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Poster for Blitz Wolf
|Directed by||Tex Avery|
|Produced by||Fred Quimby (uncredited)|
|Story by||Rich Hogan|
|Voices by||Bill Thompson (Adolf Wolf, uncredited)
Pinto Colvig (pigs, uncredited)
Frank Graham (narrator, uncredited)
|Music by||Scott Bradley|
|Animation by||Ray Abrams
Al Grandmain (uncredited)
|Distributed by||Loew's Inc.|
|Running time||10 minutes|
Blitz Wolf is an early anti-German World War II Hitler-parodying cartoon produced in 1942 by Metro-Goldwyn-Mayer and distributed by Loew's. It was directed by Tex Avery and produced by Fred Quimby. It was nominated for the Academy Award for Best Short Subject: Cartoons but lost to another anti-German World War II parody Der Fuhrer's Face, a Donald Duck cartoon.
The plot is a parody of the Three Little Pigs, told from a Second World War anti-German propaganda perspective. In this cartoon, the pigs go to war against Adolf Wolf (Adolf Hitler), who is set on invading their country, Pigmania. The two pigs who built their houses of straw and sticks claim they don't have to take precautions against the wolf, because they signed non-aggression pacts with him. The pig who built his house of stone, "Sergeant Pork" (an homage to Sergeant York), does take his precautions and outfits his house with defense machinery.
Adolf Wolf invades Pigmania, despite the two pigs protesting that he signed a treaty with them. He destroys their houses, whereupon the pigs flee to the third pig's house. Then the Wolf and pigs start fighting. Towards the end of the cartoon, Adolf Wolf is blown out of his bomber plane by the pigs' artillery shells filled with Defense bonds and falls down to Earth, together with a bomb which blows him to Hell. There he realizes he is dead and says: "Where am I? Have I been blown to... ?", whereupon a group of devils adds: "Ehhhh, it's a possibility!", in reference to a then well-known catchphrase by Jerry Colonna.
- This is Tex Avery's first cartoon at MGM, and also the first film at MGM for animators Preston Blair and Ed Love (Love had arrived at MGM with Kenneth Muse just after the 1941 Disney animators' strike).
- The MGM lion, Tanner, roars to the tune of "Hold That Tiger".
- Adolf Wolf, the antagonist of the cartoon, would serve as inspiration for Tex Avery's unnamed wolf, who would appear in other cartoons such as Red Hot Riding Hood and Northwest Hounded Police.
- Tex Avery would once again parody the story of the Three Little Pigs in "One Ham's Family" and "The Three Little Pups".
- This short was widely available, uncut, on the MGM/UA video label's VHS release, Tex Avery's Screwball Classics, Vol. 4 and on the MGM/UA laserdisc collection The Complete Tex Avery. A fully restored and uncut version is available on Academy Awards Animation Collection DVD set by Warner Home Video, and as a bonus feature (presented in HD) on Disc 3 of the Looney Tunes Platinum Collection: Volume 2.
- There is a reference to the Doolittle Raid on Tokyo (when the bomb lands and destroys Tokyo, there is a sign "Doolittle Dood It!" coming out from the water).
- Pinto Colvig provides the voice of "Practical Pig", as he did in Disney's Three Little Pigs.
- Adolf Wolf's voice was provided by Bill Thompson, who would later voice Droopy, who starred in his own adaptation of the story called The Three Little Pups.
- In the beginning, the two little pigs mockingly sing to Sergeant Pork: You're in the Army Now,/ You're Not Behind the Plow,/ You're Diggin' a Ditch,/ [pause and motion freeze],/ You're in the Army Now! The pause was inserted to replace the line "You Son of a Bitch", which would be inappropriate for a film at the time. This is much similar to a gag in the Warner Bros. cartoon The Draft Horse.
- Most of the scenery doesn't resemble World War II at all. The trenches resemble World War I.
- As the tanks arrive, one small tank has the line "Good Humor" written on its side and makes the sound of an ice cream truck. This is similar to a joke later used in Bugs Bunny Nips the Nips.
