstein – additional production and engineer (track 3)
- Aria Gunn – children's choir (track 14)
- Levi Gunn – children's choir (track 14)
- John Hanes – mix engineer (tracks 7, 8, 10)
- Sam Holland – engineer (tracks 7, 8, 10)
- Brandon "Bizzy" Hollemon – guitars (track 4)
- Jean-Marie Horvat – mixing (track 4)
- Mattias Johansson – violin (track 8)
- Dave Kutch – mastering (track 4)
- Labrinth – vocals, producer, programming, and instrumentation (track 2)
- Karissa Lee – children's choir (track 14)
- Micah Lee – children's choir (track 14)
- Shane Lee – children's choir (track 14)
- Jeremy Lertola – assistant engineer (tracks 7, 8, 10)
- Max Martin – producer and additional programming (tracks 7, 8, 10)
- Joe Matthews – children's choir (track 14)
- Elle Moccio – children's choir (track 14)
- Stephan Moccio – producer, programming, and piano (tracks 1, 9, 14); keyboards and background vocals (tracks 1, 14); arranger (track 9)
- Mona – producer (track 5)
- Carlo "Illangelo" Montagnese – executive producer, producer (tracks 2, 5, 6, 11–13), co-producer (track 3), engineer (tracks 3, 5, 6, 11–13), mixing (tracks 2, 3, 5, 6, 11–13)
- Maty Noyes – guest artist vocals and background vocals (track 14)
- Evin O'Cleary – assistant engineer (track 9)
- Zola Odessa – children's choir (track 14)
- Ali Payami – producer, programming, drums, synthesizers, keyboards, and bass (tracks 7, 8, 10)
- Christopher "Che" Pope – producer (track 3)
- Jason "DaHeala" Quenneville – executive producer, producer (tracks 1, 4, 6, 9, 11), co-producer (track 4), engineer (tracks 2–4, 12), programming (track 1), additional vocal engineering (track 9)
- Dave Reitzas – additional programming (track 9), mixing (tracks 1, 9, 14)
- Omar Riad – additional production (track 3)
- Ed Sheeran – vocals (track 12)
- Joshua Smith – additional engineering (tracks 2, 3, 11–13)
- Peter Svensson – producer (track 8), guitars and additional keyboards (track 7), acoustic guitar and keyboards (track 8)
- Abel "The Weeknd" Tesfaye – lead vocals, executive producer, producer (tracks 1–4, 6, 11, 14), co-producer (tracks 8, 10, 13), arranger (track 2), programming (track 1), background vocals (tracks 1, 14)
- Claira Titman – children's choir (track 14)
- Emily Titman – children's choir (track 14)
- Kanye West – producer and backup vocals (track 3)
Charts
Weekly charts
|
Year-end charts
Decade-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[138] | Platinum | 70,000^ |
Austria (IFPI Austria)[139] | Gold | 7,500* |
Canada (Music Canada)[140] | 5× Platinum | 400,000‡ |
Denmark (IFPI Danmark)[141] | 3× Platinum | 60,000‡ |
Germany (BVMI)[142] | Gold | 100,000‡ |
Mexico (AMPROFON)[143] | Platinum+Gold | 90,000‡ |
Norway (IFPI Norway)[144] | Gold | 15,000* |
Poland (ZPAV)[145] | Platinum | 0‡ |
Sweden (GLF)[146] | Platinum | 40,000‡ |
United Kingdom (BPI)[147] | Platinum | 300,000* |
United States (RIAA)[148] | 4× Platinum | 4,000,000‡ |
* Sales figures based on certification alone. |
Release history
Region | Date | Label(s) | Format(s) | Ref. |
---|---|---|---|---|
United States | August 28, 2015 | [149] |
See also
- List of number-one albums of 2015 (Australia)
- List of number-one albums of 2015 (Canada)
- List of UK Albums Chart number ones of the 2010s
- List of UK R&B Albums Chart number ones of 2015
- List of Billboard 200 number-one albums of 2015
- List of Billboard number-one R&B/hip-hop albums of 2015
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{{cite AV media notes}}
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- 2015 albums
- Albums produced by Illangelo
- Albums produced by Kanye West
- Albums produced by Labrinth
- Albums produced by Max Martin
- Albums produced by Mike Dean (record producer)
- Grammy Award for Best Urban Contemporary Album
- Republic Records albums
- The Weeknd albums
- Juno Award for Album of the Year albums
- Juno Award for R&B/Soul Recording of the Year recordings