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For the performer, see Nick Cave (performance artist).
Nick Cave
Nick Cave in October 2012
Nick Cave in October 2012
Background information
Birth nameNicholas Edward Cave
Born (1957-09-22) 22 September 1957 (age 67)
Warracknabeal, Victoria, Australia
GenresPost-punk, gothic rock,[1][2] alternative rock, experimental rock, garage rock
Occupation(s)Singer-songwriter, multi-instrumentalist, writer, actor, composer
Instrument(s)Vocals, piano, organ, harmonica, guitar, percussion, saxophone, drums
Years active1973–present
LabelsBad Seed, Mute
Websitenickcave.com

Nicholas Edward "Nick" Cave (born 22 September 1957) is an Australian musician, singer-songwriter, author, screenwriter, composer and occasional film actor, best known as the frontman of Nick Cave and the Bad Seeds. Referred to as rock music's "Prince of Darkness", Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with death, religion, love and violence.[3] NME called him "the grand lord of gothic lushness".[4]

Born and raised in rural Victoria, Cave studied art in Melbourne and for a time considered becoming a painter. In the 1970s, he formed and fronted the Boys Next Door, which spearheaded Melbourne's bourgeoning post-punk scene. They changed their name to the Birthday Party and relocated to London in 1980. Disillusioned by life in England, the band's sound and live shows became increasingly violent, and they garnered a reputation as one of darkest and most challenging groups of the 1980s. For this they are credited as a major influence on gothic rock. The band, having released three albums and two EPs, fell apart after moving to West Berlin in 1983.

After the break up of the Birthday Party, Cave formed Nick Cave and the Bad Seeds in 1983, releasing its debut album the following year. Much of the band's early material was set in a mythic American Deep South, drawing on spirituals and Delta blues, while Cave's preoccupation with Old Testament notions of good versus evil culminated in what has been called his signature song, "The Mercy Seat" (1988). The 1996 album Murder Ballads featured "Where the Wild Roses Grow", a duet with Kylie Minogue, Cave's most commercially successful single to date. Skeleton Tree, the band's sixteenth and most recent album, was released in 2016. Cave formed the garage rock group Grinderman in 2006, which has since released two albums.

Cave co-wrote, scored and starred in the 1988 Australian prison film Ghosts... of the Civil Dead (1988), directed by John Hillcoat. Cave also wrote the screenplay for Hillcoat's bushranger film The Proposition (2005), and composed the soundtrack with frequent collaborator Warren Ellis. The pair's film score credits include The Assassination of Jesse James by the Coward Robert Ford (2007), The Road (2009) and Lawless (2012). Cave is the subject and co-writer of the semi-fictional "day in the life" documentary 20,000 Days on Earth (2014). He has also released two novels: And the Ass Saw the Angel (1989) and The Death of Bunny Munro (2009).

Cave's songs have been covered by a wide range of artists, including Johnny Cash, Metallica and Arctic Monkeys. Upon his induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said: "Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute."[5]

Youth, education and family

Cave was born on 22 September 1957 in Warracknabeal, a small country town in the state of Victoria, Australia, to Dawn Cave (née Treadwell) and Colin Frank Cave.[6][7] As a child, he lived in Warracknabeal and then Wangaratta in rural Victoria. His father taught English and mathematics at the local technical school; his mother was a librarian at the high school that Nick attended.[8] Cave's father introduced him to literary classics from an early age, such as Crime and Punishment and Lolita,[9] and also organised the first symposium on the Australian bushranger and outlaw Ned Kelly,[10] of whom Nick was enamoured as a child.[11]

When Cave was 9 he joined the choir of Wangaratta’s Holy Trinity Cathedral.[6] At 13 he was expelled from Wangaratta High School.[9] In 1970, having moved with his family to the Melbourne suburb of Murrumbeena, he became a boarder and later day student at Caulfield Grammar School.[8] He was 19 when his father was killed in a car accident; his mother told him of his father's death while she was bailing him out of a St Kilda police station where he was being held on a charge of burglary. He would later recall that his father "died at a point in my life when I was most confused" and that "the loss of my father created in my life a vacuum, a space in which my words began to float and collect and find their purpose".[9]

After his secondary schooling, Cave studied painting at the Caulfield Institute of Technology in 1976, but dropped out the following year to pursue music.[12] He also began using heroin around the time that he left art school.[13]

