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|OriginalAirDate = {{Start date|2014|2|14}}
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|ShortSummary = As Frank helps Walker deal with an energy crisis brought about by a Chinese trade blockade, Claire manipulates Tricia into believing Christina is interested in the president. Frank proposes establishing a subsidy for nuclear power as part of a plan to wait out the trade blockade, earning the ire of Tusk. Doug pressures Rachel to stop seeing Lisa, and discontinue attending church. Tom visits Lucas in prison and takes over his investigation and writing an expose. Tom meets with Frank, but Frank gives him nothing. Frank and Doug stonewall the continued investigation by intimidating Janine and having her meet with Lucas to convince me to accept a plea deal. Janine tells Lucas he has no proof, agrees that Frank will get away with murder, and convinces Lucas to do a plea deal because regardless of anything, Lucas committed an act of cyber terrorism. Elsewhere, Jackie and Remy meet on legislation to pressure Tusk into cooperating with the strategy and end up sleeping together. Remy realizes Tusk will fight the President's legislation. Frank tells Walker to stand firm. As Frank prepares to throw the [[ceremonial first pitch]] at [[Camden Yards]], Tusk's utility company shuts off the power. To personally retaliate, Frank encourages Walker to address the emergency by the federal government taking over Tusk's power plants. Frank and Tusk meet at Freddy's barbecue joint([[Reg E. Cathey]]) but are unable to reconcile. Doug becomes closer to Rachel.
|ShortSummary = As Frank helps Walker deal with an energy crisis brought about by a Chinese trade blockade, Claire manipulates Tricia into believing Christina is interested in the president. Frank proposes establishing a subsidy for nuclear power as part of a plan to wait out the trade blockade, earning the ire of Tusk. Doug pressures Rachel to stop seeing Lisa, and discontinue attending church. Tom visits Lucas in prison and takes over his investigation and writing an expose. Tom meets with Frank, but Frank gives him nothing. Frank and Doug stonewall the continued investigation by intimidating Janine and having her meet with Lucas to convince him to accept a plea deal. Janine tells Lucas he has no proof, agrees that Frank will get away with murder, and convinces Lucas to do a plea deal because regardless of anything, Lucas committed an act of cyber terrorism. Elsewhere, Jackie and Remy meet on legislation to pressure Tusk into cooperating with the strategy and end up sleeping together. Remy realizes Tusk will fight the President's legislation. Frank tells Walker to stand firm. As Frank prepares to throw the [[ceremonial first pitch]] at [[Camden Yards]], Tusk's utility company shuts off the power. To personally retaliate, Frank encourages Walker to address the emergency by the federal government taking over Tusk's power plants. Frank and Tusk meet at Freddy's barbecue joint([[Reg E. Cathey]]) but are unable to reconcile. Doug becomes closer to Rachel.
|LineColor = 610B0B
|LineColor = 610B0B
}}
}}

Revision as of 20:23, 4 July 2014

House of Cards (season 2)
Season 2
File:HouseOfCardsSeason2Teaser.jpg
Season 2 promotional poster
No. of episodes13
Release
Original networkNetflix
Original releaseFebruary 14 (2014-02-14) –
February 14, 2014 (2014-02-14)
Season chronology
← Previous
Season 1
Next →
Season 3
List of episodes

The second season of the American television drama series House of Cards began filming a set of 13 episodes in April 2013.[2] Netflix had ordered two seasons of 13 episodes when it made its original commitment to the series in 2011.[3][4] Filming for the season commenced April 29, 2013 and concluded on November 8,[5][6] occurring primarily in Baltimore.[7] On December 4, 2013, Netflix announced that the season would be released in its entirety on February 14, 2014.[8] Set in current day Washington DC,[9] season 2 deals with topics such as entitlements, Chinese cyberespionage, anthrax scares, parliamentary procedure, and government shutdowns.[10] It begins at the exact time that season 1 ended.[11]

Critics previewed the first four episodes of the season under non-disclosure agreements that they consented to embargo spoiler content. Reviews began appearing as early as January 31. Many critics who previewed the season noted the shocking first episode, but withheld the surprises of the four episodes made available for preview. At least one critic (Willa Paskin of Slate) broke the embargo nearly a day early revealing several spoilers. Whereas critics had been somewhat split on the propriety of binge-watching season 1, they were more supportive of the practice for season 2.

