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==Music video==
==Music video==
This video was a departure from those previously done by Gorillaz. The coloring was rather dark and layered, as opposed to flat and minimally-shaded as it had been in earlier videos. Moreover, the integration of [[computer-generated imagery]] and two-dimensional animation was much more seamless than it had been for most past Gorillaz videos and Gorilla Bitez. In commentary for the video, Russel admits that "...they must be real good, 'cause I can't tell which bits are animation and which bits are real". At the beginning of the video, while the camera is rising up from the Feel Good Inc. tower, a sample of the [[Spacemonkeyz]] dub of "Clint Eastwood" entitled "A Fistful of Peanuts" can be heard. Also, as 2-D yells into a megaphone, a duck head is seen inside of the megaphone. Two of the main themes of the video are mental freedom and the "dumbing down" of mass culture by the media.<ref name="2j2">{{cite web|title=Gorillaz-Unofficial album webpage|url=http://www.gorillaz-unofficial.com/discog/dd.htm|accessdate=2006-11-05}}</ref> There are also the themes of escape versus imprisonment and the personal power to choose between the two and being trapped by the things you make.<ref>Browne, Cass. "Gorillaz: [[Rise of the Ogre]]", Riverhead Books Inc., 2006, p. 213.</ref> The themes in the single, like those of the entire album, are based on Albarn's observations on the state of the world.<ref name="2j2" /> 2-D is depicted surrounded by many distractions, but as he gazes out the dusty, barred windows, all he appears to want is to be free and join Noodle on her floating island. The tower represents the mental prison that the people are in. Those lying on the floor represent those who have already been "dumbed down", while 2-D, Murdoc, and Russel are the ones who have awakened. 2-D is trying to wake all the people from their half-dead state by yelling at them through his megaphone, like an activist.{{Cquote|I think Gorillaz built a tower around themselves that they couldn't get out of; of excess and debauchery. The video is based on this feeling. For a while it was great to be on the inside, but the party got out of hand. It's become like the 'Last days of [[Pompeii]]'... a... er... Sodding Gomorrah <nowiki>[</nowiki>[[Sodom and Gomorrah]]<nowiki>]</nowiki>. The Feel Good Tower represents this. The palace we built has become a prison. In the video I'm just waking up from this year-long hedonist's dream, and I realize that maybe... the fruits of success have turned sour.<br />—[[2D (Gorillaz)|2D]] on the Feel Good Inc. video <ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 214.</ref>}}. According to Noodle, in the band's audio commentary of the video in the [[Demon Days#Limited edition|''Demon Days'' limited edition album DVD]], the island represents mental freedom and escape. She also commented that the floating island was "inspired by a lot of Japanese animation with the colors, the textures, and the tones". [[Jamie Hewlett]] admitted in an interview that the inspiration for scenes from the video came from [[Hayao Miyazaki]]; specifically, the windmill-powered landmass, which has been compared to that of Miyazaki's ''[[Castle in the Sky]]''. The island represents a place in a person's mind where one could go to if it were not for the fear instilled into them by the constant and unrelenting bleakness of events in the world.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 276.</ref> In addition, it also represents a note of optimism and a memory of a simpler time, as if it were an image of an older and more dark world with "anarchy" and "turmoil".<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 195.</ref> In fact, according to the commentary, they wanted to "make the island seem as if it sprung from the mind of a child". The floating island is chased by ominous [[helicopters]] that closely resemble Korean War era [[Bell 47|Bell H-13s]] as it drifts through the clouds. The helicopters chasing after the floating island are monitoring the behavior inside and ensuring that no one escapes.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 215.</ref> It is unclear whether they are preventing Noodle's escape or are chasing her away.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 212.