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Wish You Were Here (Pink Floyd album)

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Wish You Were Here is the ninth studio album by the English progressive rock group Pink Floyd, released in September 1975. It explores themes of absence, the music business and former band member Syd Barrett's mental decline. Inspired by material the band composed while performing across Europe, Wish You Were Here was recorded in numerous sessions at London's Abbey Road Studios. The premise of the album was based on a song written by the band called "Shine On You Crazy Diamond". "Shine On" was a tribute to Barrett, who, coincidentally, made an impromptu visit to the studio while it was being recorded. It was lead writer Roger Waters's idea to split the "Shine On" in two parts and use it to bookend the album around three new compositions, forming a new concept similar to their previous album, The Dark Side of the Moon.

As with that record, the band made use of studio effects and synthesizers for Wish You Were Here. Additionally, the band brought in guest singers to supply their vocals to some tracks, another feature from their previous album. These singers included Roy Harper, who provided the lead vocals on "Have a Cigar", and The Blackberries, who made guest background vocals on "Shine On". Wish You Were Here was released in September 1975. The album became an instant commercial success and record company EMI was unable to print enough copies to satisfy demand. Although it initially received mixed reviews, the album has since been acclaimed by critics and appears on Rolling Stone's list of "The 500 Greatest Albums of All Time". Band members Richard Wright and David Gilmour have each declared Wish You Were Here their favourite Pink Floyd album.

Background

During 1974 Pink Floyd sketched out three new compositions, "Raving and Drooling", "You Gotta Be Crazy" and "Shine On You Crazy Diamond".[nb 1][1] These songs were performed at a series of concerts in France and England, the band's first tour since 1973's The Dark Side of the Moon. As Pink Floyd had never employed a publicist and kept themselves distant from the press, their relationship with the media began to sour. Following the publication by NME of a negative critique of the band's new material, by Nick Kent (a devotee of Syd Barrett) and Pete Erskine, the band returned to the studio in the first week of 1975.[2]

Concept

Wish You Were Here is the second Pink Floyd album to use a conceptual theme written entirely by Waters. It reflects his feeling that the camaraderie that had served the band previously was, by then, largely absent.[3] The album begins with a long instrumental preamble and segues into the lyrics for "Shine On You Crazy Diamond", a tribute to former band member Syd Barrett—whose mental breakdown had forced him to leave the band several years before.[4] Barrett is fondly recalled with lines such as "Remember when you were young, you shone like the sun" and "You reached for the secret too soon, you cried for the moon".[5]

Wish You Were Here is also a critique of the music business. "Shine On" crosses seamlessly into "Welcome to the Machine", a song that begins with an opening door (described by Waters as a symbol of musical discovery and progress betrayed by a music industry more interested in greed and success) and ends with a party, the latter epitomising "the lack of contact and real feelings between people". Similarly, "Have a Cigar" scorns record industry "fatcats"; its lyrics contain well-used clichés such as "can hardly count", "they call it riding the gravy train" and "by the way, which one's Pink?"—a question asked of the band on at least one occasion.[6] "Wish You Were Here" contains lyrics which relate not only to Barrett's condition, but also to the dichotomy of Waters' character, as an idealist, and a domineering personality.[7] The album closes with a reprise of "Shine On" and further instrumental excursions.

Recording

A number of cars are parked in the asphalt car-park of a two-storey white building. The building appears once to have been detached, but a two-storey extension is apparent, on the right side of the building. The ground floor contains three large sash windows, each with a small metal railing around the sill. The first floor contains four shorter sash windows. The decorative stonework around the windows and main entrance has been painted grey. Two chimney stacks are visible on the roof, at opposite ends. The staircase entrance to the building is bordered by metal railings. To the left of the image, a much larger brick building can be seen in the distance.
Abbey Road Studios

