Martin and Lewis

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Martin and Lewis were an American comedy duo, comprising singer Dean Martin and comedian Jerry Lewis. They met in 1945 and debuted at Atlantic City's 500 Club on July 25, 1946; the team lasted ten years to the day. Dean Martin is the stage name of Dino Paul Crocetti, born June 7, 1917, in Steubenville, Ohio, while Jerry Lewis is the stage name of Joseph Levitch, born March 16, 1926, in Newark, New Jersey. Martin died on December 25, 1995 and then Lewis died on August 20, 2017.

Before they teamed up, Martin was a nightclub singer, while Lewis performed a comedy act lip-synching to records. They performed in nightclubs, and, starting in 1949, on radio. Later they branched out into television and films. In their early radio days they performed as Martin and Lewis but later became hugely popular as Dean Martin and Jerry Lewis. These full names helped them launch successful solo careers after parting.

Nightclubs[edit]

Martin and Lewis on Ed Sullivan's The Toast of the Town in 1948

In 1945, Dean Martin met a young comic named Jerry Lewis at the Glass Hat Club in New York City, where both men were performing.[1] Martin and Lewis debuted at Atlantic City's 500 Club on July 25, 1946, when Lewis suggested to the club owner that Martin would be a good replacement for the scheduled singer who was unavailable. The duo were not well received. The owner, Skinny D'Amato, threatened to terminate their contract if the act did not improve. Martin and Lewis disposed of pre-scripted gags and began improvising. Dean sang, and Jerry dressed as a busboy, dropping plates and making a shambles of Martin's songs and a mockery of the club's decorum. They performed slapstick and delivered vaudeville jokes to great fanfare.

Their success at the 500 Club led to a series of well-paying engagements along the Eastern seaboard, culminating with a triumphant run at New York's Copacabana Club.[2] The audience were convulsed with laughter by Lewis interrupting and heckling Martin while he was trying to sing, and ultimately by the two of them chasing each other around the stage and having as much fun as possible.

Eventually, the two hired young comedy writers Norman Lear and Ed Simmons to improve their act.[3] By 1950, Lear and Simmons were the main writers for Martin and Lewis.[4]

Radio, television, and films[edit]

Martin and Lewis in an episode of The Colgate Comedy Hour.

An NBC radio series commenced in 1949, it lasted until 1953. Martin and Lewis made a key appearance on the first episode of Ed Sullivan's show, Toast of the Town, in June 1948, although they may have appeared on TV earlier on Hour Glass, the first TV variety show which aired from May 1946 - March 1947, during the time the duo first paired up formally. On October 3 and 10, 1948, the team were stars on the first two episodes of the NBC live television variety show Welcome Aboard – kinescope survives of this live TV broadcast in UCLA Film and Television Archive. On April 3, 1949, they debuted on their TV version of their "Martin & Lewis" radio show on the NBC-TV network, with guest Bob Hope, with their inaugural program drawing lackluster reviews in the April 30, 1949, issue of Billboard magazine.

Also in 1949, Martin and Lewis were signed by Paramount producer Hal Wallis as comedy relief for the film My Friend Irma.

Martin and Lewis in 1955

Martin was thrilled to be out of New York City, a place he had developed a lifelong discomfort for, and he also wasn't a fan of tall buildings. Martin mostly avoided elevators due to claustrophobia. He didn't like having to climb multiple flights of stairs in tall buildings or having to take the elevator if he needed to go to a high floor. Even when his success allowed him to lease an apartment in a Manhattan highrise building, he chose one on the third floor. He liked Los Angeles and the fact that it had few tall buildings.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals. They received $75,000 between them for their films with Wallis, a respectable film salary in the 1940s. Martin and Lewis were also free to do one outside film a year, which they would co-produce through their own York Productions. Their first starring feature was the independently produced At War with the Army (1950). They also had complete control of their club, records, radio, and television appearances, and it was through these endeavors that Martin and Lewis earned millions of dollars. They made regular appearances on NBC's Colgate Comedy Hour during the 1950s.