</ref> Back in the tower, [[De La Soul]] appear as ghastly, larger-than life, seemingly [[omnipotent]] images on surrounding television screens, laughing at the lonesome 2-D, the content Murdoc, and the seemingly ambivalent Russel. Through their singing, they taunt 2-D about how he is not strong enough to fight them; that his attempts to wake everyone up and to escape the prison are futile; that he should not resist them; and that they are the ones in control ("With your sound you're in the blink/ Going to bite the dust/ Can't fight with us/ With your sound you kill the Inc./ So don't stop get it, get it/ Until you jet ahead / Yo, watch the way I navigate, ha ha ha ha"). Their taunting also forces [[2D (Gorillaz)|2-D]] into a wild, hypnotic frenzy as he tries to resist the now-carnal urge to succumb and be dumbed down. They represent both the voices of the "corporation" — the media, which can brainwash people into believing certain things and convince people to follow the mainstream — and the "false icons" of the media, a reference to how some people seem to idolize and over-emphasize celebrities. This can be seen most especially in the fact that they claim 'Your sound' (individualistic thoughts) will 'Kill the Inc' (destroying the tower). Noodle stated: "Many people in life seem drawn to the more insane figures, who throw their weight around, seemingly oblivious to the effect that they have on people's feelings. Maybe they see this attribute as a sign of strength. However, I believe it's a downward spiral in which everyone gradually has their soul eroded."<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 217.</ref> This is part of the band's [[Demon Days#Reject False Icons|Reject False Icons]] campaign. At the end of the video, 2-D appears emotionally beaten by his surroundings, and returns to the state he was in when the video began, repeating "Feel Good" until the video finally ends (in an exact reversal of the intro, apart from the movement of 2-D's mouth). The repetition of "Feel Good" represents that 2-D is convincing himself that everything is OK (as if he is brainwashing himself to believe it), instead of facing the harsh truth of the situation.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 216.</ref> The music video for "[[El Mañana (Song)|El Mañana]]" is a continuation of this video, depicting two helicopter gunships, this time being [[RAH-66 Comanche|RAH-66 Comanche's]], different ones from the [[H-13 Sioux|Bell H-13's]] from the first video, catching up to Noodle's floating windmill island and attacking it, although nothing is seen of the tower nor the other three band members. The impression is that Noodle's island is under observation while orbiting the floating brothel in "Feel Good Inc." and then attacked when it breaks free in "[[El Mañana (Song)|El Mañana]]".
This video was a departure from those previously done by Gorillaz. The coloring was rather dark and layered, as opposed to flat and minimally-shaded as it had been in earlier videos. Moreover, the integration of [[computer-generated imagery]] and two-dimensional animation was much more seamless than it had been for most past Gorillaz videos and Gorilla Bitez. In commentary for the video, Russel admits that "...they must be real good, 'cause I can't tell which bits are animation and which bits are real". At the beginning of the video, while the camera is rising up from the Feel Good Inc. tower, a sample of the [[Spacemonkeyz]] dub of "Clint Eastwood" entitled "A Fistful of Peanuts" can be heard. Also, as 2-D yells into a megaphone, a duck head is seen inside of the megaphone. Two of the main themes of the video are mental freedom and the "dumbing down" of mass culture by the media.<ref name="2j2">{{cite web|title=Gorillaz-Unofficial album webpage|url=http://www.gorillaz-unofficial.com/discog/dd.htm|accessdate=2006-11-05}}</ref> There are also the themes of escape versus imprisonment and the personal power to choose between the two and being trapped by the things you make.<ref>Browne, Cass. "Gorillaz: [[Rise of the Ogre]]", Riverhead Books Inc., 2006, p. 213.</ref> The themes in the single, like those of the entire album, are based on Albarn's observations on the state of the world.<ref name="2j2" /> 2-D is depicted surrounded by many distractions, but as he gazes out the dusty, barred windows, all he appears to want is to be free and join Noodle on her floating island. The tower represents the mental prison that the people are in. Those lying on the floor represent those who have already been "dumbed down", while 2-D, Murdoc, and Russel are the ones who have awakened. 2-D is trying to wake all the people from their half-dead state by yelling at them through his megaphone, like an activist.{{Cquote|I think Gorillaz built a tower around themselves that they couldn't get out of; of excess and debauchery. The video is based on this feeling. For a while it was great to be on the inside, but the party got out of hand. It's become like the 'Last days of [[Pompeii]]'... a... er... Sodding Gomorrah <nowiki>[</nowiki>[[Sodom and Gomorrah]]<nowiki>]</nowiki>. The Feel Good Tower represents this. The palace we built has become a prison. In the video I'm just waking up from this year-long hedonist's dream, and I realize that maybe... the fruits of success have turned sour.