Edvard Hagerup Grieg (Norwegian: [ˈɛdʋɑɖ ˈhɑːɡərʉp ˈɡrɪɡ]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest building (Grieg Hall), its most advanced music school (Grieg Academy), its professional choir (Edvard Grieg Kor), and even some private companies that include its largest hotel (Quality Hotel Edvard Grieg), and a music technology developer (Grieg Music). The Edvard Grieg Museum in Troldhaugen (Grieg's former home in Bergen) is dedicated to his legacy.
Edvard Hagerup Grieg was born in Bergen, Norway, on 15 June 1843. His parents were Alexander Grieg (1806–1875), a merchant and vice-consul in Bergen; and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of Edvard Hagerup. The family name, originally spelled Greig, has Scottish origins. After the Battle of Culloden in 1746, Grieg's great-grandfather, Alexander Greig, traveled widely, settling in Norway about 1770, and establishing business interests in Bergen.
Edvard Grieg was raised in a musical milieu. His mother was his first piano teacher and taught him to play at the age of six. Grieg studied in several schools, including Tanks Upper School, Tanks School and the N.P.S, Norwegian Private School.
In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull, who was a family friend; Bull's brother was married to Grieg's aunt. Bull recognized the 15-year-old boy's talent and persuaded his parents to send him to the Leipzig Conservatory, the piano department of which was directed by Ignaz Moscheles.
Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study. An exception was the organ, which was mandatory for piano students. In the spring of 1860, he survived a life-threatening lung disease, pleurisy and tuberculosis. Throughout his life, Grieg's health was impaired by a destroyed left lung and considerable deformity of his thoracic spine. He suffered from numerous respiratory infections, and ultimately developed combined lung and heart failure. Grieg was admitted many times to spas and sanatoria both in Norway and abroad. Several of his doctors became his personal friends.
In 1861, Grieg made his debut as a concert pianist in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig and held his first concert in his home town, where his programme included Beethoven's Pathétique sonata.
In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of inspiration. Nordraak died in 1866, and Grieg composed a funeral march in his honor.
On 11 June 1867, Grieg married his first cousin, Nina Hagerup, a lyric soprano. The next year, their only child, Alexandra, was born. Alexandra died in 1869 from meningitis. In the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen. Grieg himself was unable to be there due to conducting commitments in Christiania (as Oslo was then named).
In 1868, Franz Liszt, who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which led to Grieg's obtaining a travel grant. The two men met in Rome in 1870. On Grieg's first visit, they went over Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On his second visit, in April, Grieg brought with him the manuscript of his Piano Concerto, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg gently pointed out to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration (for example, to give the melody of the second theme in the first movement to a solo trumpet).
Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien), and later became Music Director of the orchestra from 1880 to 1882. In 1888, Grieg met Tchaikovsky in Leipzig. Grieg was struck by the sadness in Tchaikovsky. Tchaikovsky thought very highly of Grieg's music, praising its beauty, originality and warmth.
Grieg was awarded two honorary doctorates, first by Cambridge University in 1894 and the next from Oxford University in 1906.
The Norwegian government provided him with a pension. In the spring 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris; all of these historic discs have been reissued on both LPs and CDs, despite limited fidelity. Grieg also made live-recording player piano music rolls for the Hupfeld Phonola piano-player system and Welte-Mignon reproducing system, all of which survive today and can be heard. He also worked with the Aeolian Company for its 'Autograph Metrostyle' piano roll series wherein he indicated the tempo mapping for many of his pieces.
In 1906, he met the composer and pianist Percy Grainger in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: “I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love.”
Edvard Grieg died in the late summer of 1907, aged 64, after a long period of illness. His final words were "Well, if it must be so." The funeral drew between 30,000 and 40,000 people out on the streets of his home town to honor him. Following his wish, his own Funeral March in Memory of Rikard Nordraak was played in an orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the Funeral March movement from Chopin's Piano Sonata No. 2 was played. Grieg was cremated, and his ashes were entombed in a mountain crypt near his house, Troldhaugen. The ashes of his wife were later placed with his.
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Grieg also composed the incidental music for Henrik Ibsen's play, Peer Gynt - which includes the famous excerpt entitled, "In the Hall of the Mountain King". In this piece of music, the adventures of the anti-hero, Peer Gynt, are related, including the episode in which he steals a bride at her wedding. The angry guests chase him, and Peer falls, hitting his head on a rock. He wakes up in a mountain surrounded by trolls. The music of "In the Hall of the Mountain King" represents the angry trolls taunting Peer and gets louder each time the theme repeats. The music ends with Peer escaping from the mountain.
