Paul Thomas Anderson
|Paul Thomas Anderson|
Anderson in New York City on December 10, 2007
June 26, 1970 |
Studio City, California, U.S.
|Residence||San Fernando Valley, California|
|Other names||P.T.A., P.T. Anderson|
|Alma mater||Emerson College
New York University
|Notable work||Boogie Nights, Magnolia, Punch-Drunk Love, There Will Be Blood, The Master, Inherent Vice|
|Partner(s)||Maya Rudolph (2001–present)|
Paul Thomas Anderson (born June 26, 1970) also known as P.T. Anderson, is an American filmmaker Interested in film-making at a young age, Anderson was encouraged by his father Ernie Anderson (a disc jockey, and television and radio announcer/voiceover artist) to become a filmmaker.
In 1993, he wrote and directed a short film titled Cigarettes & Coffee on a budget of $20,000. After he attended the Sundance Institute, Anderson had a deal with Rysher Entertainment to direct his first feature film, a neo-noir crime thriller titled Hard Eight, in 1996. Anderson received critical and commercial success for his film Boogie Nights (1997), set during the Golden Age of Porn in the 1970s and 1980s. His third feature, Magnolia (1999), received strongly positive reviews despite struggling at the box office. In 2002, the romantic comedy-drama Punch-Drunk Love, Anderson's fourth feature, was released to generally favorable reviews.
After a five-year absence, the epic drama There Will Be Blood was released to wide acclaim from critics in 2007. In 2012, Anderson's sixth film, the drama The Master, was released to critical acclaim. His seventh film, the crime comedy-drama Inherent Vice, based on the novel of the same name by Thomas Pynchon, was released in 2014, to general acclaim. His eighth film, Junun, is a documentary about the making of an album of the same name.
Anderson has been nominated for six Academy Awards over the course of his career, while his films have earned a further fourteen Academy Award nominations for cast and crew. There Will Be Blood has been named by several critics as the best film of the 2000s. The work later ranked, along with The Master and Inherent Vice, in BBC's 2016 poll of the greatest films since 2000.
- 1 Early life
- 2 Career
- 3 Influences and style
- 4 Personal life
- 5 Filmography
- 6 Awards and recognition
- 7 References
- 8 External links
Anderson was born June 26, 1970, in Studio City, California, to Edwina (née Gough) and Ernie Anderson. Ernie was an actor who was the voice of ABC and a Cleveland television late-night horror movie host known as "Ghoulardi" (after whom Anderson later named his production company). Anderson grew up in the San Fernando Valley. He is third youngest of nine children, and had a troubled relationship with his mother but was close with his father, who encouraged him to become a writer or director. Anderson attended a number of schools, including Buckley in Sherman Oaks, John Thomas Dye School, Campbell Hall School, Cushing Academy and Montclair Prep.
Anderson was involved in filmmaking at a young age and never really had an alternative plan to directing films. He made his first movie when he was eight years old and started making movies on a Betamax video camera which his dad bought in 1982 when he was twelve years old. He later started using 8 mm film but realized that video was easier. He began writing in adolescence, and at 17 years old he began experimenting with a Bolex sixteen millimeter camera. After years of experimenting with "standard fare", he wrote and filmed his first real production as a senior in high school at Montclair Prep using money he earned cleaning cages at a pet store. The film was a thirty-minute mockumentary shot on video called The Dirk Diggler Story (1988), about a pornography star; the story was inspired by John Holmes, who also served as a major inspiration for Boogie Nights.
Anderson spent two semesters as an English major at Emerson College, and only two days at New York University before he began his career as a production assistant on television films, music videos and game shows in Los Angeles and New York City. Feeling that the material shown to him at film school turned the experience into "homework or a chore", Anderson decided to make a twenty-minute film that would be his "college".
For $20,000, made up of gambling winnings, his girlfriend's credit card, and money his father set aside for him for college, Anderson made Cigarettes & Coffee (1993), a short film connecting multiple story lines with a twenty-dollar bill. The film was screened at the 1993 Sundance Festival Shorts Program. He decided to expand the film into a feature-length film and was subsequently invited to the 1994 Sundance Feature Film Program. At the Sundance Feature Film Program, Michael Caton-Jones served as Anderson's mentor; he saw Anderson as someone with "talent and a fully formed creative voice but not much hands-on experience" and gave him some hard and practical lessons.