Early reviews were largely positive. The season was regarded as darker than season 1. Molly Parker was praised as an addition to the cast. Nonetheless, many critics were concerned at the domineering presence of Underwood who appears to have no worthy adversaries. Viewership of season 2 was many times higher than season 1 based on early reviews.

Summary

Francis spends most of the season as the newly appointed Vice President of the United States. Early episodes see Frank vanquish reporters on the trail of a murder he committed in the previous season. However, the drama soon shifts to tensions involving Frank, President Walker, the Chinese government, and the wealthy Raymond Tusk, eventually culminating in a bitter political war between Frank and Tusk. Frank's wife Claire publicly reveals that she was raped in college by a prominent general and pursues anti-rape legislation. The most significant new character is Jackie Sharp, Frank's successor as House Whip, who soon finds herself embroiled in Frank's plans. As the war between Frank and Tusk consumes the Presidency, things fall apart in a scandal that sees Walker resign, Tusk arrested, and Frank ascend to the Oval Office.

Cast

Among the new cast members in season 2 are Molly Parker and Sam Page, while directors include Carl Franklin, Jodie Foster, James Foley and Wright.[12] The season features cameos by several notable journalists,[13] including Ashleigh Banfield, Rachel Maddow, Chris Matthews, Matt Bai, Sean Hannity, and Kelly O'Donnell.[14][15][16]

