Crooked House

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For other uses, see Crooked House (disambiguation).
Crooked House
Crooked House First Edition Cover 1949.jpg
Dust-jacket illustration of the UK first edition.
Author Agatha Christie
Country United States
Language English
Genre Crime novel
Publisher Dodd, Mead and Company
Publication date
March 1949
Media type Print (hardback & paperback)
Pages 211 pp (first edition, hardback)
ISBN 978-0-00-713686-5
Preceded by The Rose and the Yew Tree
Followed by Three Blind Mice and Other Stories

Crooked House is a work of detective fiction by Agatha Christie first published in the US by Dodd, Mead and Company in March 1949[1] and in the UK by the Collins Crime Club on 23 May of the same year.[2] The US edition retailed at $2.50[1] and the UK edition at eight shillings and sixpence (8/6).[3]

The action takes place in and near London in the autumn of 1947. Christie said this and Ordeal by Innocence were her favourites.

Title meaning[edit]

The title refers to a nursery rhyme ("There Was a Crooked Man"), a common theme of the author. Narrator Charles' fiancée Sophia says it refers not to dishonesty, but rather "we hadn't been able to grow up independent...twisted and twining," meaning unhealthily interdependent on the intensely strong personality of the family patriarch, Aristide.

Plot summary[edit]

Three generations of the Leonides family live together under wealthy patriarch Aristide. His first wife died; her sister Edith has cared for the household since then. His second wife is the indolent Brenda, decades his junior, suspected of having a clandestine love affair with the grandchildren's tutor. After Aristide is poisoned by his own eye medicine (eserine), his granddaughter Sophia tells narrator and fiancé Charles Hayward that they cannot marry until the killer is apprehended. Charles' father, "The Old Man", is the Assistant Commissioner of Scotland Yard, so Charles investigates from the inside along with assigned detective, Chief Inspector Taverner.

Details[edit]

The first person narrator is Charles Hayward who, towards the end of the Second World War, occupies some post in Cairo. There he meets Sophia Leonides, a smart, successful young Englishwoman who works for the Foreign Office. They fall in love, but put off getting engaged until after the end of the war when they will be reunited in England.

Hayward returns home only to find an obituary in The Times: Sophia's grandfather, the wealthy entrepreneur Aristide Leonides, has died, aged 85. Due to the war, the whole family has been living with him in a sumptuous but ill-proportioned house called "Three Gables"–the 'crooked house' of the title. When the autopsy reveals that Leonides was poisoned with his own eserine-based eye medicine via an insulin injection, Sophia tells Charles that she can't marry him until the matter is cleared up.

The obvious suspects are Brenda Leonides, Aristide's much younger second wife, and Laurence Brown, a conscientious objector who has been living in the house as private tutor to Sophia's younger brother and sister, Eustace and Josephine. Rumour has it that Brenda and Laurence have been carrying on an illicit love affair right under old Leonides's nose. All the family members hope these two prove to be the murderers because they despise Brenda as a gold digger and also hope to escape the scandal that a different outcome would bring. When police interviews fail to turn up a clear suspect, Charles agrees to help his father, an Assistant Commissioner of Scotland Yard, investigate the crime. He becomes a house guest at Three Gables, hoping that someone might reveal a clue at an unguarded moment.

All the family members had motive and opportunity, none has an alibi, and everyone knew that Aristide's eye medicine was poisonous. Moreover, according to the will of record, they all stand to gain a healthy bequest from the old man's estate. Aside from this, the family members have little in common. Edith de Haviland, Aristide's unmarried sister-in-law, is a brusque woman in her 70s who came to stay with him after his first wife's death to supervise his children's upbringing. Roger, the eldest son and always Aristide's favourite, is a failure as businessman and has steered the catering business bestowed to him by his father to the brink of bankruptcy; he longs to live a simple life somewhere far away. Roger's wife Clemency, a scientist with austere and unsentimental tastes, has never been able to enjoy the wealth offered by her husband's family. Philip, Roger's younger brother, has suffered all his life under his father's preference for Roger and retreated into a distant world of books and bygone historical epochs, spending all his waking hours in the library of the house. Philip's wife Magda is an only modestly successful actress to whom everything, even a murder in the family, is a stage show in which she wants to play a leading part. Sixteen-year-old Eustace, suffering from the aftereffects of a mild case of polio, is handsome and intelligent, yet embittered by his disability. His twelve-year-old sister Josephine, on the other hand, is ugly, precociously intelligent, and so obsessed with detective stories that she spies continually on the rest of the household, letting everyone know that she is writing down her observations in a secret notebook.

