Boogie Nights
| Boogie Nights | |
|---|---|
| File:Boogie nights ver1.jpg Theatrical release poster | |
| Directed by | Paul Thomas Anderson |
| Written by | Paul Thomas Anderson |
| Produced by |
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| Starring | |
| Cinematography | Robert Elswit |
| Edited by | Dylan Tichenor |
| Music by | Michael Penn |
| Distributed by | New Line Cinema |
Release date |
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Running time | 155 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $15 million[2] |
| Box office | $43.1 million[2] |
Boogie Nights is a 1997 American drama film written, produced and directed by Paul Thomas Anderson. It is set in Los Angeles' San Fernando Valley and focuses on a young nightclub dishwasher, who becomes a popular star of pornographic films, chronicling his rise in the Golden Age of Porn of the 1970s through to his fall during the excesses of the '80s. The film is an expansion of Anderson's mockumentary short film The Dirk Diggler Story (1988).[3][4][5][6]
It stars Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy and Heather Graham. Robert Elswit served as cinematographer, Michael Penn composed the score and Dylan Tichenor edited the film. Leonardo DiCaprio was originally considered for the role of Eddie Adams, but was replaced by Wahlberg.
The film was released on October 10, 1997 and garnered critical acclaim. Many critics compared the film's style to the work of Robert Altman. It was also nominated for three Academy Awards, including Best Original Screenplay for Anderson, Best Supporting Actress for Moore and Best Supporting Actor for Reynolds. The film's soundtrack also received acclaim.
Plot
In 1977, Eddie Adams is a high school dropout who lives with his stepfather and emotionally abusive alcoholic mother in Torrance, California. He works at the Reseda nightclub owned by Maurice Rodriguez, where he meets porn filmmaker Jack Horner, who auditions him by watching him have sex with Rollergirl, a porn starlet who always wears skates. After a heated argument with his mother about his girlfriend and sex life, Adams moves in with Horner at his San Fernando Valley home. Adams gives himself the screen name "Dirk Diggler", and becomes a star because of his good looks, youthful charisma and unusually large penis. His success allows him to buy a new house, an extensive wardrobe and a "competition orange" 1977 Chevrolet Corvette Stingray. He and his friend, porn star Reed Rothchild, pitch and star in a series of successful action-themed porn films. Ostensibly, Dirk works and socializes with the others from the porn industry, and enjoys a carefree lifestyle in the late 70s disco era (it is during this time that Dirk is introduced to cocaine by Amber). Things take a dramatic turn at a New Year's Eve party at Horner's house marking the year 1980, when assistant director Little Bill Thompson discovers his frequently and openly unfaithful porn star wife having sex with yet another man, shoots them with a gun and kills himself.
Shortly afterward, Dirk and Reed begin using cocaine regularly. Dirk's addiction to it also makes it increasingly difficult to achieve an erection to successfully film his scenes, and he falls into violent mood swings. In 1983, when Jack introduces the "family" to his new recruit, Johnny Doe, Dirk's cocaine-fueled anger and jealously explodes into an argument with Jack. Dirk is fired and becomes estranged from the "family". He and Reed leave to start their rock and roll career along with Scotty, a boom operator who is in love with Dirk. Jack previously rejected business overtures from Floyd Gondolli, a "theater" magnate in San Diego and San Francisco, who insists on cutting costs by shooting on videotape, because Jack believes that the videotapes will diminish the quality of his films. However, after his friend and financier Colonel James is imprisoned for child pornography, Jack begins working with Floyd, and subsequently becomes disillusioned with the lack of scripts and character development in the projects Gondolli expects him to churn out. One of these projects involves him and Rollergirl riding in a limousine, searching for random men for her to have sex with while a crew tapes it. When a man recognizes Rollergirl as a former high school classmate of his, he insults both her and Jack. They both respond furiously by beating up the young man and leaving him injured on the sidewalk as the video crew drive away, while the camera pans down the street to Dirk, who is working as a gay hustler.