  • Kate Mara as Zoe Barnes, an ambitious journalist working for news blog Slugline and former lover of Frank Underwood (1 episode)
  • Molly Parker as Jacqueline "Jackie" Sharp, a war veteran, Congresswoman from California and Underwood's successor as House Majority Whip (11 episodes)
  • Michel Gill as Garrett Walker, the 45th President of the United States (11 episodes)
  • Gerald McRaney as Raymond Tusk, a multi-billionaire businessman and investor who acts as an advisor and confidante to President Walker (11 episodes)
  • Nathan Darrow as Edward Meechum, a member of the US Capitol Police and Underwood's bodyguard and driver (11 episodes)
  • Mahershala Ali as Remy Danton, a lobbyist with law firm Glendon Hill and former employee of Frank Underwood (8 episodes)
  • Derek Cecil as Seth Grayson, a sinister political operative who becomes Press Secretary for Vice President Underwood (8 episodes)
  • Rachel Brosnahan as Rachel Posner, a former sex worker seeking a new life (8 episodes)
  • Sakina Jaffrey as Linda Vasquez, the White House Chief of Staff in the Walker Administration (7 episodes)
  • Jayne Atkinson as Catherine Durant, the US Secretary of State in the Walker Administration (7 episodes)
  • Jimmi Simpson as Gavin Orsay, a hacker and informant for the FBI (8 episodes)
  • Joanna Going as Patricia Walker, wife of President Garrett Walker and First Lady of the United States (7 episodes)
  • Mozhan Marnò as Ayla Sayyad, a tenacious journalist working for the Wall Street Telegraph (7 episodes)
  • Jeremy Holm as Agent Nathan Green, the White House/FBI liaison (6 episodes)
  • Sebastian Arcelus as Lucas Goodwin, a senior political editor working at the Washington Herald (6 episodes)
  • Terry Chen as Xander Feng, a corrupt Chinese businessman and backchannel diplomat who is Raymond Tusk's business partner (5 episodes)
  • Libby Woodbridge as Megan Hennessey, a former US Marine Private who was sexually assaulted by General Dalton McGinnis (5 episodes)
  • Kate Lyn Sheil as Lisa Williams, a social worker who befriends Rachel Posner (5 episodes)
  • Elizabeth Norment as Nancy Kauberger, secretary of the office of the Democratic House Whip (5 episodes)
  • Gil Birmingham as Daniel Lanagin, a Native American casino owner in Missouri and friend of Raymond Tusk (4 episodes)
  • Reg E. Cathey as Freddy Hayes, friend of Frank Underwood and the owner of a BBQ restaurant that Frank frequents (4 episodes)
  • Samuel Page as Connor Ellis, a smooth talking media consultant who becomes Communications Director for Claire Underwood (4 episodes)
  • Larry Pine as Bob Birch, a Democratic Congressman from California and the Speaker of the US House of Representatives (4 episodes)
  • Kristen Connolly as Christina Gallagher, a headstrong aide to President Walker and former girlfriend of Peter Russo (4 episodes)
  • Curtiss Cook as Terry Womack, House Majority Leader from Missouri's 5th congressional district (4 episodes)
  • Constance Zimmer as Janine Skorsky, a veteran journalist working for news blog Slugline (3 episodes)
  • Michael Warner as Oliver Spence (3 episodes)
  • Benito Martinez as Hector Mendoza, a Republican Senator from Arizona and the Senate Majority Leader (3 episodes)
  • Boris McGiver as Tom Hammerschmidt, former chief editor of the Washington Herald (2 episodes)
  • David Clennon as Ted Havemeyer, a veteran Congressman and PAC Chairman who is a mentor to Congresswoman Sharp (2 episodes)
  • Elizabeth Marvel as Heather Dunbar, an uncompromising lawyer who is appointed Special Prosecutor in the investigation into money laundering of foreign money via PACs (2 episodes)
  • Tom Galantich as Reverend Thomas Larkin, a minister and relationship therapist (2 episodes)
  • Mark Zeisler as Bill Gallich, the White House Counsel (2 episodes)
  • Reed Birney as Donald Blythe, a Democratic Congressman from New Hampshire (2 episodes)
  • Sandrine Holt as Gillian Cole (only Episode 1, but recurring from season 1)
  • Ben Daniels as Adam Galloway, a world renowned photographer and former lover of Claire Underwood (only Episode 9, but recurring from season 1)

Episodes

No. in
series
No. in
season
Title Directed by Written by Release date Production
code
141"Chapter 14"Carl FranklinBeau WillimonFebruary 14, 2014 (2014-02-14)201
152"Chapter 15"Carl FranklinBeau WillimonFebruary 14, 2014 (2014-02-14)202
163"Chapter 16"James FoleyBill CainFebruary 14, 2014 (2014-02-14)203
174"Chapter 17"James FoleyLaura EasonFebruary 14, 2014 (2014-02-14)204
185"Chapter 18"John ColesKenneth LinFebruary 14, 2014 (2014-02-14)205
196"Chapter 19"John ColesJohn MankiewiczFebruary 14, 2014 (2014-02-14)206
207"Chapter 20"James FoleyDavid MansonFebruary 14, 2014 (2014-02-14)207
218"Chapter 21"James FoleyDavid MansonFebruary 14, 2014 (2014-02-14)208
229"Chapter 22"Jodie FosterBeau WillimonFebruary 14, 2014 (2014-02-14)209
2310"Chapter 23"Robin WrightLaura Eason & Beau WillimonFebruary 14, 2014 (2014-02-14)210
2411"Chapter 24"John ColesJohn Mankiewicz & Beau WillimonFebruary 14, 2014 (2014-02-14)211
2512"Chapter 25"James FoleyBeau WillimonFebruary 14, 2014 (2014-02-14)212
2613"Chapter 26"James FoleyBeau WillimonFebruary 14, 2014 (2014-02-14)213