Cave attended his first music concert at Melbourne's Festival Hall. The bill consisted of Manfred Mann, Deep Purple and Free. Cave recalled: "I remember sitting there and feeling physically the sound going through me."[12]

Music career

Early years and the Birthday Party (1973–83)

Main article: The Birthday Party (band)

In 1973, Cave met Mick Harvey (guitar), Phill Calvert (drums), John Cochivera (guitar), Brett Purcell (bass), and Chris Coyne (saxophone); fellow students at Caulfield Grammar. They founded a band with Cave as singer. Their repertoire consisted of proto-punk cover versions of songs by Lou Reed, David Bowie, Alice Cooper, Roxy Music and Alex Harvey, among others. Later, the line-up slimmed down to four members including Cave's friend Tracy Pew on bass. In 1977, after leaving school, they adopted the name The Boys Next Door and began playing predominantly original material. Guitarist and songwriter Rowland S. Howard joined the band in 1978.

They were a leader of Melbourne's post-punk scene in the late 1970s, playing hundreds of live shows in Australia before changing their name to the Birthday Party in 1980 and moving to London, then West Berlin. Cave's Australian girlfriend and muse Anita Lane accompanied them to London. The band were notorious for their provocative live performances which featured Cave shrieking, bellowing and throwing himself about the stage, backed up by harsh pounding rock music laced with guitar feedback. Cave utilised Old Testament imagery with lyrics about sin, debauchery and damnation.[1] Cave's droll sense of humour and penchant for parody is evident in many of the band's songs, including "Nick the Stripper" and "King Ink". "Release the Bats", one of the band's most famous songs, was intended as an over-the-top "piss-take" on gothic rock, and a "direct attack" on the "stock gothic associations that less informed critics were wont to make". Ironically, it became highly influential on the genre, giving rise to a new generation of bands.[14]

After establishing a cult following in Europe and Australia, the Birthday Party disbanded in 1984. Howard and Cave found it difficult to continue working together and both were rather worn down from alcohol and drug use.

Nick Cave and the Bad Seeds (1984–present)

Cave performing in Belgium, 1986
Main article: Nick Cave and the Bad Seeds

The band with Cave as their leader and frontman has released sixteen studio albums. Pitchfork Media calls the group one of rock's "most enduring, redoubtable" bands, with an accomplished discography.[15] Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. Critics Stephen Thomas Erlewine and Steve Huey wrote: "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk."[3]

Reviewing 2008's Dig, Lazarus, Dig!!! album, NME used the sentence "gothic psycho-sexual apocalypse" to describe the "menace" present in the lyrics of the title track.[16] Their most recent work, Skeleton Tree, was released in September 2016.[17]

In mid-August 2013, Cave was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and the Drones. The Australian music prize is worth A$30,000.[18] The prize ultimately went to Big Scary.[19]

In September 2013 interview, Cave explained that he returned to using a typewriter for songwriting after his experience with the Nocturama album, as he "could walk in on a bad day and hit 'delete' and that was the end of it". Cave believes that he lost valuable work due to a "bad day".[12]

Solo work

In addition to his performances with Nick Cave and the Bad Seeds, Cave has, since the 1990s, performed live 'solo' tours with himself on piano/vocals, Warren Ellis on violin/accordion and various others on bass and drums.

Grinderman

Main article: Grinderman

In 2006 Cave formed Grinderman - himself on vocals, guitar, organ & piano, Warren Ellis (tenor guitar, electric mandolin, violin, viola, guitar, backing vocals), Martyn P. Casey (bass, guitar, backing vocals) and Jim Sclavunos (drums, percussion, backing vocals).

The alternative rock outfit was formed as "a way to escape the weight of The Bad Seeds."[20] The band's name was inspired by a Memphis Slim song, "Grinder Man Blues," which Cave is noted to have started singing during one of the band's early rehearsal sessions. The band's eponymous debut studio album, Grinderman, was released in 2007 to extremely positive reviews and the band's second and final studio album, Grinderman 2, was released in 2010 to a similar reception.

Grinderman's first public performance was at All Tomorrow's Parties in April 2007 where Bobby Gillespie from Primal Scream accompanied Grinderman on backing vocals and percussion.