Alan Parsons, EMI staff engineer for Pink Floyd's previous studio album, The Dark Side of the Moon, had declined the band's offer to continue working with them (Parsons became successful in his own right with The Alan Parsons Project).[8] The group had worked with engineer Brian Humphries on More, recorded at Pye Studios,[9] and again in 1974 when he replaced an inexperienced concert engineer hired at short notice.[10] He was, therefore, the natural choice to work on the band's new material, although as a stranger to EMI's Abbey Road set-up he encountered some early difficulties. On one occasion, Humphries inadvertently spoiled the backing tracks for "Shine On", a piece that Waters and Mason had spent many hours perfecting, with echo. The entire piece had to be re-recorded.[6][11][12]

Working from Studio Three,[13] the group found it difficult at first to devise any new material, especially as the success of The Dark Side of the Moon had left all four physically and emotionally drained. Richard Wright has since described these early sessions as "falling within a difficult period", and Roger Waters found them "torturous".[14] Drummer Nick Mason found the process of multi-track recording drawn out and tedious,[15] and David Gilmour was more interested in improving the band's existing material. He was also becoming increasingly frustrated with Mason, whose failing marriage had brought on a general malaise and sense of apathy, both of which interfered with his drumming.[14] Mason has since admitted that Nick Kent's criticisms in the NME may have had some influence however in keeping the band together.[16][17]

It was a very difficult period I have to say. All your childhood dreams had been sort of realised and we had the biggest selling records in the world and all the things you got into it for. The girls and the money and the fame and all that stuff it was all ... everything had sort of come our way and you had to reassess what you were in it for thereafter, and it was a pretty confusing and sort of empty time for a while ...

— David Gilmour, [12]

However, after several weeks Waters began to visualise another concept.[14] The three new compositions from 1974's tour were at least a starting point for a new album, and "Shine On You Crazy Diamond" seemed a reasonable choice as a centrepiece for the new work. Mostly an instrumental twenty-minute-plus piece similar to "Echoes", the opening four-note guitar phrase reminded Waters of the lingering ghost of former band-member Syd Barrett.[18] Gilmour had composed the phrase entirely by accident, but was encouraged by Waters' positive response.[19] Waters wanted to split "Shine On You Crazy Diamond", and sandwich two new songs between its two halves. Gilmour disagreed, but was outvoted three to one.[20] "Welcome to the Machine" and "Have a Cigar" were barely-veiled attacks on the music business, their lyrics working neatly with "Shine On" to provide an apt summary of the rise and fall of Barrett;[21] "Because I wanted to get as close as possible to what I felt ... that sort of indefinable, inevitable melancholy about the disappearance of Syd."[18] "Raving and Drooling" and "You Gotta Be Crazy" had no place in the new concept, and were set aside until the following album, 1977's Animals.[3]

Crazy diamond

One of the more notable events during the recording of Wish You Were Here occurred on 5 June 1975. Gilmour married his first wife, Ginger, and it was also the eve of Pink Floyd's second US tour that year.[nb 2] The band were in the process of completing the final mix of "Shine On You Crazy Diamond",[nb 3] when an overweight-man with shaven head and eyebrows, and holding a plastic bag, entered the room. Waters, who was working in the studio, initially did not recognise him.[4] Wright was also mystified by the identity of the visitor. He presumed that the man was a friend of Waters' and asked him, but soon realised that it was Syd Barrett.[22] Gilmour presumed he was an EMI staff member,[19] and Mason also failed to recognise him; he was "horrified" when Gilmour told him. In Inside Out, Mason recalled Barrett's conversation as "desultory and not entirely sensible".[23] Storm Thorgerson later reflected on Barrett's presence: "Two or three people cried. He sat round and talked for a bit but he wasn't really there."[24]

Waters was reportedly reduced to tears by the sight of his former bandmate, who was asked by fellow visitor Andrew King how he had managed to gain so much weight. Barrett said he had a large refrigerator in his kitchen, and that he had been eating lots of pork chops. He also mentioned that he was ready to avail the band of his services, but while listening to the mix of "Shine On", showed no signs of understanding its relevance to his plight. He joined the guests at Gilmour's wedding reception in the EMI canteen, but left without saying goodbye. None of the band members saw him from that day on to his death in 2006.[25] Although the lyrics had already been created, Barrett's presence on that day may have influenced the final part of the song—a subtle refrain performed by Wright from "See Emily Play" is audible toward the end of the album.[23]

