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|Spatial anomalies in fiction|
Black holes in fiction • Portable hole • Portals in fiction • Teleportation in fiction • Wormholes in fiction • Jumpgate • Jump drive • Stargate • Boom tube • Warp drive • Hyperspace • Slipstream • Time travel in fiction
|Science fiction portal|
A Stargate from Stargate SG-1.
|Plot element from the 'Stargate' franchise|
|First appearance||Stargate (1994)|
A Stargate is an Einstein–Rosen bridge portal device within the Stargate fictional universe that allows practical, rapid travel between two distant locations. The devices first appear in the 1994 Roland Emmerich film Stargate, and thereafter in the television series Stargate SG-1, Stargate Atlantis, and Stargate Universe. In these productions, the Stargate functions as a plot generator, allowing the main characters to visit alien planets without the need for spaceships or any other type of technology. The device allows for near-instantaneous travel across both interstellar and extragalactic distances.
Some early portal appearances in science fiction include A. E. van Vogt's novella Secret Unattainable (July 1942, Astounding), a radio episode of Space Patrol which aired October 25, 1952 (in which it was called a "cycloplex" or a "hole in space"), and Robert A. Heinlein's Tunnel in the Sky (1955) and its "Ramsbotham jump". In 2001: A Space Odyssey, Arthur C. Clarke uses the term 'Star Gate' for the large sentinel TMA-2, which is a classic stargate portal to another part of the universe.
The basic stargate concept is that it has at least two devices in distant positions, and when active, the rings of each become similar to a physical, singular gateway or door-frame between the two locations. The concept was developed by the writers of the feature film Stargate, Dean Devlin and Roland Emmerich. Similar devices had been seen in previous fiction, but their complete conception as seen in the film was quite original – though there has been contention as to whether they plagiarized the idea from a previous script submission from a student of Egyptology named Omar Zuhdi, who submitted a screenplay to them about ten years before the movie was made. Zuhdi pursued legal action regarding this, and the case was eventually settled out of court.
Much of the inspiration for the functioning of the device is drawn heavily from theoretical astrophysics, particularly that of black holes and wormholes, a staple of science fiction, often used to create "shortcuts" through space. Although these may exist in reality, it is not widely held to be true that any such phenomenon could safely transport a human being, as such wormholes would most likely be created by excessive gravity (e.g., from a black hole) which would destroy any potential traveler.
The Stargate film begins in 1928, when the alien device is first discovered and unearthed at Giza, with a young Catherine Langford watching as her father, the archaeologist who found it, directs its unearthing. Stargate SG-1 has since revealed more of the backstory of the Earth Stargate. The American ship Achilles brought the gate to America in 1939 to prevent it from falling into the hands of the Nazis. The United States Air Force then stored the device in various locations —including Washington, DC (Episode "1969")—before installing it at its location of the film and series. The Stargate was studied in the 1940s as a potential weapon and was later mothballed. As the Stargate film quickly skips to the "present day" (1994), unsuccessful archaeologist Daniel Jackson is giving a lecture about his outlandish theories that the Great Pyramid of Giza was not built by the pharaoh Khufu. After he is laughed away, an aged Catherine Langford meets with him and recruits his egyptological talent, taking him to a top-secret military base at Cheyenne Mountain, where he is instructed to decipher the unique Egyptian hieroglyphs present on a set of cover-stones. He realizes that the indecipherable glyphs are in fact not words but images of constellations, such that by identifying 6 of them a position in space can be extrapolated. He is then shown the stargate itself, uses his new understanding to identify the 7th symbol (the point of origin allowing a route to be extrapolated), and the gate is opened for the first time.