Leading lady Amber Waves, who took Dirk under her wing when he joined Jack's stable of actors, finds herself in a custody battle with her former husband. The court determines that she is an unfit mother, due to her involvement in the porn industry, prior criminal record and cocaine addiction. Buck Swope marries fellow porn star Jessie St. Vincent, who shortly thereafter becomes pregnant. Because of his past, Buck is disqualified from the bank loan and cannot open his own stereo equipment store. That night after arriving at the donut shop, he finds himself in the middle of a holdup. In a sheer stroke of luck, the clerk, the robber and an armed customer are killed in the resulting shootout, and Buck escapes with the bag of money that the robber dropped in the ensuing shootout. Heavily addicted to cocaine, Dirk and Reed squandered their money on drugs, and are unable to pay a recording studio for demo tapes that they believe will enable them to become music stars (despite all evidence to the contrary). Desperate for money, Dirk resorts to prostitution, but he is assaulted and robbed by three men, one of whom was posing as a customer to bait Dirk. Dirk, Reed and their friend Todd attempt to scam drug dealer Rahad Jackson by selling him a half-kilo of baking soda as fake cocaine. Dirk and Reed decide to leave before Rahad's bodyguard inspects the product, but Todd reveals his plan to impulsively rob Rahad of money he believes is in a floor safe. When his plan fails, resulting in Rahad running off to grab his shotgun and killing Todd, Dirk and Reed barely escape with their lives. Emotionally vulnerable and remorseful for how his life has gone downhill, Dirk reconciles with Jack.
In 1984, Jessie gives birth to her son with Buck, Amber shoots the television commercial for Buck's store opening, Reed practices a successful magic act at a topless bar, Colonel James remains in prison and is shown being abused by his cellmate, and Rollergirl returns to study high school. Dirk and Amber prepare to start filming again. The film ends with Dirk practicing his lines alone in his dressing room and briefly showing the audience a glimpse of his famous penis.
Cast
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Production
Boogie Nights is based on a mockumentary short film that Anderson made, while he was still in high school called The Dirk Diggler Story.[3] He originally wanted the role of Eddie to be played by Leonardo DiCaprio, after seeing him in The Basketball Diaries. DiCaprio enjoyed the screenplay, but had to turn it down because he signed on to star in Titanic. DiCaprio recommended Mark Wahlberg for the role.[7] Joaquin Phoenix was also offered the role of Eddie, but turned it down due to concerns about playing a porn star. Phoenix would later collaborate with Anderson in the films, The Master and Inherent Vice.[8] Bill Murray, Harvey Keitel, Warren Beatty, Albert Brooks and Sydney Pollack declined or were passed up on the role of Jack Horner, which went to Burt Reynolds.[9] After starring in Hard Eight, Samuel L. Jackson declined the role of Buck Swope, which went to Don Cheadle. Anderson initially did not consider Heather Graham for the role of Rollergirl, because he had never seen her do nudity in a film. However, Graham's agent called Anderson asking if she could read for the part, which she won. Drew Barrymore and Tatum O'Neal were also up for the role.[7][9]
After having a very difficult time getting his previous film, Hard Eight released, Anderson laid down a hard law when getting Boogie Nights made. He initially wanted the film to be over three hours long and be rated NC-17. The film's producers, particularly Michael De Luca, said that the film had to be either under three hours or rated R. Anderson fought with them, saying that the film would not have a mainstream appeal no matter what. They did not change their minds, and Anderson chose the R rating as a challenge. Despite this, the film was still twenty minutes shorter than promised.[7]
Real life pornographic actresses Nina Hartley and Veronica Hart made cameos in the film. Hartley plays Little Bill's promiscuous wife and Hart plays the judge for Amber Waves' child custody case. Amber's custodial problems in the film were inspired by Hart's real-life custodial problems over her son.[10]
Reynolds did not get along with Anderson while filming. Later, Anderson considered Reynolds to star in his next film, Magnolia, but Reynolds turned it down.[11] After seeing a rough cut of the film, Reynolds fired his agent for recommending it. Despite this, Reynolds won a Golden Globe Award and was nominated for an Academy Award for his performance.[12]
