Major Tom

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Major Tom
First appearance Space Oddity
Created by David Bowie
Information
Occupation Astronaut
Title Major

Major Tom is a fictional astronaut referenced in David Bowie's songs "Space Oddity", "Ashes to Ashes", "Hallo Spaceboy" (particularly in the remix by the Pet Shop Boys) and possibly "Blackstar" (in the music video and interpreted from the lyrics). Bowie's own interpretation of the character evolved throughout his career. "Space Oddity" (1969) depicts an astronaut who casually slips the bonds of the world to journey beyond the stars. In the song "Ashes to Ashes" (1980), Bowie reinterprets Major Tom as an oblique autobiographical symbol for himself. Major Tom is described as a "junkie, strung out in heavens high, hitting an all-time low". This lyric was interpreted as a play on the title of Bowie's album Low (1977), which charted his withdrawal following his drug abuse in the United States. Additionally, the choked and self-recriminating tone used in the lyrics "Time and again I tell myself I'll stay clean tonight." reinforces an autobiographical and retrospective interpretation. A short time later, there is another reversal of Major Tom's original withdrawal, turning 'outwards' or towards space.[1]

German singer Peter Schilling retold and continued the story of Major Tom in his late 1982 release "Major Tom (völlig losgelöst)", which reached number one in Germany and Austria in early 1983. The English-language version, "Major Tom (Coming Home)", peaked at number 14 in the States in late 1983. Other artists who have subsequently made substantial contributions to the Major Tom story include K.I.A. ("Mrs. Major Tom"). Due to some similarities in Elton John's "Rocket Man", there is a possible connection between the Rocket Man and Major Tom, a connection notably made by Bowie himself, who while singing "Space Oddity" in concert would sometimes call out, "Oh, Rocket Man!"[2]

Major Tom in Bowie's work[edit]

In "Space Oddity", from the album David Bowie (1969, later retitled Space Oddity), Major Tom's departure from Earth is successful and everything goes according to plan. At a certain point during the travel ('past one hundred thousand miles'), he thinks that "my spaceship knows which way to go" and proceeds to say "Tell my wife I love her very much." Control then informs him, "Ground Control to Major Tom: your circuit's dead, there's something wrong" and attempts to reestablish contact with Major Tom. Tom's final words in the song (possibly not heard by Ground Control) are: "Here... am I floating by my tin can, far above the moon. Planet Earth is blue and there's nothing I can do."

In the promotional film from 1969, David Bowie plays as Major Tom, Ground Control (GC), and the Countdown Announcer. When the lyrics "And the stars look very different today" are said, two lovely women appear, portraying either angels or aliens, or perhaps both. The moment "Though I'm past one hundred thousand miles, I'm feeling very still" are said, the two women can be seen removing Major Tom's helmet and spacesuit. Later a still fully outfitted Major Tom can be seen spinning around in space, with a panicked Ground Control attempting to contact him; the spinning Major Tom is either the reality of the situation, or Ground Control's imagination. The music video ends with Major Tom sitting in his tin can, far above the Moon, with the two women by his side in a ménage à trois style.[3]

Bowie created a sequel entitled "Ashes to Ashes" (1980). The song was a Number 1 hit single and also appeared on his Number 1 LP Scary Monsters (And Super Creeps). The song doesn't actually say much about Major Tom, except to call him a "junkie" (slang for a person with a heroin addiction or other compulsive habit). The context of the lyrics seems to indicate that the song is mainly about Bowie's own soul searching, rather than a literal continuation of the Major Tom story. There is an inclusion of saying "strung out in heavens high, hitting an all time low" referring to him getting high on heroin, while his life is low.

Alternatively, the song can be interpreted to provide detailed information on Tom's story. The song refers an event happening much later, after Space Oddity. Ground control receives a message from the "Action Man", referring to Tom, and he says "I've loved all I've needed to love. Sordid details following...".[4] He talks about how the shrieking of nothing is killing him, and all he has are his pictures of women to keep him company, he has no money and has no hair. He wants to kick the habit but the planet is "glowing"; essentially he can't quit whatever he is being influenced by (and killing him) because the feeling is too pleasurable and addictive. The exact source of the influence is not defined. The later verses seem to reflect more on Bowie's literal battle with addiction, specifically about wanting to stay clean but being stuck with a "valuable friend". The song again refers directly to Tom towards the end, where he has become more of a legend, but not for his heroics. He has become a nursery rhyme in the minds of the public, with mothers warning against drug use telling their children if they want "to get things done, you'd better not mess with Major Tom." [4]

Bowie released a song entitled "Hallo Spaceboy" on his album Outside (1995). While this song itself does not directly reference Major Tom, references to Major Tom do appear in the remixed version that Bowie released with the Pet Shop Boys in 1996. The 1996 remix contains lyrics from "Space Oddity" that are sung by Pet Shop Boys vocalist Neil Tennant.