While at the Sundance Feature Film Program, Anderson already had a deal with Rysher Entertainment to direct his first feature. In 1996, Anderson made his first full-length feature, Sydney, which was retitled Hard Eight (1996). Upon completion of the film, Rysher re-edited it. Anderson, who still had the workprint of his original cut, submitted the film, which was accepted and screened in the Un Certain Regard section at the 1996 Cannes Film Festival. Anderson was able to get his version released but only after he retitled the film and raised the $200,000 necessary to finish it - he, Philip Baker Hall, Gwyneth Paltrow and John C. Reilly contributed the funding. The version that was released was Anderson's and the acclaim from the film launched his career.
Anderson began working on the script for his next feature film during his troubles with Hard Eight, completing the script in 1995. The result was Anderson's breakout for the drama film Boogie Nights (1997), which is based on his short The Dirk Diggler Story. The script was noticed by New Line Cinema's president, Michael De Luca, who felt "totally gaga" reading it. It was released on October 10, 1997 and was a critical and commercial success. The film revived the career of Burt Reynolds, and provided breakout roles for Mark Wahlberg and Julianne Moore. At the 70th Academy Awards ceremony, the film was nominated for three Academy Awards, including for Best Supporting Actor (Burt Reynolds), Best Supporting Actress (Julianne Moore) and Best Original Screenplay.
After the success of Boogie Nights, New Line told Anderson that he could do whatever he wanted for his next film and granted him creative control. Though Anderson initially wanted to make a film that was "intimate and small-scale", the script "kept blossoming". The resulting film was the ensemble piece Magnolia (1999), which tells the story of the peculiar interaction of several individuals in the San Fernando Valley. Anderson used the music of Aimee Mann as a basis and inspiration for the film, commissioning her to write eight new songs. At the 72nd Academy Awards, Magnolia received three nominations, for Best Actor in a Supporting Role (Tom Cruise), Best Original Song for "Save Me" by Aimee Mann and Best Original Screenplay. Anderson stated after the film's release that "what I really feel is that Magnolia is, for better or worse, the best movie I'll ever make."
After the release of Magnolia, Anderson stated that he would like to work with comedic actor Adam Sandler in the future and that he was determined to make his next film 90 minutes long. His next feature was the romantic comedy-drama film Punch-Drunk Love (2002), starring Sandler, with Emily Watson portraying his love interest. The story centers on a beleaguered small-business owner (Sandler) with anger issues and seven emasculating sisters. A subplot in the film was partly based on David Phillips (also called The Pudding Guy). Sandler received critical praise for his role in his first major departure from the mainstream comedies that had made him a star. At the 2002 Cannes Film Festival, Anderson won the Best Director Award and was nominated for the Palme d'Or.
There Will Be Blood
There Will Be Blood (2007) was loosely based on the Upton Sinclair novel Oil!. The budget of the film was $25 million, and it earned $76.1 million worldwide. Daniel Day-Lewis starred and won an Oscar for Best Leading Actor for his role. The film received eight nominations overall at the 80th Academy Awards. Paul Dano received a BAFTA nomination for Best Supporting Actor. Anderson was nominated for Best Director from the Directors Guild of America. The film also received eight Academy Award nominations, tying with No Country for Old Men for the most nominations. Anderson received nominations for Best Picture, Best Director and Best Adapted Screenplay, losing all three to the Coen Brothers for No Country for Old Men. There Will Be Blood was regarded by some critics as one of the greatest films of the decade, some parties further declaring it one of the most accomplished American films of the modern era; David Denby of The New Yorker wrote "the young writer-director Paul Thomas Anderson has now done work that bears comparison to the greatest achievements of Griffith and Ford", while Richard Schickel proclaimed it "one of the most wholly original American movies ever made".
In December 2009, Anderson was working on a new script tentatively titled The Master, about a "charismatic intellectual" who starts a new religion in the 1950s. An associate of Anderson stated that the idea for the film had been in Anderson's head for about twelve years. Though the film makes no reference to the movement, it has "long been widely assumed to be based on Scientology." The Master was released on September 14, 2012 by The Weinstein Company in the United States and Canada to critical acclaim. The film received three nominations at the 85th Academy Awards: Joaquin Phoenix for Best Leading Actor, Philip Seymour Hoffman for Best Supporting Actor and Amy Adams for Best Supporting Actress.
