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List of paintings by Rembrandt

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The following is a list of paintings by Rembrandt that are generally accepted as autograph by the Rembrandt Research Project.

Image Title Year Technique Dimensions (cm) Gallery Number Commentary Wikidata
The Spectacles-pedlar (Sight) c. 1624 Oil on panel 21 x 17.8 Stedelijk Museum De Lakenhal, Leiden 1 Hypothetical; one of the series The Senses Q21405958
The Three Singers (Hearing) c. 1624 Oil on panel 21.6 x 17.8 Leiden Collection 2 Hypothetical; one of the series The Senses Q21406034
The Operation (Touch) c. 1624 Oil on panel 21.5 x 17.7 Leiden Collection 3 Hypothetical; one of the series The Senses Q21406026
The Unconscious Patient (Smell) c. 1624 Oil on panel 21.5 x 17.7 Leiden Collection Hypothetical; one of the series The Senses Q27885055
(Taste) c. 1624 Oil on panel 21.5 x 17.7 Whereabouts unknown Hypothetical; one of the series The Senses Q27885057
Christ Driving the Money-changers from the Temple 1626 Oil on panel 43.1 x 32 Pushkin Museum, Moscow 4 Q21401840
The Stoning of St. Stephen 1625 Oil on panel 89.5 x 123.6 Musée des beaux-arts de Lyon 5 Q2646680
Bust of a Man Wearing a Gorget and Plumed Beret 1626 Oil on panel 40 x 29.4 Private collection 6 Q21406066
History Painting 1626 Oil on panel 90 x 122 Stedelijk Museum De Lakenhal, Leiden 7 Subject still under discussion Q13726955
David with the Head of Goliath before Saul 1626/1627 Oil on panel 27.2 x 39.6 Kunstmuseum Basel 8 Q21406179
The Baptism of the Eunuch 1626 Oil on panel 63.5 x 48 Museum Catharijneconvent, Utrecht 9 The abraded face of Philip has been unsatisfactorily retouched Q13571486
Balaam and the Ass 1626 Oil on panel 63.2 x 46.5 Musée Cognacq-Jay, Paris 10 Q650086
Musical Allegory 1626 Oil on panel 63.4 x 47.6 Rijksmuseum Amsterdam 11 Q3686099
Tobit Accusing Anna of Stealing the Kid 1626 Oil on panel 40.1 x 29.9 Rijksmuseum Amsterdam 12 Q16610825
The Flight into Egypt 1627 Oil on panel 27.5 x 24.7 Musée des Beaux-Arts de Tours 13 Q2488726
The Rich Man from the Parable 1627 Oil on panel 31.7 x 42.5 Gemäldegalerie, Berlin 14 Q11830152
The apostle Paul in Prison 1627 Oil on panel 72.8 x 60.2 Staatsgalerie Stuttgart 15 There are darkened overpaintings on both sides of the seams of the panel Q16622054
Simeon in the Temple c. 1628 Oil on panel 55.4 x 43.7 Kunsthalle Hamburg 16 Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original Q21406189
The Foot Operation 1628 Oil on panel 31.8 x 24.4 Private collection 17 Q21549398
Rembrandt Laughing c. 1628 Oil on copper 22.2 x 17.1 J. Paul Getty Museum, Los Angeles 18 Q20178648
Self-Portrait Study in the Mirror (the Human Skin) c. 1627/1628 Oil on panel 42.8 x 33 Indianapolis Museum of Art 19 Q16167060
Lighting Study in the Mirror c. 1628 Oil on panel 22.6 x 18.7 Rijksmuseum Amsterdam 20 Q3630753
Bust of a Man Wearing a Turban c. 1628 Oil on panel 26.7 x 20.3 The Kremer collection 21 Q21473970
Interior with figures, called ‘La main chaude’ c. 1628 Oil on panel 21 x 27 National Gallery of Ireland, Dublin 22 Q21451933
Judas Repentant, Returning the Pieces of Silver 1629 Oil on panel 79 x 102.3 Private collection 23 Q21422900
The Painter in his Studio (‘Idea’) c. 1628 Oil on panel 24.8 x 31.7 Museum of Fine Arts, Boston 24 Q3905873
The Supper at Emmaus 1629 Oil on panel 37.4 x 42.3 Musée Jacquemart-André, Paris 25 Q21401882
An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’) 1629 Oil on panel 51.9 x 40.8 Sabauda Gallery, Turin 26 Q21406843
Two Old Men Disputing (St. Peter and St. Paul) 1628 Oil on panel 72.3 x 59.5 National Gallery of Victoria, Melbourne 27 Q9247900
The apostle Paul at his Writing Desk c. 1629/1630 Oil on panel 47.2 x 38 Germanisches Nationalmuseum, Nuremberg 28 The painting is covered with a thick layer of yellowed varnish Q21426047
Self-portrait with Plumed Beret 1629 Oil on panel 89.7 x 73.5 Isabella Stewart Gardner Museum, Boston 29 Q21409404
Self-portrait with a Gorget c. 1629 Oil on panel 38.2 x 31 Germanisches Nationalmuseum, Nuremberg 30 The painting is covered by a layer of yellowed varnish and shows darkened retouches Q18655609
Self-portrait Lit from the Left 1629 Oil on panel 15.5 x 12.7 Alte Pinakothek, Munich 31 Q21370789
Self-portrait c. 1630 Oil on panel 22.2 x 16.6 Metropolitan Museum of Art, New York 32 Q19905287
Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’) 1630 Oil on copper 15 x 12.2 Nationalmuseum, Stockholm 33 Q18600931
Bust of an Old Woman at Prayer (‘stilus gravis’) c. 1630 Oil on copper 15.5 x 12.2 Residenzgalerie, Salzburg 34 Q21523408
Laughing Soldier (‘stilus humilis’) c. 1630 Oil on copper 15.3 x 12.2 Mauritshuis, The Hague 35 Q17275997
Bust of an Old Man 1630 Oil on panel 18.2 x 17.4 Private collection 36 Reduced to an oval form, subsequently made into a rectangle by additions Q21595893
Samson Betrayed by Delilah c. 1628-1630 Oil on panel 61.3 x 50.1 Gemäldegalerie, Berlin 37 Q16599636
David Playing the Harp for King Saul c. 1630 Oil on panel 62 x 50 Städel, Frankfurt am Main 38 The painting is poorly preserved in the thinner areas Q9202853
Jeremiah Lamenting the Destruction of Jerusalem 1630 Oil on panel 58.3 x 46.6 Rijksmuseum Amsterdam 39 Q740212
St. Peter in Prison 1631 Oil on panel 59.1 x 47.8 Israel Museum, Jerusalem 40 Q3947822
Andromeda c. 1630 Oil on panel 34.5 x 25 Mauritshuis, The Hague 41 The painting has been cropped on all sides Q1130734
The Good Samaritan 1630 Oil on panel 24.2 x 19.8 Wallace Collection, London 42 Q21558277
Bust of an Old Man Wearing a Fur Cap 1629 Oil on panel 22.2 x 17.7 Tyrolean State Museum, Innsbruck 43 Q21449986
Oil Study of an Old Man 1630 Oil on panel 24.3 x 20.3 Agnes Etherington Art Centre, Kingston 44 Q21416535
Oil Study of an Old Man c. 1630 Oil on panel 19.5 x 16 Statens Museum for Kunst, Copenhagen 45 Q20397433
Bust of an Old Man c. 1630 Oil on panel 46.9 x 38.8 Mauritshuis, The Hague 46 Q17275984
Simeon in the Temple 1631 Oil on panel 60.9 x 47.9 Mauritshuis, The Hague 47 Q17275824
The Raising of Lazarus c. 1630-1632 Oil on panel 96.2 x 81.5 Los Angeles County Museum of Art 48 The panel was originally taller Q7759351