- A lone flame tank not spewing fire holds up a sign with the line 'I Don't Want to Set the World on Fire.'
- When the straw house is blown away, a sign says 'Gone with the Wind', referring to the 1939 film (with another smaller sign agreeing that this is a corny gag).
- At one point, Sgt. Pork distracts incoming shellfire by holding up a copy of Esquire magazine's (unseen-by-the-audience) Petty Girl pin-up artwork by George Petty.
Out of 15 cartoon shorts released by the Metro-Goldwyn-Mayer cartoon studio in 1942, this was the only one to have World War II as its subject matter. Besides targeting Adolf Hitler, the short includes references to Anti-Japanese sentiment in the United States.
There is a mixed message regarding the characters. The Wolf is a sociopath with enough panache to keep the audience interested in him. Conversely, Sergeant Pork is a humorless, stoic character who fails to stand out.
The MGM pressbook termed the short as pro-democracy propaganda. The two lazy pig brothers reject preparation for defense because of their non-aggression pact, an allusion to the Molotov–Ribbentrop Pact. Their brother Sgt. Pork is named after Sgt. Alvin C. York, a World War I hero who inspired the film Sergeant York (1941). He represents the attitude of preparing for war.
The Wolf violates a non-aggression pact to blow down the pigs' homes. The two lazy pigs become fugitives of war and seek asylum in their brother's fortified home. Said home demonstrates a sign: "No Japs allowed". The three pigs use a huge cannon to bomb Tokyo. The city is destroyed with the image of the Rising Sun Flag collapsing in the background.
During the showdown, the Wolf fires an artillery shell against the fortified house. Sgt. Pork in his trench reaches down for his copy of the Esquire magazine. The pig opens the magazine and shows the centerfold to the shell. The shell stops in midflight and whistles in appreciation. It then retreats and returns with ten other shells. This group of friends are fascinated by the image presented to them. They make catcall sounds and then fall down de-activated. The pinup here is used as more than a talisman for boosting morale. It exploits the male vulnerability of the enemy through eliciting erotic arousal. The shells stand-in for their human operators.
In another scene where a weapon stands-in for military personnel, Pork's cannon collapses exhausted. Its owner revives it through feeding it B-1 vitamins. (B1 helps the body generate energy.) The cannon stands erect again, a phallic image, and begins blasting away all on its own. The label may reference the number system of military hardware like the Boeing B-17 Flying Fortress.
The Wolf utilizes a "Stinka Bomber PU". This is a parody of the German Stuka, a dive bomber used by the Luftwaffe. The shells that down the aircraft are filled with defense bonds. The cartoon concludes with two printed titles: "The end of Adolf" and "If you'll Buy a Stamp or Bond- We'll Skin that Skunk Across the Pond!"
According to Chuck Jones, Tex Avery was criticized by an MGM producer for being overly rough in his depiction of Hitler. The producer reminded Avery that the victor of the war was yet to be determined.
This cartoon has rarely been shown in the United States since World War II years. However, it has been shown on CNN, TNT and Cartoon Network with the word "Japs" airbrushed out from the No Japs Allowed sign, and the scene involving a missile hitting Tokyo cut.
- Kakoudaki, Despina (2004), "Pinup:The American Secret Weapon in World War II", in Williams, Linda, Porn Studies, Duke University Press, ISBN 978-0822333128
- Shull, Michael S.; Wilt, David E. (2004), "All Out for Victory:1942", Doing Their Bit: Wartime American Animated Short Films, 1939-1945, McFarland & Company, ISBN 978-0786481699
- Shull, Michael S.; Wilt, David E. (2004), "Filmography 1942", Doing Their Bit: Wartime American Animated Short Films, 1939-1945, McFarland & Company, ISBN 978-0786481699
- Thompson, Mark; Phelps, Brian (2005), "Interview with Chuck Jones", in Furniss, Maureen, Chuck Jones: Conversations, University Press of Mississippi, ISBN 978-1578067299
- Shull, Wilt (2004), p. 113-114
- Shull, Wilt (2004), p. 52-54
- Kakoudaki (2004), p. 339-341
- Thompson, Phelps (2005), p. 174