In December 2011, after performing at Meredith Music Festival, Cave announced that Grinderman was over.[21]

Music in film

Cave's work was featured in a scene in the 1986 film, Dogs in Space, by Richard Lowenstein.[22] Cave performed parts of the Boys Next Door song "Shivers" twice during the film, once on video and once live.

Another early fan of Cave's was German director Wim Wenders, who lists Cave, along with Lou Reed and Portishead, as among his favorites.[23] Two of Cave's songs were featured in his 1987 film Wings of Desire.[24] Nick Cave and the Bad Seeds also make a cameo appearance in this film. Two more songs were included in Wenders' 1993 sequel Faraway, So Close!, including the title track. The soundtrack for Wenders' 1991 film Until the End of the World features Cave's "(I'll Love You) Till the End of the World." His most recent production, Palermo Shooting, also contains a Nick Cave song, as does his 2003 documentary The Soul of a Man.[25]

Cave's songs have also appeared in a number of Hollywood blockbusters - "There is a Light" appears on the 1995 soundtrack for Batman Forever, and "Red Right Hand" appeared in a number of films including The X-Files, Dumb & Dumber; Scream, its sequels Scream 2 and 3, and Hellboy (performed by Pete Yorn). In Scream 3, the song was given a reworking with Cave writing new lyrics and adding an orchestra to the arrangement of the track. "People Ain't No Good" was featured in the animated movie Shrek 2 and the song "O Children" was featured in the 2010 movie of Harry Potter and the Deathly Hallows - Part 1.

In 2000 Andrew Dominik used "Release the Bats" in his film Chopper. Numerous other movies use Cave's songs including Box of Moonlight (1996), Mr In-Between (2001), Romance & Cigarettes (2005), Cirque du Freak: The Vampire's Assistant (2009), The Freshman, Gas Food Lodging, Kevin & Perry Go Large, About Time

His works also appear in a number of major TV programs among them Trauma, The L Word, Traveler, The Unit, I Love the '70s, Outpatient, The Others, Nip/Tuck, and Californication, and most recently in the BBC series Peaky Blinders.

Collaborations

Cave played with Shane MacGowan on cover versions of Bob Dylan's "Death is Not the End" and Louis Armstrong's "What a Wonderful World". Cave also performed "What a Wonderful World" live with the Flaming Lips. Cave recorded a cover version of the Pogues song "Rainy Night in Soho", written by MacGowan.

Nick Cave at a solo concert in Mainz, Germany on 11 November 2006.

MacGowan also sings a version of "Lucy", released on B-Sides and Rarities. On 3 May 2008, during the Dig, Lazarus, Dig!!! tour, MacGowan joined Nick Cave and the Bad Seeds on stage to perform "Lucy" at Dublin Castle in Ireland. Pulp's single "Bad Cover Version" includes on its B-side a cover version by Cave of that band's song "Disco 2000". On the Deluxe Edition of Pulp's Different Class another take of this cover can be found.

In 2000, one of Cave's heroes, Johnny Cash, covered Cave's "The Mercy Seat" on the album American III: Solitary Man, seemingly repaying Cave for the compliment he paid by covering Cash's "The Singer" (originally "The Folk Singer") on his Kicking Against the Pricks album. Cave was then invited to be one of many rock and country artists to contribute to the liner notes of the retrospective The Essential Johnny Cash CD, released to coincide with Cash's 70th birthday. Subsequently, Cave recorded a duet with Cash on a version of Hank Williams' "I'm So Lonesome I Could Cry" for Cash's American IV: The Man Comes Around album (2002). A similar duet, the American folk song "Cindy", was released posthumously on the "Johnny Cash: Unearthed" boxset. Cave's song "Let the Bells Ring" is a posthumous tribute to Cash. Cave has also covered the song "Wanted Man" which is best known as performed by Johnny Cash but is a Bob Dylan composition.

In 2004, Cave gave a hand to Marianne Faithfull on the album, Before the Poison. He co-wrote and produced three songs ("Crazy Love", "There is a Ghost" and "Desperanto"), and the Bad Seeds are featured on all of them. He is also featured on "The Crane Wife" (originally by the Decemberists), on Faithfull's 2008 album, Easy Come, Easy Go.

