Les Liaisons dangereuses

From Wikipedia, the free encyclopedia

This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (January 2009)

Dangerous Liaisons
Illustration from 1796 edition
Author	Pierre Choderlos de Laclos
Original title	Les Liaisons dangereuses
Translator	P. W. K. Stone
Illustrator	Fragonard
Country	France
Language	French
Genre(s)	Epistolary novel
Publisher	Durand Neveu
Publication date	March 23, 1782
Published in English	30 November 1961
Media type	Print (Paperback)
Pages	400
ISBN	9780140441161
OCLC Number	52565525

Les Liaisons dangereuses (Dangerous Liaisons) is a French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782.

It is the story of the Marquise de Merteuil and the Vicomte de Valmont, two rivals who use sex as a weapon to humiliate and degrade others, all the while enjoying their cruel games. It has been claimed to depict the decadence of the French aristocracy shortly before the French Revolution, thereby exposing the perversions of the so-called Ancien Régime. However, it has also been described as a vague, amoral story.

The book is an epistolary novel, composed entirely of letters written by the various characters to each other. In particular, the letters between Valmont and the Marquise drive the plot, with those of other characters serving as illustrations to give the story its depth.

It is often claimed to be the source of the saying "Revenge is a dish best served cold", a paraphrased translation of "La vengeance est un plat qui se mange froid" (more literally, "Revenge is a dish that is eaten cold"). However the expression does not actually occur in the original novel.

Contents 1 Plot summary 2 Literary significance and criticism 3 Adaptations 3.1 Film 3.2 Television 3.3 Radio 3.4 Opera 3.5 Ballet 3.6 Sequel 4 References 5 Sources

[edit] Plot summary

The Vicomte de Valmont is determined to seduce the virtuous (and married) Madame de Tourvel, who is living with Valmont's aunt while Monsieur de Tourvel is away for a court case. At the same time, the Marquise de Merteuil is determined to corrupt the young Cécile de Volanges, whose mother has only recently brought her out of a convent to be married to a former lover of Merteuil. Cécile falls in love with the Chevalier Danceny (her music tutor) and Merteuil and Valmont pretend to want to help the secret lovers in order to gain their trust, so that they can use them later in their own schemes.

Merteuil suggests that the Vicomte seduce Cécile in order to exact her revenge on Cécile's future husband. Valmont refuses, finding the task too easy, and preferring to devote himself to seducing Madame de Tourvel. Merteuil promises Valmont that if he seduces Madame de Tourvel and provides her with written proof, she will spend the night with him. He expects rapid success, but does not find it as easy as his many other conquests. During the course of his pursuit, he discovers that Cécile's mother has written to Madame de Tourvel about his bad reputation. He avenges himself in seducing Cécile as Merteuil had suggested. In the meantime, Merteuil takes Danceny as a lover.

By the time Valmont has succeeded in seducing Madame de Tourvel, it is suggested that he might have fallen in love with her. Jealous, Merteuil tricks him into deserting Madame de Tourvel — and reneges on her promise of spending the night with him. In response Valmont reveals that he prompted Danceny to reunite with Cécile, thus abandoning Merteuil. Merteuil declares war on Valmont, as such she reveals to Danceny that Valmont seduced Cécile. Danceny and Valmont duel. Valmont is fatally wounded, but before he dies he is reconciled with Danceny, giving him the letters proving Merteuil's own involvement. Two of these letters are sufficient to ruin her health and her reputation, and she flees the country. Furthermore, her face is left permanently scarred by illness, and so she loses her greatest asset: her beauty. But the innocent still suffer: hearing of Valmont's death, Madame de Tourvel succumbs to a fever, while Cécile returns to the convent.

[edit] Literary significance and criticism

Les Liaisons dangereuses is celebrated for its exploration of seduction, revenge, and human malice, presented in the form of fictional letters collected and published by a fictional author. 'The book wasn't viewed as scandalous at the time of its publications, though the real intentions of the author remain unknown. It has been suggested that Laclos's intention was the same as that of his fictional author in the novel; to write a morality tale about the corrupt, squalid nobility of the Ancien Régime. However, this theory has been questioned on several grounds. In the first place, Laclos enjoyed the patronage of France's most senior aristocrat - the duc d'Orléans. Secondly, all the characters in the story are aristocrats, including the virtuous heroines - Madame de Tourvel and Madame du Rosemonde. Finally, many ultra-royalist and conservative figures enjoyed the book, including Queen Marie-Antoinette, which suggests that - despite its scandalous reputation - it was not viewed as a political work until the events of the French Revolution years later made it appear as such, with the benefit of hindsight.

