Choli

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For the villages in Iran, see Choli, Iran.
Woman in choli ca. 1872

A choli (Hindi: चोली, Gujarati: ચોળી, Marathi: चोळी, ravike Tamil: ரவிக்கை, Telugu: రవికె(ravike), although choli is the preferred word Telugu Kannada: ರವಿಕೆ) is a midriff-baring blouse or upper garment in the Indian sari costume worn in India, southern Nepal, Pakistan, Sri Lanka, Bangladesh, and other countries where the sari is worn.[citation needed] It is also part of the ghagra choli costume of India. The choli is cut to fit tightly to the body and has short sleeves and a low neck. The choli is usually cropped, allowing exposure of the midriff and the navel.

Evolution[edit]

Choli from Gujarat at the Peabody Essex Museum
Choli
Choli
Tradtional form of Choli tied at the back from Braj region of Uttar Pradesh.
Women in ancient form of long front covering choli tied at the back

The term "choli" is derived from another ruling clan from south, the Cholas.[1] Rajatarangini (meaning the 'river of kings'), a tenth-century literary work by Kalhana, states that the Choli from the Deccan was introduced under the royal order of Kashmir.[1] The first cholis were front covering, with choli tied at the back with four strings. Choli of this type are still common in state of Rajasthan.[2] Pre-Christian era paintings of Maharashtra and Gujarat are considered the first recorded examples of choli. Poetic references from works like Silapadikkaram indicate that during the Sangam period 3rd century BC - 4th century CE in ancient South India, a single piece of clothing served as both lower garment and upper shawl. In Kerala, paintings by Raja Ravi Varma indicate women being topless. On the contrary,other historians point to much textual and artistic evidence for various forms of breastband and upper-body-shawl.

Indian paintings[edit]

Historic photographs[edit]

Changing times[edit]

Bollywood actress Yuvika Chaudhary in a modern sleeveless choli that resembles a sports bra.

During the 1960s, a woman was still not considered a 'lady' if her neckline was cut too daringly and bared too much, especially if she wore her sari pallu pulled to one side, giving a glimpse of her bosom. A lady of honour ideally covered her back and upper arms with a blouse made of a thicker fabric. Of course, not every woman followed the norm. In the 1970s and 1980s, the blouses went knotty, criss-crossed with a deep cut, and even shone through the sheer saree.[3] Anupama Raj, a boutique owner commented, "There is a very real need to re-invent the choli so that it can be worn with a variety of outfits. Just as we see the choli to be a deconstructed form of the blouse, we need to deconstruct the choli. Only then, will it be acceptable internationally." Bobby Malik, an exporter-turned-designer commented,"The choli is the most sensuous of all garments created for women. It not only flatters the feminine form, but also brings out the romanticism in a woman. But where Indian designers have failed is at giving it an international look and making it still more beautiful."[4]

Today the entire approach towards the choli is adventurous. Their metamorphosis has taken cholis from being demure and sedate to daring, with adventurous tailoring and innovative necklines, such as halter, tubes, backless or stringed.[5] Designer Manish Malhotra said, "Since most young people follow a healthy gym routine and are at ease with their bodies, they want to look different and still be effortlessly comfortable. They like to travel and carry a sense of Indianness around them."[3] Designer Vikram Phadnis said, "It's also to do with the fact that the new age woman is well-traveled, well-read and open to experimentation."[6] Sonora Kabir, another Delhi-based designer commented, "Normally, the choli is supposed to hover around the navel area. But if you crop the lower edges and combine it with a funky design — beads, embroidery etc.,— it would be chic enough to be worn over jeans or a pair of trousers."[4]

Fabrics[edit]

Actress Eesha Koppikhar in an embroidered choli.

Traditionally, the choli has been made from the same fabric as the sari, with many sari producers adding extra length to their products so that women can cut off the excess fabric at the end of the sari and use it to sew a matching choli. Cholis can be made from many fabrics.[citation needed] For everyday wear, cotton-based materials such as terry-cot and silk cotton are widely considered the most comfortable. Chiffon, silk, crepe and satin are best suited for formal occasions.[6] The ideal fabric for cholis in the summer is chiffon and georgette.[7] Sheer and other transparent fabrics are considered to add glamour, provided they come with an opaque lining in the right places. Cholis made out of velvet and suede are considered the deadliest faux pas in the Indian culture.[6]

Colours[edit]

The colour of the choli is usually matched with the colour of the sari. Currently, the cholis are worn in contrast colours to that of the colour of the sari.[8] Colours like black, white, navy blue, deep purple, crimson red, lemony yellow, hot pink and sea green are mostly preferred.[6] The colour of the moment is shades of blue and aqua.Designers also recommend that the skin tone should be taken into consideration before choosing what colour the blouse should be. Fairer skins are at an advantage as they can carry any colour. Darker hues such as navy and black can make one appear slimmer. Fluorescent colours are mostly avoided.[9]

Other than the colour, prints are also given significance. Embroidery on blouses that use threads of contrasting shades is considered trendy.[10] For formal occasions, embroidered blouses are still very popular.[9] When wearing a crepe sari, richly embroidered, sheer cholis are preferred.[11] Other embellishments that could make an appearance on your blouse include sequins, kundan work and crystals.[6]

See also[edit]

References[edit]

  1. ^ a b Katiyar, Vijay Singh. (2009). INDIAN SARIS – Traditions – Perspective – Design. New Delhi, Ahmedabad – INDIA: Wisdom Tree in association with NATIONAL INSTITUTE OF DESIGN. p. 24. ISBN 978-81-8328-122-5. 
  2. ^ India: past & present – Prakash Chander – Google Books. Google Books. Retrieved 13 November 2011. 
  3. ^ a b Nimisha Tiwari (June 19, 2011). "The choli lowdown!". Times of India. Retrieved 21 March 2012. 
  4. ^ a b Sumona Roy (August 31, 2002). "Deconstructing the choli into daring designs". The Tribune. Retrieved 13 April 2012. 
  5. ^ "Vidya Balan puts plunge cholis on fashion map". Times of India. December 20, 2011. Retrieved 12 April 2012. 
  6. ^ a b c d e NEETI SARKAR (June 26, 2010). "Choli ke peeche". The Hindu. Retrieved 21 March 2012. 
  7. ^ A.D.Singh (March 10, 2012). "Summer breezers". Deccan Chronicle. Retrieved 21 March 2012. 
  8. ^ MITALI PAREKH (August 8, 2011). "Try some feisty blouses!". Times of India. Retrieved 21 March 2012. 
  9. ^ a b Sujata Assomull (July 19, 1997). "The upper hand". The Indian Express. Retrieved 21 March 2012. 
  10. ^ V Lakshmi (October 6, 2009). "Sari fad: Mix 'n' match". Times of India. Retrieved 21 March 2012. 
  11. ^ "Choli check". Times of India. July 21, 2010. Retrieved 21 March 2012. 

External links[edit]

  • Media related to Choli at Wikimedia Commons