Jump to content

Bassnectar

Page semi-protected
From Wikipedia, the free encyclopedia
(Redirected from Lorin Ashton)

Bassnectar
Background information
Birth nameLorin Ashton
Also known asDJ Lorin
Born (1978-02-16) February 16, 1978 (age 46)
Santa Cruz, California,
United States
Genres
Years active1996–Present[1]
Labels
Websitebassnectar.net

Lorin Gabriel Ashton, better known under his stage name Bassnectar (born February 16, 1978),[2] is an American DJ and electronic music producer.[3][4] With a career spanning several decades, Bassnectar has gained recognition for his innovative sound design and energetic live performances. His music and performances typically combine elements of dubstep, drum and bass, and various other electronic subgenres, often characterized by heavy basslines and intricate, layered production, and has contributed to the popularization of bass-heavy dance music in the United States.[5]

Career

Early years

Ashton is a native of San Jose, California.[6][7] When Ashton was 16 years old, he played in a death metal band named Pale Existence, which contributed to his heavy style of music.[5] In 1995, he attended his first rave and was immediately drawn to this new type of music, attending as many shows as possible, promoting shows, and eventually learning to DJ after studying electronic music production.[8]

He continued his studies at the University of California, Santa Cruz, producing tracks using Opcode Systems Studio Vision Pro.[9][10]

Ashton began djing parties in the Bay Area and drew fanfare at Burning Man by playing multiple sets a night.[5] Around this time, several mixtapes were released under the moniker "Lorin", including Gardens, Dreamtempo Mixtape, and Freakbeats for the Beatfreaks.[11]

Making an appearance at the 2002 Health and Harmony Festival in Santa Rosa, California, it is believed Ashton performed for the first time using a laptop and controller in lieu of standard djing equipment.[12] It was also around this time that Ashton began formalizing his stage name, sometimes still booking under “Lorin Bassnectar”, before dropping “Lorin” altogether. His second album Motions of Mutation from 2003 and its 2004 successor Diverse Systems of Throb both garnered support from the Bay Area electronic music community, and through frequent sightings at various parties and festivals, his notoriety continued to grow. Ashton played one such event, Shambhala music festival, in 2001–2002 before formally returning to the grounds as Bassnectar in 2003 and kicking off a string of annual performances at the festival that would continue for 11 years straight.[13]

In 2005, Ashton signed with Madison House, a booking agency predominantly known at the time for its work with jam bands.[14] This move helped to elevate Bassnectar's stature at a key time as audiences became more receptive towards electronic music. Continued releases in the following years (albums Mesmerizing the Ultra, Underground Communication, Cozza Frenzy, along with the EP Timestretch) added to Bassnectar's popularity and influence in the ever-growing electronic scene in the United States.

2011–2014: Touring era and mainstream breakthrough

In 2011, Divergent Spectrum became the first album to chart on the Billboard Top Dance/Electronic Albums, spending 35 weeks on the chart and peaking at 2nd position,[15] marking a turning point for the Bassnectar project from a commercial standpoint.

Following the success of Divergent Spectrum, Ashton released his 7th studio album, Vava Voom, on April 10, 2012. The album debuted at No. 2 on the Billboard Top Dance/Electronic Albums chart and remained on the chart for 15 weeks. The success of "Vava Voom" was complemented by a sold-out North American tour. It was during this period that Bassnectar was at the height of his touring era, exceeding 200,000 ticket sales in both 2011 and 2012[16] and playing over 150 shows a year[5] in venues across the United States.

Through the end of 2013 and early 2014, touring dates tapered off to allow space to produce his 8th studio album. Ashton approached the effort by first composing each song's building blocks electronically, then deconstructing them into guitar, piano, and vocal arrangements that could then be sent to various producers and artists for workshopping. The feedback collected from these workshopping efforts informed the finalized version of each track.[17][18] The resulting album, Noise vs. Beauty, was released June 24, 2014 and debuted at No. 1 on the Billboard Top Dance/Electronic Albums chart, remaining on the chart for 16 weeks. The album received generally favorable reviews, with Rolling Stone giving the album a 3/5 rating and noting the release was Ashton's "most mature".[19]

2015–2019: Festival circuit and curated events

In 2015, Bassnectar stopped touring his own show and shifted focus towards playing the festival circuit almost exclusively, making multiple appearances at Bonnaroo, Camp Bisco, Electric Daisy Carnival, Electric Forest Festival, Lollapalooza, and Okeechobee Music & Arts Festival. However, even before this time of exclusively playing festival shows, Bassnectar began orchestrating his own "curated" events.

