|Studio album by Chicago|
|Released||January 11, 1971|
|Recorded||Late June – Early July, Late November – Early December 1970, Columbia 30th Street Studios, New York City|
|Genre||Rock, jazz fusion|
|Producer||James William Guercio|
|Singles from Chicago III|
In the wake of the 1970 Chicago album's enormous worldwide success, Chicago spent almost all of 1970 on the road, an exhaustive undertaking. When the band came to record Chicago III in the middle of the year — which producer James William Guercio had already determined would be another double — they were physically drained.
Their long hours on the road gave the principal songwriters, Robert Lamm, Terry Kath and James Pankow, much food for thought, resulting in more serious subject matter, which contrasted with the positivity of their first two sets. Lamm documented his homesickness in the "Travel Suite", while Pankow bemoaned the winning battle of industry over nature in the instrumental "Elegy" suite (an issue Lamm also touches upon in "Mother"). While Kath's multi-part "An Hour in the Shower" provides a reprieve from the sobering explorations elsewhere, Chicago III was undeniably the result of a band who had seen the flip side of the world over the last several months.
Chicago III is also notable for its variety of musical genres, with the band relying slightly less on their trademark horns. Both "Sing a Mean Tune Kid" and "Free" feature the influence of funk, "What Else Can I Say" and "Flight 602" have a country feel, while abstract qualities are found in "Free Country" and "Progress?"
Released in January 1971, initially on Columbia Records, Chicago III — their first album to sport a Roman numeral in its title — sold well upon its release, yet its paucity of big hit singles and its more experimental nature meant that it didn't wear as well with the masses as The Chicago Transit Authority (1969) and Chicago (1970) did. "Free" was a Top 20 hit, and Peter Cetera's "Lowdown" reached the Top 40. And while Chicago III marked a dwindling in UK fortunes, reaching #9 in a brief chart run, it provided Chicago with their highest charting disc yet in the US, going to #2.
Included with the album was a poster of the band dressed in the uniforms of America's wars, standing in front of a field of crosses, representing those who had died in the still ongoing Vietnam War. It also gave the number of casualties from each war up until the time of the album's release.
In 1974, jazz bandleader Stan Kenton added a suite of songs from the album ("Canon", "Mother", "Once Upon a Time" and "Free") to his band's repertoire, releasing it on the album Stan Kenton Plays Chicago.
|1.||"Sing a Mean Tune Kid"||Robert Lamm||Peter Cetera||9:13|
|2.||"Loneliness Is Just a Word"||Lamm||Terry Kath||2:36|
|3.||"What Else Can I Say"||Peter Cetera||Cetera||3:12|
|4.||"I Don't Want Your Money"||Kath||Lamm||4:47|
||Lamm/Danny Seraphine/Kath/Walter Parazaider||
2:45 1:30 2:16 5:46 2:487:28
|8.||"An Hour in the Shower"
1:52 0:45 0:53 0:491:11
||James Pankow/James William Guercio/Kendrew Lascelles||Lamm||15:27
1:03 1:05 2:34 2:34 6:261:33
- Peter Cetera – bass guitar, steel guitar, lead & backing vocals
- Terry Kath – electric & acoustic guitars, vibraphone, lead & backing vocals
- Robert Lamm – acoustic piano, tack piano, Wurlitzer electric piano, Hammond organ, Hohner Pianet, lead & backing vocals
- Lee Loughnane – trumpet
- James Pankow – trombone, brass arrangements
- Walter Parazaider – saxophones, flute
- Danny Seraphine – drums, percussion
- Produced by James William Guercio
- Engineered by Don Puluse and Sy Mitchell
- Recorded by Lou Waxman and Willie Greer
- Logo Design – Nick Fasciano
- Album Design – John Berg
- Flag Design – Natalie Williams
- Photography – Sandy Speiser
- Poster Photo – Steve Horn and Norm Griner
- Lettering – Annette Kawecki and Melanie Marder for Poseidon Productions