I'm very sad about Syd. Of course he was important and the band would never have fucking started without him because he was writing all the material. It couldn't have happened without him but on the other hand it couldn't have gone on with him. "Shine On" is not really about Syd—he's just a symbol for all the extremes of absence some people have to indulge in because it's the only way they can cope with how fucking sad it is, modern life, to withdraw completely. I found that terribly sad.

— Roger Waters, [26]

Instrumentation

"Shine On You Crazy Diamond"
The four note phrase from "Shine On You Crazy Diamond", composed by David Gilmour
"Have a Cigar"
"Have a Cigar" was sung by Roy Harper, something that Waters later regretted. The song contains lyrics that are critical of the music industry.
Problems playing these files? See media help.

As in The Dark Side of the Moon, the band used synthesizers such as the EMS VCS 3 (on "Welcome to the Machine"), but softened with Gilmour's acoustic guitar and percussion from Mason.[6] The start of "Shine On" contains remnants from a previous but incomplete studio recording by the band known as "Household Objects". Wine glasses had been filled with varying amounts of fluid, and recordings were made of a wet finger circling the edge of each glass. These recordings were multi-tracked into chords,[3] and used in the opening of "Shine On".

Jazz violinist Stéphane Grappelli and classical violinist Yehudi Menuhin were performing in another studio in the building, and were invited to record a piece for the new album. Menuhin watched as Grappelli played on the song "Wish You Were Here"; however, the band later decided his contribution was unsuitable and, until 2011, it was believed that the piece had been wiped.[27][28] It turns out his playing was included on the album, but so low in the final mix that the band presumed it would be insulting to credit him.[29] He was paid £300 for his contribution (£3,200 in 2024).[30][31] Dick Parry again played saxophone, on "Shine On You Crazy Diamond".[17] The opening bars of "Wish You Were Here" were recorded from Gilmour's car radio, with somebody turning the dial (the classical music heard is the finale of Tchaikovsky's Fourth Symphony).[32]

Vocals

Recording sessions had twice been interrupted by US tours (one in April and the other in June 1975),[33] and the final sessions, which occurred after the band's performance at Knebworth, proved particularly troublesome for Waters.[20] He struggled to record the vocals for "Have a Cigar", requiring several takes to perform an acceptable version. His problems stemmed in part from his limited vocal range, but also from the stresses placed upon his voice while recording the lead vocal of "Shine On". Gilmour was asked to sing in his place,[27] but declined, and eventually colleague and friend Roy Harper was asked to stand in. Harper was recording his own album in another of Abbey Road's studios, and Gilmour had already performed some guitar licks for him. Waters later regretted the decision, believing he should have performed the song.[34] The Blackberries recorded backing vocals for "Shine On".[17]

Packaging

Bordering an asphalt road, receding into the distance, are two rows of large beige coloured buildings. Another beige building blocks the horizon, above which mountains are visible in the distance. The sky is blue with no clouds. Several cars are parked outside the buildings. Near the photographer, at a large open entrance to one building, the word STOP has been painted in white on the road. Next to it, a fire hydrant is visible, in front of which the words FIRE LANE are painted on the road.
Part of the Warner Bros. studio complex in California, where the cover image was photographed
A rock formation rises from the surface of a calm lake. Plantlife appears to grow from around the rocks. In the distance, the horizon is filled with steep hills and small mountains. The sky is blue, and the sun appears to be low, casting long shadows across the image. The rocks and plantlife appear sandy in colour.
Mono Lake in California

