Charlie Chaplin

For other people named Chaplin, see Chaplin (disambiguation).

Charlie Chaplin
Chaplin in his costume as "The Tramp"
Born	Charles Spencer Chaplin
Height	5'5''

Sir Charles Spencer Chaplin, Jr, KBE, (April 16, 1889 – December 25, 1977), better known as Charlie Chaplin, was a British comedy actor, becoming the most famous actor in the early to mid Hollywood cinema era, and also a notable director.

His principal character was "The Tramp": a vagrant with the refined manners and dignity of a gentleman who wears a tight coat, oversized trousers and shoes, a bowler hat, a bamboo cane, and his signature toothbrush moustache. Chaplin was one of the most creative and influential personalities in the silent film era: he acted in, directed, scripted, produced, and eventually even scored his own films. His working life in entertainment spanned over 70 years, from the British Victorian stage and Music Hall in England as a child performer, almost until his death at the age of 88. He led one of the most remarkable and colourful lives of the 20th century, from a Dickens-like London childhood to the pinnacle of world fame in the film industry and as a cultural icon. His high-profile public and private life encompassed highs and lows of both adulation and controversy.

Childhood

File:Chaplinstamp.jpg

A postage stamp issued by India

In 1896, Chaplin's mother, Hannah, was unable to find work. Charlie and his older half-brother, Sydney Chaplin, had to be left in the workhouse at Lambeth, London, moving after several weeks to Hanwell School for Orphans and Destitute Children. His father died an alcoholic when Charlie was 12½, and his mother suffered from severe mental illness, and was eventually admitted to the Cane Hill Asylum at Coulsdon (near Croydon).

Unknown to Chaplin and Sydney until years later, they had a half-brother through their mother. Wheeler Dryden was raised abroad by his father, and later reconciled with the family, working for Chaplin at his Hollywood studio.

Chaplin's mother died in 1928 in Hollywood, seven years after being brought to the U.S. by her sons.

Stage

Charlie first took to the stage when, at age five, he performed in music hall in 1894, standing in for his mother. As a child, he was confined to a bed for weeks due to a serious illness, and, at night, his mother would sit at the window and act out what was going on outside. His first professional work came when he joined The Eight Lancashire Lads at troupe of dancers who played the Music Halls of Great Britian In 1900, aged 11, his half-brother Sydney helped get him the role of a comic cat in the pantomime Cinderella at the London Hippodrome. In 1903 he appeared in Jim: A Romance of Cockayne, followed by his first regular job, as the newspaper boy Billy in Sherlock Holmes, a part he played into 1906. This was followed by Casey's 'Court Circus' variety show, and, the following year, he became a clown in Fred Karno's 'Fun Factory' slapstick comedy company.

America

According to immigration records, he arrived in the United States with the Karno troupe on October 2, 1912. In the Karno Company was Arthur Stanley Jefferson, who would later become known as Stan Laurel. Chaplin and Laurel wound up sharing a room in a boarding house. Stan Laurel returned to England but Chaplin remained in the United States. Chaplin's act was seen by film producer Mack Sennett, who hired him for his studio, the Keystone Film Company, where comedy sensation Mabel Normand took Chaplin. He became the most famous and recognizable person in the world — indeed, he was the first truly global celebrity. He formed his own independent production company, the Charles Chaplin Film Corporation, which gave him complete artistic control of his films.

Pioneering film auteur

Kid Auto Races in Venice (1914): Chaplin's second film and the debut of his "Tramp" costume.

Chaplin's early film career (1914-1917) began at Keystone Studios, where he developed his Tramp character and very quickly learned the art and craft of filmmaking. By the end of his year at Keystone, he was directing and editing his own short films, which were a runaway success with the public. In 1915 he began a year's contract with Essanay film studios, and further developed his film skills, adding new levels of depth and pathos to the Keystone-style slapstick. In 1916, he signed a lucrative deal with the Mutual Film Corporation to produce a dozen two-reel comedies. He was given near complete artistic control, and produced twelve films over an eighteen month period that are classics of the cinema. Chaplin later said the Mutual period was the happiest of his career.