Background

Season 2 was made available in its entirety on February 14, 2014 (Valentine's Day) at 12:01 a.m. PT.[8][17] Prior to the release of season 1, three reviewers, Hank Stuever of The Washington Post, Nancy deWolf Smith of The Wall Street Journal, and Alessandra Stanley of The New York Times, commented on possible binge viewing by Netflix customers.[18][19][20] Stanley notes that the show "is probably seen best one episode at a time. It's a delicious immorality play with an excellent cast, but the tempo is slow and oddly ponderous — a romp slowed down to a dirge".[20] De Smith also notes that due to its "relentless theme", "House of Cards might go down better in smaller portions and thus be enjoyably prolonged" deriding potential binge watchers as people who liken a delicacy to a "bag of M&M's".[19] However, Stuever disagreed about season 1 saying "So, on the iffy chance that 'House of Cards' draws you in and you simply cannot stop watching, then, yes, you may power-binge your way through all 13 hours at once".[18] Upon viewing the four episode season 2 preview Time's James Poniewozik says "I could easily see powering through the season in a free weekend, precisely because no individual episode needs much time to sink in".[17] Stanley also felt the second season was "binge-worthy" upon viewing the preview.[10] However, some critics still support dieting on the episodes with slower consumption.[21]

In interviews during the writing and filming of season 2 showrunner Beau Willimon said he had drawn inspiration for the series from a variety of sources including Robert Caro's The Years of Lyndon Johnson and Jeremy Larner's Nobody Knows. Lyndon B. Johnson was a repeated source for themes and issues. Willimon also commented on the fictional world of politics that the show represented: "It's a rough-and-tumble game whenever power is involved -- people's ambitions, their desires, their competitive spirit will often push them to play outside the rules."[22] Willimon noted that "I don't think about topping things...The evolution of character is not a game of one-upmanship. It is about change. Souls are vast and so the opportunity to explore ways in which characters contradict themselves and evolve is also vast" and that season 2 provided the opportunity "to expand the world and more deeply explore the characters".[23]

Spacey viewed continuing to portray Underwood for a second season as a continuing learning process. "There is so much I don't know about Francis, so much that I'm learning...I've always thought that the profession closest to that of an actor is being a detective,...We are given clues by writers, sometimes clues they're aware of and sometimes not. Then you lay them all out and try to make them come alive as a character who's complex and surprising, maybe even to yourself".[9] Gerald McRaney spoke about his expanded role by saying that whereas in season 1 the challenge to playing his character, Raymond Tusk, was in "having to learn Mandarin", in season 2 his character has become "somebody who you don’t know which color hat he’s wearing".[24]

Production

According to Governor of Maryland Martin O'Malley, production of the first season brought $140 million in the form of 2,200 jobs and transactions with 1,800 vendors to the Baltimore metropolitan area economy and the Maryland General Assembly expanded its Film Production Tax Credit so that season two could have similar impact over the course of 150 days of filming.[25][26] Like the first season, the second season was largely filmed in the Baltimore area.[7][27] Although production was publicized as being in Baltimore, Season 1 had based production in Harford County, Maryland,[28] and season 2 also had its production office in Edgewood and a Joppa sound stage.[29] The April 27, 2013 White House Correspondents Dinner spoofed House of Cards from the Maryland set prior to the beginning of the filming of season 2.[26] Filming began on Monday April 29, 2013,[5] which was just a few weeks later in the year than season 1 had started.[30] On May 14, O'Malley visited the set to publicize the success of the tax incentives.[31]

During spring and summer 2013, the show hosted several large casting calls some of which had over 1000 hopefuls.[32][33] On June 13, crews began preparing the State House for filming on June 17 and 18. The Maryland State House is not available for rent so the producers made donations to various organizations.[34] The show filmed in Annapolis at the Maryland House of Delegates and the wife of House Speaker Michael E. Busch, Cynthia, was cast as an extra. She played a United States Senator as the set depicted the United States Senate chamber.[35][36] The scenes were used as part of "Chapter 16" (season 2, episode 3).[37] On July 24, the show announced that it would film at the Baltimore County Circuit Courthouses in Towson, Maryland on July 31.[38] The filming occurred at this location on August 7.[39]

