The Spiders from Mars
|The Spiders from Mars|
|Genres||Rock, glam rock, hard rock|
|Years active||1970–1973, 1975–1976|
|Labels||Castle Music Ltd.|
|Associated acts||David Bowie|
|Past members||Mick Ronson|
The group had its origins in Bowie's earlier backing outfit the Hype, which featured Ronson and Woodmansey, but Tony Visconti on bass. They were briefly signed as a band on its own, known as Ronno. With Bolder taking over bass, they were subsequently named via the landmark 1972 Bowie concept album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and were billed as such on the accompanying large-scale Ziggy Stardust Tour. They were present again on Bowie's 1973 album Aladdin Sane. Another leg of the tour followed that year, with the final show captured in the film Ziggy Stardust and the Spiders from Mars.
The group joined Bowie's stage persona, Ziggy Stardust (character) in the theatrical style of the material's presentation. Ronson's guitar and arranging during the Spiders from Mars era not only fit into this style, but also provided much of the underpinning for later punk rock musicians.
In 1975 Bolder and Woodmansey reformed the band without Ronson, and were joined in this lineup by Mike Garson, Dave Black, and Pete McDonald. Their self-titled album, released in 1976, was their only album before the group disbanded.
The name came from the famous UFO sighting where a stadium crowd thought they had witnessed Martian spacecraft which turned out to be migrating spiders and not from the Martian areographic features often labelled as 'spiders' and 'baby spiders.'
- Buckley, David (2005). Strange Fascination: David Bowie, the Definitive Story. London: Virgin. ISBN 9780753510025.
- Carr, Roy; Murray, Charles Sharr (1981). Bowie: An Illustrated Record. New York: Avon. ISBN 9780380779666.
- A to X of Alternative Music - Google Books. 29 August 2006. Retrieved 4 July 2011.
- Sandford, Christopher (1997). Bowie: Loving the Alien. New York: Time Warner. ISBN 9780306808548.
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