The Abduction of Proserpina c. 1631 Oil on panel 84.8 x 79.7 Gemäldegalerie, Berlin 49 The panel, which was originally taller, must have been cropped at top and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky Q3930502
The Rape of Europa 1632 Oil on panel 62.2 x 77 J. Paul Getty Museum, Los Angeles 50 Q1243299
An Old Woman Reading, probably the Prophetess Anna 1631 Oil on panel 59.8 x 47.7 Rijksmuseum Amsterdam 51 Q11827829
Christ on the Cross 1631 Oil, transferred from panel to canvas and then stuck on to panel 99.9 x 72.6 Parish Church, Le Mas d'Agenais 52 Q19850660
The Artist in an Oriental Costume, with a Poodle at his Feet 1631 Oil on panel 66.5 x 52 Petit Palais, Paris 53 The dog added in late 1632 or early 1633 Q21558298
Minerva in her Study c. 1631 Oil on panel 60.5 x 49 Gemäldegalerie, Berlin 54 Q18688698
Bust of an Old Man with a Cap and Gold Chain c. 1631 Oil on panel 59.9 x 51.1 Private collection 55 Q21450677
A Man Wearing a Gorget and Plumed Cap c. 1631 Oil on panel 66 x 50.8 J. Paul Getty Museum, Los Angeles 56 Q20184501
Bust of a Young Man Wearing a Plumed Cap 1631 - c. 1635 Oil on canvas 80.3 x 64.8 Toledo Museum of Art 57 Q21505461
Half-figure of a Man Wearing a Gorget and Plumed Hat 1631 Oil on panel 83.5 x 75.6 Art Institute of Chicago 58 The painting was originally 7 cm taller Q14911808
Portrait of Nicolaes Ruts 1631 Oil on panel 116 x 87 Frick Collection, New York 59 Q3937637
Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh 1631 Oil on canvas 104.4 x 91.8 Hermitage Museum, Saint Petersburg 60 The painting originally seems to have been 9 cm taller Q21450886
A Lady and Gentleman in Black 1632 Oil on canvas 131.5 x 109 Stolen from the Isabella Stewart Gardner Museum, Boston 61 The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced Q18161363
Portrait of a Man 1632 Oil on panel 90.8 x 68.57 Kunsthistorisches Museum, Vienna 62a Companion piece to 62b Q21468826
Portrait of a Woman 1632 Oil on panel 90 x 68 Kunsthistorisches Museum, Vienna 62b Rembrandt and (mainly) workshop. Companion piece to 62a Q21468829
Portrait of a Man 1632 Oil on canvas 112 x 89 Metropolitan Museum of Art, New York 63a Companion piece to 63b Q20167032
Portrait of a Woman 1632 Oil on canvas 112.5 x 88.8 Metropolitan Museum of Art, New York 63b Rembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself Q20167179
Portrait of a Man Trimming his Quill 1632 Oil on canvas 101.5 x 81.5 Schloss Wilhelmshöhe, Kassel 64a Companion piece to 64b Q21406289
Portrait of a Woman Seated 1632 Oil on canvas 92 x 71 Academy of Fine Arts Vienna 64b Rembrandt (and workshop?) Companion piece to 64a. The painting was cropped on all sides Q21406458
Portrait of Princess Amalia van Solms 1632 Oil on canvas 69.5 x 54.4 Musée Jacquemart-André, Paris 65b Companion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. The Hague, Huis ten Bosch (Dutch Royal Collection). The two paintings must originally have had identical surrounds. At a later stage 65b was cropped on all sides. The face has suffered from surface wear Q21401888
Self-portrait as a Burger 1632 Oil on panel 64.4 x 47.6 Burrell Collection, Glasgow 66 Q21418987
Portrait of Maurits Huygens 1632 Oil on panel 31.1 x 24.5 Hamburger Kunsthalle 67 Q18642311
Portrait of Jacques de Gheyn III 1632 Oil on panel 29.9 x 24.9 Dulwich Picture Gallery, London 68 Q17343012
Self-portrait 1632 Oil on panel 21.8 x 16.3 Private collection 69 Q21596800
Portrait of Joris de Caullery 1632 Oil, canvas on panel 102.5 x 83.8 Fine Arts Museums of San Francisco 70 Q20198794
Portrait of a Young Man 1632 Oil on panel 63 x 46 Suermondt-Ludwig-Museum, Aachen 71 Q21509305
Portrait of Marten Looten 1632 Oil on panel 92.8 x 74.9 Los Angeles County Museum of Art 72 Q20887903
Portrait of a 40-year-old Man 1632 Oil on panel 75.6 x 52.1 Metropolitan Museum of Art, New York 73 Q19905235
Portrait of a 39-year-old Woman 1632 Oil on panel 74.5 x 55 Nivaagaards Malerisamling 74 The hand and the booklet were added by another painter Q21596897
Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh 1632 Oil on panel 73.5 x 55 Private collection 75 Q21501685
The Anatomy Lesson of Dr. Tulp 1632 Oil on canvas 169.5 x 216.5 Mauritshuis, The Hague 76 Q661378
Portraits of Jean Pellicorne and his Son Casper 1632 Oil on canvas 155 x 123 Wallace Collection, London 77a Rembrandt and (almost entirely) workshop. Companion piece to 77b Q21470289
Portraits of Susanna van Collen and her Daughter Anna 1632 Oil on canvas 153 x 121 Wallace Collection, London 77b Rembrandt and (in the main parts) workshop. Companion piece to 77a Q21470281
Bust of a Young Woman 1632 Oil on panel 60.6 x 45 Private collection 78 Q18225002
Bust of a Young Woman in a Cap 1632 Oil on canvas mounted on panel 60.6 x 45 Private collection 79 Originally rectangular and larger on all sides Q21467840
Half-figure of a Young Woman in Profile with a Fan 1632 Oil on canvas 72.5 x 54.8 Nationalmuseum, Stockholm 80 Reduced on all sides Q18601047
Bearded Old Man 1632 Oil on panel 66.5 x 51 Fogg Museum, Cambridge 81 Q21541684
Study of an Old Man with a Gold Chain 1632 Oil on panel 59 x 46.5 Schloss Wilhelmshöhe, Kassel 82 Q21406264
The Apostle Peter 1632 Oil on canvas 81.3 x 66.2 Nationalmuseum, Stockholm 83 Q18573359
Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’) 1632 Oil on panel 152.7 x 111.1 Metropolitan Museum of Art, New York 84 Q3877599
A Scholar Near a Window (a study in ‘kamerlicht’) 1631 Oil on panel 60.8 x 47.3 Nationalmuseum, Stockholm 85 Q21416454
Interior with a Window and a Winding Staircase (a study in ‘kamerlicht’) 1632 Oil on panel 28.2 x 34.4 Musée du Louvre, Paris 86 The painting is covered with such a heavy layer of yellowed varnish that a figure of a woman on the stairs can scarcely be distinguished Q3381192
Portrait of a Man 1638 Oil on panel 63.5 x 47.3 Herzog Anton Ulrich Museum, Braunschweig 87a Companion piece to 87b Q21421084
Portrait of a Woman 1638 Oil on panel 63 x 48 Herzog Anton Ulrich Museum, Braunschweig 87b Companion piece to 87a Q21421143
Portrait of a Man Rising from his Chair 1633 Oil on canvas 124 x 98.5 Taft Museum of Art, Cincinnati 88a Rembrandt and (perhaps) workshop. Companion piece to 88b Q17064836
Portrait of a Young Woman with a Fan 1633 Oil on canvas 126.2 x 100.5 Metropolitan Museum of Art, New York 88b Companion piece to 88a Q19911644
