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A Visit from St. Nicholas

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"The Night Before Christmas" and "'Twas the Night Before Christmas" redirect here. For other uses, see The Night Before Christmas (disambiguation) and 'Twas the Night Before Christmas (disambiguation).

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Cover page for a series of illustrations for the Night Before Christmas produced as part of a PWA project in 1934 by Helmuth F. Thoms

A Visit from St. Nicholas, more commonly known as The Night Before Christmas and 'Twas the Night Before Christmas from its first line, is a poem first published anonymously under the title Account of a Visit from St. Nicholas in 1823 and later attributed to Clement Clarke Moore, who claimed authorship in 1837.

The poem has been called "arguably the best-known verses ever written by an American"[1] and is largely responsible for some of the conceptions of Santa Claus from the mid-nineteenth century to today. It has had a massive effect on the history of Christmas gift-giving. Before the poem gained wide popularity, American ideas had varied considerably about Saint Nicholas and other Christmastide visitors. A Visit from St. Nicholas eventually was set to music and has been recorded by many artists.

Plot

On the night of Christmas Eve, a family is settling down to sleep when the father is disturbed by noises on their lawn. Looking out the window, he sees Santa Claus (Saint Nicholas) in a sleigh pulled by eight reindeer. After landing his sleigh on the roof, Santa enters the house by sliding down the chimney. He carries a sack of toys, and the father watches his visitor deliver presents and fill the stockings hanging by the fireplace, and laughs to himself. They share a conspiratorial moment before Santa bounds up the chimney again. As he flies away, Santa calls out "Happy Christmas to all, and to all a good night."

Literary history

Clement Clarke Moore, the author of A Visit from St. Nicholas
The original publication of Account of a Visit from St. Nicholas in the Troy Sentinel, 23 December 1823

The authorship of A Visit is credited to Clement Clarke Moore who is said to have composed it on a snowy winter's day during a shopping trip on a sleigh. His inspiration for the character of Saint Nicholas was a local Dutch handyman as well as the historic Saint Nicholas. Moore originated many of the features that are still associated with Santa Claus today while borrowing other aspects, such as the use of reindeer.[2] The poem was first published anonymously in the Troy, New York Sentinel on 23 December 1823, having been sent there by a friend of Moore,[1] and was reprinted frequently thereafter with no name attached. It was first attributed in print to Moore in 1837. Moore himself acknowledged authorship when he included it in his own book of poems in 1844. By then, the original publisher and at least seven others had already acknowledged his authorship.[3][4] Moore had a reputation as an erudite professor and had not wished at first to be connected with the unscholarly verse. He included it in the anthology at the insistence of his children, for whom he had originally written the piece.[3]

Moore's conception of Saint Nicholas was borrowed from his friend Washington Irving, but Moore portrayed his "jolly old elf" as arriving on Christmas Eve rather than Christmas Day. At the time that Moore wrote the poem, Christmas Day was overtaking New Year's Day as the preferred genteel family holiday of the season, but some Protestants viewed Christmas as the result of "Catholic ignorance and deception"[1] and still had reservations. By having Saint Nicholas arrive the night before, Moore "deftly shifted the focus away from Christmas Day with its still-problematic religious associations". As a result, "New Yorkers embraced Moore's child-centered version of Christmas as if they had been doing it all their lives."[1]

In An American Anthology, 1787–1900, editor Edmund Clarence Stedman reprinted the Moore version of the poem, including the Dutch spelling of “Donder” and German spelling of "Blitzen" that he adopted, rather than the version from 1823 "Dunder and Blixem" that is more similar to the old Dutch “Donder en Blixem” that translates to "Thunder and Lightning".[5]

Authorship controversy

Moore's connection with the poem has been questioned by Professor Donald Foster,[6] who used textual content analysis and external evidence to argue that Moore could not have been the author.[7] Foster believes that Major Henry Livingston Jr., a New Yorker with Dutch and Scottish roots, should be considered the chief candidate for authorship, a view long espoused by the Livingston family. Livingston was distantly related to Moore's wife.[7] Foster's claim, however, has been countered by document dealer and historian Seth Kaller, who once owned one of Moore's original manuscripts of the poem. Kaller has offered a point-by-point rebuttal of both Foster's linguistic analysis and external findings, buttressed by the work of autograph expert James Lowe and Dr. Joe Nickell, author of Pen, Ink and Evidence.[3][8][9]