On August 3, House of Cards was going to film a presidential motorcade at the National Mall in Washington, D.C. at 3 PM. However, Chief of police Cathy L. Lanier of the Metropolitan Police Department of the District of Columbia (MPD) revoked the permits that morning. An MPD spokesperson explained "The Metropolitan Police Department is not the lead agency on presidential motorcades and we did not want to portray ourselves as such". As a result the production crews did a last minute filming of the desired scenes back in Baltimore.[40] The next day, Mayor of the District of Columbia Vincent Gray stated that there was confusion on what role the MPD would play in the filming. A spokesperson from his office stated that "“MPD is not going to rent itself out as extras for film...That’s what MPD’s decision was focused on. We’re not going to be actors."[41] On October 2, all issues were resolved and the motorcade was filmed as originally planned without any MPD personnel "actively participate in the filming".[42]

In August, several areas in Harford County were used for filming season 2, including areas in Bel Air and Edgewood. Havre de Grace had been used in season 1 to depict Underwood's home district in South Carolina. The Liriodendron mansion was the scene of filming on August 12 and 13. Bel Air police were paid $1550 for August 13 duties at another filming location.[29][43][44]

Although there were reports that the filming was largely completed by October 1,[45] Willimon tweeted on that date that he had just finished writing the season finale.[46] Willimon and others tweeted that filming was completed on November 8.[6][47] The following week, House of Cards workers got involved in the Typhoon Haiyan relief efforts.[48]

According to an October 10 story in The Huffington Post, executive producer Rick Cleveland stated that he believed that season 2 would be the final season because both Spacey and Wright prefer to act in movies than in television.[49] However, Willimon remains optimistic that the show will continue.[50] Baltimore Sun reporter, David Zurawik contested the journalistic process of The Huffington Post report because he says Modi Wiczyk, CEO of Media Rights Capital, the company that produces House of Cards, told him "I would basically be shocked if there wasn't [a season 3, 4 and 5]".[51] A few weeks later, Netflix’s Chief Content Officer Ted Sarandos confirmed that Netflix had an earnest interest in continuing House of Cards beyond its second season.[52]

On December 4, 2013, Netflix announced that the 13-episode season would be released in its entirety. Along with the scheduling announcement, Netflix confirmed that Francis (now Vice President) and Claire would "continue their ruthless rise to power as threats mount on all fronts".[8] After season 1 received four nominations for the 71st Golden Globe Awards on December 12, a season 2 trailer was released on December 13.[53] However, the first official full trailer was released on January 6.[54]

Willimon has stated "In conception of the second season, I put a lot of thought into the doors open to us in seasons three and beyond...I didn't want to paint ourselves into a corner in the second season."[23] On February 4, 2014, Netflix announced it had renewed the web series for a season 3 of undisclosed length.[55]

Critics had access to the first four episodes of the season for previewing as early as late January with a non-disclosure agreement (NDA).[13][56] According to Pam Brown of The West Australian, the season 2 NDA included the following statement "I understand and agree that any breach of these conditions will cause irreparable harm for which recovery of money damages alone would be inadequate."[57]

Critical response

The season was generally well received. As of April 4, 2014, the review aggregator Metacritic gave the season an 80 rating based on a sample of 25 critics.[58] Another review aggregator, Rotten Tomatoes gave the season a score of 88% based on a sample of 33 reviews, with an average rating of 8.4/10.[59]

