First edition cover
|Media type||Print (hardcover)|
Misery is a 1987 psychological horror thriller novel by Stephen King. The novel was nominated for the World Fantasy Award for Best Novel in 1988, and was later made into a Hollywood film and an off-Broadway play of the same name. When King was writing Misery in 1985 he planned the book to be released under the pseudonym Richard Bachman but the identity of the pseudonym was discovered before the release of the book.
The novel focuses on Paul Sheldon, a writer famous for Victorian-era romance novels involving the character of Misery Chastain. One day he is rescued from a car crash by crazed fan Annie Wikes, who transports him to her house and, once finding out what he has done to Misery in his latest book, forces him to write a new book modifying the story – no matter what it takes.
Paul Sheldon, the author of the best-selling series of Victorian-era romance novels surrounding the character Misery Chastain, had just finished the manuscript of his new crime novel, Fast Cars. He has an alcohol-induced impulse to drive to Los Angeles rather than fly back home to New York City, but is caught in a snowstorm in a remote section of Colorado, causing him to drive off a cliff and crash into a snowbank. He awakens to find that he has been rescued by Annie Wilkes, a former nurse living nearby.
Annie is an avid reader of Paul's Misery series, proclaiming herself Paul's "number one fan". She refuses to take Paul to the hospital despite his having two severely broken legs, nursing Paul herself using her stockpiled food and illicit stash of codeine-based painkillers, which he quickly becomes addicted to. When Annie finally reads Misery's Child, the last book in the Misery series, Annie learns that Paul has killed protagonist Misery Chastain off, intending to end the series and re-establish himself as a "serious" writer. She falls into a rage, leaving Paul alone in her house for over two days without food, water, or painkillers, sending him into withdrawal and a semi-comatose state. When Annie returns, she forces him to burn the manuscript of Fast Cars – which he hoped would launch his post-Misery career – and presents him with an antique Royal typewriter, for the purpose of writing a new Misery Chastain novel that will bring the character back from the dead.
Biding his time, Paul begins a new book, Misery's Return, and allows Annie to read it as he writes. He manages to escape his room while Annie is out, touring the house in a wheelchair in search of more painkillers, and finds that her phone does not work. He is almost caught by Annie, but manages to return to his room before she enters the house. On another occasion, Paul escapes his room again and steals a knife from her kitchen, intending to kill her. He also finds a scrapbook full of newspaper clippings from Annie's life, suggesting that she is a serial killer who murdered her own father, her college roommate, and numerous patients in several states – thirty-nine people in all. She was arrested and charged with killing infants at a Boulder hospital maternity ward, but was acquitted.
Annie grows increasingly depressive, and reveals that she knows about Paul leaving his room. She punishes him by cutting off his foot with an axe (hobbling) and cauterizing his ankle with a blowtorch. Later, when Paul complains about the typewriter breaking down, she cuts off his thumb with an electric knife. A Colorado state trooper eventually arrives at Annie's house in search of Paul. Realizing a chance for escape, Paul alerts the officer by throwing an ash tray through the window. However, Annie surprises the trooper, stabbing him and then murdering him with her riding lawnmower. She intends to kill Paul and herself to avoid being prosecuted, but Paul convinces her to wait, promising to finish the novel. She temporarily hides Paul in the basement while disposing of the trooper and his police cruiser, where Paul steals a can of lighter fluid.
Paul finally finishes Misery's Return, which has turned out to be a grim masterpiece. Annie arrives to read it, only to find that he has doused the manuscript in lighter fluid and lit a match to burn it before she can read it. While Annie tries to put out the flames, Paul attacks her with the typewriter and they engage in a violent struggle. He barely escapes the room after she hits her head, and locks her inside, crawling to the bathroom for more painkillers and falling asleep. Upon awakening, he sees headlights and two state police officers through the windows, and throws one of Annie's figurines through the glass to gain their attention. He warns them that Annie is possibly still alive and in the guest bedroom, and passes out when they tell him the room was empty. Later, it is revealed that Annie had escaped through the window and gone to get a chainsaw to kill Paul, dying from her head wound in the process.
Returning home to New York, Paul submits Misery's Return to his publisher (it was revealed that he burned a decoy of the manuscript), which is set to become an international bestseller. Paul suffers frequent nightmares about Annie, and continues to have withdrawal from painkillers. He has also become an alcoholic with writer's block. Eventually, after a random encounter with a child with a skunk, Paul gains inspiration to write a new story, weeping both in misery for his shattered life and in joy that he is finally able to write again.
One of Stephen King's inspirations for Misery was the reaction his fans had to his 1984 novel The Eyes of the Dragon. Many fans rejected The Eyes of the Dragon because it was an epic fantasy book, with virtually none of the horror that initially made his reputation. Paul Sheldon feeling chained to the Misery books by his fans was a metaphor for King's feeling chained to horror fiction. Another source was King's addiction to drugs and alcohol, and his struggle to give them up. He stated: "Take the psychotic nurse in Misery, which I wrote when I was having such a tough time with dope. I knew what I was writing about. There was never any question. Annie was my drug problem, and she was my number-one fan. God, she never wanted to leave." When further addressing the idea of whether the character of Paul Sheldon was based on himself, King stated that in certain ways, he was, but in the ways where every character is a part of the author in some way: "It would be fair enough to ask, I suppose, if Paul Sheldon in Misery is me. Certain parts of him are . . . but I think you will find that, if you continue to write fiction, every character you create is partly you."