Cave collaborated with the band Current 93 on their album All the Pretty Little Horses, where he sings the title track, a lullaby. For his 1996 album Murder Ballads, Cave recorded "Where the Wild Roses Grow" with Kylie Minogue, and "Henry Lee" with PJ Harvey.

Cave also took part in the "X-Files" compilation CD with some other artists, where he reads parts from the Bible combined with own texts, like "Time Jesum ...", he outed himself as a fan of the series some years ago, but since he does not watch much TV, it was one of the only things he watched. He collaborated on the 2003 single "Bring It On", with Chris Bailey, formerly of the Australian punk group, The Saints. Cave contributed vocals to the song "Sweet Rosyanne", on the 2006 album Catch That Train! from Dan Zanes & Friends, a children's music group.

In 2010 Nick Cave began a series of duets with Debbie Harry for The Jeffrey Lee Pierce Sessions Project.[26][27][28]

In 2011, Cave recorded a cover of the Zombies' "She's Not There" with Neko Case, which was used at the end of the first episode of the fourth season of True Blood.

In 2014, Cave wrote the libretto for the opera Shell Shock (opera) by Nicholas Lens. The opera premiered at the Royal Opera House La Monnaie in Brussels on October 24, 2014.[29][30][31][32]

Film scores and theatre music

In 2001, Cave recorded a cover of the Beatles' "Let It Be" for the film I Am Sam,[33] and co-wrote and recorded the song "To Be By Your Side," for the soundtrack of the 2001 French documentary Le Peuple Migrateur (called Winged Migration in the US).[34]

Cave creates original film scores with fellow Bad Seeds band member Warren Ellis—they first teamed up in 2005 to work on The Proposition, for which Cave also wrote the screenplay.[35]

In 2006, Cave and Ellis composed the music for Andrew Dominik's adaptation of Ron Hansen's The Assassination of Jesse James by the Coward Robert Ford.[36] By the time Dominik's film was released, Hillcoat was preparing his next project, The Road, an adaptation of Cormac McCarthy's novel about a father and son struggling to survive in a post-apocalyptic world. Cave and Ellis wrote and recorded the score for the film, which was released in 2009.[37]

In early 2011, Cave and Ellis composed the music for the Mexican film Dias de Gracias.[38] Later in 2011, they reunited with Hillcoat to score his latest picture, Lawless. Cave also authored this screenplay based on the novel by Matt Bondurant. Set in Depression-era Franklin County, Virginia, the film was released in August 2012 (US) and September 2012 (UK).[39]

Cave and Ellis also have documentary-score composition experience. In 2007, the pair composed the score for Geoffrey Smith's film, The English Surgeon, which traces Dr. Henry Marsh's struggle to bring modern neurosurgery to the confusion of post-Soviet Ukraine. They also wrote the score for The Girls of Phnom Penh, Matthew Watson's 2009 film exploring Cambodia's "virginity trade".[40]

Cave's novel The Death of Bunny Munro, published in 2009, was released as an audiobook and Cave worked with Ellis, Iain Forsyth and Jane Pollard on the soundtrack. Forsyth and Pollard referred to the soundtrack as a 3D experience and stated: "We've not heard anything like this before – the result sits somewhere between a film soundtrack, a radio play and an hallucination."[41]

Cave and Ellis created music for the Vesturport productions Woyzeck, The Metamorphosis and Faust.[42]

Writing

Cave released his first book, King Ink, in 1988. It is a collection of lyrics and plays, including collaborations with Lydia Lunch. In 1997, he followed up with King Ink II, containing lyrics, poems, and the transcript of a radio essay he did for the BBC in July 1996, "The Flesh Made Word," discussing in biographical format his relationship with Christianity.

Cave reading from The Death of Bunny Munro in New York City, 2009.

While he was based in West Berlin, Cave started working on what was to become his debut novel, And the Ass Saw the Angel (1989). Significant crossover is evident between the themes in the book and the lyrics Cave wrote in the late stages of the Birthday Party and the early stage of his solo career. "Swampland", from Mutiny, in particular, uses the same linguistic stylings ('mah' for 'my', for instance) and some of the same themes (the narrator being haunted by the memory of a girl called Lucy, being hunted like an animal, approaching death and execution). On 21 January 2008, a special edition of Cave's novel And the Ass Saw the Angel was released.[43] Cave's second novel The Death of Bunny Munro was published on 8 September 2009 by Harper Collins books.[44][45] Telling the story of a sex-addicted salesman, it was also released as a binaural audio-book produced by British Artists Iain Forsyth and Jane Pollard and an iPhone app.[46] The book originally started as a screenplay Cave was going to write for John Hillcoat.[47]

Aside from movie soundtracks, Cave also wrote the screenplays for Hillcoat's The Proposition in 2005, and Lawless (based on the novel by Matt Bondurant) in 2011.

