Madhubani (in present-day India)
Vidyapati Nagar in Samastipur district
|Resting place||Janakpur (in exile) |
Vidyapati's poetry was widely influential in centuries to come, in the Hindustani as well as Bengali, Maithili, Newari, less actively Nepali language and other Eastern literary traditions. The language at the time of Vidyapati, the prakrit-derived late abahatta, had just begun to transition into early versions of the Eastern languages Maithili, Nepali, Bengali, Oriya, etc. Thus, Vidyapati's influence on making these languages has been described as "analogous to that of Dante in Italy and Chaucer in England".
Vidyapati was born in the village Bisfi in Madhubani district of Mithila region of Bihar, India, and died in Samastipur. He was the son of shri Ganapati Thakur. The name Vidyapati is derived from two Sanskrit words, vidya ("knowledge") and pati ("master"), connoting thereby "a man of knowledge".
Vidyapati, mainly known for his love songs and prayers for Shiva,
- All My Inhibition
All my inhibition left me in a flash,
When he robbed me of my clothes,
But his body became my new dress.
Like a bee hovering on a lotus leaf
He was there in my night, on me!
Vidyapati also wrote on other topics including ethics, history, geography, and law. His works include:
- Puruṣa Parīkṣā deals with moral teachings.Recently Publications Division of Government of India has brought out the Hindi Translation of Purusha Pariksha by Akhilesh Jha. There are 25 stories in the book selected from 44 stories in the original work. Besides, there are scholarly introductions to both Vidyapati and Purusha Pariksha in the book.
- Likhanabali is about writing
- Bhu-Parikrama, literal meaning, around the world, is about local geography
- Vibhāgasāra is autobiographical in nature
- Dānavākyāvalī is about charity
About Muslim soldiers, he says: “Sometimes they ate only raw flesh. Their eyes were red with the intoxication of wine. They could run twenty yojanas within the span of half of a day. They used to pass the day with the (bare) loaf under their arm… (The soldier) takes into custody all the women of the enemy’s city… Wherever they happened to pass in that very place the ladies of the Raja’s house began to be sold in the market. They used to set fire to the villages. They turned out the women (from their homes) and killed the children. Loot was their (source of) income. They subsisted on that. Neither did they have pity for the weak nor did they fear the strong… They had nothing to do with righteousness… They never kept their promise… They were neither desirous of good name, not did they fear bad name…” At another place he says: “Somewhere a Musalman shows his rage and attacks (the Hindus)… It appears on seeing the Turks that they would swallow up the whole lot of Hindus.”
Vidyapati and Bengali literature
The influence of the lyrics of Vidyapati on the love of Radha and Krishna on the Bengali poets of the medieval period was so overwhelming that they largely imitated it. As a result, an artificial literary language, known as Brajabuli was developed in the sixteenth century. Brajabuli is basically Maithili (as prevalent during the medieval period) but its forms are modified to look like Bengali. The medieval Bengali poets, Gobindadas Kabiraj, Jnandas, Balaramdas and Narottamdas composed their padas (poems) in this language. Rabindranath Tagore composed his Bhanusingha Thakurer Padabali (1884) in a mix of Western Hindi (Braj Bhasha) and archaic Bengali and named the language Brajabuli as an imitation of Vidyapati (he initially promoted these lyrics as those of a newly discovered poet, Bhanusingha). Other 19th-century figures in the Bengal Renaissance like Bankim Chandra Chatterjee have also written in Brajabuli.
Tagore was much influenced by Vidyapati. He set the poet's Bhara Badara to his own tune.
Vidyapati and Odia literature
Vidyapati's influence reached Odisha through Bengal. The earliest composition in Brajabuli is ascribed to Ramananda Raya, the governor of Godavari province of the King of Odisha, Gajapati Prataprudra Dev. He was a disciple of Chaitanya Mahaprabhu. He recited his Brajabuli poems to Chaitanya Mahaprabhu, when he first met him on the bank of river Godavari at Rajahmundry, southern provincial capital of Kingdom of Odisha in 1511–12. Other notable Odia poets influenced by Vidyapati's poems were Champati Ray and king Pratap Malla Dev (1504–32).
In popular culture
- "The birth place of Vidyapati is Known to be Madhubani in Present day Bihar, India". Archived from the original on 23 December 2014.
- "Archaelogist revealed Janakpur in Nepal as site of Vidyapati's death place". Archived from the original on 23 December 2014.
- "Vidyapati second time exile in Nepal leaves back his death". Archived from the original on 31 January 2014.
- "Vidyapati spent his life in exile to Nepal". Archived from the original on 31 January 2014.
- Coomaraswamy 1915, p. v.
- Bisfi.in Website Archived 2 May 2014 at the Wayback Machine.
- Birth place of Vidyapati Archived 18 August 2015 at the Wayback Machine.
- Vidyapati Poetry, allpoetry.com
- Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
- Majumdar, Ramesh Chandra; Pusalker, A. D.; Majumdar, A. K., eds. (1960). The History and Culture of the Indian People. VI: The Delhi Sultanate. Bombay: Bharatiya Vidya Bhavan. p. 515.
During the sixteenth century, a form of an artificial literary language became established ... It was the Brajabulī dialect ... Brajabulī is practically the Maithilī speech as current in Mithilā, modified in its forms to look like Bengali.
- Chandra, Balakrishnan; Pali, Vijay Kumar. "100 Years of Bollywood - Vidyapati 1937". IndiaVideo.org. Invis Multimedia Pvt. Ltd. Archived from the original on 11 August 2014. Retrieved 23 July 2014.
- Coomaraswamy, Anand, ed. (1915), VIDYĀPATI: BANGĪYA PADĀBALI (PDF), London: The Old Bourne Press
- Archer, W. G., ed. (1963), Love Songs of Vidyapati; Tr. by Deben Bhattacharya, London: George Allen and Unwyn
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|Wikiquote has quotations related to: Vidyapati|
- 27 poems transl. Deben Bhattacharya, from Love Songs of Vidyapati, (UNESCO) 1963
- Songs of the love of Rādhā and Krishna, translated into English by Ananda Coomaraswamy and Arun Sen 1915
- Maharsi Sri Aurobindo on Vidyapati by Binod Bihari Verma
- Vidyāpati: Bangīya padābali; songs of the love of Rādhā and Krishna
- Purushapariksha Of Vidyapati With Hindi Tika by Chandrakanth Pathak 1927 text
- The Test Of A Man by Grierson, George Abraham 1935 text
- The Pooroos-Purikhya, or collection of moral tales translated into english by Rajah Krishun Bahadoor 1830 text
- DurgaBhakti Tarangini by Vidyapati
- Vidyapati Thakur Padyavali by Collected and Translated in Maithili by Nagendra Gupta
- Vidyapati Ka Amar Kavya by Gopala Charya ’parag’ 1965
- The Songs Of Vidyapati by Subhadra Jha 1955
- City of the Turks: Urban Encounters in Vidyāpati’s Kīrttilatā by Christopher Lawrence Diamond
- Kirtilata / by Baburam
- Kirtilata by Sahitya Sadan
- Mithilā in the age of Vidyāpati / by Radhakrishna Chaudhary