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Alex Grey (born November 29, 1953 in Columbus, Ohio) is an artist specializing in spiritual and psychedelic art (or visionary art) that is sometimes associated with the New Age movement. His oeuvre spans a variety of forms including performance art, installation art, sculpture, and painting. Grey is a member of the Integral Institute. He is also on the board of advisors for the Center for Cognitive Liberty and Ethics, and is the Chair of Wisdom University's Sacred Art Department. He and his wife Allyson Grey are the co-founders of the Chapel of Sacred Mirrors, aka CoSM, a not for profit institution supporting Visionary Culture in New York City.

Biography

Alex Grey was born in Columbus, Ohio on November 29, 1953 (Sagittarius), the middle child of a gentle middle-class couple. His father was a graphic designer and encouraged his son's drawing ability. Young Alex would collect insects and dead animals from the suburban neighborhood and bury them in the back yard. The themes of death and transcendence weave throughout his artworks, from the earliest drawings to later performances, paintings and sculpture. He went to the Columbus College of Art and Design for two years (1971-73), then dropped out and painted billboards in Ohio for a year (1973-74). Grey then attended the Boston Museum School for one year, to study with the conceptual artist, Jay Jaroslav.

At the Boston Museum School he met his wife, the artist Allyson Rymland Grey. During this period he had a series of entheogenically induced mystical experiences that transformed his agnostic existentialism to a radical transcendentalism. The Grey couple would trip together on LSD. Alex then spent five years at Harvard Medical School working in the Anatomy department studying the body and preparing cadavers for dissection. He also worked at Harvard's department of Mind/Body Medicine with Dr. Herbert Benson and Dr. Joan Borysenko, conducting scientific experiments to investigate subtle healing energies. Alex's anatomical training prepared him for painting the Sacred Mirrors (explained below) and for doing medical illustration. When doctors saw his Sacred Mirrors, they asked him to do illustration work. Grey was an instructor in Artistic Anatomy and Figure Sculpture for ten years at New York University, and now teaches courses in Visionary Art with Allyson at The Open Center in New York City; the Naropa Institute in Boulder, Colorado; the California Institute of Integral Studies and the Omega Institute in Rhinebeck, New York.

In 1972 Grey began a series of art actions that bear resemblance to rites of passage, in that they present stages of a developing psyche. The approximately fifty performance rites, conducted over the last thirty years, move through transformations from an egocentric to more sociocentric and increasingly worldcentric and theocentric identity. The most recent performance was WorldSpirit, a spoken word and musical collaboration with Kenji Williams which was released in 2004 as a DVD.

Grey's unique series of 21 life-sized paintings, the Sacred Mirrors (on display at the Chapel of Sacred Mirrors in New York City), takes the viewer on a journey toward their own divine nature by examining, in detail, the body, mind, and spirit. The Sacred Mirrors present the physical and subtle anatomy of an individual in the context of cosmic, biological and technological evolution. Begun in 1979, the series took a period of ten years to complete. It was during this period that he developed his depictions of the human body that "x-ray" the multiple layers of reality, and reveal the interplay of anatomical and spiritual forces. After painting the Sacred Mirrors, he applied this multidimensional perspective to such archetypal human experiences as praying, meditation, kissing, copulating, pregnancy, birth, nursing and dying. Grey’s recent work has explored the subject of consciousness from the perspective of "universal beings" whose bodies are grids of fire, eyes and infinite galactic swirls.

Renowned healers Olga Worral and Rosalyn Bruyere have expressed appreciation for the skillful portrayal of clairvoyant vision in his paintings of translucent glowing bodies. Grey's paintings have been featured in venues as diverse as the album art of Tool, SCI, the Beastie Boys and Nirvana, Newsweek magazine, the Discovery Channel, Rave flyers and sheets of blotter acid. His work has been exhibited worldwide, including Feature Inc., Tibet House, Stux Gallery, P.S. 1, The Outsider Art Fair and the New Museum in NYC, the Grand Palais in Paris, the Sao Paulo Biennial in Brazil. Alex has been a keynote speaker at conferences all over the world including Tokyo, Amsterdam, Basel, Barcelona and Manaus. The international psychedelic community has embraced Grey as an important mapmaker and spokesman for the visionary realm.

A large installation called Heart Net by Alex and his wife, Allyson, was displayed at Baltimore's American Visionary Art Museum in 1998-99. A mid-career retrospective of Grey's works was exhibited at the Museum of Contemporary Art, San Diego in 1999. The large format art book, Sacred Mirrors: The Visionary Art of Alex Grey has been translated into five languages and has sold over one hundred thousand copies, unusual for an art book. His inspirational book, The Mission of Art, traces the evolution of human consciousness through art history, exploring the role of an artist's intention and conscience, and reflecting on the creative process as a spiritual path.