Colgate Comedy Hour

Although there had been a number of hugely successful film teams before, Martin and Lewis were a new kind of team. Both were talented entertainers, but the fact that they were such good friends on and off stage took their act to a new level. Lewis later offered an explanation for their success:

"Who were Dean's fans? Men, women, the Italians. Who were Jerry's fans? Women, Jews, kids. Who were Martin and Lewis' fans? All of them... You had fans that didn't care that Lewis was on or that Martin was singing. Because if Dean was singing, that was Martin and Lewis. If Jerry was goin' nuts, that was Martin and Lewis."[5]

Martin and Lewis were the hottest act in America during the early '50s, as well as the highest paid act in show business according to a 1951 LIFE Magazine article the duo was featured in while on their most successful movie tour promoting That's My Boy. The tour was so successful, audience members wouldn't leave their seats, so Martin and Lewis began doing "free shows" afterwards on fire escapes, or out their dressing room windows, jamming the streets with adoring fans hoping to catch a prize - a hat, a shoe, maybe an autograph. Unfortunately however the pace and the pressure soon took their toll. Dean usually had the thankless job of the straight man, and his singing had yet to develop into his unique style of his later years. The critics praised Lewis, and while they admitted that Martin was the best partner he could have, most of them claimed that Lewis was the real talent of the team and could succeed with anyone.[citation needed] It is worth noting that Lewis always praised his partner, and while he appreciated the attention he was getting, he has always said with complete conviction that the act would never have worked without Martin.[citation needed] In the book Dean & Me Lewis calls Martin one of the great comic geniuses of all time.

After five years at Paramount, Dean Martin was becoming tired of scripts limiting him to colorless romantic leads while parts of their films centered on the antics of Lewis. Martin also noticed that Lewis was playing comedy scenes for pathos and greed and staging more of the action himself, feeling Lewis had lost vision of what their comedy team-up was all about in the first place.[citation needed] The last straw came when Look magazine gave Martin and Lewis a cover photo—and cropped Martin out of the picture. Martin dutifully fulfilled the rest of his movie contract, but became increasingly disillusioned about his partnership with Lewis, leading to escalating arguments between the pair. The two could no longer work together, especially when Martin angrily told Lewis that he was "nothing to me but a fu***** dollar sign."[6] Martin left the act at his first opportunity, on July 25, 1956, exactly ten years after their first official teaming which was on July 25, 1946. Their final film together was Hollywood or Bust, released in late 1956.

After the split[edit]

Dean Martin in Rio Bravo

Dean Martin's career arguably reached new heights after the team split up, as a recording artist for the Capitol and Reprise labels, as a movie actor (Rio Bravo, The Young Lions and the Matt Helm series), as a member of the Rat Pack (Ocean's 11, Sergeants 3, Robin and the 7 Hoods), and with his own hugely successful 1965-74 television variety series, The Dean Martin Show. Lewis remained with Paramount Pictures, appearing in a succession of commercially successful films on his own (The Nutty Professor, The Bellboy), at one point becoming Paramount's biggest star. He also continued with his philanthropic work, which had begun while still partnered with Martin, hosting telethons for muscular dystrophy research until 2010.

According to Lewis, the two did not speak to each other privately for twenty years, to which Lewis later commented, "the stupidity of that, I can not expound on. The ignorance of that is something I hope I'll always forget." In 1960, four years after they broke up, Martin and Lewis briefly reunited, apparently somehow doing so without speaking. Both were performing their own separate acts at the Sands Hotel in Las Vegas, a club they frequently played while they were together. Lewis caught Martin's closing act and Martin introduced his former partner to the audience, bringing him on stage. For about 15 minutes, they joked a bit and sang a duet of "Come Back to Me". However, the reunion was never duplicated. Later in 1960, when Lewis was rushing to finish The Bellboy and too exhausted to perform his stage act, Martin generously replaced him.

The two men finally reconciled privately in September 1976. Martin made a surprise appearance on Lewis's annual Labor Day telethon for the Muscular Dystrophy Association, orchestrated by mutual friend and fellow entertainer Frank Sinatra. The reunion was big news and, according to Lewis, the two spoke "every day after that".