In 2010, the first of these events, named "BassCenter", was held at the 1stBANK Center in Broomfield, Colorado.[20] As popularity and demand grew, various curated events were added over time, including "Basslights" (a collaborative event between Bassnectar and Pretty Lights), Halloween and Day of the Dead themed events (sometimes referred to as "Freakstyle"), New Year's Eve celebrations ("NYE360"), and others, such as "Freestyle Sessions", "Spring Gathering", and "Deja Voom". His latest curated event was to be held in March 2020 at the Barcelo Maya Resort in Riviera Maya, Mexico, but was cancelled due to the COVID-19 pandemic.

2020–Present: Hiatus and return

In January 2023, following years of silence from Ashton stemming from sexual assault allegations, perpetual discussion from his fans, and rumors regarding a possible return, a new mix, titled Music for Optimists, was discovered on the Bassnectar Mixcloud profile.[21] Fans also received an email inviting them to a new website, "UnlocktheOtherSide.com", which would act as a “centralized hub” for the community going forward.[22]

Later that year, a two-night concert was announced as a "members-only" show to be held at Mandalay Bay in Las Vegas, Nevada on October 6–7, marking the first public event put on by Ashton since playing at Okeechobee in 2020.[23] Around the same time, Ashton released his twelfth album, The Golden Rule.[24] One month after the Las Vegas announcement, another two-night concert was announced and scheduled for October 27–28 at the Harrah's Cherokee Center in Asheville, North Carolina; however, immediate and intense backlash stemming from the abuse allegations and the ongoing civil suit resulted in the show's cancellation the same day of its announcement.[25][26] On December 30–31, Bassnectar returned to playing New Year's parties, as he had held since 2011[27][28] and continued to do through 2019, when he played a two-night show at the Palladium Times Square.[29]

The Palladium show was followed up by an announcement a few weeks later for a new curated event, titled "Boombox ATL", which was to be held April 26–27, 2024 at the Gateway Center Arena. Subject to similar public outcry as other recent show announcements, this show was subsequently cancelled.[30][31] Following this cancellation, the team attempted to relocate the show to The Theater at Virgin Hotels Las Vegas for the same dates, but on February 16, this show too was postponed, officially citing "health issues."[32]

In August 2024, it was announced a three-day event would be held in Miami, Florida from December 29–31. The following month, the thirteenth album from Bassnectar, No Colors, was released.[33]

Controversies

In 2011, visuals created by Max Hattler, a German visual artist and experimental filmmaker, caught the attention of Ashton and his team. Before the end of the year, they began to repurpose select works for use in live performances, particularly Hattler's "1923 aka Heaven" which accompanied the track "Plugged In" by Rollz, and "Sync", which accompanied an unreleased Bassnectar song named "Frog Song".[34]

While Hattler was contacted by the Bassnectar team in 2013 to commission new visuals for the tour, a contract never materialized. For six years, the Bassnectar team continued to use the visuals, until in 2016 when Hattler learned of his visual's use without permission or compensation. After voicing his displeasure on his Facebook artist profile, Ashton attempted to apologize and mitigate the issue, explaining their use was above-board, citing sampling culture in electronic music and exposure benefit Hattler would enjoy stemming from the visual's use in live performances. Hattler refuted these claims, citing the business nature of the Bassnectar enterprise and the ongoing unauthorized use over a significant period of time.[35]

In July 2016, Hattler filed suit against Bassnectar for copyright infringement.[36][37][38] In June 2017, the case was settled and dismissed.[39] None of Hattler's visuals remained in use after 2016.