Production of Anderson's adaptation of Thomas Pynchon's 2009 novel Inherent Vice began in May 2013 and ended in August of the same year. The film marked the first time that Pynchon allowed his work to be adapted for the screen and saw Anderson work with Phoenix for a second time. The supporting cast includes Owen Wilson, Reese Witherspoon, Jena Malone, Martin Short, Benicio Del Toro, Katherine Waterston, Josh Brolin, Peter McRobbie, Michael K. Williams and Eric Roberts. The film received two nominations at the 87th Academy Awards: Anderson for Best Adapted Screenplay and Mark Bridges for Best Costume Design.
In 2015, Anderson directed a 54-minute documentary, Junun, about the making of an album of the same name by Jonny Greenwood, Israeli composer Shye Ben Tzur and a group of Indian musicians. Most of the performances were recorded at the 15th-century Mehrangarh Fort in the Indian state of Rajasthan. Junun premiered at the 2015 New York Film Festival.
Anderson is currently working on a drama about the London fashion industry in the 1950s, which will star Daniel Day-Lewis in his first acting role since Lincoln in 2012. Filming will commence in early 2017, for intended release in late 2017. In September 2016, the U.S. distribution rights were acquired by Focus Features, with Universal handling international distribution.
Anderson was a standby director during the 2005 filming of Robert Altman's A Prairie Home Companion for insurance purposes, as Altman was 80 years old at the time. Anderson has directed several music videos, including Radiohead's 2016 single "Daydreaming" and several for Fiona Apple. In 2008, Anderson co-wrote and directed a 70-minute play at the Largo Theatre, comprising a series of vignettes starring Maya Rudolph and Fred Armisen, with a live score by Jon Brion.
Influences and style
Anderson only attended film school for two days, preferring to learn the craft by watching films by the filmmakers he liked, as well as watching films accompanied by director's audio commentary. Anderson has cited Martin Scorsese, Robert Altman, Jonathan Demme, Stanley Kubrick, Orson Welles and Max Ophüls as his main influences as a filmmaker.
Themes and style
Anderson is known for films set in the San Fernando Valley with realistically flawed and desperate characters. Among the themes dealt with in Anderson's films are dysfunctional familial relationships, alienation, surrogate families, regret, loneliness, destiny, the power of forgiveness, and ghosts of the past. Anderson makes frequent use of repetition to build emphasis and thematic consistency. In Boogie Nights, Magnolia, Punch Drunk Love and The Master, the phrase "I didn't do anything" is used at least once, developing themes of responsibility and denial. Anderson's films are known for their bold visual style which includes stylistic trademarks such as constantly moving camera, steadicam-based long takes, memorable use of music, and multilayered audiovisual imagery. Anderson also tends to reference the Book of Exodus, either explicitly or subtly, such as in recurring references to Exodus 8:2 in Magnolia, which chronicles the plague of frogs, culminating with the literal raining of frogs in the film's climax, or the title and themes in There Will Be Blood, a phrase that can be found in Exodus 7:19, which details the plague of blood.
Within his first three films, Hard Eight, Boogie Nights and Magnolia, Anderson explored themes of dysfunctional families, alienation and loneliness. Boogie Nights and Magnolia were noted for their large ensemble casts, which Anderson returned to in Inherent Vice. In Punch-Drunk Love, Anderson explored similar themes but expressed a different visual style, shedding the influences and references of his earlier films, being more surreal and having a heightened sense of reality. It was also short, compared to his previous two films, at 90 minutes.
There Will Be Blood stood apart from his first four films but shared similar themes and style such as flawed characters, moving camera, memorable music, and a lengthy running time. The film was more overtly engaged with politics than his previous films had been, examining capitalism and themes such as savagery, optimism, and obsession. The Master dealt with "ideas about American personality, success, rootlessness, master-disciple dynamics, and father-son mutually assured destruction." All of his films deal with American themes with business versus art in Boogie Nights, ambition in There Will Be Blood, self-reinvention in The Master.