Because thousands of combinations had been previously tried and had failed, it was believed at the time that only two stargates existed, connecting Earth and the planet Abydos, which was visited in the film. At the beginning of the Stargate SG-1 series, however, a large set of additional valid coordinates were discovered engraved in ruins on Abydos. Because of the stellar drift accumulated over millions of years, other addresses were impossible to dial until Samantha Carter reworked the dialing system on Earth to account for this movement. After this, a massive network of possible connections suddenly became available. Even more addresses were later uncovered by Colonel Jack O'Neill from a repository of Ancient knowledge. In order to allow for dialing back to Earth from other locations (without altering the dialing system), it was later stated that the DHD ("Dial-Home Device") normally attached to each stargate automatically updates for stellar drift; Earth's stargate lacks its DHD, requiring other accommodation.
The alien race encountered in the original movie is later developed in SG-1 as the Goa'uld, the dominant evil power in the Milky Way. The leaders of this race, the System Lords, pose as gods and use the stargates to transport slaves between worlds. This has resulted in a large number of planets throughout the galaxy supporting human life, often in civilizations more primitive than Earth. The majority of these civilizations, descended from former Goa'uld slaves, treat the Stargate as a religious relic, often as a source of long-forgotten fear and evil.
For most of the run of Stargate SG-1, Earth was under constant threat from the Goa'uld, and is no match for their superior technology. In the face of this threat, the US Air Force established a top-secret base, the SGC (Stargate Command), as a frontline defence. Multiple teams are formed and sent on missions through the stargate, their primary objective being exploration, and through it the discovery of intelligence, technology and allies to help in the fight against the Goa'uld. The primary team is called SG-1, and the series follows their adventures.
For a long time, it was thought that the Goa'uld were the builders of the Stargate Network, but it was later discovered that they had merely made use of the relics left behind by a different and extinct race, the Ancients. At the climax of SG-1's 6th season, Daniel Jackson discovers that the Earth myth of Atlantis is in fact founded on the Lost City of the Ancients, and Season 7 is spent trying to locate it. At the beginning of the show Stargate Atlantis, which coincides with the beginning of SG-1's 8th season, the city is found in the Pegasus Galaxy, and 8 chevrons are dialed to send an expedition there on what could be a one-way trip. It is there that they discover a new network of stargates, and are plagued by the nemesis of the Ancients, the Wraith. During the events of The Ark of Truth, it is revealed that the pre-ascended Ancient known as Amelius originated the concept of the Stargate and wormhole travel.
In the events of the third television series, Stargate Universe, a third generation of stargates is discovered, which allegedly predates the model originally discovered in the Milky Way galaxy. This model, discovered as a result of a three-month expedition to unlock the stargate's ninth and final chevron, was first encountered on board the ancient research vessel Destiny, which has been traversing the universe for several million years unmanned, and is several billion light years away from Earth. It is discovered that the Ancients constructed the vessel to be launched after a number of stargate seed ships were dispersed in the universe in order to follow in their path and stop at each planet at which a stargate was deposited. Destiny would then extract any relevant data from the planetary stargate in order to further complete research into an apparent signal embedded in the Cosmic microwave background radiation. This "prototype", or "beta", generation of gates has a limited range. In addition, when a dialing sequence commences, the entire ring (as opposed to an inner track, like Milky Way-era gates) rotates clockwise and counterclockwise in an alternating pattern until the final chevron is locked and a wormhole is established. Finally, the event horizon of the wormhole also appears a slightly more silver color than later generations. Possibly due to the nature of how these stargates were deposited on hundreds of thousands of planets, no planetary DHD is present. Rather, explorers from Destiny are required to bring an Ancient remote control which can command the gate to dial an address in addition to other functions.
Within the Stargate fictional universe, Stargates are hyper-advanced large rings capable of harnessing any source of energy and applying it to maintain artificial stable Einstein–Rosen bridges for the purpose of interplanetary and intergalactic travel, allowing the one-way travel of matter and energy (radio transmissions can travel either way through an open wormhole).
A stargate's destination is not fixed, but is singled out by a process known as "dialing". Once a three-dimensional destination is selected by the traveler, the Stargate generates a wormhole between itself and a complementary device at the destination, by being supplied with a threshold amount of raw energy. Objects in transit between gates are broken down into their individual elemental components, and then into energy as they pass through the event horizon, and then travel through a wormhole before being reconstructed on the other side.