<br />—[[2D (Gorillaz)|2D]] on the Feel Good Inc. video <ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 214.</ref>}}. According to Noodle, in the band's audio commentary of the video in the [[Demon Days#Limited edition|''Demon Days'' limited edition album DVD]], the island represents mental freedom and escape. She also commented that the floating island was "inspired by a lot of Japanese animation with the colors, the textures, and the tones". [[Jamie Hewlett]] admitted in an interview that the inspiration for scenes from the video came from [[Hayao Miyazaki]]; specifically, the windmill-powered landmass, which has been compared to that of Miyazaki's ''[[Castle in the Sky]]''. The island represents a place in a person's mind where one could go to if it were not for the fear instilled into them by the constant and unrelenting bleakness of events in the world.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 276.</ref> In addition, it also represents a note of optimism and a memory of a simpler time, as if it were an image of an older and more dark world with "anarchy" and "turmoil".<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 195.</ref> In fact, according to the commentary, they wanted to "make the island seem as if it sprung from the mind of a child". The floating island is chased by ominous [[helicopters]] that closely resemble Korean War era [[Bell 47|Bell H-13s]] as it drifts through the clouds. The helicopters chasing after the floating island are monitoring the behavior inside and ensuring that no one escapes.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 215.</ref> It is unclear whether they are preventing Noodle's escape or are chasing her away.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 212.</ref> Back in the tower, [[De La Soul]] appear as ghastly, larger-than life, seemingly [[omnipotent]] images on surrounding television screens, laughing at the lonesome 2-D, the content Murdoc, and the seemingly ambivalent Russel. Through their singing, they taunt 2-D about how he is not strong enough to fight them; that his attempts to wake everyone up and to escape the prison are futile; that he should not resist them; and that they are the ones in control ("With your sound you're in the blink/ Going to bite the dust/ Can't fight with us/ With your sound you kill the Inc./ So don't stop get it, get it/ Until you jet ahead / Yo, watch the way I navigate, ha ha ha ha"). Their taunting also forces [[2D (Gorillaz)|2-D]] into a wild, hypnotic frenzy as he tries to resist the now-carnal urge to succumb and be dumbed down. They represent both the voices of the "corporation" — the media, which can brainwash people into believing certain things and convince people to follow the mainstream — and the "false icons" of the media, a reference to how some people seem to idolize and over-emphasize celebrities. This can be seen most especially in the fact that they claim 'Your sound' (individualistic thoughts) will 'Kill the Inc' (destroying the tower). Noodle stated: "Many people in life seem drawn to the more insane figures, who throw their weight around, seemingly oblivious to the effect that they have on people's feelings. Maybe they see this attribute as a sign of strength. However, I believe it's a downward spiral in which everyone gradually has their soul eroded."<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 217.</ref> This is part of the band's [[Demon Days#Reject False Icons|Reject False Icons]] campaign. At the end of the video, 2-D appears emotionally beaten by his surroundings, and returns to the state he was in when the video began, repeating "Feel Good" until the video finally ends (in an exact reversal of the intro, apart from the movement of 2-D's mouth). The repetition of "Feel Good" represents that 2-D is convincing himself that everything is OK (as if he is brainwashing himself to believe it), instead of facing the harsh truth of the situation.<ref>Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 216.</ref> The music video for "[[El Mañana (Song)|El Mañana]]" is a continuation of this video, depicting two helicopter gunships, this time being [[RAH-66 Comanche|RAH-66 Comanche's]], different ones from the [[H-13 Sioux|Bell H-13's]] from the first video, catching up to Noodle's floating windmill island and attacking it, although nothing is seen of the tower nor the other three band members. The impression is that Noodle's island is under observation while orbiting the floating brothel in "Feel Good Inc." and then attacked when it breaks free in "[[El Mañana (Song)|El Mañana]]".