At the conclusion of the Mutual contract in 1918, Chaplin built his own Hollywood studio and production company, and assumed an unparalleled degree of artistic and financial control over his productions. Using this independence, over the next 35 years he created a remarkable, timeless body of work that remains entertaining and influential. These include the comedy shorts: A Dog's Life (1918), and Pay Day (1922); longer films, such as: Shoulder Arms (1918) and The Pilgrim (1923); and his great silent feature-length films, among them: The Kid (1921), A Woman of Paris (1923), The Gold Rush (1925), and The Circus (1928).

After the arrival of sound films, he made what is considered to be his greatest film, City Lights (1931), as well as Modern Times (1936) before he committed to sound. These were essentially silent films scored with his own music and sound effects. City Lights contained arguably his most perfect balance of comedy and sentimentality, and, though many would make believe otherwise, the laughs heavily outweigh the tears. Of the final scene, critic James Agee wrote in Life magazine in 1949 that it was the "greatest single piece of acting ever committed to celluloid".

His dialogue films made in Hollywood were The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952).

File:CharlieChaplinTheModernTimes2.jpg

"Modern Times" (1936) depicts the dismal situation of workers and the poor in industrial society. The Eating Machine scene depicts the dehumanizing effect of mechanization.

While Modern Times (1936) is a non-talkie, it does contain talk—usually coming from inanimate objects such as a radio or a TV monitor. This was done to help 1930s audiences, who were out of the habit of watching silent films, adjust to not hearing dialogue. Chaplin being observed by his boss while sneaking a smoke in the bathroom came before George Orwell's "Big Brother" by more than a decade, and might have inspired it. Modern Times was the first film where Chaplin's voice is heard (in the nonsense song at the end). However, for most viewers it is still considered a silent film -- and the end of an era.

United Artists

In 1919 he co-founded the United Artists film distribution company with Mary Pickford, Douglas Fairbanks and D. W. Griffith, all of whom were seeking to escape the growing power consolidation of film distributors and financiers in the developing Hollywood studio system. This move, along with complete control of his film production through his studio, assured Chaplin's independence as a filmaker. He served on the board of UA until the early 1950s.

Although "talkies" became the dominant mode of moviemaking soon after they were introduced in 1927, Chaplin resisted making such a film all through the 1930s. It is a tribute to Chaplin's versatility that he also has one film credit for choreography for the 1952 film Limelight, and another as a singer for the title music of the 1928's The Circus. The best-known of several songs he composed are "Smile", composed for the film "Modern Times" and given lyrics to help promote a 1950s revival of the film, famously covered by Nat King Cole. "This Is My Song" from Chaplin's last film, "A Countess From Hong Kong," was a number one hit in several different languages in the 1960s, and Chaplin's theme from Limelight was a hit in the 50s under the title "Eternally."

File:CharlieChaplinDictator2.jpg

"The Great Dictator" (1940) was an act of defiance against Adolf Hitler and fascism. Chaplin played a fascist dictator clearly modeled on Hitler (also with a certain physical likeness).

The Great Dictator

His first dialogue picture, The Great Dictator (1940) was an act of defiance against Adolf Hitler and Nazism, filmed and released in the United States one year before it abandoned its policy of isolationism to enter World War II. The film was seen as an act of courage in the political environment of the time, both for its ridicule of Nazism and for the portrayal of overt Jewish characters and the depiction of their persecution. Chaplin played both the role of a Nazi dictator clearly modeled on Hitler (with a certain physical likeness), and also that of a Jewish barber cruelly persecuted by the Nazis. Hitler, who was a great fan of movies, is known to have seen the film twice (records were kept of movies ordered for his personal theatre). Interestingly, Chaplin and Hitler were born only four days apart (Hitler was born on April 20, 1889).