Anderson frequently collaborates with many actors and crew, carrying them over from film to film. Anderson has referred to his regular actors as "my little rep company" that has included John C. Reilly, Philip Baker Hall, Julianne Moore, William H. Macy, Melora Walters, and most prominently, the late Philip Seymour Hoffman. Luis Guzmán is also considered an Anderson regular. Hoffman acted in Anderson's first four films as well as The Master. Except for Paul F. Tompkins, Kevin Breznahan, and Jim Meskimen, who all had equally minor roles in Magnolia, There Will Be Blood had an entirely new cast. Robert Elswit has been cinematographer for all of Anderson's films except The Master which was shot by Mihai Mălaimare Jr. Jon Brion served as composer for Hard Eight, Magnolia, and Punch-Drunk Love, and Jonny Greenwood of Radiohead for There Will Be Blood, The Master, and Inherent Vice. Anderson also regularly works with producing partners JoAnne Sellar, Scott Rudin, Michael De Luca, and Daniel Lupi as well as casting director Cassandra Kulukundis.
Anderson dated (and frequently collaborated with) singer Fiona Apple for several years during the late 1990s and early 2000s. He has been in a relationship with actress and comedian Maya Rudolph since 2001. They live together in the San Fernando Valley with their four children: daughters Pearl Bailey (born October 2005), Lucille (born November 2009), and Minnie Ida (born August 2013), and son Jack (born July 2011).
Awards and recognition
Anderson has been called "one of the most exciting talents to come along in years" and "among the supreme talents of today." After the release of Boogie Nights and Magnolia, Anderson was praised as a wunderkind. In his 2002 interview with Jan Aghed, the director Ingmar Bergman referenced Magnolia as an example of the strength of American cinema. In 2004, Anderson was ranked twenty-first on The Guardian's list of the forty best living filmmakers. In 2007, Total Film named him the twentieth greatest director of all time and the American Film Institute regarded him as "one of American film's modern masters." In 2012, The Guardian ranked him number one on its list of "The 23 Best Film Directors in the World," writing "his dedication to his craft has intensified, with his disdain for PR and celebrity marking him out as the most devout filmmaker of his generation." In 2013, Entertainment Weekly named him the eighth-greatest working director, calling him "one of the most dynamic directors to emerge in the last 20 years." In a podcast interview with critic Elvis Mitchell, director Sam Mendes referred to Anderson as "a true auteur – and there are very few of those who I would classify as geniuses", and Ben Affleck in his acceptance speech for the Golden Globe Award for Best Director said "Paul Thomas Anderson, who I think is like Orson Welles." Peter Travers of Rolling Stone wrote that "The Master, the sixth film from the 42-year-old writer-director, affirms his position as the foremost filmmaking talent of his generation. Anderson is a rock star, the artist who knows no limits." As of 2016, Anderson is the only person to win all three director prizes from the three major international film festivals (Cannes, Berlin, Venice).
- Dietz, Jason (January 3, 2010). "Film Critics Pick the Best Movies of the Decade". Metacritic. Retrieved October 19, 2016.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 84. ISBN 978-0-06-054017-3.
- Luttermoser, John (April 5, 2008). "'There Will Be Blood' comes out on video Tuesday". Cleveland.com. Cleveland Live, Inc. Retrieved September 28, 2010.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. pp. xii, xiii. ISBN 978-0-06-054017-3.
- Hirschberg, Lynn (June 5, 2013). "The Master Director: Paul Thomas Anderson". PORT Magazine. Retrieved June 8, 2013.
- Richardson, John H. (September 22, 2008). "The Secret History of Paul Thomas Anderson". Esquire.com. Hearst Communications, Inc. Retrieved July 29, 2010.
- Hirshberg, Lynn (December 19, 1999). "His Way". NYTimes.com. The New York Times Company. Retrieved February 10, 2010.
- "Transcript: Paul Thomas Anderson 12/16/99". Time.com. Time Inc. December 16, 1999. Archived from the original on June 29, 2011. Retrieved February 26, 2011.
- Rochlin, Margy (October 12, 1997). "FILM; The Innocent Approach to an Adult Opus". NYTimes.com. The New York Times Company. Retrieved April 7, 2011.
- Johnston, Robert K. (2004). Useless Beauty: Ecclesiastes Through The Lens Of Contemporary Film. Baker Academic. pp. 73–74. ISBN 978-0-8010-2785-7.
- McKenna, Kristine (October 12, 1997). "Knows It When He Sees It". Los Angeles Times. Retrieved May 21, 2011.
- "The Minor Works of Paul Thomas Anderson". Slate. Graham Holdings Company. September 13, 2012. Archived from the original on March 22, 2014. Retrieved 28 May 2014.
- Ebert, Roger (October 19, 1997). "Director's talent makes 'Boogie' fever infectious". rogerebert.com. Chicago Sun-Times. Retrieved May 21, 2011.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 86. ISBN 978-0-06-054017-3.