As proof of his interest in scripture, so evident in his lyrics and his prose writing, Cave wrote the foreword to a Canongate publication of the Gospel according to Mark, published in the UK in 1998. The American edition of the same book (published by Grove Press) contains a foreword by the noted American writer Barry Hannah.

Cave is a contributor to a 2009 rock biography of the Triffids, Vagabond Holes: David McComb and the Triffids, edited by Australian academics Niall Lucy and Chris Coughran.[48]

Acting

Cave's first film appearance was in Wim Wenders' 1987 film Wings of Desire, in which he and the Bad Seeds are shown performing at a concert in Berlin.

Cave has made occasional appearances as an actor. He appears alongside Blixa Bargeld in the 1988 Peter Sempel film Dandy, playing dice, singing and speaking from his Berlin apartment. He is most prominently featured in the 1989 film Ghosts... of the Civil Dead, written and directed by John Hillcoat, and in the 1991 film Johnny Suede with Brad Pitt.

Cave appeared in the 2005 homage to Leonard Cohen, Leonard Cohen: I'm Your Man, in which he performed "I'm Your Man" solo, and "Suzanne" with Julie Christensen and Perla Batalla. He also appeared in the 2007 film adaptation of Ron Hansen's novel The Assassination of Jesse James by the Coward Robert Ford, where he sings the ballad "Jesse James". Cave and Warren Ellis are credited for the film's soundtrack.

His interest in the work of Edward Gorey led to his participation in the BBC Radio 3 programme Guest + Host = Ghost, featuring Peter Blegvad and the radiophonic sound of the Langham Research Centre.[49]

Cave has also lent his voice in narrating the award-winning animated film The Cat Piano. It was directed by Eddie White and Ari Gibson (of the People's Republic Of Animation), produced by Jessica Brentnall and features music by Benjamin Speed.[50]

Screenwriting

Cave wrote the screenplay for The Proposition, a film set in the colonial Australian Outback. Directed by John Hillcoat and filmed in Queensland in 2004, it premiered in October 2005 and was later released worldwide to critical acclaim.[51] Cave explained his personal background in relation to writing the film's screenplay in a 2013 interview:

I had written long-form before but it is pure story-telling in script writing and that goes back as far as I can remember for me, not just with my father but with myself. I slept in the same bedroom as my sister for many years, until it became indecent to do so and I would tell her stories every night—that is how she would get to sleep. She would say "tell me a story" so I would tell her a story. So that ability, I very much had that from the start and I used to enjoy that at school so actually to write a script—it suddenly felt like I was just making up a big story.[12]

The movie reviewer for British newspaper The Independent called The Proposition "peerless," "a star-studded and uncompromisingly violent outlaw film."[52] It even features on a website promoting tourism to the area.[53] The generally ambient soundtrack was recorded by Cave and Warren Ellis.

In 2006 it was revealed that, at the request of his friend Russell Crowe, Cave wrote a script for a proposed sequel to Gladiator which was rejected by the studio.[54]

An announcement in February 2010 stated that Andy Serkis and Cave would collaborate on a motion-capture movie of the Brecht and Weill musical The Threepenny Opera. As of September 2012, the project has not been realised.[55]

Cave wrote a screenplay titled The Wettest County in the World,[56] which was used for the 2012 film Lawless, directed again by John Hillcoat, starring Tom Hardy and Shia LaBeouf. The film opened in theaters on 29 August 2012.[57]

Personal life

File:Howard Arkley Nick Cave.jpg
Banner in Melbourne of Howard Arkley's 1999 portrait of Nick Cave, held at the National Portrait Gallery

Cave left Australia in 1980 and lives with his family in Brighton, England, UK.[58]

Children

Cave has had four sons.[59][60] by three different partners - Luke, born in 1991, Jethro, also born in 1991, and twins Arthur and Earl, born in 2000.