==Cover Song==

A [http://www.dillonhodges.com/downloads/ folk version] of the song was sung by [http://www.dillonhodges.com Dillon Hodges] a singer-songwriter from Nashville.


==Track listings==
==Track listings==

Revision as of 18:35, 25 February 2012

"Feel Good Inc."
Song
B-side"Spitting Out the Demons"
"Bill Murray"
"68 State"

"Feel Good Inc." is a song by Gorillaz, taken as the lead single from their second studio album Demon Days. The song features vocals from De La Soul.

Background

The song was released as the lead single from the album on 9 May 2005. The single peaked at #2 in the United Kingdom and #14 in the United States, becoming the band's highest positions to date. It also topped the Hot Modern Rock Tracks chart in the U.S., another first for the band, for eight consecutive weeks. In Damon Albarn's entire career to date, this is the only song to reach the top 40 on the U.S. Billboard Hot 100. It peaked in the top 10 of 14 countries, including at #1 in Spain. The song was listed at #308 on Pitchfork Media's Best Songs of the 2000s. The song also helped De La Soul win their first Grammy Award. In an interview during promotion for The Singles Collection 2001–2011, Murdoc had this to say about the song:

"Ah, Feel Good! The song that launched a million iPods! This really kicked things up another gear for Gorillaz. First single from our phantasmagoric second album Demon Days, which just put a rocket right under it's arse. It’s had a long and varied life – first song ever to chart on downloads alone, infamous soundtrack to the iPod advert, Grammy award winner, backing track for Madonna’s first holographic poledance… Why’s it so successful? It’s got a good beat and you can dance to it! Plus De La Soul always get the party started: their rap sounds just like a bunch of kids trapped in a phone booth, mucking about on nitrous oxide."

Stayed in the charts for five months, this one. That’s when 5 months was a long time. Lyric-wise, 2D says "The first part of this came from when he was passing the wind turbines out near Palm Springs. I think he was going to the Coachella festival or something, and he passed a huge field full of those wind turbines farming the land…so he started really with the chorus section and then built it up from there… "Windmill, Windmill farm the land. Turn forever hand in hand…" That what he says anyway, but it is certain that Noodle wrote this one. "[2][3]

Music video

This video was a departure from those previously done by Gorillaz. The coloring was rather dark and layered, as opposed to flat and minimally-shaded as it had been in earlier videos. Moreover, the integration of computer-generated imagery and two-dimensional animation was much more seamless than it had been for most past Gorillaz videos and Gorilla Bitez. In commentary for the video, Russel admits that "...they must be real good, 'cause I can't tell which bits are animation and which bits are real". At the beginning of the video, while the camera is rising up from the Feel Good Inc. tower, a sample of the Spacemonkeyz dub of "Clint Eastwood" entitled "A Fistful of Peanuts" can be heard. Also, as 2-D yells into a megaphone, a duck head is seen inside of the megaphone. Two of the main themes of the video are mental freedom and the "dumbing down" of mass culture by the media.[4] There are also the themes of escape versus imprisonment and the personal power to choose between the two and being trapped by the things you make.[5] The themes in the single, like those of the entire album, are based on Albarn's observations on the state of the world.[4] 2-D is depicted surrounded by many distractions, but as he gazes out the dusty, barred windows, all he appears to want is to be free and join Noodle on her floating island. The tower represents the mental prison that the people are in. Those lying on the floor represent those who have already been "dumbed down", while 2-D, Murdoc, and Russel are the ones who have awakened. 2-D is trying to wake all the people from their half-dead state by yelling at them through his megaphone, like an activist.