Evidence in favor of Moore

On January 20, 1829, Troy editor Orville L. Holley alluded to the author of the Christmas poem, using terms that accurately described Moore as a native and current resident of New York City, and as "a gentleman of more merit as a scholar and a writer than many of more noisy pretensions".[10] In December 1833, a diary entry by Francis P. Lee, a student at General Theological Seminary when Moore taught there, referred to a holiday figure of St. Nicholas as being "robed in fur, and dressed according to the description of Prof. Moore in his poem".[11] Four poems including A Visit from St. Nicholas appeared under Moore's name in The New-York Book of Poetry, edited by Charles Fenno Hoffman (New York: George Dearborn, 1837). The Christmas poem appears on pp. 217–19, credited to "Clement C. Moore". Moore stated in a letter to the editor of the New York American (published on March 1, 1844) that he "gave the publisher" of The New-York Book of Poetry "several pieces, among which was the 'Visit from St. Nicholas.'" Admitting that he wrote it "not for publication, but to amuse my children," Moore claimed the Christmas poem in this 1844 letter as his "literary property, however small the intrinsic value of that property may be". A Visit from St. Nicholas appears on pp. 124–27 in Moore's volume of collected Poems (New York: Bartlett and Welford, 1844). Before 1844, the poem was included in two 1840 anthologies: attributed to "Clement C. Moore" in Selections from The American Poets, edited by William Cullen Bryant (New York: Harper & Brothers, 1840), pp. 285–86; and to "C. C. Moore" in the first volume of The Poets of America, edited by John Keese (New York: S. Colman, 1840), pp. 102–04. The New-York Historical Society has a later manuscript of the poem in Moore's handwriting, forwarded by T. W. C. Moore along with a cover letter dated March 15, 1862 giving circumstances of the poem's original composition and transmission after a personal "interview" with Clement C. Moore.[12]

After A Visit from St. Nicholas appeared under Moore's name in the 1837 New-York Book of Poetry, newspaper printings of the poem often credited Moore as the author. For example, the poem is credited to "Professor Moore" in the 25 December 1837 Pennsylvania Inquirer and Daily Courier. Although Moore did not authorize the earliest publication of the poem in the Troy Sentinel, he had close ties to Troy through the Protestant Episcopal Church that could explain how it got there. Harriet Butler of Troy, New York (daughter of the Rev. David Butler) who allegedly showed the poem to Sentinel editor Orville L. Holley, was a family friend of Moore's and possibly a distant relative.[13] A letter to Moore from the publisher Norman Tuttle states, "I understand from Mr. Holley that he received it from Mrs. Sackett, the wife of Mr. Daniel Sackett who was then a merchant in this city".[14] The reported involvement of two women, Harriet Butler and Sarah Sackett, as intermediaries is consistent with the 1862 account of the poem's earliest transmission in which T. W. C. Moore describes two stages of copying, first "by a relative of Dr Moores in her Album" and second, "by a friend of hers, from Troy".[15] Moore preferred to be known for his more scholarly works, but allowed the poem to be included in his anthology in 1844 at the request of his children. By that time, the original publisher and at least seven others had already acknowledged his authorship. Livingston family lore gives credit to their forebear rather than Moore, but there is no proof that Livingston himself ever claimed authorship,[16] nor has any record ever been found of any printing of the poem with Livingston's name attached to it, despite more than 40 years of searches.[citation needed]

Evidence in favor of Livingston

Advocates for Livingston's authorship argue that Moore "tried at first to disavow" the poem.[17] They also posit that Moore falsely claimed to have translated a book.[18] Document dealer and historian Seth Kaller has challenged both claims. Kaller examined the book in question, A Complete Treatise on Merinos and Other Sheep, as well as many letters signed by Moore, and found that the "signature" was not penned by Moore, and thus provides no evidence that Moore made any plagiaristic claim. Kaller's findings were confirmed by autograph expert James Lowe, by Dr. Joe Nickell, the author of Pen, Ink & Evidence, and by others. According to Kaller, Moore's name was likely written on the book by a New-York Historical Society cataloger to indicate that it had been a gift from Moore to the Society.[3][19][20]