Cave's son Arthur, 15, fell from a cliff at Ovingdean, near Brighton, England, and died from his injuries on 14 July 2015. Cave's family released a statement on the death, saying, "Our son Arthur died on Tuesday evening. He was our beautiful, happy loving boy. We ask that we be given the privacy our family needs to grieve at this difficult time."[61][62][63] The effect of Arthur's death on Cave and his family was explored in the 2016 documentary film One More Time with Feeling and on the 2016 album Skeleton Tree.

Partners

Cave dated Anita Lane from the late 1970s to mid-1980s. Cave and Lane recorded together on a few occasions. Their most notable collaborations include Lane's 'cameo' verse on Cave's Bob Dylan cover "Death Is Not The End" from the album Murder Ballads, and a cover of the Serge Gainsbourg/Jane Birkin song "Je t'aime... moi non plus/ I love you, nor do I". Lane co-wrote the lyrics to the title track for Cave's 1984 LP, From Her to Eternity, as well as the lyrics of the song "Stranger Than Kindness" from Your Funeral, My Trial. Cave, Lydia Lunch and Lane wrote a comic book together, entitled AS-FIX-E-8, in the style of the old "Pussy Galore"/Russ Meyer movies.

Cave then moved to São Paulo, Brazil in 1990, where he met and married his first wife, Brazilian journalist Viviane Carneiro. She gave birth to their son Luke, in 1991. They were married for 6 years and divorced in 1996.[64]

Cave's second son, Jethro, was also born in 1991 and grew up with his mother, Beau Lazenby, in Melbourne, Australia. Cave and Jethro did not meet one another until Jethro was about seven or eight.[65][66]

Cave briefly dated PJ Harvey during the mid-1990s.

In 1997, Cave met British model Susie Bick. Bick was the cover model on the Damned's 1985 album Phantasmagoria and a Vivienne Westwood model. Bick is also the model on the cover of the album Push the Sky Away.[67] She gave up her job when they married in 1999. Bick's and Cave's twin sons, Arthur and Earl, were born in Brighton in 2000.[68][69] Arthur died in 2015, after falling from a cliff.[61]

Cave is the godfather of Michael Hutchence's daughter Heavenly Hiraani Tiger Lily.[70] Cave performed "Into My Arms" at the televised funeral of Michael Hutchence, but insisted that the cameras cease rolling during his performance.

Religion

In the past, Cave identified as a Christian. In his recorded lectures on music and songwriting, he has claimed that any true love song is a song for God and has ascribed the mellowing of his music to a shift in focus from the Old to the New Testaments. He does not belong to a particular denomination and has distanced himself from "religion as being an American thing, in which the name of God has been hijacked".[71] He said in a Los Angeles Times article: "I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs."[72] When asked in 2009 about whether he believed in a personal God, Cave's reply was: "No".[73] When interviewed by Jarvis Cocker on 12 September 2010, for his BBC Radio 6 show "Jarvis Cocker's Sunday Service", Cave stated: "I believe in God in spite of religion, not because of it."[74]

In 2009, Cave joked about plans to erect a gold statue of himself in his hometown of Warracknabeal, based on a foot-high scale model which, according to Cave, features him "naked on a rearing horse. I have a modest loincloth on. It's this rather wonderful homoerotic work of art."[75] Yarriambiack Council acknowledged the humour and tourist appeal behind Cave's proposal, daring him to "build a 50m-high Nick Cave with a viewing platform."[76] A film about Cave's life, titled 20,000 Days on Earth and directed by artists Iain Forsyth and Jane Pollard, was released in mid-2014, shortly before his 57th birthday.[77]

Discography

Cave performing in 2008
Main articles: Nick Cave and the Bad Seeds, The Birthday Party discography, and Grinderman discography

Studio albums

The Boys Next Door

The Birthday Party

Nick Cave and the Bad Seeds

Grinderman

Soundtracks/scores

Notable contributions and appearances

Spoken-word lectures

  • "The Secret Life of the Love Song & the Flesh Made Word: Two Lectures" (2000)

Live albums

Singles

  • 2001: "As I Sat Sadly by Her Side"
  • 2001: "Fifteen Feet of Pure White Snow"

Bibliography

Publications by Cave

Publications with contributions by Cave

  • The Gospel According to Mark. Pocket Canons: Series 1. Edinburgh, Scotland: Canongate, 1998. ISBN ISBN 0-86241-796-1. UK edition. With an introduction by Cave to the Gospel of Mark.