Sexual assault allegations

On July 3, 2020, Ashton announced that he was "stepping back" from music, amid allegations of sexual misconduct.[40] He denied the allegations but stated that "some of my past actions have caused pain, and I am deeply sorry."[40] Following this announcement, past collaborators and artists in the electronic music community spoke out against Ashton and led fans to draw comparisons to other artists in the electronic music industry who had been accused of sexual abuse, including Datsik, Graves, and Space Jesus.[41]

Mimi Page, who provided vocals for a few Bassnectar tracks, including "Butterfly" and "Breathless", tweeted that she was "devastated" and sends "love and healing to the fans in this community who's [sic] hearts are also breaking."[42] DJ and producer Dylan Lane, known professionally as ill.Gates, who produced music with and had previously defended Ashton, ultimately reversed his stance and concluded: "I'm feeling sad. I feel used, I feel betrayed, I feel like my musical history is stained by this."[43] In response, Ashton removed nearly all their collaborations from streaming services. Others, such as PEEKABOO and Apashe, donated proceeds from the tracks they produced with Bassnectar and offered support to victims of sexual abuse.[44]

In April 2021, the allegations were formalized when Rachel Ramsbottom and Alexis Bowling filed suit with the United States District Court for the Middle District of Tennessee against Ashton and several other Bassnectar-affiliated entities.[45] One month later, the complaint was amended to add two additional women, Jenna Houston and Jane Doe #1, to the suit.[46] In July 2021, Jane Doe #1 terminated from the suit.

In November 2024, three years after the initial filing, the legal team representing Ashton requested summary judgment. The request is pending review by Judge Aleta Trauger.[47]

Legacy

Bassnectar in 2008, using an M-Audio Trigger Finger to control tracks playing from Ableton Live
Bassnectar in 2008, using an M-Audio Trigger Finger to control tracks playing from Ableton Live

Live performances

Known for his mesmerizing live shows, concerts are characterized by high volume sound systems, immersive lighting and visual fx, and an "amorphous" blend of genres and musical elements, both electronic and non-electronic.[48] Reflecting on moments from his career, fellow dubstep artist Skream had this to say after watching Ashton perform at the Shambhala music festival in 2008:

“I played before Bassnectar in the Fractal Forest, I think it was, and it was insane,” he says. “I’d never seen anything like it. People were losing their absolute minds.”

— Skream[49]

One key ingredient in making these performances so captivating was Ashton's adoption of "controllerism", an alternative approach to live mixing compared to more traditional setups that used CDJs.[50] Originally making use of a pair of M-Audio Trigger Finger mini pad (MIDI) controllers, these connected to two laptops that each ran Ableton Live's Session View, which enabled the selection and cueing of tracks to be mixed together. Both instances of Ableton Live, which were synchronized as a safeguard against technical issues and to allow flexibility in the live performance, utilized custom "performance templates" designed by ill.Gates to more easily interact with the software and manipulate tracks in a creative way.[51] After the original Trigger Finger was discontinued sometime around 2010, Ashton commissioned 60 Works, a Minneapolis based boutique MIDI controller company, to create a new controller customized for his approach to live shows.[52]

In addition to the innovative mixing approach, another key element of Bassnectar's live show experience was an ever-increasing emphasis on high quality sound, making use of various sound systems over the years, including Anya,[53] d&b audiotechnik,[54] L-Acoustics,[55] Meyer Sound Laboratories,[56] and PK Audio.[57] Even as early as 2012, relatively early in the tour's infancy, several hundred-thousand watts of loudspeakers were regularly at the disposal of Ashton's audio engineering team. Over time, this number grew even larger, with hundreds of speakers regularly being deployed for curated events.[58] The reaction wasn't always positive, however, as demonstrated in 2016 when Bassnectar drew complaints from neighbors while performing at Dick's Sporting Goods Park in Commerce City, Colorado. While the city confirmed the show was within the permitted loudness levels, one nearby resident remarked during a city council meeting, "I thought it was an earthquake. I looked and realized it was bass."[59]