Some contend that Henry Livingston Jr., not Moore, was the author of the poem.
Cover of a 1912 edition of the poem, illustrated by Jessie Willcox Smith
The Librarian of Congress, Dr. James Billington, reads The Night Before Christmas to the Little Scholars, December 2010

The following points have been advanced in order to credit the poem to Major Henry Livingston Jr.:

Livingston also wrote poetry primarily using an anapaestic metrical scheme, and it is claimed that some of the phraseology of A Visit is consistent with other poems by Livingston, and that Livingston's poetry is more optimistic than Moore's poetry published in his own name. But Stephen Nissenbaum argues in his Battle for Christmas that the poem could have been a social satire of the Victorianization of Christmas. Furthermore, Kaller claims that Foster cherry-picked only the poems that fit his thesis and that many of Moore's unpublished works have a tenor, phraseology, and meter similar to A Visit. Moore had even written a letter titled "From Saint Nicholas" that may have predated 1823.

Foster also contends that Moore hated tobacco and would, therefore, never have depicted Saint Nicholas with a pipe. However, Kaller notes, the source of evidence for Moore's supposed disapproval of tobacco is The Wine Drinker, another poem by him. In actuality, that verse contradicts such a claim. Moore's The Wine Drinker criticizes self-righteous, hypocritical advocates of temperance who secretly indulge in the substances which they publicly oppose, and supports the social use of tobacco in moderation (as well as wine, and even opium, which was more acceptable in his day than it is now).

Foster also asserts that Livingston's mother was Dutch, which accounts for the references to the Dutch Sinteklaes tradition and the use of the Dutch names "Dunder and Blixem". Against this claim, it is suggested by Kaller that Moore – a friend of writer Washington Irving and member of the same literary society – may have acquired some of his knowledge of New York Dutch traditions from Irving. Irving had written A History of New York in 1809 under the name of "Dietrich Knickerbocker". It includes several references to legends of Saint Nicholas, including the following that bears a close relationship to the poem:

And the sage Oloffe dreamed a dream,‍—‌and lo, the good St. Nicholas came riding over the tops of the trees, in that self-same wagon wherein he brings his yearly presents to children, and he descended hard by where the heroes of Communipaw had made their late repast. And he lit his pipe by the fire, and sat himself down and smoked; and as he smoked, the smoke from his pipe ascended into the air and spread like a cloud overhead. And Oloffe bethought him, and he hastened and climbed up to the top of one of the tallest trees, and saw that the smoke spread over a great extent of country; and as he considered it more attentively, he fancied that the great volume of smoke assumed a variety of marvelous forms, where in dim obscurity he saw shadowed out palaces and domes and lofty spires, all of which lasted but a moment, and then faded away, until the whole rolled off, and nothing but the green woods were left. And when St. Nicholas had smoked his pipe, he twisted it in his hatband, and laying his finger beside his nose, gave the astonished Van Kortlandt a very significant look; then, mounting his wagon, he returned over the tree-tops and disappeared.

— Washington Irving, A History of New York[21]

MacDonald P. Jackson, Emeritus Professor of English at the University of Auckland, New Zealand and a Fellow of the Royal Society of New Zealand, has spent his entire academic career analyzing authorship attribution. He has written a book titled Who Wrote "The Night Before Christmas"?: Analyzing the Clement Clarke Moore Vs. Henry Livingston Question,[22] published in 2016, in which he evaluates the opposing arguments and, for the first time, uses the author-attribution techniques of modern computational stylistics to examine the long-standing controversy. Jackson employs a range of tests and introduces a new one, statistical analysis of phonemes; he concludes that Livingston is the true author of the classic work.

Musical adaptations

Parts of the poem have been set to music numerous times, including a bowdlerized version (that omitted several verses such as "The moon on the breast of the new fallen snow ... etc.". and rewrote and replaced many others such as "the prancing and pawing of each little hoof" with "the clattering noise of each galloping hoof"), by the American composer Ken Darby (1909-1992),[23][24] whose version was recorded by Fred Waring and the Pennsylvanians three separate times; in 1942,[25][26] 1955,[27] and 1963.[23] The latter 1963 stereo recording for Capitol Records became the most familiar of the poem's musical adaptations.[28] Christmas song-writing specialist Johnny Marks also composed a short version in 1952, titled "The Night Before Christmas Song", which has been recorded multiple times,[29] and was used in the soundtrack for the 1964 TV special Rudolph the Red-Nosed Reindeer, sung by Burl Ives.[30] It was also arranged for choir by Lee Kjelson and Margaret Shelley Vance.[31] The poem was also set to music by British child composer Alma Deutscher (b. 2005).[32] In 1953, Perry Como recorded a recitation of the poem for RCA Victor with background music arranged and conducted by Mitchell Ayres. Louis Armstrong recited the poem in a March 1971 recording made only four months before his death.[33][34] It was recorded at his home in Corona, Queens and released as 45rpm by Continental Records.[35]

