Hostel (2005 film)

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This article is about the 2005 film. For other uses, see Hostel (disambiguation).
Hostel
Hostel poster.jpg
Theatrical release poster
Directed by Eli Roth
Produced by
Written by Eli Roth
Starring
Music by Nathan Barr
Cinematography Milan Chadima
Edited by George Folsey, Jr.
Production
companies
Distributed by Lionsgate
Release dates
  • September 17, 2005 (2005-09-17) (Toronto International Film Festival)
  • January 6, 2006 (2006-01-06) (United States)
Running time
94 minutes[1]
Country United States
Language English
Budget $4.8 million[2]
Box office $80.6 million[2]

Hostel is a 2005 American horror film written and directed by Eli Roth. It stars Jay Hernandez and was produced by Mike Fleiss, Roth and Chris Briggs, with Boaz Yakin, Scott Spiegel and Quentin Tarantino as executive producers. It is the first installment of the Hostel film series, followed by Hostel: Part II (2007) and Hostel: Part III (2011). The film tells the story of two college students traveling across Europe, who find themselves preyed upon by a mysterious group that tortures and kills kidnapped victims.

Plot[edit]

College students Paxton and Josh are traveling across Europe with their Icelandic friend Óli. In Amsterdam, the three meet a man named Alexi, who convinces them to visit a hostel in Slovakia filled with beautiful women. The three board a train to Slovakia, encountering a strange Dutch businessman. When they arrive at the hostel, they are greeted by Natalya and Svetlana, who invite them to the spa, and later to the disco. That night, Paxton and Josh sleep with Natalya and Svetlana, while Óli sleeps with the desk girl. The next morning, they are surprised to see that Óli hasn't returned, and they are unable to contact him. They are later approached by a Japanese girl named Kana, who shows them a photo of Óli and her friend Yuki, who has strangely disappeared as well.

Though Josh is anxious to leave, Paxton convinces him to stay one more night. That night, Josh and Paxton are slipped tranquilizers, and Josh stumbles back to the hotel room, while Paxton passes out in the disco's storage room closet. Josh wakes up in a dungeon-like room, and is approached by a man who drills holes into Josh's chest and legs. The man removes his mask, revealing himself as the Dutch Businessman, and tells Josh about his failed dream of becoming a surgeon. After Josh begs to be set free, The Dutch Businessman slices Josh's achilles tendons, and removes his restraints. Unable to walk, Josh crawls to the door, but the Dutch businessman slices his throat with a scalpel, killing him.

Paxton wakes up the next morning and returns to the hostel. He gets frustrated with the desk clerk, who insists that he already checked out. When he returns to his room, Paxton is greeted by two women, who invite him to the spa in an eerily similar manner to Natalaya and Svetlana. Paxton tracks Natalya and Svetlana to a pub and interrogates them about Josh's whereabouts. Natalya tells him that Josh and Óli are visiting an art exhibit, and she agrees to take him there. They arrive at an old factory, and Paxton is horrified to find Josh's mutilated corpse being stitched together by the Dutch businessman. Paxton is then ambushed by thugs and dragged to a cell, where he is restrained in a chair and joined minutes later by a German client named Johann.

After severing two of Paxton's fingers with a chainsaw, Johann unintentionally removes his restraints as well. Johann charges at Paxton with the chainsaw and slips, severing his own leg. Paxton reaches for a gun and shoots Johann in the head. A guard enters the room; however, Paxton shoots him and escapes the cell. Paxton hides in the bottom of a cart filled with corpses, and severed limbs. A butcher takes the corpses to the bottom floor to be incinerated, and Paxton bludgeons him to death with a sledge hammer. He takes the elevator to the top floor and enters the dressing room, where he changes into business clothes, and meets an American client, who mistakes him for another customer.

Paxton escapes the factory but returns after hearing cries for help. He discovers Kana being tortured by the American client. After killing the American client, Paxton and Kana flee in a stolen car, pursued by guards. While driving, Paxton spots Natalya, Svetlana, and Alexi, and runs them over, killing them. Paxton and Kana arrive at the train station, but after seeing a reflection of her disfigured face, Kana leaps in the path of an oncoming train. This creates a distraction, allowing Paxton to board another train unnoticed.

Once aboard, Paxton hears the voice of the Dutch businessman. When the train stops in Vienna, Austria, Paxton follows him to a public restroom and throws the Elite Hunting Club's card under his stall. When the Dutch businessman reaches down to pick it up, Paxton grabs his hand and, cuts off the same fingers he lost during his escape. He breaks into the stall and nearly drowns the Dutch businessman in the toilet bowl, but allows him to see his reflection, before slitting his throat and killing him. Paxton leaves to board another train.