Akin to a rotary dial, each Stargate has nine prominent points (chevrons) spaced equally around its circumference, which are used to determine the address being dialed. On the inner ring is a set of unique glyphs; on Milky Way and Pegasus gates, the glyphs represent constellations, while the meaning of the glyphs on Destiny-style gates is unknown. The number of glyphs is dependent on the network to which the gate belongs; Milky Way gates feature 39 glyphs, while Pegasus and Destiny gates have 36. The first seven of a Stargate's chevrons and glyphs are "maps" used to isolate the location of another gate and establish a connection. Chevrons one-through-six are used to designate points in space (i.e. star clusters, constellations and planets) and form three-dimensional coordinates for the destination, while the seventh chevron is coded to the Stargate's current position, to provide a point of origin for the Einstein–Rosen bridge. When sufficient power is available, the eighth chevron can be used to connect to another galaxy, effectively acting as an "area code" connecting to an entirely different network of Stargates. The ninth chevron enables a connection to a specific Stargate with its own unique nine-symbol address, regardless of distance.
Each location in the Stargate universe has its own unique "address", which is a combination of six or more non-repeating symbols appearing on the dialing stargate. By "dialing" these symbols in the correct order, the traveler selects a three-dimensional destination.
The show is consistent with the mechanics of address-dialing. The process involves associating a unique symbol of the inner ring to each of at least the first seven of the chevrons on the outer circumference. The main "address" is invariably dialed first, and the last symbol is the "point of origin", representing the gate being used, which acts as the final "send button" trigger for the completion of the address sequence. As each symbol is dialed, the chevron is said to "engage" or "encode" and usually responds by lighting up or moving. When the final symbol of an address is dialed, that chevron is said to "lock" and the wormhole opens (this terminology is arbitrary and often interchangeable, but preferred by the recurring character Walter Harriman). If the address is incorrect or does not correspond to an existing or otherwise functional stargate within that three-dimensional space, the last chevron will not lock, and all of the chevrons will "disengage".
The symbols used to compose addresses are actually pictorial representations of star constellations. By identifying six constellations in space, a single sextangulation point can be interpolated that corresponds to the destination desired. As only a small portion of the possible combinations of Stargate symbols represent valid addresses, dialing the Gate at random is largely futile. In "Children of the Gods", SG-1 discovers a room on Abydos with a list of valid Stargate addresses and (luckily) a map that allows the SGC to compensate for thousands of years of stellar drift. In the series, the fictional planet Abydos could be dialed because it is relatively close to Earth, although in the film, Abydos was located in the Kaliam Galaxy. Another list of Stargate addresses is provided by Jack O'Neill in "The Fifth Race" from knowledge downloaded into his mind by a Repository of the Ancients. In "Rising", a list of Stargate addresses in the Pegasus galaxy is found in the Atlantis database. The SGC assigns designations to Stargate-accessible planets in the form Pxx-xxx or Mxx-xxx; P standing for Planet and M for Moon. Samantha Carter explains in "The Broca Divide" that the designation "is based on a binary code the computer uses for extrapolation".
The symbols dialed are often referred to as "coordinates", and are written as an ordered string; for example, this is the address used in the show for the planet Abydos: (corresponding to the constellations of Taurus, Serpens Caput, Capricornus, Monoceros, Sagittarius and Orion). As explained by Dr. Daniel Jackson in the movie, the Stargate requires seven correct symbols to connect to another Stargate. As shown in the picture opposite, the first six symbols act as co-ordinates, creating three intersecting lines, the destination. The Stargate uses the seventh symbol as the point of origin allowing one to plot a straight line course to the destination.
Eight-symbol addresses are introduced in "The Fifth Race", opening up new plot lines by connecting Stargates to different galaxies. The additional symbol acts as a type of "area code". Such connections, in comparison to seven symbol codes, require substantially more energy to complete a functional wormhole – much more than any standard dialing method can provide. In the first instance, opening an intergalactic wormhole is shown to exceed the total power generation capacity of the SGC at the time. O'Neill fashioned an additional power source using spare parts and the liquid naquadah power core of a staff weapon. A fully charged Zero Point Module (ZPM) can provide enough power for regular travel between galaxies. The 8th chevron is a key element in the Stargate Atlantis series, allowing travel to the Pegasus Galaxy.