Portrait of Jan Rijcksen and his Wife Griet Jans 1633 Oil on canvas 111 x 166 Royal Collection 89 Q21448559
Portrait of Johannes Wtenbogaert 1633 Oil on canvas 123 x 105 Rijksmuseum Amsterdam 90 Rembrandt and workshop. The hands seem to be painted by a member of the workshop Q17341268
Portrait of Man 1633 Oil on canvas 128.5 x 100.5 Schloss Wilhelmshöhe, Kassel 91 Rembrandt and/or workshop? Originally this portrait was probably full size Q18602834
Portrait of a Man Wearing a Red Doublet 1633 Oil on panel 63.5 x 50.5 Private collection 92 Q21515060
Portrait of a Young Woman 1633 Oil on panel 63.5 x 47.5 Museum of Fine Arts, Houston 93 Q21468651
Bust of Saskia Smiling 1633 Oil on panel 52.5 x 44 Staatliche Kunstsammlungen Dresden 94 Q21476815
Half-length Portrait of Saskia van Uylenburgh c. 1633-1642 Oil on panel 99.5 x 78.8 Schloss Wilhelmshöhe, Kassel 95 An 18th-century document provides evidence that the painting originally measured c. 128 x 104.5 cm and was rounded above Q3937660
Self-portrait with Gold Chain 1633 Oil on panel 61 x 48.1 Musée du Louvre, Paris 96 Q21406865
Self-portrait with Beret and Gold Chain 1633 Oil on panel 70.4 x 54 Musée du Louvre, Paris 97 Q21406872
Bust of Young Woman 1633 Oil on panel 65 x 48 Rijksmuseum Amsterdam 98 Q17336120
Man in Oriental Costume c. 1633-1634 Oil on canvas 98 x 74 National Gallery of Art, Washington 99 Rembrandt and pupil(?). This work was probably larger on all sides Q20177141
A Young Woman (Esther? Judith?) at her Toilet 1633 Oil on canvas 110.5 x 94.3 National Gallery of Canada, Ottawa 100 Q21451682
Bellona 1633 Oil on canvas 127 x 97.5 Metropolitan Museum of Art, New York 101 Q19911626
Daniel Refuses to Worship the Idol Baal 1633 Oil on panel 23.4 x 30.1 J. Paul Getty Museum, Los Angeles 102 Q20178156
A Bust of an Old Man 1633 Grisaille, paper on panel 10.6 x 7.2 Private collection 103 Q21519504
Bust of a Man in Oriental Dress 1633 Oil on panel 85.8 x 63.8 Alte Pinakothek, Munich 104 Q21369078
Christ in the Storm on the Sea of Galilee 1633 Oil on canvas 160 x 128 Stolen from the Isabella Stewart Gardner Museum, Boston 105 Q2246489
The Raising of the Cross 1633 Oil on canvas 95.7 x 72.2 Alte Pinakothek, Munich 106 Part of the Passion series for Frederik Hendrik Q21372308
The Descent from the Cross 1632/1633 Oil on panel 89.6 x 65 Alte Pinakothek, Munich 107 Part of the Passion series for Frederik Hendrik Q568100
Joseph Telling his Dreams 1634 Grisaille, paper stuck on card 55.8 x 39.7 Rijksmuseum Amsterdam 108 Made in preparation for an unfinished printed Passion series Q17334391
The Adoration of the Magi 1633 Grisaille, paper stuck on card(?) 44.8 x 39.1 Hermitage Museum, Saint Petersburg 109 Made in preparation for an unfinished printed Passion series Q21597595
John the Baptist Preaching c. 1633/1634 Grisaille, canvas (enlarged) stuck on panel 62.7 x 81.1 Gemäldegalerie, Berlin 110 Q21453215
Christ and his Disciples in Gethsemane 1634 Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk 35.7 x 48.8 Teylers Museum, Haarlem 111 Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series Q21598836
Ecce Homo 1634 Grisaille, paper on canvas 54.5 x 44.5 National Gallery, London 112 Grisaille in preparation for an unfinished printed Passion series Q21455838
The Lamentation c. 1633/1634 Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm 31.9 x 26.7 National Gallery, London 113 Grisaille may be fragment of the planned Passion series Q21467280
The Entombment 1633/1634 Grisaille, panel 32.1 x 40.3 Hunterian Museum and Art Gallery, Glasgow 114 Grisaille may be fragment of the planned Passion series Q18433275
Portrait of a Young Bachelor 1634 Oil on panel 70 x 52 Hermitage Museum, Saint Petersburg 115 The painting is covered by a layer of yellowed varnish Q21504269
Portrait of an 83-year Old Woman (possibly Aechje Claesdr, mother of Dirck Jansz Pesser) 1634 Oil on panel 68.7 x 53.8 National Gallery, London 116 Q21469157
Portrait of Dirck Jansz Pesser 1634 Oil on panel 71 x 53 Los Angeles County Museum of Art 117a Companion piece to 117b Q20881403
Portret of van Haesje Jacobsdr van Cleyburgh 1634 Oil on panel 71 x 53 Rijksmuseum Amsterdam 117b Companion piece to 117a Q17341036
Portrait of a Man in a Broad-brimmed Hat 1634 Oil on panel 70 x 53 Museum of Fine Arts, Boston 118a Rembrandt and mainly workshop. Companion piece to 118b Q20557864
Portrait of a Woman 1634 Oil on panel 69.5 x 53 Museum of Fine Arts, Boston 118b Companion piece to 118a Q20557788
Portrait of a 41-year-old Man, possibly Pieter Sijen 1633 Oil on panel 69.3 x 54.8 Norton Simon Museum, Pasadena 119a Companion piece to 119b Q21467975
Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal 1634 Oil on panel 69 x 55 Speed Art Museum, Louisville 119b Companion piece to 119a Q21467968
Portrait of Maerten Soolmans 1634 Oil on canvas 207 x 132.5 Joint ownership by Rijksmuseum and The Louvre 120a Companion piece to 120b Q19421105
Portrait of Oopjen Coppit 1634 Oil on canvas 207 x 132 Joint ownership between The Louvre and Rijksmuseum 120b Companion piece to 120a Q19421160
Portrait of Reverend Johannes Elison 1634 Oil on canvas 173 x 123 Museum of Fine Arts, Boston 121a Companion piece to 121b Q20557629
Portrait of Maria Bockenolle 1634 Oil on canvas 174.5 x 123 Museum of Fine Arts, Boston 121b Companion piece to 121a Q20557706
Oval Self-portrait with Shaded Eyes 1634 Oil on panel 70.8 x 55.2 Wynn Collection, Las Vegas 122 Q21519550
Self-portrait in a Cap and Fur-trimmed Cloak 1634 Oil on panel 58.3 x 47.5 Gemäldegalerie, Berlin 123 The painting is covered by a layer of yellowed varnish Q18688868
Cupid Blowing a Soap Bubble 1634 Oil on canvas 75 x 92.62 Liechtenstein Museum, Vienna 124 Q21598760
Flora 1634 Oil on canvas 125 x 101 Hermitage Museum, Saint Petersburg 125 Q2225699
The Descent from the Cross 1634 Oil on canvas 159.3 x 116.4 Hermitage Museum, Saint Petersburg 126 Q16954398
The Incredulity of Thomas 1634 Oil on panel 53 x 50 Pushkin Museum, Moscow 127 Q11791846
Sophonisba Receiving the Poisoned Cup 1634 Oil on canvas 142 x 153 Museo del Prado, Madrid 128 Q2479220
A Scholar, Seated at a Table with Books 1634 Oil on canvas 145 x 134 National Gallery in Prague 129 Q21467323
Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto 1634 Oil on panel 73.5 x 93.5 Museum Wasserburg, Anholt 130 Q153788
The Flight into Egypt 1634 Oil on panel 52 x 40.1 Private collection 130A Q20087572
The Holy Family 1634 Oil on canvas 195 x 132 Alte Pinakothek, Munich 131 The painting was originally probably wider than it is today Q3944456
Portrait of Philips Lucasz 1635 Oil on panel 79.5 x 58.9 National Gallery, London 132a Rembrandt and workshop. Companion piece to 132b Q21470339
Portrait of Petronella Buys 1635 Oil on panel 78.8 x 65.3 Whereabouts unknown 132b Rembrandt and workshop. Companion piece to 132a Q21470328
Portrait of a Man in a Slouched Hat and Bandoleer 1635 Oil on canvas 78.5 x 65.7 Kawamura Memorial DIC Museum of Art, Sakura 133a Rembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below Q21475075
Portrait of a Young Woman 1635 Oil on panel 78 x 65 Cleveland Museum of Art 133b Rembrandt and mainly workshop. Companion piece to 133a. The painting has suffered severely from overcleaning. Originally rectangular and possibly also larger below Q21475059
Self-portrait wearing a white feathered bonnet 1635 Oil on canvas 90.5 x 71.8 Buckland Abbey 134 Rembrandt (and workshop?) Q9011253
Self-portrait as the Prodigal Son in the Tavern 1635 Oil on canvas 161 x 131 Staatliche Kunstsammlungen Dresden 135 The reconstruction of the stretcher on the basis of the X-ray shows just how much the painting was reduced in size. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted Q1111394
Abraham's Sacrifice 1635 Oil on canvas 193.5 x 132.8 Hermitage Museum, Saint Petersburg 136 The painting is covered by a layer of yellowed varnish Q10749451
The Rape of Ganymede 1635 Oil on canvas 177 x 130 Staatliche Kunstsammlungen Dresden 137 Q3930497
Flora 1635 Oil on canvas 123.5 x 97.5 National Gallery, London 138 Q3950662
Minerva 1635 Oil on canvas 137 x 116 Gallery Otto Naumann, New York 139 Q18655576
Samson Threatening his Father-in-law c. 1635 Oil on canvas 159 x 131 Gemäldegalerie, Berlin 140 Q16599633
Bust of a Man in Oriental Dress 1635 Oil on panel 72 x 54.5 Rijksmuseum Amsterdam 141 Q17334207
Bust of a Bearded Old man in Fanciful Costume 1635 Oil on panel 72.5 x 62.1 Royal Collection 142 Q21469853
Belshazzar’s Feast 1635 Oil on canvas 167.6 x 209.2 National Gallery, London 143 On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. This is also apparent from the edge of the table and the stream of wine poured from the jug by the woman on the right Q1167932
Susanna Bathing 1636 Oil on panel 47.2 x 38.6 Mauritshuis, The Hague 144 Q9392174
The Ascension 1636 Oil on canvas 93 x 68.7 Alte Pinakothek, Munich 145 Part of the Passion series for Frederik Hendrik Q21382018
Self-portrait Transformed into a ‘tronie’ c. 1633-1636 Oil on panel 56 x 47 Gemäldegalerie, Berlin 146 Q21409384
The Standard-Bearer 1636 Oil on canvas 118.8 x 96.8 Collection of Elie de Rothschild, Paris 147 Q21467444
The Blinding of Samson 1636 Oil on canvas 205 x 272 Städel, Frankfurt am Main 148 Q1211651
Danae c. 1636 - c. 1643 Oil on canvas 185 x 203 Hermitage Museum, Saint Petersburg 149 The painting was very badly damaged in 1985 Q2294441
The Angel Raphael Leaving Tobit and his Family 1637 Oil on panel 66 x 52 Musée du Louvre, Paris 150 Q9158957
The Parable of the Labourers in the Vineyard 1637 Oil on panel 31 x 42 Hermitage Museum, Saint Petersburg 151 The paint of the figures to the right have suffered from blanching Q11826546
River Landscape with Ruins c. 1637 - c. 1645 Oil on panel 67 x 87.5 Schloss Wilhelmshöhe, Kassel 152 The mill together with its immediate surroundings was originally placed in a flat Dutch landscape. Rembrandt transformed it into classical mountainous landscape around 1645 Q20900612
The Concord of the State 1637 Oil on panel 74.6 x 101 Museum Boijmans Van Beuningen, Rotterdam 153 Grisaille serving as a design for a political print which was never realized Q3686309
Self-portrait 1637 Oil on panel 64 x 49 Wallace Collection, London 154 The painting originally was larger (c. 75 x 55 cm) and rectangular. The upper corners of the background are digitally reconstructed Q19844638
Man in Russian Costume 1637 Oil on panel 96.7 x 66.1 National Gallery of Art, Washington 155 Q9351747
Portrait of the Preacher Eleazar Swalmius 1637 Oil on canvas 132 x 109 Royal Museum of Fine Arts Antwerp 156 Q21499511
Bust of a Man with Plumed Cap 1637 Oil on panel 62.5 x 47 Mauritshuis, The Hague 157 Q17275827
The Risen Christ Appearing to Mary Magdalene 1638 Oil on panel 61 x 49.5 Royal Collection 158 Q21448755
Landscape with the Good Samaritan 1638 Oil on panel 46.5 x 66 Czartoryski Museum, Kraków 159 Q11747764
The Wedding of Samson 1638 Oil on canvas 126 x 175 Staatliche Kunstsammlungen Dresden 160 Q16614604
Woman with a Mirror 1638 Oil on panel 23.9 x 32.5 Hermitage Museum, Saint Petersburg 161 Q16580563
The Entombment 1635-1639 Oil on canvas 92.6 x 68.9 Alte Pinakothek, Munich 162 Part of the Passion series for Frederik Hendrik Q9393528
The Resurrection 1639 Oil on canvas 92.9 x 67 Alte Pinakothek, Munich 163 Part of the Passion series for Frederik Hendrik Q21383336
King Uzziah Stricken with Leprosy c. 1639/1640 Oil on panel 102.8 x 78.8 Chatsworth House 164 Covered with a disturbing layer of yellowed varnish. The dark patches in Uzziah’s face are probably painted indications of his leprosy Q11708247
Two Dead Peacocks and a Girl 1639 Oil on canvas 145 x 135.5 Rijksmuseum Amsterdam 165 Q3633621
A Dead Bittern 1639 Oil on panel 120.7 x 88.3 Staatliche Kunstsammlungen Dresden 166 The painting is covered by a layer of yellowed varnish Q21475539
Portrait of a Man Holding a Hat c. 1640 Oil on panel 81.4 x 71.4 Hammer Museum, Los Angeles 167 The panel has been trimmed on all sides. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting Q21567649
Portrait of a Man Standing, possibly Andries de Graeff 1639 Oil on canvas 200 x 124.2 Schloss Wilhelmshöhe, Kassel 168 Q21406310
Portrait of Aletta Adriaensdr 1639 Oil on panel 64.7 x 55.3 Museum Boijmans Van Beuningen, Rotterdam 169 The heavily damaged fingers were reconstructed during a restoration in the 1960s Q19928010
Self-portrait 1640 Oil on panel 80.5 x 62.8 Musée du Louvre, Paris 170 Rembrandt and workshop? Adaption of an earlier self-portrait Q18226124