Bassnectar playing a "360" New Years show in 2019 in Louisville, KY

By 2012, the production crew had grown to dozens of people manning arrays of computers to orchestrate each performance.[60] As part of the "Immersive Music Tour" in the fall of 2013, the "Ultimate Nerd Server" (U.N.S.), a custom Ableton plug-in designed by [namethemachine] for the production, made its debut.[61] This plug-in allowed Ashton and his production team to more easily cue and manipulate video clips as audio tracks were being played, keeping the two elements highly synchronized in both tempo and feel, as any audio-effect manipulation while performing would affect the video as well.[62] Complimenting these video backdrops were expansive lighting and laser arrays, sometimes eclipsing over 100 individual elements.[63] While audio and video clips were always kept in-sync via the U.N.S, lighting was approached more improvisationally, with lighting designers making choices on the fly to accompany the music.[64]

Activism and community engagement

Ashton's personal views have been constantly intertwined with his Bassnectar persona, with public statements,[65] interviews,[66][67] samples in released music,[68] and even portions of his live performances[69] focused on the state of politics and human rights in the United States with a strong liberal slant. Words and sound-bytes from the likes of Martin Luther King Jr.,[48] Noam Chomsky, Fred Hampton, and Mumia Abu Jamal have been frequently recalled in various mediums used by Ashton, and in the earlier days of the project, long diatribes on stage airing grievances were not uncommon.

The Bassnectar organization is also recognized for its activist and philanthropic efforts, bringing awareness to political, social and environmental issues and directly supporting organizations such as Conscious Alliance,[70] HeadCount,[71] Black Lives Matter Global Network Foundation and the NAACP Legal Defense and Educational Fund,[72] To Write Love on Her Arms,[73] and BetterHelp.[74][75] Other programs, such as "Dollar Per Bass Head", which collected $1 for every ticket sold, donated funds to charitable causes voted on by the community.[76]

Personal life

Although born in Santa Cruz, California, Ashton grew up in a hippie commune until age five, when his parents became born again Christians and left the commune.[16] He was originally from the San Francisco Bay Area and was described by the Rolling Stone as "a long-haired neo-hippie."[77] Through adolescence, he worked odd jobs such as a grocery bagger, children's entertainer, and census-taker.[78] He initially identified with visual arts rather than music, creating movies with his dad's camera at the age of ten.[79] Eventually, Ashton came to attend Bellarmine College Preparatory.[80]

In 2016, Ashton was diagnosed with skin cancer under his left eye, for which he underwent surgery to remove. The operation was successful.[81]

Ashton endorsed Bernie Sanders in his candidacy for the 2016 U.S. presidential election.[82]

Ashton has been a vocally anti-Trump, even offering to play a free show following the former President's impeachment in 2019.[83] The show did not materialize.