In an 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with Dance of the Mountain King's Daughter, one of the movements he composed for Peer Gynt, writing "I have also written something for the scene in the hall of the mountain King – something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Grieg's Holberg Suite was originally written for the piano, and later arranged by the composer for string orchestra. Grieg wrote songs in which he set lyrics by poets Heinrich Heine, Johann Wolfgang von Goethe, Henrik Ibsen, Hans Christian Andersen, Rudyard Kipling and others. Russian composer Nikolai Myaskovsky used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist Eva Knardahl recorded the composer's complete piano music during 1978 and 1980. The recordings were reissued in 2006 on 12 compact discs by BIS Records. Grieg himself recorded many of these piano works before his death in 1907.
List of selected works
- Piano Sonata in E minor, Op. 7
- Violin Sonata No. 1 in F major, Op. 8
- Concert Overture In Autumn, Op. 11
- Violin Sonata No. 2 in G major, Op. 13
- Piano Concerto in A minor, Op. 16
- Incidental music to Bjørnstjerne Bjørnson's play Sigurd Jorsalfar, Op. 22
- Incidental music to Henrik Ibsen's play Peer Gynt, Op. 23
- Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24
- String Quartet in G minor, Op. 27
- Album for Male Chorus, Op. 30
- Two Elegiac Melodies for Strings, Op. 34
- Four Norwegian Dances for piano four hands, Op. 35 (better known in orchestrations by Hans Sitt and others)
- Cello Sonata in A minor, Op. 36
- Holberg Suite for piano, later arr. for string orchestra, Op. 40
- Violin Sonata No. 3 in C minor, Op. 45
- Peer Gynt Suite No. 1, Op. 46
- Lyric Suite for orchestra, Op. 54 (orchestration of four Lyric Pieces)
- Peer Gynt Suite No. 2, Op. 55
- Suite from Sigurd Jorsalfar, Op. 56
- Four Symphonic Dances for piano, later arr. for orchestra, Op. 64
- Haugtussa Song Cycle after Arne Garborg, Op. 67
- Slåtter (Peasant Dances) for piano, Op. 72
- Sixty-six Lyric Pieces for piano in ten books, Opp. 12, 38, 43, 47, 54, 57, 62, 65, 68 and 71, including: Arietta, To the Spring, Little Bird, Butterfly, Notturno, Wedding Day at Troldhaugen, At Your Feet, Longing For Home, March of the Dwarfs, Poème érotique and Gone.
- Daniel M. Grimley (2006). Grieg: Music, Landscape and Norwegian Identity. Ipswich: Boydell Press. ISBN 1-84383-210-0.
- Benestad, Finn. "Edvard Grieg". In Helle, Knut. Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 10 September 2011.
- Benestad; Schjelderup-Ebbe (1990) . pp. 25–28
- Nils Grinde. "Grieg, Edvard", Grove Music Online, Oxford Music Online, Oxford University Press, accessed 11 November 2013 (subscription required)
- Robert Layton. Grieg. (London: Omnibus Press, 1998). 18.
- Benestad; Schjelderup-Ebbe (1990) . pp. 35–36
- Benestad; Schjelderup-Ebbe (1990) . p. 24
- Jerome Roche and Henry Roche. "Moscheles, Ignaz", Grove Music Online, Oxford Music Online, Oxford University Press, accessed 30 June 2014 (subscription required)
- Laerum OD. Edvard Grieg's health and his physicians. Tidsskr Nor Laegeforen. 1993 Dec 10;113(30):3750-3 PMID 8278965
- Nina Grieg – utdypning (Store norske leksikon)
- Gretchen Lamb. "First Impressions, Edvard Grieg". Archived from the original on 26 October 2009. Retrieved 11 October 2006. Lamb cites David Brown's Tchaikovsky Remembered
- Richard Freed. "Piano Concerto in A minor, Op. 16". Retrieved 11 October 2006.
- Carley, Lionel. "Preface." Preface. Edvard Grieg in England. N.p.: Boydell, 2006. Xi. Google Books. Web. 01 June 2014.
- John Bird, Percy Grainger , Oxford University Press, 1999, P. 133-134.
- Peter Hughes (November 4, 2004). "Edvard and Nina Grieg". Dictionary of Unitarian and Universalist Biography. Unitarian Universalist Association. Retrieved 10 December 2013.
- Leah Kennedy (May 1, 2011). "The Life and Works of Edvard Grieg". Utah State University. Retrieved 3 December 2014.