James Poniewozik of Time says "It is the same show you saw last season, the same weaknesses and strengths intact, but, as it makes clear before the first hour is over, every bit as brutal and sanguinary."[17] According to Sara Smith of The Kansas City Star, "The shock and delight of the showy storytelling...has faded a bit".[14] Smith says that Barnes, Skorsky, and Goodwin's "investigation sucks them down a rabbit hole into a surreal underworld no sane reporter would explore".[14] Regarding Frank, Smith says "A show can successfully revolve around one man, but a flawless winning streak gets monotonous" and that "it’s time for someone to take Frank down a notch".[14] And yet, the second series offers, as Laura Ludtke says in her review for the "Oxonian Review", "a serious departure from its transatlantic counterpart and from the first series in the portrait it offers of a couple defined by their political ambitions."[60]

David Zurawik The Baltimore Sun notes that the season starts off with a bang: "The first hour of Season 2 is better than anything in Season 1" and at one point it is "going to knock some fans out of their seats".[56] Poniewozik says "...if you really care about spoilers, watch episode 1 the first chance you get, and stay off social media until you do."[17] Michael Starr of the New York Post described the premiere episode as "Wow. Just . . . wow."[61] Alison Willmore of Indiewire says that "Something shocking takes place early in the second season".[62] Willa Paskin of Slate found the premiere episode of the preview to be notable for its ending, which she described as a literal "F. U." to the audience.[63]

Willmore says that since characters have been introduced, "...season two of 'House of Cards' begins in a fashion that's far more free and quick-paced..." than season 1.[62] Willmore also notes that, "If season one slowly grew blacker in tone as it went from serious games of power and manipulation to life-and-death ones, season two starts off there and looks to only get darker in content."[62] However, she stated that season 2 appeared to be lighter than season 1: "delivered with more of a wink by Frank than before. It may be darker, but it's also less heavy".[62] According to Zurawak, "Willimon...and Spacey...have managed to bring the power of live theater to this drama with a consistency and seamlessness never before achieved in television."[56]

Stanley praises the series saying "It’s not clear exactly why this bleak series is so exhilarating and binge-worthy. It could be that just as victims of tragedy find it hard to accept that their suffering is random and purposeless, voters find it intolerable that so many of the petty, shortsighted moves by elected officials have no greater meaning than small-time expediency." She also notes that the series "is more cynical than The Americans on FX and more pessimistic about human nature than The Walking Dead on AMC".[10] However, The Americans "is more complex and inventive" according to Stanley who concurs that season 2 is darker but notes it is more compelling than season 1.[10] Stuever compares the show unfavorably to both Veep for its "bumbling chaos and ego implosions" over House of Cards' "prohibitively sinister" execution and The Good Wife for its superior delivery of "nastiness and self-interest in power plays".[64]

Poniewozik notes that "Francis needs a stronger nemesis, if not for the sake of justice then for the sake of excitement. And House of Cards would be a greater show if it had characters who were people more than game pieces. Still, on its limited terms, it’s absorbing to watch..."[17] According to Entertainment Weekly's Karen Valby, the show's fundamental problem is that "The Underwoods have no worthy opponents."[11] According to Variety's Brian Lowry, as conniving as Underwood is, it is unfathomable that "nobody else in a town built on power seems particularly adept at recognizing this or combating him".[13] Valby notes that neither Tusk nor Goodwin is an effective foe, leaving the audience longing for a comeuppance in the first four episodes that served as a preview for critics and his hopeful that Sharp provides a good foil as the season progresses.[11] He also wrote that House of Cards overplays its depiction of the edginess of "Washington being venal and corrupt". He describes the show as a "mixed bag".[13] Andrew Romano of The Daily Beast claims the second season was better than the first because Tusk is as worthy an adversary as could be expected.[65]

