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Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of ''[[The Adventures of Pete & Pete]]'' as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on ''[[Sesame Street]]'' playing a reworked version of "[[Shiny Happy People]]" called "Furry Happy Monsters", and appeared in an episode of ''[[The Simpsons]]'' titled "[[Homer the Moe]]", where R.E.M. was tricked into playing a show in [[Homer Simpson]]'s garage. He also appeared as an accountant helping a Cino-Franco-American buy a dying railroad in the beautifully filmed late 40's period piece [[Color of a Brisk and Leaping Day]].
Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of ''[[The Adventures of Pete & Pete]]'' as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on ''[[Sesame Street]]'' playing a reworked version of "[[Shiny Happy People]]" called "Furry Happy Monsters", and appeared in an episode of ''[[The Simpsons]]'' titled "[[Homer the Moe]]", where R.E.M. was tricked into playing a show in [[Homer Simpson]]'s garage. He also appeared as an accountant helping a Cino-Franco-American buy a dying railroad in the beautifully filmed late 40's period piece [[Color of a Brisk and Leaping Day]].



== Michael Stipe in fiction ==
In the science fiction book [[World War Z]] the war veteran Todd Wainio tells the interviewer that he is absolutely sure (though he never got him to admit it) that one of his fellow soldiers in the war against the zombies was Michael Stipe.


==Discography==
==Discography==

Revision as of 01:30, 9 November 2009

Template:Infobox musical artist 2 John Michael Stipe (born January 4, 1960) is an American singer who is the lead vocalist for the alternative rock band R.E.M. Stipe has become well-known (and occasionally parodied) for the "mumbling" style of his early career and for his complex, surreal lyrics, as well as his social and political activism. Stipe is in charge of the band's visual image, often selecting album artwork and directing many of the band's music videos. Stipe's work extends outside of the music industry, and he runs his own film production companies, C-00 and Single Cell Pictures.

Biography

Early life

Stipe was born in Decatur, Georgia on January 4, 1960. Stipe was a military brat; his father was a serviceman in the United States Army whose career resulted in frequent relocations for his family. Stipe and his family moved to various locales during his childhood, including Germany, Texas, Illinois, Alabama and Georgia. Stipe graduated from high school in 1978, and enrolled at the University of Georgia in Athens, Georgia, as an art major, studying photography and painting.

Formation of R.E.M.

Main article: R.E.M.

While attending college in Athens, Stipe frequented the Wuxtry record shop where he met store clerk Peter Buck in 1980. "He was a striking-looking guy and he also bought weird records, which not everyone in the store did", Buck recalled. The two became friends and eventually decided to form a band.[1] Buck and Stipe started writing music together;[2] at the time Stipe also spent time in a local group named Gangster.[3] The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary.[4]

All four members of R.E.M. dropped out of school in 1980 to focus on the band.[5] Stipe was the last to drop out. The band issued its debut single, "Radio Free Europe", on Hib-Tone. The song was a college radio success and the band signed to I.R.S. Records for the release of the Chronic Town EP one year later. R.E.M. released its debut album Murmur in 1983, which was widely acclaimed by critics. Stipe's vocals and lyrics received particular attention from listeners.[6] The band's second album, Reckoning, followed in 1984 Murmur went on to win the Rolling Stone Critics Poll Album of the Year over Michael Jackson's Thriller.

R.E.M. traveled to England to record its third album Fables of the Reconstruction (1985). The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and poor food.[7] [6] Even after the album was released, relationships were tense within the band. Stipe said of the period, "I was well on my way to losing my mind".[7] Stipe gained weight and his behavior became more eccentric; he shaved his hair into a monk's tonsure.

Mainstream popularity

With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. According to Stipe, he did not start the rumor and he does not know who did.

"Not that I can tell. I wore a hat that said 'White House Stop AIDS'. I’m skinny. I’ve always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason – whether it's a hat, or the way I carry myself – as being queer-friendly."[8]

In 1994, Stipe officially came forward about his sexuality describing himself as "an equal opportunity lech"[11] and said he doesn't define himself as gay, straight, or bisexual, but that he was attracted to and had relationships with both men and women. In 1995 Stipe was on the cover of Out Magazine. Stipe described himself as a "queer artist" in Time Magazine in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point.[10] Stipe was also featured on the cover of BUTT Magazine in 2003.

Stipe had planned a collaboration with Nirvana's Kurt Cobain in 1994, but did not manage to compose or record anything before Cobain's death. Stipe was chosen as the godfather of Kurt Cobain and Courtney Love's daughter, Frances Bean Cobain.[9]

Stipe was once very close to fellow singer Natalie Merchant and has recorded a few songs with her, including one titled "Photograph" which appeared on a pro-choice benefit album entitled Born to Choose and they have appeared live with Peter Gabriel singing Gabriel's single "Red Rain".