The first completely musical rendition, that used the text of the poem in its entirety without material additions or alterations, was the cantata "A Visit from St. Nicholas" composed by Lucian W. Dressel in 1992 and first performed by the Webster University Orchestra, SATB Soloists, and Chorus.[36] More recent performances of the cantata have been performed by regional orchestras and choruses in Missouri, Illinois and Colorado.[37]

Original copies

Copy of the poem hand-written by Clement Clarke Moore

Four hand-written copies of the poem are known to exist and three are in museums, including the New-York Historical Society library.[38] The fourth copy, written out and signed by Clement Clarke Moore as a gift to a friend in 1860, was sold by one private collector to another in December 2006. It was purchased for $280,000 by an unnamed "chief executive officer of a media company" who resides in New York City, according to Dallas, Texas-based Heritage Auctions which brokered the private sale.[39]

The poem is read or recited in numerous Christmas films, including National Lampoon's Christmas Vacation (1989), The Santa Clause (1994), Reindeer Games (2000), and Falling For Christmas (2016).[40] It also inspired the 2001 film 'Twas the Night and two television specials called 'Twas the Night Before Christmas made in 1974 and 1977 respectively.

See also

References

Notes

  1. ^ a b c d Burrows, Edwin G. & Wallace, Mike. Gotham: A History of New York City to 1898. New York: Oxford University Press, 1999. pp. 462–63 ISBN 0-19-511634-8
  2. ^ Restad, Penne L. (1995). Christmas in America. Oxford University Press. p. 48. ISBN 0-19-509300-3.
  3. ^ a b c d Kaller, Seth. "The Authorship of The Night Before Christmas". sethkaller.com.
  4. ^ Siefker, Phyllis (1997). Santa Claus. McFarland & Company. p. 4. ISBN 0-7864-0246-6.
  5. ^ Stedman, Edmund Clarence (1900). An American Anthology, 1787-1900 ([6th impression] ed.). Boston: Houghton, Mifflin and Company. p. 15. hdl:2027/loc.ark:/13960/t72v36z23.
  6. ^ Mann, Ted. "Ho, Ho, Hoax," Scarsdale Magazine, 30 November 2006
  7. ^ a b "Major Henry Livingston Jr. (1748–1828) Account of a Visit from St. Nicholas" Archived 15 December 2005 at the Wayback Machine, Representative Poetry Online
  8. ^ Lowe, James. "A Christmas to Remember: A Visit from St. Nicholas". Autograph Collector. January 2000. 26–29.
  9. ^ Nickell, Joe. "The Case of the Christmas Poem." Manuscripts, Fall 2002, 54;4:293–308; Nickell, Joe. "The Case of the Christmas Poem: Part 2". Manuscripts, Winter 2003, 55;1:5–15.
  10. ^ Weise, Arthur James. Troy's One Hundred Years (Troy, NY, 1891), 97.
  11. ^ Nissenbaum, Stephen. The Battle for Christmas (New York: Alfred A. Knopf, 1996), 345 fn 85.
  12. ^ The New-York Historical Society Quarterly Bulletin 2.4 (January 1919): 111–15.
  13. ^ Patterson, Samuel White. The Poet of Christmas Eve (New York: Morehouse-Gorham Co, 1956), 17.
  14. ^ Letter from N. Tuttle to Clement Clarke Moore. 1844. Museum of the City of New York. 54.331.17b
  15. ^ New-York Historical Society Quarterly Bulletin 2.4 (January 1915): 111.
  16. ^ "Revisiting 'A Visit from St. Nicholas'". New York State Library. December 2015. Retrieved 19 December 2020.
  17. ^ Christoph, Peter. "Clement Moore Revisited". Major Henry Livingston Jr., the author of "Night Before Christmas". Intermedia Enterprises. Archived from the original on 16 May 2008. Retrieved 19 April 2008.
  18. ^ Kirkpatrick, David D. (26 October 2000). "Literary Sleuth Casts Doubt on the Authorship of an Iconic Christmas Poem". The New York Times. Archived from the original on 10 April 2009. Retrieved 19 April 2008.