Discography

Main article: Bassnectar discography

Studio albums


References

  1. ^ "BASSNECTAR; Fan Bass: Origins of Bassnectar". March 11, 2011. Archived from the original on April 13, 2016.
  2. ^ "Lorin Gabriel Ashton, Born 02/16/1978". CaliforniaBirthIndex.org. Archived from the original on November 5, 2022. Retrieved November 5, 2022.
  3. ^ Mallory Gnaegy (November 19, 2009). "Bash with Bassnectar — Bring your earplugs, and feed on the dirty bass". Vox Magazine. Archived from the original on February 5, 2013. Retrieved April 17, 2011.
  4. ^ Walker, Rob (2008). Buying in: the secret dialogue between what we buy and who we are. Random House. p. 150. ISBN 978-1-4000-6391-8.
  5. ^ a b c d Ian S. Port (November 28, 2012). "Bass Instincts: How Bassnectar Came to Rule American Dance Music". SF Weekly. Archived from the original on October 6, 2023. Retrieved August 8, 2013.
  6. ^ Harrington, Jim (May 6, 2012) [May 6, 2012]. "Review: Bassnectar thrills hometown crowd in San Jose". The Mercury News. Retrieved October 10, 2024.
  7. ^ Vain, Madison (October 6, 2014) [October 6, 2014]. "Bassnectar on noise, beauty, and his legion of hardcore fans". EW.com. Retrieved October 10, 2024.
  8. ^ "Bassnectar Press Release" (PDF). Bassnectar.net. January 2013. Archived from the original (PDF) on January 26, 2024. Retrieved January 26, 2024.
  9. ^ "EM Talks with Bassnectar". YouTube. December 26, 2009. Archived from the original on March 30, 2011. Retrieved March 11, 2012.
  10. ^ Golden, Ean (May 11, 2008). "Bassnectar Extended Interview". DJ TechTools. Archived from the original on March 11, 2012. Retrieved March 11, 2012.
  11. ^ Morse, Ryan (June 10, 2019). "Bassnectar celebrates 20 years of Dreamtempo with brand new 'Tempo of Dreams' mixtape". Conscious Electronic. Archived from the original on February 16, 2024. Retrieved February 16, 2024.
  12. ^ Bassnectar 1st LIVE set EVER! Video by Omananda Ytube, December 6, 2013, archived from the original on October 21, 2023, retrieved October 6, 2023
  13. ^ Bridge, Jeremy; Scott, Mitchell (December 15, 2014). "2014 Artists of the Year | No. 8 | Bassnectar". Vice. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  14. ^ "Bassnectar: Ignored by the press, but not the populace". Los Angeles Times. September 9, 2011. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  15. ^ "Bassnectar | Chart History". Billboard. Archived from the original on October 21, 2023. Retrieved October 5, 2023.
  16. ^ a b Grigoriadis, Vanessa (June 21, 2012). "Bassnectar: From Death-Metal Kid to Superstar DJ". Rolling Stone. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  17. ^ Murray, Nick (June 23, 2014). "Hear Bassnectar's New LP 'Noise vs. Beauty'". Rolling Stone. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  18. ^ Weingarten, Christopher R. (June 4, 2014). "Bassnectar's Search for Low End Perfection". Rolling Stone. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  19. ^ Weingarten, Christopher R. (June 24, 2014). "Noise vs. Beauty". Rolling Stone. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  20. ^ Solomon, Jon. "Bassnectar brings his 1ST Bass Center to the 1STBANK Center this October". Westword. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  21. ^ "Bassnectar Appears to be Quietly Attempting a Comeback". This Song Is Sick. January 17, 2023. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  22. ^ Friedler, Delilah (October 1, 2023). "'Mice in a Maze of Pain': Inside the Scandal-Scarred Comeback of Star DJ Bassnectar". Rolling Stone. Archived from the original on October 5, 2023. Retrieved October 5, 2023.
  23. ^ Prakash, Prithvi (August 1, 2023). "Bassnectar Announces First Live Show Since His "Cancelation"". EDMTunes. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  24. ^ "New Album 'The Golden Rule' Out Now". bassnectar.net. August 25, 2023. Retrieved November 11, 2024.
  25. ^ Prakash, Prithvi (August 31, 2023). "Bassnectar Event in Asheville Canceled After Backlash". EDMTunes. Archived from the original on April 29, 2024. Retrieved October 9, 2023.
  26. ^ Honosky, Sarah. "EDM DJ Bassnectar show announced, canceled in Asheville on same day. What happened?". Citizen Times. Archived from the original on April 29, 2024. Retrieved January 25, 2024.
  27. ^ Hubin, Tyler (October 6, 2014). "Bassnectar Announces 4th Consecutive NYE 360 In Nashville, TN". RaverRafting. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  28. ^ Gold, Adam (October 6, 2014). "Bassnectar Returns to Bridgestone Arena New Year's Eve … Again". Nashville Scene. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  29. ^ Yerushalmi, Oscar (November 20, 2023). "Bassnectar Announces Show for NYC". EDMTunes. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  30. ^ Cameron, John (January 25, 2024). "Bassnectar Event in Atlanta Canceled Amid Public Outcry". EDM Identity. Archived from the original on January 26, 2024. Retrieved January 25, 2024.