- Paul Thomas Anderson Q&A – The Master (YouTube). The Astor Theatre. November 14, 2012.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 87. ISBN 978-0-06-054017-3.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 91. ISBN 978-0-06-054017-3.
- "Festival de Cannes: Hard Eight". Festival-Cannes.com. Retrieved September 20, 2009.
- Lim, Dennis (December 24, 2007). "Bigger, Louder, More Frogs". Slate.com. Washington Post.Newsweek Interactive Co. LLC. Retrieved February 26, 2011.
- Pilkington, Ed (January 4, 2008). "'Tell the story! Tell the story!'". guardian.co.uk. Guardian News and Media Limited. Retrieved March 9, 2011.
- Allon, Yoram; Cullen, Del; Patterson, Hannah (2002). Contemporary North American film directors: a Wallflower critical guide. Wallflower Press. pp. 14–15. ISBN 1-903364-52-3.
- Waxman, Sharon R. (2005). Rebels on the backlot: six maverick directors and how they conquered the Hollywood studio system. HarperCollins. p. 115. ISBN 978-0-06-054017-3.
- Kennedy, Helen (January 19, 1998). "'TITANIC' FLOATS THEIR BOATS WINS GOLDEN GLOBES FOR DRAMA, DIRECTOR". NYDailyNews.com. NYDailyNews.com. Retrieved August 23, 2010.
- Corliss, Richard (December 17, 2008). "Burt Reynolds, Boogie Nights". Time.com. Time Inc. Retrieved February 26, 2011.
- Travers, Peter (October 10, 1997). "Boogie Nights". RollingStone.com. Jann Wenner. Retrieved February 26, 2011.
- Reid, Joe (March 1, 2010). "Julianne Moore Returning to As the World Turns". SOAPnet.com. SOAPnet. Retrieved February 26, 2011.
- Warner, Rick (March 28, 2010). "Moore searches for motives in marriage". The Journal Gazette. Retrieved February 26, 2011.
- "Oscars Ceremonies 1998". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved February 12, 2015.
- Patterson, John (March 10, 2000). "Magnolia Maniac". guardian.co.uk. Guardian News and Media Limited. Retrieved April 12, 2010.
- Schickel, Richard (December 27, 1999). "Cinema: Magnolia". Time.com. Time Inc. Retrieved February 26, 2011.
- Bessman, Jim (December 16, 1999). "Music blossomed into film ; Magnolia director was inspired by Aimee Mann's work". Toronto Star. Retrieved May 26, 2011.
- Nichols, Natalie (January 2000). The Mann Act. Los Angeles Magazine. p. 22. Retrieved January 22, 2012.
- "Oscars Ceremonies 2000". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved February 12, 2015.
- Patterson, John (February 1, 2003). "Boogie knight". The Guardian. Retrieved February 17, 2011.
- Puig, Claudia (October 7, 2002). "The proof of 'Punch-Drunk Love' is in the pudding". USA Today. Gannett Co. Inc. Retrieved February 26, 2011.
- Rovzar, Chris (March 11, 2007). "Comic takes on 9/11". NYDailyNews.com. NYDailyNews.com. Retrieved February 26, 2011.
- Hartlaub, Peter (March 12, 2007). "Hey, it's Adam Sandler! But what's this? A drama?". SFGate.com. Hearst Corporation. Retrieved February 26, 2011.
- "Festival de Cannes: Punch-Drunk Love". Festival-Cannes.com. Cannes Film Festival. Retrieved October 25, 2009.
- Goodwin, Christopher (November 25, 2007). "Daniel Day-Lewis Gives Blood, Sweat and Tears". The Sunday Times. Times Newspapers Ltd. Retrieved December 21, 2009.
- "There Will Be Blood (2007) — Box Office Mojo". Box Office Mojo. Internet Movie Database. Retrieved April 8, 2008.
- "Oscars Ceremonies 2008". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved February 12, 2015.
- "BAFTA Film Award Winners in 2008". British Academy of Film and Television Arts. Retrieved February 19, 2008.
- "Directors Guild announces nominations". Rope of Silicon. RopeofSilicon.com LLC. December 20, 2007. Retrieved December 31, 2007.
- Barnes, Brooks; Carr, David (January 23, 2008). "'No Country' and 'Blood' Lead Oscar Nominations". NYTimes.com. The New York Times Company. Retrieved February 17, 2011.