Tim Goodman of The Hollywood Reporter describes the preview of the season by saying "It's entertaining and cruises along with a strong pulse. There's a core mystery and American politics is mocked, appropriately, for being a two-party hustle of recrimination and separatism."[66] Goodman notes that writer Beau Willimon has Frank "pontificate to the point of spouting cliches from time to time" and Frank's "conniving wins too often".[66] Goodman feels that the delayed use of breaking the fourth wall is clever,[66] while Smith feels the delayed use of breaking the fourth wall is coy.[14] Stanley notes that while breaking the fourth wall "his cynical asides are not as clever as his underhanded actions". She notes that the execution of the technique is less successful than in the original.[10]

Goodman sums things up by saying "There's a heavier hand than is necessary at times" and "House of Cards needs to stay more focused to be successful."[66] Starr also notes that "The show’s writing, breathless pacing and even its clever use of graphics (visually superimposing phone text messages onto particular scenes) stands head-and-shoulders above most of its TV brethren."[61]

Chuck Barney of the San Jose Mercury News notes that the preview episodes show that the series is as "handsomely crafted and marvelously acted as ever" but the episodes don't "provoke the same kind of adrenaline rush as last season". Barney was also impressed with newcomer Parker: "She's an agile actress who can deliver a sense of soft-spoken warmth but also a steely fierceness that comes with an underlying message: 'Underestimate me at your own peril.'"[67]

The addition of Parker is widely praised among critics. Stanley notes that as Underwood's "protégée and, like everyone else in his poisoned orbit, soon discovers that Underwood expects his people to cast aside principle and pursue his grand plan."[10] Valby describes her performance as one "played with throbbing edge".[11] Goodman notes she serves to somewhat counterbalance Frank.[66]

Verne Gay of Newsday notes that "...Spacey's Underwood is even more sinuous, more complex, more treacherous and so — as a result — is the deeply pleasurable show that surrounds him."[68]

In terms of cinematography, Stanley notes that "Colors are so washed-out that the closest thing to brightness in all that gray, taupe and black is an orange Post-it note."[10]

Bob Samuels of The Huffington Post compares House of Cards to The West Wing. He notes that whereas The West Wing depicted "political idealists dedicated to the discussion of public policy", House of Cards presents "the cynical manipulations of isolated careerists". Samuels says that in addition to presenting a new method of distribution of content, the show represents a change in our society by demonstrating the change in what is perceived as popular political television drama: "the series presents a social shift from political idealism to social cynicism". Samuels defines cynicism as "the desire to succeed in a system in which one does not believe". Regarding the extensive use of notable journalists, Samuels says, "House of Cards uses real news broadcasters to appear more realistic, but the end result is that the real news personalities end up being fictionalized."[69] However, Politico reports that rather than give an alternate perspective, the series was misleading in its depictions especially those related to campaign financing.[70] Romano notes that the show is "about power that happens to be set on Capitol Hill as opposed to a show about politics".[65]

The Wall Street Journal's Wayne Ma praises the originality of the China storylines, which are rare for television: "Not since counterterrorism agent Jack Bauer stormed the Chinese consulate in the fourth season of “24” has there been a major story line about China featured on a mainstream U.S. TV series." He also lauds their authenticity of them: "The show deserves kudos for the unusual authenticity of its China story line, which has plot points ripped straight from the headlines. Chinese cyber-theft, currency manipulation, a trade dispute involving rare-earth minerals, and escalating tensions between China and Japan in the East China Sea all make an appearance in the show, rendered in the kind of detail that will ring mostly true with China watchers."[71]

Pop culture

Barack Obama quipped about his interest in an advance copy of the second series: "I wish things were that ruthlessly efficient...It's true. I was looking at Kevin Spacey thinking, 'this guy's getting a lot of stuff done'."[23] The evening before the season was posted, someone responsible for the @BarackObama Twitter account (which is run by Organizing for Action[72]) tweeted a request that no spoilers be posted online.[73] Since the season debuted on Valentine's Day, The New York Observer created themed cards in honor of the series with quotes such as "A great man once said everything is about sex. Except sex. Sex is about power"[74] (an Oscar Wilde quote Underwood had stated during season 1).[75]