Transfigurations is Alex's second large-format monograph, containing over 300 color and black & white images of his work. Sounds True has released The Visionary Artist, a CD of Grey's reflections on art as a spiritual practice. ARTmind is the artist's recent video exploring the healing potential of Sacred Art. Grey co-edited the book, Zig Zag Zen: Buddhism and Psychedelics (Chronicle Books, 2002). In 2004 Grey’s VISIONS boxed set containing a portfolio of new works and Sacred Mirrors and Transfigurations, his collected works. The Chapel of Sacred Mirrors, CoSM, a long-term exhibition of fifty works of transformative art by Grey opened in the Fall of 2004 in New York City. He lives in New York City with his wife, the painter, Allyson Grey and their daughter, the actress, Zena Grey.

Paintings

Grey's paintings can be described as an unusual and contemporary blend of sacred or visionary art and postmodern art; one term used to describe the artist's work is "transpersonal". His work often depicts aspects of the supernatural world overlayed with aspects of the natural world. Some viewers report that elevated or spiritual states are induced while viewing his images, which might be described as the traditional purpose of sacred art. His work has an eclecticism that often integrates auras, human anatomy, religious icons (sometimes reminiscent of thangkas), geometric shapes and tessellations (sometimes reminiscent of mandalas), in natural, industrial, and multicultural situations. The human figures are sometimes shown nude (usually with partially translucent skin), in sexual situations, or in the act of meditation. This incorporation of the "high" and "low", the sacred and secular, gives Grey's art a postmodern feel. However, the sacred aspect essentially expunges any sense of irony often associated with postmodern art (one might cite some people's reactions to the art of Andy Warhol).

Philosophy

Grey has also made his own contribution to the philosophy of art in his book The Mission of Art (1998). Therein, he promotes the possibility of the mystical potential of art: he argues that the process of artistic creation can (and should) play a role in the enlightenment of the artist. For him, the process of artistic creation holds the potential of transcending the limitations of the mind and more fully expressing the divine spirit. He also believes that art can induce within the viewer an elevated state wherein spiritual states of being are attained.

In an interview with Ken Wilber for Integral Naked, Grey described an experience of the shared hallucination between him and his wife, which led him to believe in spirituality and spiritual practice.

Reception

Painting and music groups

Grey's artwork has often been used by music groups on their album covers.

An album of David Byrne remixes called Visible Man featured Grey's artwork.
Michael Hedges's album Torched features one of Grey's "Holy Fire" paintings on the cover.
Nirvana's album In Utero featured Grey's art as album artwork.
The cover of the String Cheese Incident's album Untying the Not features Grey's work Cosmic Elf, commissioned specifically for the album.
The rock band Tool has featured Grey's artwork as album artwork for their album Lateralus. He also executed the stage design for Tool for the associated tour that included massive reproductions of the album artwork as well as provide the artwork for the 2006 Tool album 10,000 Days. Tool also used a few paintings from Alex on their 2007 tour of Europe, Asia, and North America
Grey's most intimate collaboration with an artist other than his wife, has been with creative director and musical composer Kenji Williams in the 2004 live multimedia performance and DVD Worldspirit - featuring the animated artwork and live spoken word of Alex Grey, coupled with the project direction and live music of Kenji Williams.
The alleged mystical properties of Grey's artwork are discussed in Stuart Davis' 2006 DVD Between the Music.

In the media

Grey's artwork has been featured on the cover of Sub Rosa, Newsweek, High Times, Shaman's Drum, Shambhala Sun, Juxtapoz, Vision, Gnosis and The Healing Power of Neurofeedback: The Revolutionary LENS Technique for Restoring Optimal Brain Function.

The Discovery Channel included Grey in a feature on art and creativity in altered states.

The Viking Youth Power Hour interviewed Alex & Allyson Grey about the role of sacred art, the holy shenanigans of Burning Man, and the development of his process.

Grey's work and his Chapel of Sacred Mirrors gallery in New York City featured in a 2006 DVD release CoSM The Movie directed by Nick Krasnic.