- "There Will Be Blood Wins the Decade— there will be blood". Gawker.com. Gawker Media. December 18, 2009. Retrieved February 7, 2010.
- Fleming, Michael (December 2, 2009). "Anderson working on 'Master'". Variety. Reed Business Information. Retrieved December 2, 2009.
- Cieply, Michael (April 18, 2012). "Filmmaker's Newest Work Is About ... Something". NYTimes.com. The New York Times Company. Retrieved April 18, 2012.
- Pilkington, Ed (April 26, 2011). "Church of Scientology snaps up Hollywood film studio". guardian.co.uk. Guardian News and Media Limited. Retrieved March 9, 2011.
- Sneider, Jeff (July 27, 2012). "Plemons joins P.T. Anderson drama". Variety. Reed Business Information. Retrieved July 29, 2012.
- "The Master". Rotten Tomatoes. Flixter. Retrieved September 24, 2012.
- "The Master". Metacritic. CBS Interactive. Retrieved September 24, 2012.
- "Oscars Ceremonies 2013". Oscars. Retrieved February 12, 2015.
- McNary, Dave (June 11, 2013). "Joaquin Phoenix's 'Inherent Vice' Starting to Boost L.A. Production". Variety. Penske Media Corporation. Retrieved September 21, 2014.
- Lim, Dennis (December 27, 2012). "A Director Continues His Quest". NYTimes.com. The New York Times Company. Retrieved September 21, 2014.
- Brooks, Brian (August 24, 2014). "New York Film Festival to Debut 30 Features in 2014 Main Slate". Film Society of Lincoln Center. Retrieved September 7, 2014.
- "Paul Thomas Anderspn. The Master's Master". Villagevoice.com. September 9, 2012.
- Brodesser-Akner, Claude (February 10, 2011). "Paul Thomas Anderson's Scientology Movie and Inherent Vice Adaptation Close to Finding Financing". Vulture. Retrieved August 21, 2012.
- "Owen Wilson in Negotiations to Join Paul Thomas Anderson's 'Inherent Vice' (Exclusive)". Wrap. May 10, 2013.
- Fleming Jr., Mike (May 15, 2013). "Cannes: Reese Witherspoon Joining Paul Thomas Anderson's 'Inherent Vice'". Deadline.com. Penske Business Media, LLC. Retrieved September 21, 2014.
- Sneider, Jeff (May 15, 2013). "Martin Short and Jena Malone Join Paul Thomas Anderson's 'Inherent Vice' (Exclusive)". The Wrap. Retrieved September 21, 2014.
- Han, Angie. "Reese Witherspoon, Jena Malone, and Martin Short Board 'Inherent Vice'". Slashfilm. Retrieved May 20, 2013.
- Davis, Edward. "Benicio Del Toro Lawyers Up For Paul Thomas Anderson's 'Inherent Vice' With Joaquin Phoenix". IndieWire. Retrieved May 20, 2013.
- Jagernauth, Kevin. "Paul Thomas Anderson Has Found His Shasta For 'Inherent Vice'". Indiewire. Retrieved June 1, 2013.
- Jagernauth, Kevin. "Josh Brolin Joins Growing Ensemble Cast of Paul Thomas Anderson's 'Inherent Vice'". SnagFilms. indieWire. Retrieved May 30, 2013.
- "Paul Thomas Anderson's 'Inherent Vice' Gets Its Adrian Prussia". June 28, 2013. Retrieved June 15, 2014.
- Fleming Jr., Mike (October 24, 2013). "'Boardwalk Empire's Michael K. Williams Gets 'Captive'". Deadline.com. Penske Business Media, LLC. Retrieved September 21, 2014.
- "Eric Roberts Has a small Role in Paul Thomas Anderson's 'Inherent Vice'". October 16, 2013. Retrieved June 15, 2014.
- "Oscars Ceremonies 2015". Oscars. Retrieved February 12, 2015.
- Perez, Rodrigo (October 2015). "NYFF Review: Paul Thomas Anderson's Doc 'Junun' Featuring Shye Ben Tzur, Jonny Greenwood & The Rajasthan Express". Indiewire. Retrieved June 4, 2016.
- Plaugic, Lizzie (August 21, 2015). "Paul Thomas Anderson is making a documentary about Radiohead's Jonny Greenwood". The Verge. Retrieved June 4, 2016.