In his audio commentary on the New Line DVD release of the film, Anderson cites reporter Mike Sager’s article from Rolling Stone, “The Devil and John Holmes”, as a major influence.[13]
Reception
The film premiered at the Toronto International Film Festival and was shown at the New York Film Festival, before opening on two screens in the U.S. on October 10, 1997. It grossed $50,168 on its opening weekend. Three weeks later, it expanded to 907 theaters and grossed $4,681,934, ranking #4 for the week. It eventually earned $26,400,640 in the U.S. and $16,700,954 in foreign markets for a worldwide box office total of $43,101,594.[14]
The film currently has 92% positive reviews on film review aggregator site Rotten Tomatoes, with 60 of 65 counted reviews giving it a "fresh" rating and an average rating of 8.1 out of 10. The site's consensus states: "Grounded in strong characters, bold themes, and subtle storytelling, Boogie Nights is a groundbreaking film both for director P.T. Anderson and star Mark Wahlberg."[15] On Metacritic, the film holds an average score of 85 out of 100, based on 28 reviews.[16]
Janet Maslin of The New York Times said, "Everything about Boogie Nights is interestingly unexpected," although "the film's extravagant 2-hour 32-minute length amounts to a slight tactical mistake ... [it] has no trouble holding interest ... but the length promises larger ideas than the film finally delivers." She praised Burt Reynolds for "his best and most suavely funny performance in many years" and added, "The movie's special gift happens to be Mark Wahlberg, who gives a terrifically appealing performance."[17]
Roger Ebert of the Chicago Sun-Times observed, "Few films have been more matter-of-fact, even disenchanted, about sexuality. Adult films are a business here, not a dalliance or a pastime, and one of the charms of Boogie Nights is the way it shows the everyday backstage humdrum life of porno filmmaking ... The sweep and variety of the characters have brought the movie comparisons to Robert Altman's Nashville and The Player. There is also some of the same appeal as Pulp Fiction in scenes that balance precariously between comedy and violence ... Through all the characters and all the action, Anderson's screenplay centers on the human qualities of the players ... Boogie Nights has the quality of many great films, in that it always seems alive."[18]
Mick LaSalle of the San Francisco Chronicle stated, "Boogie Nights is the first great film about the 1970s to come out since the '70s ... It gets all the details right, nailing down the styles and the music. More impressive, it captures the decade's distinct, decadent glamour ... [It] also succeeds at something very difficult: re-creating the ethos and mentality of an era ... Paul Thomas Anderson ... has pulled off a wonderful, sprawling, sophisticated film ... With Boogie Nights, we know we're not just watching episodes from disparate lives but a panorama of recent social history, rendered in bold, exuberant colors."[19]
Kenneth Turan of the Los Angeles Times called it "a startling film, but not for the obvious reasons. Yes, its decision to focus on the pornography business in the San Fernando Valley in the 1970s and 1980s is nerviness itself, but more impressive is the film's sureness of touch, its ability to be empathetic, nonjudgmental and gently satirical, to understand what is going on beneath the surface of this raunchy Nashville-esque universe and to deftly relate it to our own ... Perhaps the most exciting thing about Boogie Nights is the ease with which writer-director Anderson ... spins out this complex web. A true storyteller, able to easily mix and match moods in a playful and audacious manner, he is a filmmaker definitely worth watching, both now and in the future."[dead link][20]
Peter Travers of Rolling Stone said, "[T]his chunk of movie dynamite is detonated by Mark Wahlberg ... who grabs a breakout role and runs with it ... Even when Boogie Nights flies off course as it tracks its bizarrely idealistic characters into the '80s ... you can sense the passionate commitment at the core of this hilarious and harrowing spectacle. For this, credit Paul Thomas Anderson ... who ... scores a personal triumph by finding glints of rude life in the ashes that remained after Watergate. For all the unbridled sex, what is significant, timely and, finally, hopeful about Boogie Nights is the way Anderson proves that a movie can be mercilessly honest and mercifully humane at the same time."[21]
Soundtrack
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Two Boogie Nights soundtracks were released, the first at the time of the film's initial release and the second the following year.