In Variable Star, a science fiction novel written by Spider Robinson based on a story outline by Robert A. Heinlein, Robinson devotes several pages to his protagonist's discovery of Grey's Sacred Mirrors and Progress of the Soul series, and to using them to enhance meditation.^[1]

Collections

Transfigurations
Visions

Publications

1990 - Sacred Mirrors: The Visionary Art of Alexander Grey (Alex Grey) (Inner Traditions Bear and Company) ISBN 0892813148
2001 - Transfigurations (Alex Grey) (Inner Traditions Bear and Company) ISBN 0892818514
2001 - The Mission of Art (Alex Grey) (Shambhala Publications Inc.) ISBN 157062545X
2007 - Metamorphosis (beinArt) ISBN 978-0-9803231-0-8

References

^ Heinlein, Robert (2006). Variable Star (1st edition ed.). New York: Tom Doherty Associates. pp. pp. 170-173. ISBN 076531312X. {{cite book}}: |edition= has extra text (help); |pages= has extra text (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)

External links

Alex Grey's Home Page
Chapel of Sacred Mirrors home page
Interview with Joel Metzger for the Online Noetic Network
The Have You Seen God Mandala Collection, including work by Alex Grey
Alex Grey - Visionary Art Collective - Website documenting living contemporary Surreal, Fantastic Realists and Visionary artists
Alex Grey MP3 audio - from Shift in Action, sponsored by Institute of Noetic Sciences
Interview and art pieces in MungBeing Magazine
Worldspirit DVD
CoSM The Movie DVD
Alex Grey on Integral Naked - Art, MP3 interview, Video

[robinson-1] Heinlein, Robert (2006). Variable Star (1st edition ed.). New York: Tom Doherty Associates. pp. pp. 170-173. ISBN 076531312X. {{cite book}}: |edition= has extra text (help); |pages= has extra text (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)

[1]

@@ Line 18: / Line 18: @@
 == Paintings ==
-Grey's [[painting]]s can be described as an unusual and [[contemporary art|contemporary]] blend of [[sacred art|sacred]] or [[visionary art]] and [[postmodern art]]; one term used to describe the artist's work is "[[transpersonal]]".  His work often depicts aspects of the [[supernatural]] world overlayed with aspects of the [[natural world]]. Some viewers report that elevated or spiritual states are induced while viewing his images, which might be described as the traditional purpose of [[sacred art]].  His work has an [[Eclecticism in art|eclecticism]] that often integrates [[aura]]s, [[human]] [[anatomy]], [[religious]] [[icon]]s (sometimes reminiscent of [[thangka]]s), [[geometry|geometric]] [[shape]]s and [[tessellation]]s (sometimes reminiscent of [[mandala]]s), in [[nature|natural]], [[Industrialisation|industrial]], and [[multicultural]] situations.  The human figures are sometimes shown [[nude]] (usually with partially translucent skin), in [[sexual intercourse|sexual]] situations, or in the act of [[meditation]]. This incorporation of the "high" and "low", the [[sacred]] and [[secular]], gives Grey's art a [[postmodern art|postmodern]] feel.  However, the sacred aspect essentially expunges any sense of [[irony]] often associated with [[postmodern art]] (one might cite some people's reactions to the art of [[Andy Warhol]]). In contrast, Grey's approach to the human figure is decisively clinical, which conceptually trivializes the spirituality of his work. Regardless, the [[spirituality|spiritual]] aspect provides an organization that enables Grey to overcome his eclecticism; his work may thus be characterized as [[syncretism|syncretic]].
+Grey's [[painting]]s can be described as an unusual and [[contemporary art|contemporary]] blend of [[sacred art|sacred]] or [[visionary art]] and [[postmodern art]]; one term used to describe the artist's work is "[[transpersonal]]".  His work often depicts aspects of the [[supernatural]] world overlayed with aspects of the [[natural world]]. Some viewers report that elevated or spiritual states are induced while viewing his images, which might be described as the traditional purpose of [[sacred art]].  His work has an [[Eclecticism in art|eclecticism]] that often integrates [[aura]]s, [[human]] [[anatomy]], [[religious]] [[icon]]s (sometimes reminiscent of [[thangka]]s), [[geometry|geometric]] [[shape]]s and [[tessellation]]s (sometimes reminiscent of [[mandala]]s), in [[nature|natural]], [[Industrialisation|industrial]], and [[multicultural]] situations.  The human figures are sometimes shown [[nude]] (usually with partially translucent skin), in [[sexual intercourse|sexual]] situations, or in the act of [[meditation]]. This incorporation of the "high" and "low", the [[sacred]] and [[secular]], gives Grey's art a [[postmodern art|postmodern]] feel.  However, the sacred aspect essentially expunges any sense of [[irony]] often associated with [[postmodern art]] (one might cite some people's reactions to the art of [[Andy Warhol]]).
 ==Philosophy==