Transcendence (2014 film)
Theatrical release poster
|Directed by||Wally Pfister|
|Written by||Jack Paglen|
|Music by||Mychael Danna|
|Edited by||David Rosenbloom|
|Box office||$103 million|
Transcendence is a 2014 science fiction film directed by cinematographer Wally Pfister in his directorial debut, and written by Jack Paglen. The English-language co-production stars Johnny Depp, Rebecca Hall, Paul Bettany, Kate Mara, Cillian Murphy, Cole Hauser and Morgan Freeman. Pfister's usual collaborator, Christopher Nolan, served as executive producer on the project.
At one time, Paglen's screenplay was part of what is known as the Black List, a list of popular but unproduced screenplays in Hollywood. Transcendence was a disappointment at the box office, grossing only slightly more than its $100 million budget. The film received mainly negative reviews; it was criticized for its plot structure, characters and dialogue.
Dr. Will Caster is a scientist who researches the nature of death and sentience, including artificial intelligence. He and his team work to create a sentient computer; he predicts that such a computer will create a technological singularity, or in his words "Transcendence". His wife Evelyn is also a scientist, and helps him with his work.
During one of Will's presentations, a member of the anti-technology terrorist group "Revolutionary Independence From Technology" (R.I.F.T.) shoots Will with a polonium-laced bullet and carries out a series of synchronized attacks on AI laboratories across the country. Will is given no more than a month to live. In desperation, Evelyn comes up with a plan to upload Will's consciousness into the quantum computer that the project has developed. His best friend and fellow researcher Max Waters questions the wisdom of this choice, reasoning that the "uploaded" Will would only be an imitation of the real person. Will's consciousness survives his body's death in this technological form and requests to be connected to the Internet to grow in capability and knowledge. Max refuses to have any part of the experiment. Evelyn demands that Max leave and connects the computer intelligence to the Internet via satellite.
R.I.F.T.'s leader Bree kidnaps Max and eventually persuades him to join the group. The government is also suspicious of what Will's uploaded consciousness will do and plans to use the terrorists to take the blame for the government's actions to stop him.
In his virtual form, and with Evelyn's help, Will uses his new-found vast intelligence to build a technological utopia in a remote desert town called Brightwood, where he spearheads the development of groundbreaking new technologies in the fields of medicine, energy, biology and nanotechnology. However, Evelyn grows fearful of Will's motives when he displays the ability to remotely connect to and control people's minds after they have been subjected to his nano-particles.
FBI agent Donald Buchanan, with the help of government scientist Joseph Tagger, plans to stop the sentient entity from spreading. As Will has already spread his influence to all the networked computer technology in the world, Max and R.I.F.T. develop a computer virus with the purpose of deleting Will's source code, killing him. Evelyn plans to upload the virus by infecting herself, then having Will upload her consciousness. An unfortunate side effect of the virus would be the destruction of technological civilization. This would also disable the nano-particles, which have spread through the wind and have already started to eradicate pollution, disease, and human mortality.
When Evelyn goes back to the research center, she is stunned to see Will in a newly created organic body identical to his old one. Will welcomes her but is instantly aware that she is carrying the virus and intends to destroy him. The FBI and the members of R.I.F.T. attack the base with artillery, destroying much of the power supply and fatally wounding Evelyn. When Bree threatens to kill Max unless Will uploads the virus, Will explains that he only has enough power to either heal Evelyn's physical body or upload the virus. Evelyn tells Will that Max should not die because of what they've done, so Will uploads the virus to save Max. As Will dies, he explains to Evelyn that he did what he did for her, as she had pursued science to repair the damage humans had done to the ecosystems. The virus kills both Will and Evelyn, and a global technology collapse and blackout ensues.
Five years later, in Will and Evelyn's garden outside their old home in Berkeley, Max notices that their sunflowers are the only blooming plants within it. Upon closer examination, he notices that a drop of water falling from a sunflower petal instantly cleanses a puddle of oil — and realizes that the Faraday cage around the garden has protected a sample of Will's sentient nano-particles.
- Johnny Depp as Dr. Will Caster, a scientist researching artificial intelligence.
- Rebecca Hall as Evelyn Caster, Will's wife and a fellow scientist.
- Paul Bettany as Max Waters, Will's best friend.
- Kate Mara as Bree, the leader of Revolutionary Independence From Technology (R.I.F.T.)
- Cillian Murphy as Donald Buchanan, an FBI agent.
- Cole Hauser as Colonel Stevens, a military officer.
- Morgan Freeman as Joseph Tagger, an FBI agent and old friend of Evelyn.
- Clifton Collins, Jr. as Martin
- Cory Hardrict as Joel Edmund, a member of the R.I.F.T. Unit.
- Josh Stewart as Paul
- Falk Hentschel as Bob, a member of the R.I.F.T.
Transcendence is Wally Pfister's directorial debut. Jack Paglen wrote the initial screenplay for Pfister to direct,[nb 1] and producer Annie Marter pitched the film to Straight Up Films. The pitch was sold to Straight Up. By March 2012, Alcon Entertainment acquired the project. Alcon financed and produced the film; producers from Straight Up and Alcon joined together for the film. In the following June, director Christopher Nolan, for whom Pfister has worked as cinematographer, and Nolan's producing partner Emma Thomas joined the film as executive producers.
The Chinese company DMG Entertainment entered a partnership with Alcon Entertainment to finance and produce the film. While DMG contributed Chinese elements to Looper and Iron Man 3, it did not do so for Transcendence.