Things get complicated when it is revealed that Leonides secretly redrafted his will to leave everything to Sophia because he believed that only she had the strength of character to assume his place as the head of the family. Next, Josephine–who has been bragging that she knows the killer's identity–is found lying in the yard, unconscious from a severe blow to the head from a marble doorstop. At this point, Charles discovers a cache of incriminating love letters from Brenda to Laurence, and the two are arrested. While they are in custody, however, the children's nanny dies after drinking a digitalis-laced cup of cocoa that had apparently been intended for Josephine, and the family realises that the killer is still among them.

Charles, afraid for Josephine's life, tries in vain to induce her to tell him the murderer's name. Afterwards, Edith de Haviland invites the girl to come out with her in the car for an ice cream soda—then drives over a cliff. Both die instantly.

Back at Three Gables, Charles finds two letters from de Haviland: one is a suicide note for Chief Inspector Taverner confessing to the murders of Aristide, the nanny, and Josephine. The other letter, intended for Charles's eyes only, reveals the truth of the matter – Josephine is the murderer. As proof, de Haviland has enclosed the child's secret notebook, the first line of which reads "Today I killed grandfather".

It is revealed that she committed the murder simply because her grandfather wouldn't pay for her ballet lessons; she then revelled in all the attention she received afterwards and planned her own assault with the marble doorstop as a way of diverting attention. She poisoned Nannie for encouraging Magda to send her to Switzerland, and also because she despised her for calling her a 'silly little girl'. Edith discovered Josephine's notebook hidden in a dog kennel, and killed her and died in an intentional car crash because she didn't want her to suffer when the police discovered the truth.

Characters[edit]

  • Charles Hayward, fiancé to Sophia Leonides, narrator
  • Sophia Leonides, daughter of Magda and Philip Leonides, granddaughter of Aristide
  • Brenda Leonides, spoiled much younger widow of Aristide Leonides
  • Magda West, "drama queen" stage actress
  • Edith de Haviland, Sophia's elderly great-aunt, sister of Aristide Leonides' first wife
  • Roger Leonides, son of Aristide Leonides
  • Clemency Leonides, his wife, a scientist
  • Philip Leonides, Magda's husband and Roger's brother
  • Laurence Brown, teacher to Josephine and Eustace
  • Josephine Leonides, Magda's 12-year-old daughter
  • Eustace Leonides, her older brother
  • Janet Rowe, the Leonides children's nanny
  • Chief Inspector Taverner, Scotland Yard inspector assigned
  • "The Old Man", Assistant Commisssioner of Scotland Yard, father of Charles Hayward

Reception[edit]

Maurice Richardson, in the 29 May 1949 issue of The Observer gave a positive review in comparison to his opinion of Taken at the Flood the previous year: "Her forty-ninth book and one of her best seven. Poisoning of aged iniquitous anglicised Levantine millionaire. Nicely characterised family of suspects. Delicious red herrings. Infinite suspense and shocking surprise finish make up for slight looseness of texture."[4]

An unnamed reviewer in the Toronto Daily Star of 12 March 1949 wrote: "Chief Inspector Taverner of Scotland Yard was as brilliant as usual but barking up the wrong tree – as Agatha Christie demonstrates in a surprise ending which introduces a novel idea in murder mystery."[5]

Robert Barnard: "'Pure pleasure' was how the author described the writing of this, which was long planned, and remained one of her favourites. As the title implies, this is a family murder – and a very odd family indeed. The solution, one of the classic ones, was anticipated (but much less effectively) in Margery Allingham's 'prentice work The White Cottage Mystery."[6]

Film, TV or theatrical adaptations[edit]

The novel was adapted for BBC Radio 4 in four weekly 30-minute episodes which began broadcasting on 29 February 2008. It starred Rory Kinnear (Charles Hayward), Anna Maxwell Martin (Sophia Leonides), and Phil Davis (Chief Insp. Taverner). The radio play was dramatised by Joy Wilkinson and directed by Sam Hoyle. It was subsequently issued on CD. This version removed the character of Eustace.