- "Junun". filmlinc.org. Film Society of Lincoln Center. Retrieved June 4, 2016.
- Lee, Benjamin (June 3, 2016). "Paul Thomas Anderson and Daniel Day-Lewis to reunite for 50s fashion drama". guardian.co.uk. Guardian Media Group. Retrieved June 4, 2016.
- Fleming Jr., Mike (September 8, 2016). "Focus Wins WW Rights Auction For Paul Thomas Anderson Pic; Daniel Day-Lewis Stars". Deadline. Retrieved September 9, 2016.
- Carr, David (July 23, 2005). "Lake Wobegon Goes Hollywood (or Is It Vice Versa?), With a Pretty Good Cast". NYTimes.com. The New York Times Company. Retrieved February 10, 2010.
- Bradley, Laura. "Radiohead Drops Video from Paul Thomas Anderson, Announces Release Date for New Album". Vanity Fair. Retrieved 2016-05-08.
- Black, Jason S. (January 19, 2000). "Fiona Apple Gets "Limp" In New Video". MTV.com. MTV Networks. Retrieved April 23, 2012.
- Frere-Jones, Sasha (October 10, 2005). "Extraordinary Measures". The New Yorker. Condé Nast. Retrieved April 23, 2012.
- "Paul Thomas Anderson's Top-Secret Play Revealed". New York Media Holdings. August 8, 2008. Retrieved May 18, 2012.
- King, Cubie (2005). "Punch Drunk Love: The Budding of an Auteur". SensesofCinema.com. Senses of Cinema (35). Retrieved September 24, 2010.
- Coyle, Jake (February 2, 2008). "Director ignored instinct in 'Blood'". Dispatch.com. The Columbus Dispatch. Retrieved September 22, 2010.
- Deacy, Christopher (2005). Faith in film: religious themes in contemporary cinema. Ashgate Publishing. p. 29. ISBN 0-7546-5158-4.
- Berra, John (2010). Directory of World Cinema: American Independent. Intellect Books. pp. 92–93. ISBN 1-84150-368-1.
- "Master, The Script at IMSDb.". Retrieved January 11, 2017.
- "Magnolia Script at IMSDb.". Retrieved January 11, 2017.
- "PUNCH-DRUNK LOVE by Paul Thomas Anderson". Retrieved January 11, 2017.
- "Boogie Nights Script at IMSDb.". Retrieved January 11, 2017.
- Crous, André (November 25, 2007). "Paul Thomas Anderson: Tracking through a Fantastic Reality". SensesofCinema.com. Senses of Cinema (45). Retrieved September 21, 2010.
- Reeling | The number 82 in "Magnolia". Miamiherald.typepad.com (2008-01-12). Retrieved on 2014-05-22.
- Noah, Timothy (January 3, 2008). "What's Wrong With There Will Be Blood". Slate. Graham Holdings Company. Archived from the original on February 4, 2012. Retrieved 18 February 2015.
- "There Will Be Blood". AFI.com. American Film Institute. Retrieved February 18, 2014.
- Jagernauth, Kevin (March 29, 2014). "Josh Brolin Says 'Inherent Vice' Goes "In A Direction That The Book Doesn't Necessarily Go"". SnagFilms. indieWire. Retrieved October 11, 2014.
- "AFI AWARDS 2007". AFI.com. American Film Institute. Retrieved April 21, 2012.
- Schwarzbaum, Lisa (September 19, 2012). "'The Master' Review". EW.com. Entertainment Weekly Inc. Retrieved September 20, 2012.
- "What Inherent Vice tells us about modern America". guardian.co.uk. Guardian News and Media Limited. December 12, 2014. Retrieved February 12, 2015.
- Mayshark, Jesse Fox (2007). Post-pop cinema: the search for meaning in new American film. Greenwood Publishing Group. p. 70. ISBN 978-0-275-99080-0.
- Butler, Robert W. (January 10, 2000). "'Magnolia' director still aiming high". Knight Ridder. The Free Lance-Star Publishing Co. Retrieved June 7, 2011.
- Fuchs, Cynthia (January 10, 2000). "Punch-Drunk Love (2002)". PopMatters.com. PopMatters. Retrieved June 7, 2011.
- Johnston, Robert K. (2004). Useless Beauty: Ecclesiastes Through The Lens Of Contemporary Film. Baker Academic. p. 91. ISBN 978-0-8010-2785-7.