File:CharlieChaplinDictator.jpg

Charlie Chaplin (not as the Jewish barber or Adenoid Hynkel, but as himself) in The Great Dictator (1940)

Politics

Chaplin's political sympathies always lay with the left. His politics seem tame by modern standards, but in the 1940s his views (in conjunction with his influence, fame, and status as a resident foreigner) were seen by many as dangerously radical. His silent films made prior to the Great Depression typically did not contain overt political themes or messages, apart from the Tramp's plight in poverty and his run-ins with the law. But his films made in the 1930s were more openly political. Modern Times (1936) depicts the dismal situation of workers and the poor in industrial society. The final dramatic speech in his 1940 film, The Great Dictator, which was critical of blindly following patriotic nationalism without question and his vocal public support for the opening of a second European front in 1942 to assist the Soviet Union in World War II were controversial. In at least one of those speeches, according to a contemporary account in the Daily Worker, he intimated that Communism might sweep the world after the war and equated it with "human progress".

The speeches, along with his unwillingness to support the war effort (apart from the service of his two sons in the Army in Europe and a film openly mocking Hitler's regime), added to his growing political problems. The critical view of capitalism in his 1947 black comedy, Monsieur Verdoux led to increased hostility, with the film being the subject of protests in many US cities. As a result, Chaplin's final American film, Limelight, was less political and more autobiographical in nature. His following European-made film, A King in New York (1957), satirised the political persecution and paranoia that had forced him to leave the US five years earlier (one of the few films of the 1950s to do so). After this film, Chaplin lost interest in making overt political statements, later saying that comedians and clowns should be apolitical and "above politics".

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Charlie Chaplin and Mahatma Gandhi. Coincidentally, both of these men had biopics made about them by Richard Attenborough

McCarthyism

Although Chaplin had his major successes in the United States and was a resident from 1914 to 1952, he always retained his British nationality. During the era of McCarthyism, Chaplin was accused of "un-American activities" as a suspected communist sympathiser; and J. Edgar Hoover, who had instructed the FBI to keep extensive secret files on him, tried to end his United States residency. FBI pressure on Chaplin grew after his 1942 campaign for a second European front in the war, and reached a critical level in the late 1940s, when Congressional figures threatened to call him as a witness in hearings. This was never done, probably from the fear of Chaplin's ability to lampoon the investigators.

In 1952, Chaplin left the US for what was intended as a brief trip home to England; Hoover learned of it and negotiated with the INS to revoke his re-entry permit. Chaplin then decided to stay in Europe, and made his home in Vevey, Switzerland. He briefly returned to the United States in April 1972, with his wife, to receive an Honorary Oscar. Even though he was invited by the Academy of Motion Picture Arts and Sciences (the Academy Awards), he was only issued a one-time entry visa valid for a period of two months. However, by this time the political animosities held by the American public towards the now elderly and apolitical Chaplin had faded, and his visit was a triumphant success.

Chaplin and Jackie Coogan in The Kid (1921)

Academy Awards

Chaplin won two honorary Oscars. When the first Oscars were awarded on May 16, 1929, the voting audit procedures that now exist had not yet been put into place, and the categories were still very fluid. Chaplin had originally been nominated for both Best Actor and Best Comedy Directing for his movie The Circus, but his name was withdrawn and the Academy decided to give him a special award "for versatility and genius in acting, writing, directing and producing The Circus" instead. The other film to receive a special award that year was The Jazz Singer.

Chaplin's second honorary award came 44 years later in 1972, and was for "the incalculable effect he has had in making motion pictures the art form of this century". He came out of his exile to accept his award. Upon receiving the award, Chaplin received the longest standing ovation in Academy Award history, lasting a full five minutes from the delighted, enthralled star-studded studio audience.

Chaplin was also nominated without success for Best Picture, Best Actor, and Best Original Screenplay for The Great Dictator, and again for Best Original Screenplay for Monsieur Verdoux (1947). During his active years as a filmaker, Chaplin expressed disdain for the Academy Awards; his son Charles Jr. wrote that Chaplin invoked the ire of the Academy in the 1930s by jokingly using his 1929 Oscar as a doorstop.

It is sometimes overlooked that Chaplin also won a competitive Academy Award. In 1973, he received an Oscar for the Best Music in an Original Dramatic Score for the 1952 film Limelight, which co-starred Claire Bloom. The film also features a cameo with Buster Keaton, which was the first and only time the two great comedians ever appeared together. Because of Chaplin's political difficulties, the film did not open in Los Angeles when it was first produced. This criterion for nomination was not fulfilled until 1972.