  19. ^ Kaller, Seth. "The Moore Things Change...," The New-York Journal of American History, Fall 2004
  20. ^ Lowe, James. "A Christmas to Remember: A Visit from St. Nicholas," Autograph Collector, January 2000, pp. 26–29
  21. ^ Washington Irving (1868). A History of New York: From the Beginning of the World to the End of the Dutch Dynasty;[...]. G.P. Putnam and Son, 661 Broadway. p. 144.
  22. ^ Jackson, MacDonald P. (2016). Who Wrote "The Night Before Christmas"?: Analyzing the Clement Clarke Moore vs. Henry Livingston Question. McFarland. ISBN 978-1476664439.
  23. ^ a b Carter, Evan. "Fred Waring - The Meaning of Christmas". Allmusic.com. AllMusic, Netaktion LLC. Archived from the original on 2 November 2020. Retrieved 2 November 2020. Track 2: 'Twas the Night Before Christmas (6:45). Music by Ken Darby
  24. ^ UofUtahSingers, 'Twas the Night Before Christmas – University of Utah Combined Choirs, archived from the original on 21 December 2021, retrieved 13 December 2018
  25. ^ "'Twas the Night Before Christmas Part 1, Decca 71252". Img.discogs.com. Archived from the original on 2 November 2020. Retrieved 2 November 2020.
  26. ^ "'Twas the Night Before Christmas Part 2, Decca 71282". Img.discogs.com. Archived from the original on 2 November 2020. Retrieved 2 November 2020.
  27. ^ "Fred Waring & His Pennsylvanians - Twas the Night Before Christmas". Allmusic.com. AllMusic, Netaktion LLC. Archived from the original on 2 November 2020. Retrieved 2 November 2020. Track 4: 'Twas the Night Before Christmas (6:59). Music by Ken Darby
  28. ^ Carter, Evan. "Fred Waring - The Meaning of Christmas". Allmusic.com. AllMusic, Netaktion LLC. Archived from the original on 2 November 2020. Retrieved 2 November 2020. The first is the Pennsylvanians' jolly [1963] six-minute rendition of "'Twas the Night Before Christmas," which is probably the most famous musical adaptation ever recorded of that everlastingly popular holiday staple.
  29. ^ "Song: The Night Before Christmas Song written by Johnny Marks". secondhandsongs.com.
  30. ^ ""The Night Before Christmas" music by Johnny Marks; from "Rudolph" (1964) soundtrack". Archived from the original on 21 December 2021 – via www.youtube.com.
  31. ^ Vance, Margaret Shelley. "Margaret Shelley Vance". www.worldcat.org. Retrieved 2 June 2022.
  32. ^ AlmaDeutscher, The Night before Christmas – music by Alma Deutscher, archived from the original on 21 December 2021, retrieved 13 December 2018
  33. ^ James Lincoln Collier (10 October 1985). Louis Armstrong: An American Genius. Oxford University Press. p. 341. ISBN 978-0-19-536507-8.
  34. ^ David Stricklin (16 April 2010). Louis Armstrong: The Soundtrack of the American Experience. Government Institutes. p. 148. ISBN 978-1-56663-931-6.
  35. ^ Scott Allen Nollen (1 January 2004). Louis Armstrong: The Life, Music, and Screen Career. McFarland. p. 192. ISBN 978-0-7864-1857-2.
  36. ^ Sarah Bryan Miller. "Long saga behind composer's Christmas cantata". St. Louis Post Dispatch. 1 December 2017.
  37. ^ "Search: lucian dressel/". YouTube.
  38. ^ "A Visit from St. Nicholas". New-York Historical Society. Retrieved 22 November 2014.
  39. ^ "Copy of Poem Sold; 'Twas Worth $280K". The Washington Post. Associated Press. 19 December 2006. Retrieved 19 April 2008.
  40. ^ Rosewarne, Lauren (2017). Analyzing Christmas in Film: Santa to the Supernatural. Lexington Books. pp. 132–133. ISBN 9781498541824. Retrieved 15 September 2022.

Further reading

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