King has also attributed a dream he had while on a trans-Atlantic flight to London with the situation and characters that became fleshed out in Misery. He noted that he wrote the idea on an American Airlines cocktail napkin when he woke up so he could make sure to remember it, writing: "She speaks earnestly but never quite makes eye contact. A big woman and solid all through; she is an absence of hiatus. 'I wasn't trying to be funny in a mean way when I named my pig Misery, no sir. Please don't think that. No, I named her in the spirit of fan love, which is the purest love there is. You should be flattered.'"
King and his wife, Tabitha King, stayed in London's Brown's Hotel, and wrote "sixteen pages of a steno notebook", on a desk the concierge offered him that was the same desk Rudyard Kipling owned, and died of a stroke at while writing. The working title of the book, which King thought would only be around thirty thousand words (it ended up being almost four times that at 370 pages), was The Annie Wilkes Edition. While discussing the pros and cons (mostly cons) of pre-plotting novels, King mentioned that he had originally planned for Annie to force her prisoner to write a book, that she would then bind in Paul's skin. When commenting on why he chose not to go that route, King said:
...it would have made a pretty good story (not such a good novel, however; no one likes to root for a guy over the course of three hundred pages only to discover that between chapters sixteen and seventeen the pig ate him), but that wasn't the way things eventually went. Paul Sheldon turned out to be a good deal more resourceful than I initially thought, and his efforts to play Sheherezade and save his life gave me a chance to say some things about the redemptive power of writing that I had long felt but never articulated. Annie also turned out to be more complex than I'd first imagined her, and she was great fun to write about..."
The novel was adapted into a film in 1990. James Caan and Kathy Bates star as Paul and Annie, with Lauren Bacall, Richard Farnsworth, and Frances Sternhagen as the only major supporting actors. Kathy Bates won the 1990 Best Actress Oscar for her performance.
The novel was also adapted into a play by Simon Moore. The play premiered in London at the Criterion Theater in December 1992, starring Sharon Gless and Bill Paterson and directed by Moore. The play, directed by Alan Cohen, was revived in 2005 at the Kings Head Theatre in London, starring Michael Praed and Susan Penhaligon.
A play written by William Goldman (who also wrote the film's screenplay) and directed by Will Frears opened on Broadway in 2015 for a limited engagement. The play starred Bruce Willis as writer Paul Sheldon and Laurie Metcalf as Annie Wilkes. It opened in October 2015 and ended on February 16, 2016. For her performance as Annie, Metcalf was nominated for a Tony Award for Best Actress in a Play. The play was originally premiered in 2012 at Bucks County Playhouse before moving to broadway. This new version is not connected to the earlier adaptation by Simon Moore.
- "1988 Award Winners & Nominees". Worlds Without End. Retrieved 2009-07-24.
- Delmendo, Sharon (1992). Slusser, George Edgar; Rabkin, Eric S., eds. Styles of Creation: Aesthetic Thechnique and the Creation of Fictional Worlds. University of Georgia Press. p. 177. ISBN 9780820314914.
- Beahm, George (1992). The Stephen King Story (2nd ed.). Andrews and McMeel. pp. 137–138. ISBN 9780836279894.
- "Stephen King, The Art of Fiction No. 189", The Paris Review, Fall 2006
- King, Stephen (2000). On Writing. Simon & Schuster. pp. 191–192. ISBN 9781439193631.
- King, Stephen (2000). On Writing. Simon & Schuster. pp. 165–167. ISBN 9781439193631.
- "Misery (Goodreads article)". Goodreads. Archived from the original on 2017-07-18. Retrieved 26 October 2018.
- Gritten, David. "Sharon Gless Out on a Limb" Los Angeles Times, December 29, 1992
- Wolf, Matt. "Shock Novel `Misery' Comes to the London Stage" deseretnews.com, December 22, 1992
- Ings, Richard. " 'Misery' @ King’s Head Theatre, London" musicomh.com, 1 October 2005
- "Misery - een 'feel bad' musical" (in Dutch). Moker! Theaterproducties.
- Barton, Steve (March 4, 2015). "Bruce Willis Headed to the Stage for Stephen King's Misery". Dread Central.
- Gioia, Michael & Viagas, Robert. "Bruce Willis Will Make Broadway Debut in Misery, Based on Stephen King Novel" Playbill, March 4, 2015.
- Syme, Rachel. "Stephen King's 'Misery' Heads to the Stage", Wall Street Journal, October 22, 2015. Retrieved April 16, 2016
- Brantley, Ben. "Review: In 'Misery,' With Bruce Willis and Laurie Metcalf, the Ghost of Productions Past", New York Times, November 15, 2015. Retrieved April 16, 2016
- Viagas, Robert. " 'Hamilton' Tops Tony Awards With 11 Wins" Playbill, June 12, 2016
- "Exclusive InDepth InterView: William Goldman & Will Frears Discuss MISERY Onstage – Is Broadway Next?" Broadway World 26 November 2012 accessed 2 June 2013
- "William Goldman Adapts Stephen King's Misery for the Stage; Bucks County Playhouse Will Premiere Thriller" By Kenneth Jones Playbill20 Sep 2012 Archived 2013-01-05 at the Wayback Machine. accessed 2 June 2013
- Ted Otten, "Bucks County Playhouse presents stage version of Stephen King's 'Misery'", NJ.com November 23, 2012 accessed 2 June 2013
- Jones, Kenneth. William Goldman Adapts Stephen King's 'Misery' for the Stage; Bucks County Playhouse Will Premiere Thriller" Playbill, September 20, 2012