In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith and worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.

Stipe was a vegetarian from 1980 to 2000 and again from 2002 through 2003.

Recent years

Stipe at Glastonbury with his "Goblin" make up

In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith and worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.


In 2006, Stipe released an EP that comprised six different cover versions of Joseph Arthur's "In The Sun" for the Hurricane Katrina disaster relief fund. One version, recorded in a collaboration with Coldplay's Chris Martin, reached number one on the Canadian Singles Chart.[1]. Also in 2006, Stipe appeared on the song "Broken Promise" on the Placebo release Meds. Continuing his non-R.E.M. work in 2006, Stipe sang the song "L'Hôtel" on the tribute album to Serge Gainsbourg entitled "Monsieur Gainsbourg Revisited" and appeared on the song "Dancing on the Lip of a Volcano" on the New York Dolls album "One Day It Will Please Us to Remember Even This".

In 2008, Stipe collaborated with Lacoste to release his own "holiday collector edition" brand of polo shirt. The design depicts the view of a concert audience from the view of the performer on stage.[8]

Musical style

Stipe's role in the songwriting process for R.E.M. is to write lyrics and devise melodies.[9] While each member is given an equal vote in the songwriting process, Peter Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor.[10] Stipe sings in "wailing, keening, arching vocal figures" that R.E.M. biographer David Buckley compared to Celtic folk artists and Muslim mujahideen.[6] Stipe often harmonizes with Mills in songs; in the chorus for "Stand," Mills and Stipe alternate singing lyrics, creating a dialogue.[11] Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable.[12] Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false."[13]

"That voice. It's an extraordinary voice," said U2's Bono in 2003.[14] "I often tell him I think he's a crooner, and he doesn't like that very much. But it is sort of one part some sort of Bing Crosby '50s laid-back crooner, and one part Dolly Parton," he added, laughing.

Stipe insisted that many of his early lyrics were "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, many early R.E.M. songs had definite lyrics that Stipe wrote with care.[15] Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there."[13] In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level.[16] Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." After what Stipe has referred to as "The Dark Ages of American Politics [The Reagan/Bush Years]", R.E.M. incorporated more politically-oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active."[19] While Stipe continued to write songs with political subject matter like "Ignoreland" and "Final Straw", later albums have focused on other topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe,[20] while Monster critiqued love and mass culture.[19]

Film and television work

In early 1987 Stipe co-founded C00 Films with Jim Mckay, a mixed-media company that was "designed to channel its founder's creative talents towards the creation and promotion of alternative film works."[17] Stipe and his producing partner, Sandy Stern, have served as executive producers on films including Being John Malkovich, Velvet Goldmine, and Man on the Moon.[18] He was also credited as a producer of the 2004 film Saved!.[19]

Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of The Adventures of Pete & Pete as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on Sesame Street playing a reworked version of "Shiny Happy People" called "Furry Happy Monsters", and appeared in an episode of The Simpsons titled "Homer the Moe", where R.E.M. was tricked into playing a show in Homer Simpson's garage. He also appeared as an accountant helping a Cino-Franco-American buy a dying railroad in the beautifully filmed late 40's period piece Color of a Brisk and Leaping Day.


Discography

For releases with R.E.M., see R.E.M. discography.
Albums
Singles
Compilation albums
Production

References

  • Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. ISBN 1-85227-927-3
  • Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. ISBN 0-02-864935-4

Notes

  1. ^ Buckley, p. 24
  2. ^ Buckley, p. 50
  3. ^ Buckley, p. 29
  4. ^ Buckley, p. 39
  5. ^ Buckley, p. 43
  6. ^ a b Buckley, p. 87
  7. ^ Buckley, p. 131–32
  8. ^ Michael Stipe Holiday Collector's Series at Lacoste.com
  9. ^ Buckley, p. 85
  10. ^ Fricke, David. "Living Up to Out of Time/Remote Control: Parts I and II". Melody Maker. October 3, 1992.
  11. ^ Buckley, p. 180–81
  12. ^ Sasfy, Joe. "Reckoning with R.E.M.". The Washington Post. May 10, 1984.
  13. ^ a b Platt, John. "R.E.M.". Bucketfull of Brains. December 1984.-
  14. ^ The South Bank Show, May 12, 2003.
  15. ^ Buckley, p. 88
  16. ^ Buckley, p. 143
  17. ^ Buckley, p. 144-45
  18. ^ Buckley, p. 296
  19. ^ Saved! (2004) - Full cast and crew
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