Wayland Young notes that most critics have viewed the work as

... a sort of celebration, or at least a neutral statement, of libertinism... pernicious and damnable... Almost everyone who has written about it has noted how perfunctory are the wages of sin..."^[1]

He argues, however, that

... the mere analysis of libertinism… carried out by a novelist with such a prodigious command of his medium... was enough to condemn it and play a large part in its destruction.^[1]

[edit] Adaptations

The novel was adapted by the German playwright Heiner Müller in 1981, entitled Quartet. The novel has also been made into a play by Christopher Hampton which opened on London's West End and later crossed over to Broadway with Alan Rickman originating the role of the Vicomte de Valmont, Lindsay Duncan as Marquise de Merteuil, and Juliet Stevenson as Tourvel. It has also been adapted into various other media, under many different names.

[edit] Film

• Les Liaisons dangereuses (1959), directed by Roger Vadim and starring Jeanne Moreau, Gérard Philipe, and Annette Vadim. In this version, Vadim updates the story to a late-1950s French bourgeois milieu.
• Uiheomhan gwangye - literally "Dangerous Liaison" in Korean - (1970), a Korean adaptation directed by Young Nam Ko and starring Mu-ryong Choi, Hie Mun, and Ji-myeong Oh^[2]
• Dangerous Liaisons (1988), directed by Stephen Frears and starring Glenn Close, John Malkovich, and Michelle Pfeiffer (based on Hampton's play). This version uses 18th century costumes and dazzling shots of the Île-de-France region around Paris. It was nominated for multiple Academy Awards including Best Picture.
• Valmont (1989), directed by Miloš Forman and starring Annette Bening, Colin Firth, and Meg Tilly.
• Cruel Intentions (1999), directed by Roger Kumble and starring Sarah Michelle Gellar, Ryan Phillippe, and Reese Witherspoon relocates the story to modern-day New York and is set amongst upper-class High School teens.
• Untold Scandal (2003), directed by Lee Je Yong and starring Lee Mik Suk, Jeon Do Yeon, and Bae Yong Joon (transposes setting to 18th century Korea).
• Michael Lucas' Dangerous Liaisons (2005), an X-rated gay pornographic film variously described as a film adaptation and a remake. Directed by Michael Lucas with non-sexual cameo appearances by Boy George, Lady Bunny, Amanda Lepore, Hedda Lettuce, Michael Musto, Graham Norton, RuPaul, and Bruce Vilanch.

[edit] Television

• Les Liaisons dangereuses (1980), a French television film directed by Claude Barma, starring Claude Degliame, Jean-Pierre Bouvier and Maïa Simon)^[3]
• Les Liaisons dangereuses (TV miniseries) (2003), a French television miniseries directed by Josée Dayan and starring Catherine Deneuve, Rupert Everett, Leelee Sobieski and Nastassja Kinski, which relocates the story to the 1960s^[4]

[edit] Radio

• An eight-part adaptation of the novel was broadcast as BBC Radio 4's "Woman's Hour Drama" (20-30 July 1992). It starred Juliet Stevenson, Samuel West, Melinda Walker, Diana Rigg, and Roger Allam.
• A two-part presentation of Christopher Hampton's play by BBC World Service in 1998. It starred Ciaran Hinds (Vicomte de Valmont), Lindsay Duncan (Marquise de Merteuil), and Emma Fielding (Mme. de Tourvel). It won the Grand Award for Best Entertainment Program at the New York Radio Festival.

[edit] Opera

• The Dangerous Liaisons (1994, rev. 1996–1997) by the American composer Conrad Susa, commissioned by the San Francisco Opera. The opera was also aired on television in 1994 under the direction of Gary Halvorson and starring Frederica von Stade, Thomas Hampson, and Renée Fleming^[5]
• Les liaisons dangereuses (1996) by Belgian composer Piet Swerts

[edit] Ballet

• In 2008, the Alberta Ballet performed a ballet version of Dangerous Liaisons ^[6]

[edit] Sequel

• A Factory of Cunning (2005, ISBN 0 316 72928 0) by the English authoress Philippa Stockley describes the subsequent fate of the Marquise de Merteuil.

[edit] References

French Wikisource has original text related to this article: Les Liaisons dangereuses

[edit] Sources

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.

• Young, Wayland (1964). Eros Denied: Sex in Western Society. New York: Grove. ISBN 1125404167. 
• Diaconoff, Suellen (1979). Eros and power in Les Liaisons dangereuses: a study in evil. Geneva: Droz.