Wish You Were Here was sold in one of the more elaborate packages to accompany a Pink Floyd album. Storm Thorgerson had accompanied the band on their 1974 tour, and had given serious thought to the meaning of the lyrics, eventually deciding that the songs were, in general, concerned with "unfulfilled presence", rather than Barrett's illness.[35] This theme of absence was reflected in the ideas produced by his long hours spent brainstorming with the band. Thorgerson had noted that Roxy Music's Country Life was sold in an opaque green cellophane sleeve—censoring the cover image—and he copied the idea, concealing the artwork for Wish You Were Here in a dark-coloured shrink-wrap (making the album art "absent"). The concept behind "Welcome to the Machine" and "Have a Cigar" suggested the use of a handshake (an often empty gesture), and George Hardie designed a sticker containing the album's logo of two mechanical hands engaged in a handshake, to be placed on the opaque sleeve. The album's cover image was inspired by the idea that people tend to conceal their true feelings, for fear of "getting burned", and thus two businessmen were pictured shaking hands, one man on fire. "Getting burned" was also a common phrase in the music industry, used often by artists denied royalty payments. Two stuntmen were used (Ronnie Rondell and Danny Rogers), one dressed in a fire-retardant suit covered by a business suit. His head was protected by a hood, underneath a wig. The photograph was taken at the Warner Bros. studios in Los Angeles.[36][37] Initially the wind was blowing in the wrong direction, and the flames were forced into Rondell's face, burning his moustache. The two stuntmen changed positions, and the image was later reversed.[38]

The album's back cover depicts a faceless "Floyd salesman", in Thorgerson's words "selling his soul" in the desert (shot in the Yuma Desert in California). The absence of wrists and ankles signifies his presence as an "empty suit". The inner sleeve shows a veil in a windswept Norfolk grove, and a splash-less diver at Mono Lake—called Monosee on the liner notes—in California (again emphasising the theme of absence).[36][37] The decision to shroud the cover in black plastic was not popular with the band's US record company, Columbia Records, who insisted that it be changed (they were over-ruled). EMI were however less concerned;[38][39] the band were reportedly extremely happy with the end product, and when presented with a pre-production mockup, they accepted it with a spontaneous round of applause.[36]

Reception

Professional ratings
Review scores
SourceRating
Allmusic[40]
BBC Musicfavourable[41]
Blender[42]
Los Angeles Timesfavourable[43]
Robert ChristgauA−[44]
Rolling Stonefavourable[45]

The band played much of Wish You Were Here on 5 July 1975 at an open-air music festival at Knebworth. Singer Roy Harper, performing at the same event, on discovering that his stage costume was missing proceeded to destroy one of Pink Floyd's vans (injuring himself in the process). This delayed the normal setup procedure of the band's sound system. As a pair of World War II Spitfire aircraft had been booked to fly over the crowd during their entrance, the band were not able to delay their set. The result was that a power supply problem pushed Wright's keyboards completely out of tune, damaging the band's performance. At one point he left the stage, but the band were able to continue with a less sensitive keyboard, a piano and a simpler light show. Following a brief intermission, they returned to perform The Dark Side of the Moon, but critics displeased about being denied access backstage savaged the performance.[46][47]

The album was released on 12 September 1975 in the UK, and on the following day in the US.[48] In Britain, with 250,000 advance sales it went straight to number one, and demand was such that EMI informed retailers that only 50% of their orders would be fulfilled.[49] With 900,000 advance orders (the largest for any Columbia release)[50] it reached number one on the US Billboard chart in its second week. In 1991 Wish You Were Here was Pink Floyd's fastest-selling album ever,[49] but initially received mixed reviews:

Shine on You Crazy Diamond is initially credible because it purports to confront the subject of Syd Barrett, the long and probably forever lost guiding light of the original Floyd. But the potential of the idea goes unrealised; they give such a matter-of-fact reading of the goddamn thing that they might as well be singing about Roger Waters's brother-in-law getting a parking ticket. This lackadaisical demeanor forces, among other things, a reevaluation of their relationship to all the space cadet orchestras they unconsciously sired. The one thing those bands have going for them, in their cacophonously inept way, is a sincere passion for their "art." And passion is everything of which Pink Floyd is devoid.