Bust of Young Woman c. 1640 Oil on panel 60.5 x 49 National Gallery of Art, Washington 171 Q20177135
Self-portrait c. 1639 Oil on panel 63 x 50.1 Norton Simon Museum, Pasadena 172 Q21481383
The Holy Family with St Anne 1640 Oil on panel 40.6 x 34 Musée du Louvre, Paris 173 The painting is covered by a layer of yellowed varnish Q21479790
The Visitation 1640 Oil on panel 56.5 x 47.8 Detroit Institute of Arts 174 Q21479751
Landscape with a Stone Bridge c. 1638/1640 Oil on canvas 29.5 x 42.5 Rijksmuseum Amsterdam 175 Q4211284
Mountain Landscape with Approaching Storm 1640 Oil on panel 52 x 72 Herzog Anton Ulrich Museum, Braunschweig 176 Q16913186
Portrait of Herman Doomer 1640 Oil on panel 75.2 x 55.3 Metropolitan Museum of Art, New York 177a Companion piece to 177b Q18760265
Portrait of Baertje Martens 1640 Oil on panel 75.1 x 55.9 Hermitage Museum, Saint Petersburg 177b Companion piece to 177a Q19365078
Self-portrait c. 1640 Oil on panel 72.2 x 58.3 Thyssen-Bornemisza Museum, Madrid 178 The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself Q18688852
Self-Portrait at the Age of 34 1640 Oil on canvas 93 x 80 National Gallery, London 179 Q3630751
Portrait of a Woman, possibly Anna Wijmer 1641 Oil on panel 99.5 x 81.5 Six Foundation, Amsterdam 180 Q21481569
Saskia as a Flora 1641 Oil on panel 98.5 x 82.5 Staatliche Kunstsammlungen Dresden 181 The paint is covered by a disturbing yellowed layer of varnish Q16599937
Oil Study of a Woman Lit Obliquely from Behind 1640 Oil on panel 46.5 x 37.5 Private collection 182 Q21597679
Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten 1641 Oil on canvas 176 x 210 Gemäldegalerie, Berlin 183 Q3937500
Portrait of Maria Trip 1641(?) Oil on canvas 107 x 82 Rijksmuseum Amsterdam 184b Rembrandt and the painter of 184a. Companion piece to 184a: Rembrandt workshop, Portrait of a man (Balthasar Coymans?). 1641 (?). Private collection Q4373336
A Scholar at a Writing Desk 1641 Oil on panel 104 x 76 Royal Castle, Warsaw 185 Q9364415
Girl in Fanciful Costume in a Picture Frame 1641 Oil on panel 104 x 76 Royal Castle, Warsaw 186 Q11695670
Portrait of Nicolas van Bambeeck in a Picture Frame 1641 Oil on canvas 108.8 x 83.3 Royal Museums of Fine Arts of Belgium, Brussels 187a Companion piece to 187b Q21449656
Portrait of Agatha Bas in a Picture Frame 1641 Oil on canvas 104 x 82 Royal Collection 187b Companion piece to 187a Q3937450
David’s Parting from Jonathan 1642 Oil on panel 73 x 61 Hermitage Museum, Saint Petersburg 188 Q5800462
Self-Portrait 1642 Oil on panel 69.9 x 58.4 Royal Collection 189 The costume and the hand are largely overpainted by a much later hand Q21448628
The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch (Night Watch) 1642 Oil on canvas 363 x 438 Rijksmuseum Amsterdam 190 Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland [Frans Banninck Cocq] as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen [Willem van Ruytenburgh] to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. The painting has been cropped on all four sides Q219831
Portrait of a Man with a Hawk 1643 Oil on canvas 114 x 97.3 Private collection 191a Rembrandt and workshop. Companion piece to 191b Q21500921
Portrait of a Woman with a Fan 1643 Oil on canvas 114.5 x 98 Private collection 191b Rembrandt and (mainly) workshop. Companion piece to 191a Q21500923
An Old Man in Rich Costume (Boaz?) 1643 Oil on panel 72.5 x 58.5 Woburn Abbey 192 Possibly companion piece to 193. The series of curved cracks in the panel and paintlayer are typical for paintings on mahogany panels Q16913143
Bust of a Woman (Ruth?) 1643 Oil on panel 72 x 59 Gemäldegalerie, Berlin 193 Possibly companion piece to 192. The darker parts of the costume were originally lighter and more colourful Q16913142
Sarah Waiting for Tobias 1643 Oil on canvas 81.2 x 67.9 National Gallery of Scotland, Edinburgh 194 Q3766161
Portrait of a Man with a Steel Gorget 1644 Oil on canvas 94.3 x 77.8 Metropolitan Museum of Art, New York 195 Cropped along the bottom edge Q19911900
Christ and the Woman Taken in Adultery 1644 Oil on panel 83.8 x 65.4 National Gallery, London 196 Q570163
A Weeping Woman c. 1644 Oil on panel 21.3 x 16.8 Detroit Institute of Arts 197 Oil sketch in preparation for 196 Q18746675
The Holy Family with Angels 1645 Oil on canvas 117 x 91 Hermitage Museum, Saint Petersburg 198 Strips of canvas of considerable width are missing on the side and top edges Q3944474
Self-portrait with Beret and Red Cloak c. 1645/1648 Oil on panel 73.5 x 59.6 Staatliche Kunsthalle Karlsruhe 199 The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again) Q21409402
Girl Leaning on a Stone Window Sill 1645 Oil on canvas 81.6 x 66 Dulwich Picture Gallery, London 200 Q11824948
Tobit and Anna 1645 Oil on panel 20 x 27 Gemäldegalerie, Berlin 201 Q21480254
Joseph's Dream in the Stable at Bethlehem 1645 Oil on panel 20.7 x 27.8 Gemäldegalerie, Berlin 202 Q16600465
Old Man with Fur Coat 1645 Oil on panel 110 x 82 Gemäldegalerie, Berlin 203 The painting was probably cropped on all sides. It may well have had the same size as 204 Q21485733
Old Man with a Stick 1645 Oil on canvas 128 x 112 Museu Calouste Gulbenkian, Lisbon 204 Q21484378
Landscape with a Castle 1645 Oil on panel 44.5 x 70 Musée du Louvre, Paris 205 Unfinished Q18397036
The Mill c. 1645 Oil on canvas 87.6 x 105.6 National Gallery of Art, Washington 206 In the painting in its present state the mill is tilted forward Q3224802
Winter Landscape 1646 Oil on panel 17 x 23 Schloss Wilhelmshöhe, Kassel 207 Q21406281
Abraham Serving the Three Angels 1646 Oil on panel 16 x 21 Private Collection 208 Q9138433
The Holy Family with Painted Frame and Curtain 1646 Oil on panel 46.8 x 68.4 Schloss Wilhelmshöhe, Kassel 209 Rembrandt or pupil. The painting is covered by a layer of yellowed varnish Q21406322
The Prophetess Anna in the Temple 1650 or c. 1646 Oil on panel 40.5 x 31.5 National Gallery of Scotland, Edinburgh 210 The painting is covered by a layer of yellowed varnish Q21503254
The Nativity 1646 Oil on canvas 92 x 71 Alte Pinakothek, Munich 211a Part of the Passion series for Frederik Hendrik. 211b. Studio copy after a lost Circumcision (which was part of the Passion series for Frederik Hendrik), in or after 1646. Braunschweig, Herzog Anton Ulrich Museum Q11821341