  31. ^ Billboard Staff (January 26, 2024). "College Park's Gateway Center Arena Cancels Upcoming Bassnectar Shows: Producer's Attorneys Respond". Billboard. Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  32. ^ Gilmore, Grant (February 16, 2024). "Another Bassnectar Event Has Been Canceled". EDM Identity. Archived from the original on February 17, 2024. Retrieved February 17, 2024.
  33. ^ "New Album 'No Colors' Streaming Everywhere". bassnectar.net. September 27, 2024. Retrieved November 11, 2024.
  34. ^ Gabriel, Brian (April 8, 2016). "Animator Max Hattler Accuses Bassnectar Of Profiting From His Films". Cartoon Brew. Archived from the original on January 28, 2023. Retrieved March 16, 2024.
  35. ^ Rubinstein, Peter (April 13, 2016). "Bassnectar Called Out For Stealing Renowned Performance Visuals From Another Artist". Your EDM. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
  36. ^ Meadow, Matthew (June 9, 2016). "Bassnectar Slammed With Lawsuit For Allegedly Stealing Show Visuals From Another Artist". Your EDM. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
  37. ^ Gabriel, Brian (June 28, 2016). "DJ Bassnectar Sued By Animator Max Hattler Over Alleged Copyright Infringement". Cartoon Brew. Archived from the original on December 6, 2023. Retrieved March 16, 2024.
  38. ^ "Visual Artist Max Hattler Files Lawsuit Against DJ Bassnectar". Animation World Network. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
  39. ^ "PlainSite". www.plainsite.org. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
  40. ^ a b Kreps, Daniel (July 5, 2020). "Bassnectar 'Stepping Back' From Music After Sexual Misconduct Allegations Surface". Rolling Stone. Archived from the original on August 28, 2020. Retrieved September 10, 2020.
  41. ^ Veronin, Nick (July 10, 2020). "Bassnectar Faces Sexual Abuse Allegations". SFWeekly. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  42. ^ Chan, Anna (July 5, 2020). "Bassnectar Is 'Stepping Back' From Music Career After Allegations of Sexual Misconduct". Billboard. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  43. ^ Gomez, Nancy (July 10, 2020). "IllGates Shares Message On Bassnectar Allegations". EDMTunes. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  44. ^ Kleinman, Avery J. C. (April 8, 2021). "The Fall of the Bassnectar Empire". Vice. Archived from the original on February 23, 2024. Retrieved January 25, 2024.
  45. ^ Blistein, Jon (April 6, 2021). "Bassnectar Sued for Alleged Sexual Abuse of Minors, Child Pornography, Human Trafficking". Rolling Stone. Retrieved November 11, 2024.
  46. ^ Kreps, Daniel (May 8, 2021). "Two More Women Sue Bassnectar for Sexual Abuse, Human Trafficking". Rolling Stone. Retrieved November 11, 2024.
  47. ^ Donahue, Bill (November 8, 2024). "Bassnectar Asks Judge to Dismiss Sexual Abuse Lawsuit, Arguing Accusers Lied About Their Ages". Billboard. Retrieved November 11, 2024.
  48. ^ a b "Bassnectar at Red Rocks Amphitheatre, 5-31-14 (photos, review)". The Denver Post. June 2, 2014. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  49. ^ Bein, Kat (November 13, 2018). "Skream Looks Back on 15 Years of Doing Whatever the Hell He Wants: Interview". Billboard. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  50. ^ Edgerly, Brett (October 16, 2013). "Point - Counterpoint 01: Turntablism vs. Controllerism". Your EDM. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  51. ^ Tony Ware (October 6, 2023). "Unknown Article Title". eMusician. Archived from the original on October 6, 2023.
  52. ^ "Bassnectar Controller (Assist) | 60 Works". Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  53. ^ "EAW ANYA RED ROCKS BASSNECTAR". AudioTechnology. June 10, 2015. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
  54. ^ "A formidable d&b toolkit helps Bassnectar deliver front row experience for fans. | d&b audiotechnik". www.dbaudio.com. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
  55. ^ Shuler, Christopher (January 31, 2013). "Bassnectar Rumbles and Rings in New Year on LMG's L-ACOUSTICS K1 System". Mixonline. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
  56. ^ "Meyer Sound LEO Powers Bassnectar 360-Degree New Year's Eve Show". ProSoundWeb. January 8, 2014. Archived from the original on April 29, 2024. Retrieved January 28, 2024.