— Ben Edmunds, Rolling Stone, [45]

Robert Christgau, however, thought highly of the album, writing "... the music is not only simple and attractive, with the synthesizer used mostly for texture and the guitar breaks for comment, but it actually achieves some of the symphonic dignity (and cross-referencing) that The Dark Side of the Moon simulated so ponderously."[44] He later wrote, "My favorite Pink Floyd album has always been Wish You Were Here, and you know why? It has soul, that's why—it's Roger Waters's lament for Syd, not my idea of a tragic hero but as long as he's Roger's that doesn't matter."[51] Melody Maker, on the other hand, was disparaging: "From whichever direction one approaches Wish You Were Here, it still sounds unconvincing in its ponderous sincerity and displays a critical lack of imagination in all departments."[48] Modern reception has been mostly positive, and in 2012, Wish You Were Here was voted 211th on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".[52] In 1998 Q readers voted Wish You Were Here the 34th greatest album of all time.[53] In 2000 the same magazine placed it at number 43 in its list of the 100 Greatest British Albums Ever.[54] In 2007, one of Germany's largest public radio stations, WDR 2, asked its listeners to vote for the 200 best albums of all time. Wish You Were Here was voted number one.[55] In 2004 Wish You Were Here was ranked number 36 on Pitchfork Media's list of the Top 100 albums of the 1970s.[56] IGN rated Wish You Were Here as the 8th greatest classic rock album.[57]

Despite the problems during production, the album remained Wright's favourite: "It's an album I can listen to for pleasure, and there aren't many Floyd albums that I can."[4][58] Gilmour shares this view: "I for one would have to say that it is my favourite album, the Wish You Were Here album. The end result of all that, whatever it was, definitely has left me an album I can live with very very happily. I like it very much."[12]

Sales

Pink Floyd and their manager Steve O'Rourke had been dissatisfied with the efforts of EMI's US label Capitol Records,[59] and Wish You Were Here was Pink Floyd's first album with Columbia Records, an affiliate of CBS. The band did, however, remain with EMI's Harvest Records in Europe.[60] As a result of the label switch, the band gained ownership of their recordings from that point forward—every album from Wish You Were Here onward has been copyrighted to either "Pink Floyd Music Limited" or (after Waters' departure) "Pink Floyd (1987) Ltd.", instead of the corresponding record label.

The album was certified Silver and Gold (60,000 and 100,000 sales respectively) in the UK on 1 August 1975, and Gold in the US on 17 September 1975. It was certified six times platinum on 16 May 1997,[61] and by 2004 has sold an estimated 13 million copies worldwide.[37] "Have a Cigar" was chosen by Columbia as their first single,[6] with "Welcome to the Machine" on the B-side in the US.[nb 4]

Reissues and remastering

Wish You Were Here has been remastered and re-released on several formats. In the UK and US the album was re-issued in quadraphonic using the SQ format in 1976,[nb 5] and in 1980 a special Hi-Fi Today audiophile print was released in the UK.[nb 6] In the US it was released on CD in 1983, and in the UK 1985,[nb 7] and again as a remastered CD with new artwork in 1994.[nb 8] In the US, Columbia's CBS Mastersound label released a half-speed mastered audiophile LP in 1981,[nb 9] and in 1994 Sony Mastersound released a 24-carat gold-plated CD, remastered using Super Bit Mapping, with the original artwork from the LP in both longbox and jewel case forms, the latter with a cardboard slipcover.[nb 10][37] The album was included as part of the box set Shine On,[63] and five years later Columbia Records released an updated remastered CD, 17 seconds longer than the EMI remasters from 1994, giving a running time of 44:28. Its label was a recreation of the original machine handshake logo, with a black and blue background.[nb 11] The album was subsequently re-released in 2000 for its 25th anniversary, on the Capitol Records label in the US.[nb 12][37] The album was re-released and remixed in 2011 in multiple editions as part of the Why Pink Floyd...? re-release campaign. The Immersion Box Set includes the new stereo digital remaster (2011) by James Guthrie on CD, a previously unreleased 5.1 Surround Mix (2009) by James Guthrie on DVD and Blu-ray, a Quad Mix (previously released only on vinyl LP and 8-track tape) on DVD, as well as the original stereo mix (1975) on DVD and Blu-ray.[nb 13] This campaign also featured the 2011 stereo remaster on 180g heavyweight vinyl [nb 14] as well as the 2011 stereo remaster and the 5.1 surround sound mix (2009) as a Hybrid SACD.