Stargate Universe introduces the concept of a nine-symbol address, the purpose of the ninth chevron never having been explored in the previous series. The nine-symbol addresses act as codes to dial specific Stargates, with the only two known nine-symbol addresses used to dial from the Milky Way galaxy to Destiny, a massive Ancient vessel that was part of a project to explore the universe, with the project being abandoned when they started researching into ascension among other things, and from Destiny to Earth. Like eight-symbol addresses, the dialing of this address requires a significant amount of power, such that the scientists on Icarus Base had to tap into the planet's naqahdriah core.
There are a handful of methods used in the shows to dial a Stargate, and the most common is with the use of a Dial-Home Device. Almost always referred to as the "DHD" for short, it is depicted as a pedestal-shaped device with a round inclined control panel on top, consisting of two concentric circles of "keys" and a translucent red (Milky Way) or blue (Pegasus) hemisphere in the center; the keys represent the symbols on the rim of the Stargate. By pressing these keys a traveler builds an address. The central hemisphere serves as an "Enter" key to activate the Stargate once a destination has been dialed. Each DHD only has 38 keys, 19 on each ring. According to Dr. Zelenka, dialing an address leaves a small imprint on the control crystals of the DHD, and about fifty addresses can be recovered from a DHD using the proper equipment. However, this gives no indication of the order in which the addresses were dialed, and no guarantee can be made as to the accuracy of the recovered addresses.
The Atlantis DHD is more similar to the Earth's dialing computer than an actual DHD, and looks more like a set of crystal panels. It can block out certain gate addresses. The Atlantis DHD also has an extra control-crystal allowing the dialing of an eighth chevron during the dialing sequence and is the only DHD in the Pegasus Galaxy capable of dialing Earth. A similar DHD is also used on Puddle Jumpers, where the set of used glyphs corresponds to the galaxy of the Puddle Jumper. The Wraith also travel through Stargates in small spacecraft called darts and have some means of remote-dialing them in a manner similar to Ancient ships.
The show makes it clear that every Stargate originally had its own DHD, located directly in front of the gate and facing it. Over time, however, some DHDs have been damaged or lost. This has been the source of plot difficulties for the protagonists on several occasions, as it is still possible to travel to a Stargate that lacks a DHD, meaning that dialing home again will be much more difficult, if not impossible. One of the primary functions of the MALP that precedes an SG team is to confirm the presence of a DHD. In the absence of a DHD, a user must select the address by manually rotating the inner ring of the Stargate, and use an external power source, as the ring will not rotate unless it is energised. Pegasus Galaxy Stargates do not have a movable ring, so manually dialing these is impossible. Travelers can also emulate a DHD through a Dialing computer as present at Stargate Command. Remote dialers have been used by several races like the Goa'uld and Asgard in various episodes. As the Stargates in Stargate Universe are a different (less advanced model) the crew of the Destiny are forced to use such a device as no planet visited so far has any variation of DHD present.
Once an address is dialed, the gate is said to have created a "stable wormhole" between itself and the gate dialed. The creation process is depicted with great consistency, and hence has become one of the defining motifs of Stargate, at times being central in both the SG-1 and Atlantis title sequences. It involves the generation of the "puddle of water" portal which lasts roughly 2 seconds, and is completed by the ejection of an unstable energy vortex resembling a surge of water or quicksilver. The vortex is portrayed as a symbol of the stargate's power, invariably causing characters to become affected by awe. Any matter which comes into contact with the vortex is annihilated on a molecular level, as is dramatically demonstrated by a pair of smoking shoes in the episode "Prisoners". In season 9's "Crusade", the unstable vortex was onomatopoeidiacally referred to by Col. Carter as the "Kawoosh", emulating the sound of the initial vortex. This aspect has been used in some cases to dispose of highly hazardous materials. The vortex is also used on one occasion to dispose of a body in a formal funeral service - the body was placed on a pyre in front of the gate, which was then activated.