His two final films were made in London: A King in New York (1957) and (as writer and director) A Countess From Hong Kong (1967), starring Sophia Loren and Marlon Brando.

Relationships

Edna Purviance

Chaplin and his first major leading lady, Edna Purviance, were involved in a close romantic relationship during the production of his Essanay and Mutual films in 1916–1917. The romance seems to have ended by 1918, and Chaplin's marriage to Mildred Harris in late 1918 ended any possibility of reconciliation. Purviance would continue as leading lady in Chaplin's films until 1923, and would remain on Chaplin's payroll until her death in 1958. She and Chaplin spoke warmly of one another for the rest of their lives.

Mildred Harris

On October 23, 1918, the 29-year-old Chaplin married the 16-year-old The Wonderful Wizard of Oz actress Mildred Harris. The marriage resulted from a false-alarm pregnancy claim from the underage Harris. They had one child, Norman Spencer Chaplin (also known as "The Little Mouse"), who died in infancy; they divorced in 1920. During the divorce, Chaplin claimed Harris had had a lesbian affair with noted actress of the time Alla Nazimova, well known for seducing young actresses. Harris in turn claimed Chaplin was a sexual addict. Both claims have merit.

Pola Negri

Chaplin was involved in a very public relationship and engagement to the actress Pola Negri in 1922–23. Negri was a Polish actress who had recently arrived in Hollywood to star in films. The stormy on-off engagement was halted after about nine months, but in many ways it foreshadowed the modern sterotypes of Hollywood star relationships. Chaplin's public involvement with Negri was unique in his public life. By comparison he strived to keep his other romances and relationships very discreet and private, usually without success.

Lita Grey

At 35, he became involved with 16-year-old Lita Grey during preparations for The Gold Rush. They married on November 26, 1924 after she became pregnant. They had two sons, the actors Charles Chaplin Jr. (1925–1968) and Sydney Earle Chaplin (1926–). Their extraordinarily bitter divorce in 1928 had Chaplin paying Grey a then-record-breaking $825,000 settlement. The stress of the sensational divorce, compounded by a tax dispute, allegedly turned his hair white. The publication of court records, which included many intimate details, led to a campaign against him. The Chaplin biographer Joyce Milton asserted in Tramp: The Life of Charlie Chaplin that the Grey-Chaplin marriage was the inspiration for Vladimir Nabokov's Lolita.

Paulette Goddard

Chaplin and actress Paulette Goddard were involved in a romantic and professional relationship between 1932 and 1940, with Goddard living with Chaplin in his Beverly Hills home for most of this time. Chaplin "discovered" Goddard and gave her starring roles in Modern Times and The Great Dictator. Refusal to clarify their marital status is often claimed to have eliminated Goddard from final consideration for the role of Scarlett O'Hara in Gone with the Wind. After the relationship ended in 1940, Chaplin and Goddard made public statements that they had been secretly married in 1936, but in private Chaplin claimed they were in fact never officially married. In any case, their common-law marriage ended amicably in 1942, with Goddard being granted a divorce and settlement. Goddard went on to a major career in films at Paramount in the 1940s, working several times with Cecil B. DeMille, whose politics could not have been further from those of Goddard's former spousal equivalent.

Joan Barry

Chaplin had a brief affair with Joan Barry, whom he was considering for a starring role in a proposed film, but the relationship ended when she began harassing him and displaying signs of severe mental illness (which he would have been familiar with from his past history with his mother). In May 1943, she filed a paternity suit against him. Blood tests proved Chaplin was not the father of her child, but as blood tests were inadmissible evidence in court, he was ordered to pay $75 a week until the child turned 21.

Oona O'Neill

Shortly thereafter, he met Oona O'Neill, daughter of Eugene O'Neill, and married her on June 16, 1943. He was 54; she was 18. Her father never spoke to Oona after the marriage. O'Neill and Chaplin each seemed to provide elements missing in the others' lives: she craved the love of a father figure, and Chaplin needed loyalty and approbation as his public popularity declined. The marriage was a long and happy one, with eight children. They had three sons: Christopher, Eugene and Michael Chaplin and five daughters: Geraldine, Josephine, Jane, Victoria and Annette-Emilie Chaplin. Oona survived Chaplin by fourteen years, but her final years were unhappy, with grief over Chaplin's death eventually leading to alcoholism. She died from pancreatic cancer in 1991.