Track listing

All lyrics are written by Roger Waters

Side one
No.TitleMusicLead vocalsLength
1."Shine On You Crazy Diamond, Parts I–V"Wright, Waters, Gilmour (Part 1)
Gilmour, Waters, Wright (Part 2)
Waters, Gilmour, Wright (Part 3)
Gilmour, Wright, Waters (Part 4)
Waters, Gilmour, Wright (Part 5)		Waters13:38
2."Welcome to the Machine"WatersGilmour7:30
Side two
No.TitleMusicLead vocalsLength
1."Have a Cigar"WatersHarper5:24
2."Wish You Were Here"Waters, GilmourGilmour5:17
3."Shine On You Crazy Diamond, Parts VI–IX"Wright, Waters, Gilmour (Part 6)
Waters, Gilmour, Wright (Part 7)
Gilmour, Wright, Waters (Part 8)
Wright (Part 9)		Waters12:29

Personnel

Sales chart performance

Peak positions

Year Chart Position Comment Source(s)
1975 UK Albums Chart 1 Harvest SHVL 814 [37][64]
Billboard Rock albums 1 Columbia PC 33453 [37][65]
Austrian albums chart 2 [66]
Swedish albums chart 14 Harvest 062-96918, 1C 064-96 918 [67]
Norwegian albums chart 2 [68]

Certifications

Region Certification Certified units/sales
Argentina (CAPIF)[69] Gold 30,000^
Australia (ARIA)[70] 7× Platinum 350,000^
Austria (IFPI Austria)[71] 2× Platinum 100,000*
Canada (Music Canada)[72] 3× Platinum 300,000^
France (SNEP)[73] Diamond 1,000,000*
Germany (BVMI)[74] Platinum 500,000^
Italy (FIMI)[75] Gold 50,000*
Poland (ZPAV)[76] Gold 35,000*
United Kingdom (BPI)[77] 2× Platinum 600,000^
United States (RIAA)[79] 6× Platinum 6,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References