Although never mentioned in the song, an astronaut, possibly Major Tom, does make an appearance in the music video for the song Slow Burn off his album Heathen (released in 2002).

In the music video of Bowie's 2015 song "Blackstar" (on the album of the same name, released in 2016 two days prior to the artist's death), a dead astronaut is depicted. His skull is retrieved by an alien female who takes it back to what could be considered a cult which subsequently worships the relic. This astronaut has been speculated to be a depiction of Major Tom's final fate,[5][6][7] although video director Johan Renck would not confirm this.[8]

Appearances in songs by other artists[edit]

In Peter Schilling's song "Major Tom (Coming Home)" (1983) Tom sends a final message, "Give my wife my love...", after which transmission ceases. People on Earth mourn Tom, not realising that he is still alive. He then declares "Now the light commands / This is my home / I'm coming home", possibly referring to the afterlife. The associated music video shows an object falling back through the atmosphere, presumably either Major Tom or his ship. In this song the word "light" in "now the light commands" is often heard or transcribed as "life" but the liner notes of the LP Error in the System (and the original German) confirm the word "light." The German-language version "Völlig losgelöst" is contained in Schilling's German LP Fehler im System (1983). Both albums also contain a different song without lyrics entitled "Major Tom, Part II". Schilling's song was recorded in French by Plastic Bertrand in 1983, but with slightly altered lyrics, in which Major Tom prefers to stay away from Earth and its selfishness and danger of nuclear war.

At the Drive-In's song "Cosmonaut" (2000) was sometimes introduced at live shows by a recorded "final message" from Major Tom before he dies in space. The message does not appear in the recorded version of "Cosmonaut", which itself has no apparent connection to Major Tom.

K.I.A. created a song entitled "Mrs. Major Tom" (2002) on his Adieu Shinjuku Zulu album, where the song is sung by Larissa Gomes. Here the story is told from the perspective of Major Tom's wife left at home. The song was also sung (solo) by Sheryl Crow in a new arrangement on William Shatner's album Seeking Major Tom (2011).

The Tea Party created a song entitled "Empty Glass" on its album Seven Circles (2004). The song is written from the perspective of an unnamed person who is questioning Major Tom intensely about the purpose of life. The song also references Ground Control and the Bowie phrases "star man" and "diamond dogs".

The New Zealand comedic folk duo Flight of the Conchords allude to the character in their tribute song "Bowie" (2008) where they place Bowie himself in space, and give him the rank of Lieutenant.

In 2011, Jimmy Fallon appeared on the Piers Morgan Tonight television program, playing the guitar and singing a broad parody of "Space Oddity" along the lines of: "This is Tim Tebow to Jesus Christ", using a Bowie-esque vocal style. He also performed the song on his late night talk show Late Night with Jimmy Fallon in the character of an amalgamation of Tim Tebow and David Bowie called "T-Bowie".

Major Tom also has had and continues to have passing references in other popular songs, such as: Five Star's "Rain or Shine" (1986), Def Leppard's "Rocket" (1987), Marilyn Manson's "Apple of Sodom" (1997), Lorraine Bowen's "Space" (2002), The Mars Volta's live rendition of the song "Cicatriz" (2005) featuring a lengthy jam, which would evolve into the song "Cassandra Gemini", Cold's "Happens All The Time" (also 2005), Alphabeat's "Fantastic 6" (2007), Shiny Toy Guns' "Major Tom" (2009), a remake of Peter Schilling's 1983 song of the same name, The Cab's "Angel with a Shotgun" (2011) and Lana Del Rey's "Terrence Loves You" (2015) which is interpreted by many fans to be a homage to Bowie and his brother Terrence. In 2013, William Shatner published a CD entitled "Seeking Major Tom", where he resumed the story of Bowie's character.

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