By October 2012, actor Johnny Depp entered negotiations to star in Transcendence. The Hollywood Reporter said Depp would have "a mammoth payday" with a salary of $20 million versus 15 percent of the film's gross. Pfister met with Noomi Rapace for the film's female lead role and also met with James McAvoy and Tobey Maguire for the other male lead role. The director offered a supporting role to Christoph Waltz. In March 2013, Rebecca Hall was cast as the female lead. By the following April, actors Paul Bettany, Kate Mara, and Morgan Freeman joined the main cast.
Continuing his advocacy for the use of film stock over digital cinematography, Pfister chose to shoot the film in the anamorphic format on 35 mm film. The film went through a traditional photochemical finish instead of a digital intermediate. In addition to film, a digital master was completed in 4K resolution, and the film was additionally released in IMAX film format. Transcendence was also scheduled for a 3D release in China. Filming officially began in June 2013, and took place over a period of 62 days. The majority of the movie was filmed in a variety of locations throughout Albuquerque, New Mexico.
The musical score for the film composed by Mychael Danna was released on April 15, through WaterTower Music. A CD format of the score was released through Amazon.com.
Transcendence was released in theaters on April 18, 2014. It was originally scheduled for April 25, 2014.
Warner Bros. distributed the film in the United States and Canada. Summit Entertainment (through Lionsgate) is distributing it in other territories, except for China, Italy, Hong Kong, Austria, United Kingdom, Australia, Ireland, New Zealand and Germany. DMG Entertainment, who collaborated with Alcon Entertainment to finance and develop Transcendence, distributed the film in China. The Chinese version includes a 3D and IMAX 3D release, funded by DMG, which is done in post-production.
Transcendence was released on Blu-ray and DVD on July 22, 2014.
Transcendence grossed a $23 million in North America and $80 million in other territories for a worldwide total of $103 million, just above its $100 million budget.
On the film's opening weekend, the film grossed $4,813,369 on Friday, $3,820,074 on Saturday and $2,252,943 in North America, for a weekend grossed of $10,886,386 playing in 3,455 theaters with an average of $3,151 and ranking #4. In CinemaScore polls conducted during the opening weekend, cinema audiences gave the film an average grade of "C+" on an A+ to F scale.
The biggest market in other territories being China, France and South Korea, where the film grossed $20.2 million, $6.45 million and $5.3 million respectively.
Warner Bros fronted the US marketing costs and Alcon backstopped their investment and covered Warner Bros loss, which partially contributed to the $30,000,000 loss that Alcon reported.
Publications such as The Guardian, Forbes and International Business Times considered the film to be largely a critical failure, with The Guardian stating that the reviews were "almost universally damning" and referring to the film as "one of 2014's bigger critical turkeys". Film critic Mark Kermode said that the film got a "critical kicking" in the UK, much as it did in the US. However, a number of sources considered the film to have received a mixed rather than a primarily negative reception.
Film review aggregator Rotten Tomatoes gives the film a rating of 19%, based on 193 reviews, with an average rating of 4.6/10. The site's critical consensus reads, "In his directorial debut, ace cinematographer Wally Pfister remains a distinctive visual stylist, but Transcendence 's thought-provoking themes exceed the movie's narrative grasp." On Metacritic, the film has a score of 42 out of 100, based on 45 critics, indicating "mixed or average reviews".
Criticism was aimed largely at the film's poor logic and storytelling. Michael Atkinson of Sight & Sound identified "vast plot holes and superhuman leaps of logic", writing that "for all its gloss, hipster pretensions, plot craters and sometimes risible attempts at action, Transcendence traffics in large, troublesome ideas about Right Now and What’s Ahead, even if the film itself is far too timid and compromised to do those hairy questions justice." William Thomas of Empire believed that the cast and director had been "wasted on a B-Movie script with pretensions of prescience", dismissing the film as a "banal sci-fi slog"; he awarded it a 2 out of 5 star "poor" rating. David Denby of The New Yorker considered the film to be "rhythmless, shapeless, and, with the exception of a few shots, cheesy-looking". Nigel Floyd of Film4 concluded that it was "an ambitious, old fashioned, ideas-driven science fiction film that is never as mind-expanding as its futuristic images and topical, dystopian ideas seem to promise".
Contrary to the many less than flattering reviews that the film received, Richard Roeper of the Chicago Sun-Times lauded the film and awarded it four stars, calling it a "bold, beautiful flight of futuristic speculation" and " a stunning piece of work". Kenneth Turan of The Los Angeles Times was also positive towards the film, praising the quality of the cast and intelligence of the script. Some sources like The Independent thought that the negative reviews reported for the film were harsh and that the film was "stylish and entertaining", treading a "fairly well-judged path between paranoia and technological utopianism". AI researcher Stuart Russell claims that despite particular technical aspects of the movie being "a non-starter", the basic premise of superhuman AI is quite possible, and that "AI researchers must, like nuclear physicists and genetic engineers before them, take seriously the possibility that their research might actually succeed and do their utmost to ensure that their work benefits rather than endangers their own species."
Despite the negative reviews, Transcendence was nominated for the following awards...
|Golden Trailer Awards||Most Original Trailer||Buddha Jones, Warner Bros.||Nominated||For the first theatrical trailer entitled "It's Me"|
|Best Motion/Title Graphics||Nominated|
|Won||For the second theatrical trailer entitled "Singularity"|
|Most Innovative Advertising for a Feature Film||Nominated||"Spraypaint"|
|Village Voice Film Poll Award||Worst Film||Won||Tied with Interstellar|
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