Notes
  1. ^ The first two would later be renamed "Sheep", and "Dogs", and re-appear on Animals
  2. ^ There seems to be some confusion about the date that Barrett turned up, and Gilmour's wedding. Blake (2008) writes that Gilmour's wedding was on 7 July, the date also given by Ginger in 'The Pink Floyd FAQ', but that witnesses swore they saw Barrett at his reception at Abbey Road. Other authors claim that the reception and Barrett's visit were on 5 June.
  3. ^ Nick Mason has expressed doubt over this.[13]
  4. ^ EMI Capitol 72438–58885[62]
  5. ^ EMI Harvest Q4 SHVL 814 (UK), Columbia PCQ 33453 (US)
  6. ^ EMI Harvest SHVL 814
  7. ^ Columbia CK 33453 (US), EMI CDP 7460352 (UK)
  8. ^ EMI CD EMD 1062
  9. ^ Columbia HC 33453
  10. ^ Columbia CK 53753
  11. ^ Columbia CK 64405
  12. ^ Capitol 72438297502
  13. ^ Capitol 509990294352
  14. ^ Capitol 5099902988016
Footnotes
  1. ^ Schaffner 1991, p. 178
  2. ^ Schaffner 1991, pp. 178–184
  3. ^ a b c Mason 2005, p. 204
  4. ^ a b c The Pink Floyd and Syd Barrett Story (DVD), BBC, 2003
  5. ^ Di Perna 2002, p. 23
  6. ^ a b c d Schaffner 1991, p. 187
  7. ^ Schaffner 1991, p. 188
  8. ^ Mason 2005, p. 177
  9. ^ Mason 2005, pp. 134, 200
  10. ^ Mason 2005, p. 200
  11. ^ Mason 2005, pp. 202–203
  12. ^ a b c In the Studio with Redbeard, Barbarosa Ltd. Productions, 1992
  13. ^ a b Mason 2005, p. 208
  14. ^ a b c Schaffner 1991, pp. 184–185
  15. ^ Mason 2005, p. 202
  16. ^ Mason 2005, p. 201
  17. ^ a b c Blake 2008, p. 224
  18. ^ a b Schaffner 1991, p. 184
  19. ^ a b Watkinson & Anderson 2001, p. 119
  20. ^ a b Povey 2007, p. 190
  21. ^ Schaffner 1991, pp. 185–186
  22. ^ Schaffner 1991, p. 189
  23. ^ a b Mason 2005, pp. 206–208
  24. ^ Watkinson & Anderson 2001, p. 120
  25. ^ Schaffner 1991, pp. 189–190
  26. ^ Watkinson & Anderson 2001, p. 121
  27. ^ a b Mason 2005, p. 206
  28. ^ Wilson, John (26 September 2011), Violinist Grappelli found on 'lost' Pink Floyd track, BBC, retrieved 24 September 2012
  29. ^ Richard, Metzger (26 April 2013), Wish You Were Here: Pink Floyd Jam with Stéphane Grappelli, 1975, Dangerous Minds, retrieved 27 April 2013
  30. ^ UK Retail Price Index inflation figures are based on data from Clark, Gregory (2017). "The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)". MeasuringWorth. Retrieved 7 May 2024.
  31. ^ Schaffner 1991, pp. 188–189
  32. ^ Blake 2008, p. 230
  33. ^ Schaffner 1991, pp. 186–187
  34. ^ Schaffner 1991, pp. 187–188
  35. ^ Schaffner 1991, p. 190
  36. ^ a b c Schaffner 1991, pp. 190–192
  37. ^ a b c d e f g Povey 2007, p. 346
  38. ^ a b Stuart, Julia (7 March 2007), "Cover stories" (Registration required), The Independent hosted at infoweb.newsbank.com, retrieved 21 August 2009
  39. ^ Kean, Danuta (21 June 2007), "Cover story that leaves authors out of picture", Financial Times, retrieved 21 August 2009
  40. ^ Erlewine, Stephen Thomas, Wish You Were Here, allmusic.com, retrieved 14 August 2009
  41. ^ Lusk, Jon (19 April 2007), Pink Floyd Wish You Were Here Review, bbc.co.uk, retrieved 14 August 2009
  42. ^ Twist, Carlo, Pink Floyd - Wish You Were Here, blender.com, retrieved 14 August 2009
  43. ^ Findelle, Stan (2 November 1975), Wish You Were Here: Pink Floyd, Los Angeles Times, p. O63 {{citation}}: Italic or bold markup not allowed in: |publisher= (help)
  44. ^ a b Christgau, Robert (1975), Pink Floyd - Wish You Were Here, robertchristgau.com, retrieved 14 August 2009 Cite error: The named reference "Christgau" was defined multiple times with different content (see the help page).
  45. ^ a b Edmunds, Ben (6 November 1975), "Pink Floyd — Wish You Were Here", Rolling Stone, archived from the original on 3 May 2008, retrieved 14 August 2009 {{citation}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  46. ^ Schaffner 1991, pp. 192–193