In 1987, when Martin's son Dean Paul Martin was killed in a plane crash, Lewis attended the funeral unannounced and did not reveal his presence to Martin. According to Lewis's 2005 memoir Dean & Me and Deana Martin's 2004 book Memories Are Made of This,[citation needed] when Martin found out about it, soon after, he called Lewis and talked to him for about an hour.[7] In 1989, the two reunited for the last time at Bally's Hotel and Casino in Las Vegas, where Martin was doing a week of shows, on his 72nd birthday. Lewis presented him with a birthday cake, thanked him for all the years he gave joy to the world and finally joked, "Why we broke up, I'll never know."[8] This would be the last public reunion of the duo before Martin's death in 1995.

The animosity between Martin and Lewis after the split was legendary but Lewis published an affectionate memoir of his partnership with Martin called Dean & Me: A Love Story in 2005. Also in 2005, the film Where the Truth Lies was loosely based upon the collaboration and sudden split of Martin and Lewis.

Biopic[edit]

Martin and Lewis is a 2002 biographical CBS television movie which portrays the lives of Dean Martin and Jerry Lewis. Directed by John Gray and starring Jeremy Northam as Martin and Sean Hayes as Lewis, the film depicts the years from 1946 to 1956, spanning the timeframe from the beginning until the end of their partnership.

Filmography[edit]

Year Movie Jerry Lewis role Dean Martin role Notes
1949 My Friend Irma Seymour Steve Laird Film debut
1950 My Friend Irma Goes West Seymour Steve Laird
1950 At War with the Army PFC Alvin Korwin Sgt. Victor Puccinelli
1951 That's My Boy "Junior" Jackson Bill Baker
1952 Sailor Beware Melvin Jones Al Crowthers
1952 Jumping Jacks Hap Smith Chick Allen
1952 Road to Bali "Woman" in Lala's Dream Man in Lala's Dream Cameo. First appearance in color.
1953 The Stooge Theodore Rogers Bill Miller
1953 Scared Stiff Myron Mertz Larry Todd
1953 The Caddy Harvey Miller Jr. Joe Anthony
1953 Money from Home Virgil Yokum Herman "Honey Talk" Nelson Filmed in 3-D.
1954 Living It Up Homer Flagg Dr. Steve Harris
1954 3 Ring Circus Jerome F. Hotchkiss Pete Nelson Re-released in 1978 as 'Jerrico The Wonder Clown'
1955 You're Never Too Young Wilbur Hoolick Bob Miles
1955 Artists and Models Eugene Fullstack Rick Todd
1956 Pardners Wade Kingsley Sr. / Wade Kingsley Jr. Slim Mosley Sr. / Slim Mosley Jr.
1956 Hollywood or Bust Malcolm Smith Steve Wiley Last film together

Legacy[edit]

See also[edit]

References[edit]

  1. ^ Bio Classics: Jerry Lewis, (1996).
  2. ^ "Dean Martin Biography - Bio.com". 
  3. ^ Norman Lear Recalls Early Days as a Comedy Writer, By Tim Gray, October 30, 2015, Variety.
  4. ^ 52G to Simmons, Lear to Do Five Martin-Lewis TV Shows, Page 3, 31 Oct 1953, Billboard.
  5. ^ Tosches, Nick, Dino: Living High in the Dirty Business of Dreams, Dell Publishing, 1992.
  6. ^ Lewis, Jerry: Dean & Me: A Love Story, page 277. Pan Books, 2007.
  7. ^ Lewis, Jerry: "Dean & Me: A Love Story", page 321. Pan Books, 2007.
  8. ^ Lewis, Jerry: Dean & Me: A Love Story, page 323. Pan Books, 2007.
  9. ^ "Orillia Opera House Presents Dean and Jerry: What Might Have Been". 
  10. ^ "Dean & Jerry: What Might Have Been - A Concert Presentation with Derek Marshall & Nick Arnold". 
  11. ^ "Morrisburg Leader Article - October 26, 2016 - Dean & Jerry: What Might Have Been draws cheers at Playhouse". 

Further reading[edit]

External links[edit]