  57. ^ "Bassnectar Performs 360 Degrees With PK Sound". ProSoundWeb. March 5, 2019. Archived from the original on April 29, 2024. Retrieved January 28, 2024.
  58. ^ "PK Sound Trinity New Years Eve Greensboro, North Carolina". PA of the Day. March 20, 2019. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
  59. ^ "Angry Residents Thought Bassnectar Concert 'Was An Earthquake' - CBS Colorado". www.cbsnews.com. August 1, 2016. Archived from the original on January 30, 2024. Retrieved January 30, 2024.
  60. ^ Mongillo, Peter. "Bassnectar takes his show on the road, to ACL Fest and beyond". Austin American-Statesman. Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  61. ^ "Bassnectar Discusses Burning Man, Philanthropy and Drugs in the EDM Scene". SF Station | San Francisco's City Guide. Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  62. ^ "U.N.S. - [namethemachine]". September 1, 2013. Archived from the original on July 29, 2023. Retrieved October 6, 2023.
  63. ^ "Flexible MAC Rig on Bassnectar "VavaVoom" Tour | LIVE-PRODUCTION.TV". www.live-production.tv. Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  64. ^ "Creating High-Impact Immersive Lighting with Michael Smalley, Lighting Designer and Director for Bassnectar and Pitbull –". HARMAN Professional Solutions Insights. October 12, 2016. Archived from the original on January 27, 2024. Retrieved January 27, 2024.
  65. ^ Bein, Kat (August 15, 2018). "Bassnectar Rejects Religion in Twitter Rant: 'Jesus DEFINITELY Hates Trump'". Billboard. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  66. ^ Stockard, Janice; Blackwood, Evelyn (April 28, 2020). Cultural Anthropology: Mapping Cultures Across Space and Time (1st ed.). Cengage Learning. pp. 344–346. ISBN 978-0357639245. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  67. ^ Harris, Kyle. "Bassnectar: DJs on Stages Are Preposterous Goons, EDM Is Unimpressive". Westword. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  68. ^ "Bassnectar - Diverse Systems Of Throb". Discogs. 2004. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  69. ^ "Check Out Bassnectar Giving A Heartfelt Politically Driven Speech During A Past Burning Man Set". RaverRafting. March 10, 2015. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  70. ^ Landoli, Kathy. "Pump That Bass | Life+Times". Life and Times. Archived from the original on September 23, 2023. Retrieved October 6, 2023.
  71. ^ Eichen, Adam; Wong, Phoebe (September 26, 2018). "What We Learned From a Voting Experiment with Bassnectar". Medium. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  72. ^ "Bassnectar Contributes $100K In Support Of Black Lives Matter Protests". This Song Is Sick. June 5, 2020. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  73. ^ Billboard Staff (September 13, 2017). "Bassnectar's Real Talk With Unsuspecting Fans at Electric Forest Will Make You Cry: Watch". Billboard. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  74. ^ "Bassnectar is handing out free therapy sessions to 1,000 fans". Mixmag. September 2, 2019. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  75. ^ "Bassnectar Doubles Down on Free Therapy Initiative Due to Overwhelming Response". EDM.com. Archived from the original on October 21, 2023. Retrieved October 9, 2023.
  76. ^ "Dollar Per Bass Head". Bassnectar.net. Archived from the original on March 30, 2023. Retrieved October 6, 2023.
  77. ^ Friedler, Delilah (October 1, 2023). "'Mice in a Maze of Pain': Inside the Scandal-Scarred Comeback of Star DJ Bassnectar". Rolling Stone. Archived from the original on January 5, 2024. Retrieved March 14, 2024.
  78. ^ Kenny-Cincotta, Raffaela. "Five jobs Bassnectar had before he was Bassnectar". BostonGlobe.com. Archived from the original on October 21, 2023. Retrieved October 6, 2023.
  79. ^ "About". Bassnectar.net. Archived from the original on October 20, 2013. Retrieved October 8, 2013.
  80. ^ "Review: Bassnectar thrills hometown crowd in San Jose". The Mercury News. May 6, 2012. Archived from the original on November 17, 2022. Retrieved November 17, 2022.
  81. ^ Billboard Staff (June 16, 2016). "Bassnectar Says He's Cancer-Free Following Surgery". Billboard. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  82. ^ Brown, Lisa (May 4, 2016). "Bassnectar Talks Endorsement for Bernie Sanders". Billboard. Archived from the original on January 26, 2024. Retrieved January 26, 2024.
  83. ^ Scilippa, Phil (December 19, 2019). "Bassnectar is Throwing a Free Show in Celebration of Trump's Impeachment". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Bassnectar&oldid=1256849712"