Saul and David c. 1645 and c. 1652 Oil on canvas 130 x 164.5 Mauritshuis, The Hague 212 The painting originally was considerable larger. A vertical strip, wide c. 20 cm is missing to the left of David’s harp. Along the bottom the painting was c. 18 cm larger. The top right square piece of canvas above David was replaced by a fragment of a seventeenth century painting and overpainted Q9074913
Susanna and the Elders c. 1638-1647 Oil on panel 76.6 x 92.8 Gemäldegalerie, Berlin 213 The painting is covered by a layer of yellowed varnish Q16913597
Nocturnal Landscape with the Holy Family 1647 Oil on panel 33.8 x 47.8 National Gallery of Ireland, Dublin 214 Q21451906
Preparatory Oil Sketch for the Etched Portrait of Dr Ephraim Bueno c. 1647 Oil on panel 19 x 15 Rijksmuseum Amsterdam 215 Q17335740
Portrait of a Man Reading by Candlelight 1648 Oil on canvas 66.5 x 58 Clark Art Institute, Williamstown 216 Q21598351
Oil Study of Christ c. 1648 Oil on panel 25 x 20 Gemäldegalerie, Berlin 217a Rembrandt or pupil. Companion piece to 217b Q1304358
Oil Study of Christ 1648 Oil on panel 25.5 x 20.1 Private collection 217b Rembrandt or pupil. Companion piece to 217a Q21518246
The Supper at Emmaus 1648 Oil on panel 68 x 65 Musée du Louvre, Paris 218 The panel, whose grain runs horizontally, may have extended further on the left where there could have been a window Q1241088
Christ Appearing to Mary Magdalene, ‘Noli me tangere’ 1650 or slightly later Oil on canvas 65 x 79 Herzog Anton Ulrich Museum, Braunschweig 219 The painting is in an extremely bad condition and shows disturbing blanching in places Q21487137
Girl at a Window 1651 Oil on canvas 78 x 63 Nationalmuseum, Stockholm 220 Q18089111
An Old Man in an Armchair 1652 Oil on canvas 111 x 88 National Gallery, London 221 Q21526842
An Old Man in Fanciful Costume 1651 Oil on canvas 78.5 x 67.5 Chatsworth House 222 The painting was originally taller. It is covered by a disturbing layer of yellowed varnish Q21502401
Hendrickje with Fur Wrap c. 1652 Oil on canvas 103.3 x 86.5 National Gallery, London 223 Q21500197
The So-called Large Vienna Self-portrait with Beret 1652 Oil on canvas 112.1 x 81 Kunsthistorisches Museum, Vienna 224 The painting has been cropped both at top left and bottom. It is covered by a disturbing layer of yellowed varnish Q7448288
Portrait of a Man c. 1651 Oil on canvas 92.5 x 73.5 Faringdon Collection, Oxfordshire 225 Q21485255
Portrait of Nicolaes Bruyningh 1652 Oil on canvas 106.8 x 91.5 Schloss Wilhelmshöhe, Kassel 226 The painting is covered by a layer of yellowed varnish Q21402239
Half-figure of a Bearded Man with Beret c. 1653 Oil on canvas 78 x 66.5 National Gallery, London 227 Q21597686
Aristotle with a Bust of Homer 1653 Oil on canvas 141.8 x 134.4 Metropolitan Museum of Art, New York 228 The painting was larger at both top and bottom. The original proportions of the canvas were 4:3 Q2404992
A Woman Wading in a Pool (Callisto in the Wilderness) 1654 Oil on panel 61.8 x 47 National Gallery, London 229 Q3766162
Oil Study of an Old Man with a Red Hat c. 1654 Oil on canvas 52.4 x 37 Gemäldegalerie, Berlin 230 The painting is covered by a disturbing layer of darkened varnish Q21518570
Bathsheba at her Toilet 1654 Oil on canvas 142 x 142 Musée du Louvre, Paris 231 The canvas was originally considerably higher and wider at the left. Strips are missing from the bottom and right. In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left Q32496
Woman at an Open Half-door c. 1654 Oil on canvas 88.5 x 67 Gemäldegalerie, Berlin 232 The painting is covered by a disturbing layer of yellowed varnish Q16590326
Portrait of Jan Six 1654 Oil on canvas 112 x 102 Six Foundation, Amsterdam 233 Q3937582
The Standard-Bearer (Floris Soop) 1654 Oil on canvas 138 x 113 Metropolitan Museum of Art, New York 234 Q18649144
Self-portrait 1654 Oil on canvas 72 x 58.5 Schloss Wilhelmshöhe, Kassel 235a Companion piece to 235b Q19844627
Portrait of Hendrickje Stoffels c. 1654 Oil on canvas 72 x 60 Musée du Louvre, Paris 235b Companion piece to 235a Q21418803
The Polish Rider c. 1655 Oil on canvas 116.8 x 134.9 Frick Collection, New York 236 Partly unfinished, locally completed by later hand. At least 8-10 cm of the canvas are missing at the right. Along the bottom a strip of c. 10 cm was lost at some stage and subsequently replaced by a reconstruction painted by the restorer William Suhr Q3663892
Joseph Accused by Potiphar’s Wife 1655 Oil on canvas 110 x 87 Gemäldegalerie, Berlin 237 With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt Q16913576
Oil Sketch of an Old Man c. 1655 Oil on panel 23 x 18 Private collection 238 Q21559229
Man in Armour c. 1655 Oil on canvas 137.5 x 104.5 Kelvingrove Art Gallery and Museum, Glasgow 239 The canvas has been enlarged on all four sides Q18759548
Slaughtered Ox 1655 Oil on panel 95.5 x 69 Musée du Louvre, Paris 240 Q3646498
Old Woman Reading (Study in Lighting Effects) 1655 Oil on canvas 79 x 65 Drumlanrig Castle, Thornhill 241 Q21418775
Titus at a Desk 1655(?) Oil on canvas 77 x 63 Museum Boijmans Van Beuningen, Rotterdam 242 Q16612320
Unfinished Portrait of a Boy c. 1656 Oil on canvas 65 x 56 Norton Simon Museum, Pasadena 243 Q21481447
Man with Beret and Tabard (a Falconer?) 1656 Oil on canvas 115 x 88.3 Toledo Museum of Art 244 The painting must originally have extended considerably further to the right Q21519866
Jacob Blessing the Sons of Joseph 1656 Oil on canvas 175 x 210.5 Schloss Wilhelmshöhe, Kassel 245 Q1679544
The Anatomy Lesson of Dr. Jan Deyman 1656 Oil on canvas 100 x 134 Amsterdam Museum 246 Fragment that survived a fire. Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman Q2252345
Young Man Seated at a Table c. 1656 Oil on canvas 109.9 x 89.5 National Gallery of Art, Washington 247 Q20177567
Portrait of a Gentleman with a Pair of Gloves c. 1656 Oil on canvas 99.5 x 82.5 National Gallery of Art, Washington 248a Companion piece to 248b. The painting (and its companion piece) seems to be a fragment of a full-size portrait Q20177419
Portrait of a Lady with an Ostrich Feather Fan c. 1656 Oil on canvas 99.5 x 83 National Gallery of Art, Washington 248b Companion piece to 248a Q20177427