In 2011, US filmmaker Neil La Bute announced that he would be directing a feature film version, for 2012, of the novel with a script by Julian Fellowes.[7] On 15 May 2011, Gemma Arterton, Matthew Goode, Gabriel Byrne and Dame Julie Andrews were announced to lead the cast.[8] In a report issued on 10 June 2012, Sony Pictures Worldwide Acquisitions acquired all rights in the US, Canada and internationally for the film, which could help secure it a lucrative release – but it should also be noted the report states that casting is about to gear up in London as the film is set for a fall production start, suggesting that the initial cast line-up may have been changed for now.

Publication history[edit]

  • 1949, Dodd Mead and Company (New York), March 1949, Hardback, 211 pp
  • 1949, Collins Crime Club (London), 23 May 1949, Hardback, 192 pp
  • 1951, Pocket Books (New York), Paperback, (Pocket #753), 200 pp
  • 1953, Penguin Books, Paperback, (Penguin #925), 191 pp
  • 1959, Fontana Books (Imprint of HarperCollins), Paperback, 191 pp
  • 1967, Greenway collected works (William Collins), Hardcover, 223 pp
  • 1967, Greenway collected works (Dodd Mead), Hardcover, 223 pp
  • 1978 Omniprose collected works with Passenger to Frankfurt, Hardcover, 472 pp, isbn 0921111096
  • 1991, Ulverscroft Large-print Edition, Hardcover, ISBN 0-7089-2419-0

A condensed version of the novel was first published in the US in Cosmopolitan magazine in the issue for October 1948 (Volume 125, Number 4) with an illustration by Grushkin.

In the UK the novel was first serialised in the weekly magazine John Bull in seven abridged instalments from 23 April (Volume 85, Number 2234) to 4 June 1949 (Volume 85, Number 2240) with illustrations by Alfred Sindall.[9]

International titles[edit]

  • Czech: Hadí doupě (Snakes' Den)
  • Dutch: Het kromme huis (The Crooked House)
  • French: La Maison biscornue (The Crooked House)
  • German: Das krumme Haus (The Crooked House)
  • Greek: Η σοφίτα με τις αράχνες (The Attic with the spiders)
  • Hungarian: A ferde ház / Ferde ház ([The] Crooked House)
  • Norwegian: Morder i huset (A murderer in the house)
  • Polish: Dom Zbrodni (The House of crime)
  • Portuguese (Brazil): A Casa Torta (The Crooked House)
  • Portuguese (Portugal): A Última Razão do Crime (The Crime's Ultimate Motive)
  • Serbian: Ukleta kuća (The Crooked House)
  • Spanish: La casa torcida (Crooked House)
  • Swedish: Konstiga huset ([The] Strange House)

References[edit]

  1. ^ a b American Tribute to Agatha Christie
  2. ^ The Scotsman 19 May 1949 (p. 9)
  3. ^ Chris Peers, Ralph Spurrier and Jamie Sturgeon. Collins Crime Club – A checklist of First Editions. Dragonby Press (Second Edition) March 1999 (p. 15)
  4. ^ The Observer, 29 May 1949 (p. 8)
  5. ^ Toronto Daily Star, 12 March 1949 (p. 29)
  6. ^ Barnard, Robert. A Talent to Deceive – an appreciation of Agatha Christie – Revised edition (p. 190). Fontana Books, 1990. ISBN 0-00-637474-3
  7. ^ Eden, Richard (20 March 2011). "'Downton Abbey' creator Julian Fellowes to make Agatha Christie fashionable again". The Daily Telegraph (London). 
  8. ^ Higgins, Charlotte (15 May 2011). "Cannes 2011: Neil LaBute turns his macabre hand to Agatha Christie". The Guardian (London). 
  9. ^ Holdings at the British Library (Newspapers – Colindale). Shelfmark: NPL LON LD116.

External links[edit]