Awards and nominations
The film received box success with Reynolds' depiction of Jack Horner garnered him twelve awards and three nominations, and Moore's depiction of Amber Waves garnered her six awards and nominations.
See also
References
- ^ "BOOGIE NIGHTS (18)". British Board of Film Classification. October 28, 1997. Retrieved July 5, 2013.
- ^ a b Box Office Mojo: Boogie Nights
- ^ a b McKenna, Kristine (October 12, 1997). "Knows It When He Sees It". Los Angeles Times. Retrieved June 25, 2012.
- ^ Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 115. ISBN 978-0-06-054017-3.
- ^ Hirshberg, Lynn (December 19, 1999). "His Way". NYTimes.com. The New York Times Company. Retrieved June 25, 2012.
- ^ Mottram, James (2006). The Sundance Kids : how the mavericks took back Hollywood. NY: Faber & Faber, Inc. p. 129. ISBN 9780865479678.
- ^ a b c Kirk, Jeremy. "37 THINGS WE LEARNED FROM THE 'BOOGIE NIGHTS' COMMENTARY". Retrieved August 30, 2015.
- ^ Brooks, Xan. "Joaquin Phoenix set to star in Paul Thomas Anderson's Inherent Vice". Retrieved August 29, 2015.
- ^ a b Zakarin, Jordan. "5 Things We Just Learned About 'Boogie Nights'". Retrieved August 31, 2015.
- ^ "Boogie Nights Trivia". Retrieved August 29, 2015.
- ^ Rowles, Dustin. "Paul Thomas Anderson Just Told the Most Amazing 'Boogie Nights' Story About Burt Reynolds". Retrieved August 29, 2015.
- ^ Brew, Simon. "10 actors who turned against their own films". Retrieved August 29, 2015.
- ^ Steven Lemons. "Return to Wonderland". Salon. Retrieved March 20, 2014.
- ^ "Box Office Mojo". IMDb. Retrieved June 25, 2011.
- ^ "Boogie Nights". Rotten Tomatoes. Flixter. Retrieved May 16, 2012.
- ^ "Boogie Nights". Metacritic. CBS Interactive. Retrieved July 1, 2010.
- ^ "''New York Times'' review". NYTimes.com. October 8, 1997. Retrieved June 25, 2011.
- ^ "''Chicago Sun-Times'' review". RogerEbert.SunTimes.com. October 17, 1997. Retrieved June 25, 2011.
- ^ LaSalle, Mick (October 17, 1997). "''San Francisco Chronicle'' review". SFGate.com. Retrieved June 25, 2011.
- ^ Boucher, Geoff. "Los Angeles Times review". CalendarLive.com. Archived from the original on December 1, 2008. Retrieved June 25, 2011.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ "Rolling Stone review". Rolling Stone. Retrieved February 6, 2014.
External links
- Boogie Nights at IMDb
- Boogie Nights at Box Office Mojo
- Boogie Nights at Rotten Tomatoes
- Boogie Nights at Metacritic
- Boogie Nights script at the Internet Movie Script Database
- Paul Thomas Anderson radio interview
- "Livin' Thing: An Oral History of Boogie Nights", Grantland, December 2014
- 1997 films
- American films
- English-language films
- 1990s drama films
- American drama films
- American independent films
- Buddy films
- Disco films
- Features based on short films
- Films about actors
- Films about drugs
- Films about filmmaking
- Films about pornography
- Films about sexuality
- Films directed by Paul Thomas Anderson
- Films featuring a Best Supporting Actor Golden Globe winning performance
- Films set in 1977
- Films set in 1980
- Films set in the 1970s
- Films set in the 1980s
- Films set in the San Fernando Valley
- Films shot in California
- Films shot in Los Angeles, California
- Films shot in multiple formats
- Incest in film
- Films about male prostitution
- New Line Cinema films