The actual portal of a Stargate appears inside the inner ring when an address is correctly dialed. This has the appearance of a vertical puddle of water which represents the "event horizon" in the show. In non-fictional parlance, an event horizon is the perimeter around a black hole or wormhole beyond which the gravitational pull of the singularity would be too strong to overcome. The wavering undulations characteristic of water are supposed to represent the "fluctuations in the event horizon". This puddle may then be entered (usually accompanied by a watery squishing sound), and the traveler will emerge from a similar pool at the destination stargate.
The show makes it clear that transit is strictly one-way; an attempt to travel "backwards" causes the traveler to be destroyed. Although in the first episode the Goa'uld who come through at the beginning of the first episode appear to walk back through the event horizon after taking a hostage, in actuality, they dialed out again using a hand-held device (the whooshing sound is audible in the background). As matter is only transmitted through a stargate once the whole object has passed the event horizon, a person or object could be retrieved from the event horizon before entering completely, as the stargate would automatically reintegrate the traveler.
Passage through a Stargate's wormhole is depicted as a visual effect of shooting through a tunnel in space, although this is just a visual aid as travelers are not conscious during the trip. The average travel time between Stargates is 3.2 seconds. In the movie and early SG-1 episodes, travelers exit from the Stargate "frozen stiff" and at high speed (often being knocked from their feet), feeling as though they have been on a "roller coaster ride". The character Major Charles Kawalsky describes Stargate travel as worse than pulling "out of a simulated bombing run in an F-16 at eight-plus g". In later episodes the experience is no different from stepping through a door, explained as a result of refinements made to the dialing computer at the SGC.
Under normal circumstances, a wormhole can only be maintained for slightly more than 38 minutes. Extending the wormhole duration beyond that requires tremendous amounts of power, such as that provided by a nearby black hole.>
While the "kawoosh" effect in the movie was created by filming the actual swirl of water in a glass tube, and looked like a vortex on the back of the Gate, on the TV series, this effect was completely created in CG by the Canadian visual effects company Rainmaker. At the beginning of Season 9, the original movie wormhole sequence was substituted by a new sequence similar to the one already used on Stargate Atlantis, but being blue as it was in the movie and SG-1, whereas in Atlantis it is green. Stargate Universe uses a lighter shade of blue.
Throughout the run of the television franchise, it cost $5,000 to show a person stepping through the event horizon, using visual effects.
- Orlin's Stargate In the Stargate SG-1 episode "Ascension", the outcast Ancient, Orlin, builds a miniature Stargate in Samantha Carter's basement. Its stated components included 100 pounds of pure raw titanium, 200 feet (61 m) of fiber optic cable, seven 100,000 watt industrial strength capacitors, and a toaster. This gate was hooked up to the main power supply of the house and only connected once, to Velona, before burning out.
- Tollan Stargate In "Pretense", the advanced Tollan civilization is shown to have a new Stargate, built with the assistance of the Nox. Jack O'Neill sarcastically mocks the Tollan gate, saying "Ours is bigger". The Tollan Stargate is destroyed by the Goa'uld in "Between Two Fires".
- Ori "Supergate" (main article) In the ninth season of Stargate SG-1, the Ori were introduced as the new main enemy for the show. The Ori employ extremely large Stargates to move their fleet of warships from their home galaxy to the Milky Way. Dubbed "Supergates", these devices are composed of 90 individual segments and are powered by a quantum singularity.
- McKay-Carter Intergalactic Gate Bridge (main article) Introduced in season 3 of Stargate Atlantis, the Gate Bridge is a chain of Stargates placed between the Milky Way and the Pegasus galaxies, allowing movement between Atlantis and Earth without the need for a ZPM or the Daedalus. Halfway along the Bridge is Midway Station, where travelers switch from one galaxy's gate system to the other. The Bridge is hijacked by the Wraith in the episode "Midway", and the Midway Station is destroyed as a result of Wraith tampering in the control systems. As a result of the destruction of the Midway Station, the gate bridge has since become inoperative.