I think Gorillaz built a tower around themselves that they couldn't get out of; of excess and debauchery. The video is based on this feeling. For a while it was great to be on the inside, but the party got out of hand. It's become like the 'Last days of Pompeii'... a... er... Sodding Gomorrah [Sodom and Gomorrah]. The Feel Good Tower represents this. The palace we built has become a prison. In the video I'm just waking up from this year-long hedonist's dream, and I realize that maybe... the fruits of success have turned sour.
—2D on the Feel Good Inc. video [6]

. According to Noodle, in the band's audio commentary of the video in the Demon Days limited edition album DVD, the island represents mental freedom and escape. She also commented that the floating island was "inspired by a lot of Japanese animation with the colors, the textures, and the tones". Jamie Hewlett admitted in an interview that the inspiration for scenes from the video came from Hayao Miyazaki; specifically, the windmill-powered landmass, which has been compared to that of Miyazaki's Castle in the Sky. The island represents a place in a person's mind where one could go to if it were not for the fear instilled into them by the constant and unrelenting bleakness of events in the world.[7] In addition, it also represents a note of optimism and a memory of a simpler time, as if it were an image of an older and more dark world with "anarchy" and "turmoil".[8] In fact, according to the commentary, they wanted to "make the island seem as if it sprung from the mind of a child". The floating island is chased by ominous helicopters that closely resemble Korean War era Bell H-13s as it drifts through the clouds. The helicopters chasing after the floating island are monitoring the behavior inside and ensuring that no one escapes.[9] It is unclear whether they are preventing Noodle's escape or are chasing her away.[10] Back in the tower, De La Soul appear as ghastly, larger-than life, seemingly omnipotent images on surrounding television screens, laughing at the lonesome 2-D, the content Murdoc, and the seemingly ambivalent Russel. Through their singing, they taunt 2-D about how he is not strong enough to fight them; that his attempts to wake everyone up and to escape the prison are futile; that he should not resist them; and that they are the ones in control ("With your sound you're in the blink/ Going to bite the dust/ Can't fight with us/ With your sound you kill the Inc./ So don't stop get it, get it/ Until you jet ahead / Yo, watch the way I navigate, ha ha ha ha"). Their taunting also forces 2-D into a wild, hypnotic frenzy as he tries to resist the now-carnal urge to succumb and be dumbed down. They represent both the voices of the "corporation" — the media, which can brainwash people into believing certain things and convince people to follow the mainstream — and the "false icons" of the media, a reference to how some people seem to idolize and over-emphasize celebrities. This can be seen most especially in the fact that they claim 'Your sound' (individualistic thoughts) will 'Kill the Inc' (destroying the tower). Noodle stated: "Many people in life seem drawn to the more insane figures, who throw their weight around, seemingly oblivious to the effect that they have on people's feelings. Maybe they see this attribute as a sign of strength. However, I believe it's a downward spiral in which everyone gradually has their soul eroded."[11] This is part of the band's Reject False Icons campaign. At the end of the video, 2-D appears emotionally beaten by his surroundings, and returns to the state he was in when the video began, repeating "Feel Good" until the video finally ends (in an exact reversal of the intro, apart from the movement of 2-D's mouth). The repetition of "Feel Good" represents that 2-D is convincing himself that everything is OK (as if he is brainwashing himself to believe it), instead of facing the harsh truth of the situation.[12] The music video for "El Mañana" is a continuation of this video, depicting two helicopter gunships, this time being RAH-66 Comanche's, different ones from the Bell H-13's from the first video, catching up to Noodle's floating windmill island and attacking it, although nothing is seen of the tower nor the other three band members. The impression is that Noodle's island is under observation while orbiting the floating brothel in "Feel Good Inc." and then attacked when it breaks free in "El Mañana".