- Layton, Robert (1998). Grieg: Illustrated Lives of the Great Composers. Omnibus Press. p. 75. ISBN 0-7119-4811-9. See also: Tommasini, Anthony (16 September 2007). "Respect at Last for Grieg?". The New York Times. Retrieved 4 July 2008.
- Benestad, Finn; Schjelderup-Ebbe, Dag (1990) . Edvard Grieg – mennesket og kunstneren (in Norwegian) (2 ed.). Oslo: Aschehoug. ISBN 82-03-16373-4.
- Grieg The Writer ed. by Bjarne Kortsen. Vol I: Essays and Articles, vol II: Letters to Frants Beyer (editio norvegica, Bergen/Norway 1972)
- Edvard Grieg in England by Lionel Carley (The Boydell Press 2006) ISBN 1-84383-207-0
- Grieg: Music, Landscape and Norwegian Cultural Identity by Daniel Grimley (The Boydell Press 2006) ISBN 1-84383-210-0
- Songs of Edvard Grieg by Beryl Foster (The Boydell Press new edition 2007) ISBN 1-84383-343-3
- Edvard Grieg by Henry Theophilius Finck (Bastian Books new edition 2008) ISBN 978-0-554-96326-6
- Grieg by John Horton (London 1950)
- Kijas,, Anna E. (2013). ""A suitale soloist for my piano concerto": Teresa Carreño as a promoter of Edvard Grieg's music". Notes: Quarterly Journal of the Music Library Association (Music Library Association) 70 (1): 37–58.
- Benestad, Finn/Schjelderup-Ebbe, Dag (2007): Edvard Grieg – mennesket og kunstneren. H. Aschehoug & Co. (W. Nygaard), Oslo. ISBN 978-82-03-23459-0
- Bredal, Dag/Strøm-Olsen, Terje (1992): Edvard Grieg – Musikken er en kampplass. Aventura Forlag A/S, Oslo. ISBN 82-588-0890-7
- Johansen, David Monrad (1956): Edvard Grieg. Gyldendal Norsk Forlag, Oslo.
- Bøe, Finn (1949): Trekk av Edvard Griegs personlighet. Oslo.
|Wikimedia Commons has media related to Edvard Grieg.|
|Wikisource has the text of a 1911 Encyclopædia Britannica article about Edvard Grieg.|
- Grieg 2007. Official Site for 100th year commemoration of Edvard Grieg
- The Grieg archives at Bergen Public Library
- Troldhaugen Museum, Grieg's home
- Biography of Grieg by prof. Harald Herresthal
- Works by Edvard Grieg at Open Library
- Edvard Grieg statue by Sigvald Asbjornsen Prospect Park (Brooklyn)
- Films about Grieg's life: What Price Immortality? (1999), Song of Norway (1970)
- Edvard Grieg picture collection at flickr commons
- Edvard and Nina Grieg, Dictionary of Unitarian & Universalist Biography
Recordings by Edvard Grieg
- Papillon – Lyric Piece, Op. 43, no. 1 as recorded by Grieg on piano roll, 17 April 1906, Leipzig (Info)
- Legendary Piano Recordings: The Complete Grieg, Saint-Saëns, Pugno, and Diémer (Marston Records)
- Edvard Grieg: The Piano Music In Historic Interpretations (SIMAX Classics – PSC1809)
- Grieg and his Circle (Pearl, GEMM 9933 CD)
- Grieg spiller Grieg (Edvard Grieg Museum Troldhaugen)
- Piano Rolls (The Reproducing Piano Roll Foundation)
Recordings of Edvard Grieg Works
- Edvard Grieg, Sonata No. 1 in F major, I. Allegro con brio - Gregory Maytan (violin), Nicole Lee (piano)
- Edvard Grieg, Sonata No. 1 in F major, II. Allegretto quasi Andantino - Gregory Maytan (violin), Nicole Lee (piano)
- Edvard Grieg, Sonata No. 1 in F major, III. Allegro molto vivace - Gregory Maytan (violin), Nicole Lee (piano)
- Edvard Grieg, Sonata No. 3 in C minor, I. Allegro molto ed appasionato - Gregory Maytan (violin), Nicole Lee (piano)
- Edvard Grieg, Sonata No. 3 in C minor, II. Allegretto espressivo all Ramanza - Gregory Maytan (violin), Nicole Lee (piano)
- Edvard Grieg, Sonata No. 3 in C minor, III. Allegro animato - Gregory Maytan (violin), Nicole Lee (piano)
- Free scores by Edvard Grieg at the International Music Score Library Project
- Free scores by Edvard Grieg in the Choral Public Domain Library (ChoralWiki)
- Free scores at the Mutopia Project