  47. ^ Mason 2005, pp. 211–212
  48. ^ a b Povey 2007, p. 197
  49. ^ a b Schaffner 1991, p. 193
  50. ^ Blake 2008, p. 235
  51. ^ Christgau, Robert (1997), Radiohead — OK Computer, robertchristgau.com, retrieved 30 July 2012
  52. ^ "500 Greatest Albums of All Time: Pink Floyd, Wish You Were Here". Rolling Stone. Retrieved 12 June 2012.
  53. ^ "Q Readers All Time Top 100 Albums", Q (Q137 ed.), February 1998
  54. ^ "The 100 Greatest British Albums Ever", Q (Q165 ed.), 2000-06 {{citation}}: Check date values in: |date= (help)
  55. ^ WDR listeners vote album No. 1 (in German), wdr.de, 3 October 2007, archived from the original on 11 April 2008, retrieved 14 August 2009 {{citation}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  56. ^ Top 100 Albums of the 1970s, pitchfork.com, 23 June 2004, retrieved 14 August 2009
  57. ^ Top 25 Classic Rock Albums, ign.com, retrieved 27 January 2010
  58. ^ Redbeard (28 September 2008), Pink Floyd — Richard Wright Tribute, inthestudio.net, retrieved 14 August 2009[dead link]
  59. ^ Harris 2006, pp. 158–161
  60. ^ Schaffner 1991, p. 173.
  61. ^ RIAA — Gold & Platinum, riaa.com, retrieved 15 August 2009
  62. ^ Povey 2007, p. 347
  63. ^ Eder, Bruce, Shine On — Review, allmusic.com, retrieved 15 August 2009
  64. ^ "Pink Floyd UK Chart History". Official Charts Company. Retrieved 30 July 2013.
  65. ^ allmusic Pink Floyd, Billboard Albums, allmusic.com, retrieved 15 August 2009 {{citation}}: Check |url= value (help)
  66. ^ Pink Floyd — Wish You Were Here (album), austriancharts.at, retrieved 18 August 2009
  67. ^ Pink Floyd — Wish You Were Here (album), swedishcharts.com, retrieved 18 August 2009
  68. ^ Pink Floyd — Wish You Were Here, norwegiancharts.com, retrieved 2 July 2009
  69. ^ "Discos de oro y platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on 6 July 2011. Retrieved 15 August 2012.
  70. ^ "ARIA Charts – Accreditations – 2011 Albums" (PDF). Australian Recording Industry Association. Retrieved 21 August 2012.
  71. ^ "Austrian album certifications – Pink Floyd – Wish You Were Here" (in German). IFPI Austria. Retrieved 21 August 2012.
  72. ^ "Canadian album certifications – Pink Floyd – Wish You Were Here". Music Canada. Retrieved 21 August 2012.
  73. ^ "French album certifications – Pink Floyd – Wish You Were Here" (in French). Syndicat National de l'Édition Phonographique. Retrieved 21 August 2012.
  74. ^ "Gold-/Platin-Datenbank (Pink Floyd; 'Wish You Were Here')" (in German). Bundesverband Musikindustrie. Retrieved 21 August 2012.
  75. ^ "Italian album certifications – Pink Floyd – Wish You Were Here" (in Italian). Federazione Industria Musicale Italiana. Retrieved 21 August 2012. Select "Tutti gli anni" in the "Anno" drop-down menu. Type "Wish You Were Here" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  76. ^ "Wyróżnienia – Złote płyty CD - Archiwum - Przyznane w 2003 roku" (in Polish). Polish Society of the Phonographic Industry. Retrieved 8 January 2014.
  77. ^ "British album certifications – Pink Floyd – Wish You Were Here". British Phonographic Industry. Retrieved 21 August 2012. Select albums in the Format field. Select Platinum in the Certification field. Type Wish You Were Here in the "Search BPI Awards" field and then press Enter.
  78. ^ [1]
  79. ^ "American album certifications – Pink Floyd – Wish You Were Here". Recording Industry Association of America. Retrieved 21 August 2012.
Bibliography
Further reading
  • Reising, Russell (2005), Speak to Me, Ashgate Publishing, Ltd, ISBN 0-7546-4019-1
  • For a television documentary on the album, see The Story Of Wish You Were Here, Eagle Rock, 25 June 2012

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