Portrait of a Man, possibly Arnout Tholincx 1656 Oil on canvas 76 x 63 Musée Jacquemart-André, Paris 249 Q21401849
Portrait of poet Jeremias de Decker 1656 Oil on panel 71 x 56 Hermitage Museum, Saint Petersburg 250 Q17561117
Venus and Cupid c. 1657 Oil on canvas 110 x 88 Musée du Louvre, Paris 251 Possibly part of a tripartite series with 252 and 253. The canvas has been cropped on all sides Q21499498
Juno c. 1657-1665 Oil on canvas 127 x 106 Hammer Museum, Los Angeles 252 Possibly part of a tripartite series with 251 and 253 Q21500872
Pallas Athene c. 1657 Oil on canvas 118 x 91 Museu Calouste Gulbenkian, Lisbon 253 Rembrandt and pupil. Possibly part of a tripartite series with 251 and 252. The canvas has been reduced at the left and bottom Q3610098
The Apostle Paul at his Writing Desk 1657 Oil on canvas 129 x 102 National Gallery of Art, Washington 254 Rembrandt and workshop Q20177450
The Apostle Bartholomew 1657 Oil on canvas 122.7 x 99.5 Timken Museum of Art, San Diego 255 Q21520257
The So-called Small Vienna Self-portrait c. 1657 Oil on panel 48.9 x 40.2 Kunsthistorisches Museum, Vienna 256 Serious overcleaning and related overpaintings are evident in the shaded part of the face and in the costume. The painting appears to be a fragment of a considerably larger self-portrait Q21503301
Portrait of Titus van Rijn 1657 Oil on canvas 67.3 x 55.2 Wallace Collection, London 257 The figure may have been placed before a larger, rather lively background Q21402035
Portrait of Catharina Hooghsaet 1657 Oil on canvas 123.5 x 95 Penrhyn Castle, Gwynedd 258 Q16913601
Portrait of an Unknown Scholar (also known as ‘The Auctioneer’) 1658 Oil on canvas 108 x 85 Metropolitan Museum of Art, New York 259 Q19905155
Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van Coppenol In or before 1658 Oil on panel 35.6 x 28 Metropolitan Museum of Art, New York 260 See etching B283 Q19905364
Portrait of a Man with Arms Akimbo 1658 Oil on canvas 107.4 x 87 Agnes Etherington Art Centre, Kingston 261 Q1986539
The Risen Christ c. 1658 Oil on canvas 81 x 64 Alte Pinakothek, Munich 262 The painting was not originally oval Q21477542
Portrait of Dirck van Os c. 1658 Oil on canvas 113.5 x 88.7 Joslyn Art Museum, Omaha 263 Q17064881
Self-portrait 1658 Oil on canvas 131 x 102 Frick Collection, New York 264 Q3630750
Philemon and Baucis 1658 Oil, transferred from panel to gauze and then stuck on a new panel 54.5 x 68.5 National Gallery of Art, Washington 265 Q20177472
Tobit and Anna 1659 Oil on canvas 41.8 x 54.6 Museum Boijmans Van Beuningen, Rotterdam 266 Q19925707
Moses Smashes the Stone Tablets with the Covenant 1659 Oil on canvas 168.5 x 136.5 Gemäldegalerie, Berlin 267 Unfinished Q325267
Jacob Wrestling with the Angel c. 1659 Oil on canvas 137 x 116 Gemäldegalerie, Berlin 268 The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand Q9370562
Posthumous Portrait of Saskia van Uylenburgh as Flora c. 1660 Oil on canvas 100 x 91.8 Metropolitan Museum of Art, New York 269 Rembrandt (and workshop?) Q3784800
Portrait of a Man as the Apostle Paul 1659 Oil on canvas 102 x 85.5 National Gallery, London 270 Q21519561
Oil Sketch for 272 c. 1659 Oil on canvas 68.5 x 55.5 Statens Museum for Kunst, Copenhagen 271 Q19973906
‘Portrait Historié’ of an Unknown Gentleman as St Bavo c. 1659 Oil on canvas 98.5 x 79 Gothenburg Museum of Art 272 Q21501589
Self-portrait 1657/1659 Oil on canvas 50 x 42.5 National Gallery of Scotland, Edinburgh 273 Q21520005
Self Portrait with Beret and Turned-Up Collar 1659 Oil on canvas 84.4 x 66 National Gallery of Art, Washington 274 Q2872723
Self-portrait c. 1659 Oil on canvas 30.7 x 24.3 Musée Granet, Aix-en-Provence 275 Unfinished Q21597702
Lighting Study with an Old Man as a Model 1659 Oil on panel 38.1 x 26.8 Daniel and Linda Bader Collection, Milwaukee 276 Q21523399
Lighting Study with Hendrickje Stoffels in a Silk Gown as a Model c. 1659 Oil on panel 72.5 x 51.5 Städel, Frankfurt am Main 277 A narrow strip is missing along the left side, a consequence of woodworm attack. The painting is covered with a yellowed varnish Q21515049
Hendrickje Stoffels c. 1660 Oil on canvas 78.4 x 68.9 Metropolitan Museum of Art, New York 278 The painting is in a badly overcleaned and abraded condition Q19911539
Titus van Rijn as St Francis c. 1660 Oil on canvas 79.5 x 67.5 Rijksmuseum Amsterdam 279 Q768333
A Smiling Young Man (Titus) 1660 Oil on canvas 81.5 x 78.5 Baltimore Museum of Art 280 Q21550057
Self-portrait at an Easel 1660 Oil on canvas 110.9 x 90.6 Musée du Louvre, Paris 281 Q5712851
Rembrandt: Self Portrait 1660 Oil on canvas 81 x 67.6 Metropolitan Museum of Art, New York 282 Q7311573
Assuerus, Haman, and Esther Between c. 1655 and 1665 Oil on canvas 71.5 x 93 Pushkin Museum, Moscow 283 Q2589202
The Denial of Peter 1660 Oil on canvas 154 x 169 Rijksmuseum Amsterdam 284 The canvas was reduced on the right. W286 was painted on part of the trimmed piece Q3874247
Lighting Study of an Old Man in Profile c. 1661 Oil on panel 24.8 x 19.1 Agnes Etherington Art Centre, Kingston 285 Probably painted in preparation for 286 Q21523379
The Circumcision in the Stable 1661 Oil on canvas 56.5 x 75 National Gallery of Art, Washington 286 Q20177576
The Virgin of Sorrow 1661 Oil on canvas 107 x 81 Musée départemental d'Art ancien et contemporain, Epinal 287 Q21523425
Titus Posing for a Study of an Angel c. 1661 Oil on panel 40.6 x 34.9 Detroit Institute of Arts 288 Possibly painted in preparation for 289 Q21551494
St. Matthew and the Angel 1661 Oil on canvas 96 x 81 Musée du Louvre, Paris 289 Part of a series with 290-294 Q9396869
The Apostle Bartholomew 1661 Oil on canvas 87.5 x 75 J. Paul Getty Museum, Los Angeles 290 Part of a series with 289, 291-294 Q20178712
The Apostle Simon 1661 Oil on canvas 98.5 x 79 Kunsthaus Zürich 291 Part of a series with 289, 290 and 292-294 Q21523455
The Apostle James the Greater 1661 Oil on canvas 92.1 x 74.9 Whereabouts unknown 292 Part of a series with 289-291 and 293, 294 Q21520205
The Apostle James the Less, or Christ with a Staff 1661 Oil on canvas 94.5 x 81.5 Metropolitan Museum of Art, New York 293 Part of a series with 289-292 and 294 Q19911565
Self-portrait as the Apostle Paul 1661 Oil on canvas 93.2 x 79.1 Rijksmuseum Amsterdam 294 Part of a series with 289-293 Q2267759