Whereas less than 2% of Netflix subscribers streamed season 1 during the first weekend last year, over 15% streamed at least one hour during the business day on February 14.[76][77]

References

  1. ^ "House of Cards: The Complete Second Season Blu-ray". Blu-ray.com. Retrieved April 15, 2014.
  2. ^ Patten, Dominic (April 12, 2013). "Netflix's 'House Of Cards' Season 2 Set To Start Shooting Soon, Tweets Star". Deadline.com. Retrieved October 2, 2013.
  3. ^ Stiles, Nancy (April 12, 2013). ""House of Cards" to Begin Shooting Season 2". Complex. Retrieved October 2, 2013.
  4. ^ Andreeva, Nellie (March 15, 2011). "Netflix To Enter Original Programming With Mega Deal For David Fincher-Kevin Spacey Series 'House Of Cards'". Deadline.com. Retrieved March 15, 2011.
  5. ^ a b Zurawik, David (April 29, 2013). "'House of Cards' brings $140 million to Maryland, state says". Baltimore Sun. Retrieved October 2, 2013.
  6. ^ a b Willimon, Beau (November 8, 2013). "@BeauWillimon status update". Twitter. Retrieved November 9, 2013.
  7. ^ a b Horst, Carole (August 27, 2013). "'House of Cards': Spicy Locales at Lo-Cal Costs". Variety. Retrieved October 2, 2013.
  8. ^ a b c Blake, Meredith (December 4, 2013). "Netflix sets premiere date for 'House of Cards' Season 2". Los Angeles Times. Retrieved December 4, 2013.
  9. ^ a b Moore, Frazier (February 12, 2014). "Kevin Spacey dealing Season 2 of 'House of Cards'". Boston.com. Associated Press. Retrieved February 13, 2014.
  10. ^ a b c d e f g Stanley, Alessandra (February 13, 2013). "How Absolute Power Can Delight Absolutely: 'House of Cards' Returns, With More Dark Scheming". The New York Times. Retrieved February 14, 2014.
  11. ^ a b c d Valby, Karen (February 5, 2014). "House Of Cards". Entertainment Weekly. Retrieved February 9, 2014.
  12. ^ Dawidziak, Mark (February 8, 2014). "'House of Cards' back in scheming form on Netflix". The Plain Dealer. Cleveland.com. Retrieved February 9, 2014.
  13. ^ a b c d Lowry, Brian (January 31, 2014). "TV Review: 'House of Cards' – Season Two". Variety. Retrieved February 9, 2014.
  14. ^ a b c d e Smith, Sara (February 7, 2014). "Second season of 'House of Cards' is a vote for vice". The Kansas City Star. Retrieved February 9, 2014.
  15. ^ Chariton, Jordan (January 7, 2014). "Chris Matthews, Sean Hannity, Ashleigh Banfield in 'House of Cards' Second Season". Mediabistro. Retrieved February 14, 2014.
  16. ^ Joe Pompeo. "http://www.capitalnewyork.com/article/media/2014/02/8540565/matt-bai-his-house-cards-cameo". {{cite web}}: External link in |title= (help)
  17. ^ a b c d e Poniewozik, James (February 12, 2014). "Review: House of Cards Returns for Season Two: Kevin Spacey's D.C. power play still has cynical bite, but some old problems remain". Time. Retrieved February 13, 2014.
  18. ^ a b Stuever, Hank (January 31, 2013). "'House of Cards': Power corrupts (plus other non-breaking news)". The Washington Post. Retrieved September 10, 2013.
  19. ^ a b deWolf Smith, Nancy (January 31, 2013). "Fantasies About Evil, Redux". The Wall Street Journal. Retrieved September 10, 2013.
  20. ^ a b Stanley, Alessandra (January 31, 2013). "Political Animals That Slither: 'House of Cards' on Netflix Stars Kevin Spacey". The New York Times. Retrieved September 10, 2013.
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