Awards and honours

Further reading

  • Bad Seed: A Biography of Nick Cave, Ian Johnston (1997) ISBN 0-316-90833-9
  • The Life and Music of Nick Cave: An Illustrated Biography, Maximilian Dax & Johannes Beck (1999) ISBN 3-931126-27-7
  • Liner notes to the CDs Original Seeds: Songs that inspired Nick Cave and the Bad Seeds, Kim Beissel (1998 & 2004), Rubber Records
  • Kicking Against the Pricks: An Armchair Guide to Nick Cave, Amy Hanson (2005), ISBN 1-900924-96-X
  • Nick Cave Stories, Janine Barrand (2007) ISBN 978-0-9757406-9-9
  • Cultural Seeds: Essays on the Work of Nick Cave, eds. Karen Welberry and Tanya Dalziell (2009) ISBN 0-7546-6395-7
  • Nick Cave Sinner Saint: The True Confessions, ed. Mat Snow (2011) ISBN 978-0-85965-448-7
  • A Little History: Nick Cave & cohorts 1981-2013, Bleddyn Butcher (2014) ISBN 9781760110680

References

  1. ^ a b Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber, 2005. pp. 429–431. ISBN 0-571-21569-6.
  2. ^ Lewis, Luke (5 March 2009). "Release The Bats - It's The 20 Greatest Goth Tracks". 7. The Birthday Party – Release The Bats. Knuckle-dragging drums. Sickening, scything distortion. Barely comprehensible vocals in the Vic Reeves 'club style': here was a compelling sonic template for goth's lunatic fringe. Most gothic moment: Nick Cave's blood-curdling shriek: "Whooaaargh! BITE!" It was a story about vampire sex was promoted by an advert with the words "Dirtiness is next to antigodliness".
  3. ^ a b Stephen Thomas Erlewine and Steve Huey, AllMusic, (((Nick Cave > Biography))). Retrieved 30 September 2009.
  4. ^ Stevens, Jenny (15 February 2013). "Nick Cave Push the Sky Away". NME. Retrieved 15 February 2014.
  5. ^ Nick Cave to enter ARIA Hall of Fame Archived 2009-10-05 at the Wayback Machine
  6. ^ a b "Curator's Notes". Western Australian Museum. 2009. Retrieved 16 January 2014.
  7. ^ "22 December 1949 - LIFE OF MELBOURNE Drama Prize". Trove.nla.gov.au. 22 December 1949. Retrieved 5 May 2012.
  8. ^ a b Hattenstone, Simon (23 February 2008). "Old Nick". The Guardian. Retrieved 30 March 2012.
  9. ^ a b c Maume, Chris. "Nick Cave: Devil's advocate", The Independent. Retrieved on 10 November 2008.
  10. ^ Cave, Colin (ed). Ned Kelly: Man and Myth. Wangaratta Adult Education Centre, 1962. ISBN 0-7269-1410-X, p. 10
  11. ^ Lynskey, Dorian (24 February 2006). "Outback outlaws", The Guardian. Retrieved 2 March 2013.
  12. ^ a b c d Smith, Sarah (11 September 2013). "10 things Nick Cave said at BIGSOUND 2013". Faster Louder. Faster Louder Pty Ltd. Retrieved 13 September 2013.
  13. ^ "Nick Cave, Style Icon". enjoy-your-style.com. Retrieved 27 September 2012.
  14. ^ Welberry, Karren (ed.) (2016). Cultural Seeds: Essays on the Work of Nick Cave. Routledge. p. 87-88
  15. ^ Stuart Berman, Pitchfork Media, "Album reviews: Nick Cave & the Bad Seeds: From Her to Eternity / The First Born is Dead / Kicking Against the Pricks / Your Funeral ... My Trial, 6 May 2009. Retrieved 30 September 2009.
  16. ^ "Nick Cave & The Bad Seeds Dig!!! Lazarus Dig!!! (album review)". NME. 21 February 2008. Retrieved 2 January 2012.
  17. ^ Roffman, Michael. "New Music: Nick Cave and the Bad Seeds – "We No Who U R"". Consequence of Sound. Retrieved 10 December 2012.
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