- Cieply, Michael (April 18, 2012). "Filmmaker's Newest Work Is About ... Something". NYTimes.com. The New York Times Company. Retrieved April 18, 2012.
- Heisler, Steve; Wolinsky, David (March 12, 2009). "Who the hell is Paul F. Tompkins?". The A.V. Club. Retrieved April 21, 2012.
- Jagernauth, Kevin (May 1, 2013). "Paul Thomas Anderson's 'Inherent Vice' Starts Shooting This Month, WB Backing Picture & Robert Elswit To Lens". SnagFilms. indieWire. Retrieved October 5, 2014.
- "Eternal Sunshine of the Spotless Mind: A Focus Features Film: Jon Brion Bio". NBCUniversal. FocusFeatures.com. Archived from the original on May 18, 2012. Retrieved May 18, 2012.
- Kreps, Daniel (October 4, 2014). "Unreleased Radiohead Song 'Spooks' Appears in 'Inherent Vice'". Rolling Stone. Retrieved October 5, 2014.
- Hernandez, Eugene (December 24, 2009). "Decade: Paul Thomas Anderson on "There Will Be Blood"". indieWire.com. Retrieved September 24, 2010.
- Stanhope, Kate (July 19, 2011). "It's a Boy for Maya Rudolph and Paul Thomas Anderson". TV Guide. Retrieved September 10, 2013.
- "Maya Rudolph Shares Her Excitement Over Third Pregnancy". Access Hollywood. NBCUniversal. May 1, 2011. Retrieved December 26, 2011.
- "Maya Rudolph Announces She's Pregnant on "The View"!". ABC. The Walt Disney Company. May 12, 2009. Retrieved December 26, 2011.
- D'Zurilla, Christie (March 21, 2011). "Maya Rudolph expecting baby No. 3 with Paul Thomas Anderson". Los Angeles Times. Tribune Company. Retrieved December 26, 2011.
- "Maya Rudolph Expecting Second Child". People.com. Time Inc. October 23, 2005. Retrieved February 27, 2011.
- Michaud, Sarah (December 4, 2009). "Maya Rudolph Welcomes a Girl". People.com. Time Inc. Retrieved February 10, 2010.
- Eggenberger, Nicole (September 10, 2013). "Maya Rudolph Welcomes Fourth Child!". Us Weekly. Retrieved September 10, 2013.
- "Maya Rudolph Welcomes Son Jack". People.com. Time Inc. July 19, 2011. Retrieved July 19, 2011.
- Flint Marx, Rebecca. "Paul Thomas Anderson – Biography – Movies & TV". NYTimes.com. The New York Times Company. Retrieved February 10, 2010.
- "Sight & Sound – The Best Films of 2008" (PDF). BFI.org. British Film Institute. 19 (1): 64. January 2009. Retrieved September 17, 2010.
- Laurent, Joseph (January 28, 2003). "BBC – Films – interview – Paul Thomas Anderson". BBC Online. BBC. Retrieved April 28, 2012.
- "Sydsvenska Dagbladet Interview". May 2002.
- "The world's 40 best directors". guardian.co.uk. Guardian News and Media Limited. Retrieved February 17, 2011.
- Hicks, Chris (August 20, 2007). "Greatest Directors Ever – Part 2". Totalfilm.com. Future Publishing Limited. Retrieved September 24, 2010.
- Ali Catterall; Charlie Lyne; Gwilym Mumford; Damon Wise (August 31, 2012). "The 23 best film directors in the world today". guardian.co.uk. Guardian News and Media Limited. Retrieved January 2, 2013.
- Stack, Tom (February 22, 2011). "25 Greatest Working Directors". EW.com. Entertainment Weekly. Retrieved February 26, 2011.
- Andrew Noakes (November 28, 2012). "Sam Mendes: Skyfall". KCRW.com (Podcast). KCRW. Event occurs at 20:24. Retrieved July 27, 2014.
- Best Director - Motion Picture: Ben Affleck - Golden Globe Awards. YouTube (2013-01-13). Retrieved on 2014-05-22.
- Travers, Peter (September 10, 2012). "'The Master'". RollingStone.com. Retrieved September 20, 2012.
- "S.F. Critics Name 'Boyhood' Best Film of 2014". Variety. December 14, 2014. Retrieved December 14, 2014.
|Wikimedia Commons has media related to Paul Thomas Anderson.|