Cast[edit]

Production[edit]

Filming took place in the Czech Republic.[3]

Reception[edit]

Box office[edit]

The film's opening weekend North American box office gross was $19.5 million, making it the top grossing film that weekend. It went on to gross a total of $47.2 million in the U.S. The film's budget was approximately $4.8 million, and the film went on to gross over $80 million at the box office worldwide.[2]

Critical response[edit]

The film received mixed reviews from critics. Review aggregation website Rotten Tomatoes gives the film a score of 61% based on 104 reviews, with the site's consensus stating, "Featuring lots of guts and gore, Hostel is a wildly entertaining corpse-filled journey—assuming one is entertained by corpses, guts, and gore, that is."[4] On Metacritic, the film had an average score of 55 out of 100, based on 21 reviews.[5]

Entertainment Weekly‍ '​s film critic Owen Gleiberman commended the film's creativity, saying "You may or may not believe that slavering redneck psychos, of the kind who leer through Rob Zombie's The Devil's Rejects, can be found in the Southwest, but it's all too easy to envision this sort of depravity in the former Soviet bloc, the crack-up of which has produced a brutal marketplace of capitalistic fiendishness. The torture scenes in Hostel (snipped toes, sliced ankles, pulled eyeballs) are not, in essence, much different from the surgical terrors in the Saw films, only Roth, by presenting his characters as victims of the same world of flesh-for-fantasy they were grooving on in the first place, digs deep into the nightmare of a society ruled by the profit of illicit desire."[6]

German film historian Florian Evers pointed out the Holocaust imagery behind Hostel‍ '​s horror iconography, connecting Roth's film to the Nazi exploitation genre.[7]

The Guardian film critic Peter Bradshaw noted that Hostel was "actually silly, crass and queasy. And not in a good way".[8] David Edelstein of New York Magazine was equally negative, deriding director Roth with creating the horror subgenre "torture porn", or "gorno", using excessive violence to excite audiences like a sexual act.[9] Jean-François Rauger, film critic for Le Monde, a French newspaper, and programmer of the Cinémathèque Française, listed Hostel as the best American film of 2006, calling it an example of modern consumerism.[10] Hostel won the 2006 Empire Award for Best Horror Film. The film's underlying social critique and its link to Marxist and Nietzschean philosophy was debated by a panel at Rider University's 2010 Film Symposium by Dr. Barry Seldes, Dr. Robert Good, and James Morgart.[11]

Slovak reaction to setting[edit]

The film's release was accompanied by strong complaints from the country of Slovakia, and also from the Czech Republic. Slovak and Czech officials were both disgusted and outraged by the film's portrayal of their countries as undeveloped, poor, and uncultured lands suffering from high criminality, war, and prostitution,[12] fearing it would "damage the good reputation of Slovakia" and make foreigners feel it was a dangerous place to be.[13] The tourist board of Slovakia invited Roth on an all-expenses-paid trip to their country so he could see it is not made up of run-down factories and kids who kill for bubble gum. Tomáš Galbavý, a Slovak Member of Parliament from the Slovak Democratic and Christian Union – Democratic Party, commented: "I am offended by this film. I think that all Slovaks should feel offended."[13]

Defending himself, Roth said the film was not meant to be offensive, arguing, "Americans do not even know that this country exists. My film is not a geographical work but aims to show Americans' ignorance of the world around them."[13][14] Roth has repeatedly argued that despite the many films in The Texas Chainsaw Massacre series, people still travel to Texas.[15]

References[edit]

  1. ^ "HOSTEL (18)". British Board of Film Classification. 2006-01-18. Retrieved 2012-01-28. 
  2. ^ a b c Hostel at Box Office Mojo
  3. ^ Schwinke, Theodore (2006-07-05). "Eli Roth plans Czech shoot for Hostel 2". Screen Daily. Retrieved 2015-06-08. 
  4. ^ "Hostel (2006)". Rotten Tomatoes. Flixster. Retrieved 2008-02-08. 
  5. ^ "Hostel (2006): Reviews". Metacritic. CBS Interactive. Retrieved 2008-02-08. 
  6. ^ "Movie Review: Hostel". Entertainment Weekly. 
  7. ^ "Florian Evers". Vexierbilder des Holocaust, LIT, Munster, 2011. 
  8. ^ Peter Bradshaw: "Hostel" review, at Guardian Unlimited
  9. ^ David Edelstein: Now Playing at Your Local Multiplex: Torture Porn, at New York Magazine, published on January 28th, 2006.
  10. ^ Jean Francois Rauger (2006-12-27). "Les films préférés des critiques du "Monde" en 2006". Le Monde (accessed with Google Translate). Retrieved 2009-05-13. 
  11. ^ Film and Media Studies to Host Symposium on Horror[dead link]
  12. ^ Cameron, Rob (24 February 2006). "Smash hit horror Hostel causes a stir among citizens of sleepy Slovakia". Radio Prague. Retrieved 2008-09-07. 
  13. ^ a b c "Slovakia angered by horror film". BBC News. 27 February 2006. Retrieved 2008-09-07. 
  14. ^ "Hostel: April 2006 Archives". 
  15. ^ "Close-Up Film Features". 

External links[edit]