Track listings

UK CD Single
  1. "Feel Good Inc." - 3:27
  2. "Spitting Out the Demons" - 5:10
UK DVD Single
  1. "Feel Good Inc." (Video) - 4:15
  2. "Spitting Out the Demons" - 5:10
  3. "Bill Murray" - 3:53
UK 7-inch Single
  1. "Feel Good Inc." (Noodle's Demo Version) - 2:49
  2. "68 State" - 4:48
UK Digital Download
  1. "Feel Good Inc." - 3:27
  2. "Spitting Out the Demons" - 5:10
  3. "Bill Murray" - 3:53
European CD Single
  1. "Feel Good Inc." - 3:27
  2. "Spitting Out the Demons" - 5:10
  3. "Bill Murray" - 3:53
  4. "Feel Good Inc." (Video) - 4:15
Japanese CD Single
  1. "Feel Good Inc." - 3:27
  2. "Spitting Out the Demons" - 5:10
  3. "Bill Murray" - 3:53
  4. "Murdoc Is God" - 2:26
  5. "Feel Good Inc." (Video) - 4:15
U.S. Digital E.P.[13]
  1. "Feel Good Inc." - 3:41
  2. "Spitting Out the Demons" - 5:10
  3. "Bill Murray" - 3:53
  4. "DARE" (Soulwax Remix) - 5:44
  5. "Feel Good Inc." (Video) - 4:15

Charts

Chart (2005) Peak
U.S. Billboard Hot 100 14
U.S. Billboard Hot Dance Singles Sales 3
U.S. Billboard Hot Modern Rock Tracks 1
U.S. Billboard Hot R&B/Hip-Hop Songs 53
U.S. Billboard Rhythmic Top 40 17
U.S. Billboard Top 40 Mainstream 4
U.S. Billboard Top 40 Tracks 9
U.S. Billboard Hot Adult Top 40 Tracks 18
Australia ARIA Top 50 Singles Chart 3
Austria Top 75 Singles Chart 4
Belgium Top 50 Singles Chart 6
Canadian Singles Chart 6
Denmark Top 20 Singles Chart 19
Finland Top 20 Singles Chart 4
Germany Top 100 Singles Chart 8
Ireland Top 50 Singles Chart 4
Italy Top 50 Singles Chart 5
Netherlands Top 40 Singles Chart 5
New Zealand RIANZ Top 40 Singles Chart 2
Norway Top 20 Singles Chart 4
Spain Top 50 Singles Chart 1
Sweden Top 40 Singles Chart 14
Switzerland Top 100 Singles Chart 12
UK Singles Chart[1] 2
Eurochart Hot 100 Singles Chart 5
Official World Top 100 Airplay Songs 4

Awards and nominations

Awards

Nominations

References

  1. ^ "ARIA Charts - Accreditations - 2005 Singles". Australian Recording Industry Association. 2005. Retrieved 20 June 2007.
  2. ^ "Feel Good Inc". Gorillaz-Unofficial. Retrieved 16 February 2010.
  3. ^ Brown, Cass (October 2006). "10". Rise of the Ogre. Penguin Group. pp. 218 & 219. ISBN 0-718-15000-7. {{cite book}}: |access-date= requires |url= (help); Check date values in: |accessdate= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  4. ^ a b "Gorillaz-Unofficial album webpage". Retrieved 5 November 2006.
  5. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 213.
  6. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 214.
  7. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 276.
  8. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 195.
  9. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 215.
  10. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 212.
  11. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 217.
  12. ^ Browne, Cass. "Gorillaz: Rise of the Ogre", Riverhead Books Inc., 2006, p. 216.
  13. ^ http://itunes.apple.com/us/album/feel-good-inc-ep/id425900716
Preceded by Billboard Modern Rock Tracks number-one single
27 August 2005 – 21 October 2005 		Succeeded by

Template:Link GA

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