Two Moors 1661 Oil on canvas 77.8 x 64.5 Mauritshuis, The Hague 295 The paint surface is severely worn. The painting has been cropped to the right and bottom Q17276026
The Small Margaretha de Geer 1661 Oil on canvas 73.5 x 60.7 National Gallery, London 296 Sketch for 297b Q21502392
Portrait of Jacob Trip c. 1661 Oil on canvas 130.5 x 97 National Gallery, London 297a Companion piece to 297b Q21500675
Portrait of Margaretha de Geer c. 1661 Oil on canvas 130.5 x 97 National Gallery, London 297b Companion piece to 297a Q21500701
The Conspiracy of the Batavians under Claudius Civilis c. 1661-1662 Oil on canvas 196 x 309 Nationalmuseum, Stockholm 298 Fragment Q2234397
Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’ 1662 Oil on canvas 191.5 x 279 Rijksmuseum Amsterdam 299 Q1170480
Portrait of a Young Man c. 1662 Oil on canvas 80 x 64.7 Nelson-Atkins Museum of Art, Kansas City 300 Q21520403
Homer Dictating his Verses 1663 Oil on canvas 108 x 82.4 Mauritshuis, The Hague 301 Made as part of a tripartite series with W228 and a lost Alexander the Great. In the right lower corner part of the manuscript, fingertips with pen and rim of the inkwell of a scribe Q11710021
Self-portrait as the Laughing Zeuxis while Painting an Old Woman 1663 Oil on canvas 82.5 x 65 Wallraf-Richartz Museum, Cologne 302 Cropped on all four sides; the upper left and right corners are later additions Q2267594
Equestrian Portrait of Frederick Rihel 1663 Oil on canvas 294.5 x 241 National Gallery, London 303 Rembrandt and workshop. The horse is painted by a different painter, possibly Titus van Rijn Q21499502
Bust of a Bearded Young Man with a Skullcap 1663 Oil on canvas 65.8 x 57.5 Kimbell Art Museum, Fort Worth 304 Q21526169
Portrait of a Woman with a Lapdog c. 1665 Oil on canvas 81 x 64 Art Gallery of Ontario, Toronto 305 The originally more differentiated background is overpainted with black Q18225459
Old Man in an Armchair, possibly a portrait of Jan Amos Comenius c. 1665 Oil on canvas 104 x 86 Uffizi, Florence 306 Covered with remnants of darkened varnish Q21469930
Titus Reading (study in direct and reflected light) c. 1660/1665 Oil on canvas 70.5 x 64 Kunsthistorisches Museum, Vienna 307 Q21491919
Portrait of Gerard de Lairesse 1665 Oil on canvas 112 x 87 Metropolitan Museum of Art, New York 308 Q20183551
Portrait of Jan Boursse, Sitting by a Stove c. 1666 Oil on panel 47 x 40.5 Museum Oskar Reinhart ‘Am Römerholz’, Winterthur 309 Probably painted in preparation of an unrealized etched portrait. The painting has suffered heavily from overcleaning and wear and is covered with a thick layer of yellowed varnish Q21528774
A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’ mid-1660s Oil on panel 38.4 x 31.1 Metropolitan Museum of Art, New York 310 Q19905221
Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh 1665 Oil on canvas 91.4 x 74.3 Metropolitan Museum of Art, New York 311a Companion piece to 311b Q19904868
Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft 1665 Oil on canvas 92.1 x 74.6 Metropolitan Museum of Art, New York 311b Companion piece to 311a Q19911714
‘Portrait Historié’ of a Couple as Isaac and Rebecca (known as ‘The Jewish Bride’) c. 1665 Oil on canvas 121.5 x 166.5 Rijksmuseum Amsterdam 312 Originally the painting was larger Q766782
Family Portrait c. 1665 Oil on canvas 126 x 167 Herzog Anton Ulrich Museum, Braunschweig 313 Q3937684
Lucretia 1666 Oil on canvas 111 x 95 Minneapolis Institute of Arts 314 Both hands have been (clumsily) overpainted by a later painter Q16913570
Portrait of a White-haired Man 1667 Oil on canvas 108.9 x 92.7 National Gallery of Victoria, Melbourne 315 Q20422149
Portrait of an Elderly Man Seated, possibly Pieter de la Tombe 1667 Oil on canvas 81.9 x 67.7 Mauritshuis, The Hague 316 Q17276280
Portrait of Titus van Rijn 1668 Oil on canvas 72 x 56 Musée du Louvre, Paris 317 Companion piece to 318? Q20651198
Portrait of a Young Woman, possibly Magdalena van Loo 1668 Oil on canvas 56 x 47 Montreal Museum of Fine Arts 318 Companion piece to 317? Cropped on all four sides Q18522895
File:Rembrandt van rijn-self portrait.jpg Self Portrait with Two Circles c. 1665/1669 Oil on canvas 114.3 x 94 Kenwood House, London 319 Unfinished Q2872725
The Return of the Prodigal Son c. 1660/1665 Oil on canvas 262 x 206 Hermitage Museum, Saint Petersburg 320 Rembrandt and other hand(s). A 10 cm wide strip has been added or replaced along the right edge Q512755
Self-Portrait at the Age of 63 1669 Oil on canvas 86 x 70.5 National Gallery, London 321 Q3630743
Self-portrait with Beret 1669 Oil on canvas 71 x 54 Uffizi, Florence 322 Strips of c. 15 cm may have been removed on all four sides as early as the seventeenth century to accommodate the painting in an assemblage of self-portraits owned by the Medici family. The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings Q18226128
Self-portrait 1669 Oil on canvas 63.5 x 57.8 Mauritshuis, The Hague 323 A strip of c. 10 cm is missing from the bottom Q17276109
Simeon’s Song of Praise 1669 Oil on canvas 98.5 x 79.5 Nationalmuseum, Stockholm 324 This painting remained unfinished in his studio after Rembrandt’s death. The woman (Mary?) was probably added later by another hand. Still later, the painting was so crudely treated that it is now a ruin Q9344513

See also

Sources

Wikimedia Commons has media related to A Corpus of Rembrandt Paintings VI.
  • A Corpus of Rembrandt Paintings I (1625–1631). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1982. ISBN 978-90-247-2614-1.
  • A Corpus of Rembrandt Paintings II (1631-1634). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1986. ISBN 978-90-247-3339-2.
  • A Corpus of Rembrandt Paintings III (1635-1642). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J., van de Wetering, E. (Ed.). 1990. ISBN 978-90-247-3781-9
  • A Corpus of Rembrandt Paintings IV (Self-Portraits). van de Wetering, Ernst (Ed.). Springer. 2005. ISBN 978-1-4020-3280-6.
  • A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0.
  • A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited - A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
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