- Asuran satellite weapon (main article) In the Stargate Atlantis season 3 finale, "First Strike", the Asurans send a satellite weapon to attack Atlantis in response to the Apollo's bombing of their homeworld. The weapon consists of an eight-chevron Stargate, hyperdrive, shield, and a navigation system. Once it reaches its target, the Stargate activates and the Asurans fire an energy beam through.
- The Stargate Atlantis series finale demonstrates the wormhole drive, essentially taking the Stargate concept and applying it to an interstellar vessel. The drive allows Atlantis to move from the edge of the Milky Way galaxy to Earth in moments, similar to a Stargate, but uses a tremendous amount of power. It also requires precise calculation to successfully arrive at the target destination without destroying the ship.
Making of the props
Two full Stargate props were originally built for the SG-1 pilot "Children of the Gods", the second of which was reconstructed from the prop used in the film. They are made of steel and fiberglass, and are 22 feet (6.7 m) in diameter. The second prop is less detailed, and is used for exterior scenes; in the pilot it was used solely on the planet Chulak. The primary one is fully automated and capable of rotating and emitting light. This is achieved by the use of a specially designed 22-foot (6.7 m) circular gear, which turns the inner ring on a precise pinion drive wheel, using an eight horsepower electric motor. The top seven chevrons emit laser pulses which are read by a sensor fed into a computer responsible for the gate's movement, which is consequently able to start and stop the rotation very quickly. This main prop is kept almost immovably at the permanent set of the SGC, at Bridge Studios, Vancouver.
There are further Stargate props which are no more than two-dimensional or semi-three-dimensional (jar-lid shaped) Stargates, being more lightweight and easier to erect on location. These are always filmed front-on to preserve the illusion. If a shot involves the iris, this is added in post-production, as the mechanics of it opening and closing would be very difficult to build. However, when a Stargate is filmed with just a closed iris (i.e. without it moving), a tangible prop is inserted into place.
The visual effects for Stargate SG-1 and Stargate Atlantis are predominantly produced by Rainmaker Digital Effects, a notable visual-effects studio. However, some effects, including the entire Ori battle sequence in the episode "Camelot", were done "in-house". The unstable vortex effect, both in the film and the early seasons of the series, on account of being "difficult to achieve" was generated only once and recorded from various angles; this recording was the same used for all gate opening shots early in the series. Rather than being a jet of water, it is actually the image of high-pressure air being blasted into a tank of water. The effect was achieved by mounting a jet airplane engine two feet above a water tank, and using its 180 mph (290 km/h) windstream to create the sufficient water displacement. In post production, the surrounding water was removed with computer editing, and the image of the air-jet pasted into the center of the opening stargate. This technique was only used for earlier episodes, and the effect was replicated digitally soon after to allow more flexibility in shots.
To cut down on costs, the opening of a Stargate is often just implied rather than shown, by a costless sound-effect followed by distinct lighting effects characteristic of light shining through water (as the event horizon is depicted). The DVD commentary for Stargate SG-1 explains that these effects are produced by reflecting light off large sheets of vibrating Mylar.
The Stargate itself is nearly always filmed against a blue or green backdrop, not only making it easier to paste the vortex imagery onto the scene, but also facilitating the superimposition of the "event horizon ripple effect", which is entirely computer-generated. However, if a shot only involves an open wormhole without anyone stepping through it, the crew may choose to use a "practical puddle," which is simply a back lit screen placed in the gate displaying a video of the wormhole effect. This only works, however, on a darker set, as otherwise the projection will get washed out. On occasion, the Stargate itself is also completely swapped out for a computer generated model, usually in cases where it is being moved, or is depicted in space. Series producer Robert C. Cooper explained that it often costs a lot to erect a Stargate on location, and so in some cases offworld gates are also entirely a visual effect.
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seven symbols chosen from a pool of 38 non-repeating candidates, that's about 63 billion possible combinations.
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