File:CharlieChaplinTheModernTimes3.jpg

Charlie Chaplin and Paulette Goddard in Modern Times (1936), the final screen appearance of the Tramp character (after 22 years).

Knighthood

On March 9, 1975, he was knighted as a Knight Commander of the British Empire (KBE) by Queen Elizabeth II. The honour was first proposed in 1931, and again in 1956, when it was vetoed by the then Conservative government for fears of damage to relations with the United States at the height of the Cold War and planned invasion of Suez of that year.

Death

Chaplin died on Christmas Day, 1977, in Vevey, Switzerland, following a stroke, aged 88, and was interred in Corsier-Sur-Vevey Cemetery in Corsier-Sur-Vevey, Vaud. On March 1, 1978, his body was stolen by a small group of Polish and Bulgarian mechanics in an attempt to extort money from his family. The plot failed, the robbers were captured, and the body was recovered 11 weeks later near Lake Geneva (and reburied under six feet of concrete to prevent another attempt).

Other controversies

At the outbreak of World War I, Chaplin was widely criticised in the British press for not joining the Army. He claimed to have presented himself for service, but was denied for physical reasons. Chaplin raised substantial funds for the war effort during War Bond drives, and by making "The Bond," a comedic propaganda film used in 1918. This lingering controversy reportedly prevented Chaplin's knighthood in the early 1930s.

For Chaplin's entire career, some level of controversy existed over claims of Jewish ancestry. Nazi propaganda in the 1930s prominently portrayed Chaplin as Jewish, and FBI investigations of Chaplin in the late 1940s focused on such claims (for unknown reasons). Paranoia about alleged Jewish domination of the movie industry was probably the root cause underlying this controversy. There is no evidence of Jewish ancestry for Chaplin himself. Chaplin's half-brother, Sydney, was three-fourths-Jewish [1], but he was never a practising Jew. For his entire public life, Chaplin fiercely refused to challenge or refute such claims, saying that to do so would always "play directly into the hands of anti-semites". He often said he would be proud of such ancestry, saying "all geniuses have some Jewish blood in them". His fearless portrayal of Jewish persecution in The Great Dictator bears this conviction out.

Chaplin has also figured in the mysterious events surrounding the death of producer Thomas Ince aboard the yacht of William Randolph Hearst in 1924, one of Hollywood's greatest mysteries. This was fictionally depicted in the 2001 film The Cat's Meow. The precise cirucumstances of Ince's death will likely never be known.

Chaplin's lifelong attraction to younger women remains another enduring source of controversy. His biographers have attributed this to a teenage infatuation with Hetty Kelly, whom he met in Britain while performing in the Music Hall, and who defined his feminine ideal. Chaplin clearly relished the role of discovering and closely guiding young female stars; with the exception of Mildred Harris, all of his marriages and most of his major relationships began in this manner.

Legacy

• There is a statue of Chaplin in front of the alimentarium in Vevey to commemorate the last part of his life, and a replica also stands in Leicester Square in London.
• Amongst his many honours, Chaplin has a star on the Hollywood Walk of Fame (Chaplin's star was not dedicated until the 1970s, due to controversies over his politics in the 1950s and 1960s). In 1985 he was honoured with his image on a postage stamp of the United Kingdom, and in 1994 he appeared on a United States postage stamp designed by caricaturist Al Hirschfeld.
• In 1992 a film was made about his life entitled Chaplin, directed by Oscar-winner Richard Attenborough, and starring Robert Downey Jr., Dan Aykroyd, Geraldine Chaplin (Charlie's daughter, portraying Charlie's mother, her own grandmother), Sir Anthony Hopkins, Milla Jovovich, Moira Kelly, Kevin Kline, Diane Lane, Penelope Ann Miller, Paul Rhys, Marisa Tomei, Nancy Travis, and James Woods.
• In 2001, British comedian Eddie Izzard played Chaplin in the film, The Cat's Meow, which theorised about the still-unsolved death of producer Thomas Ince aboard William Randolph Hearst's yacht, of which Chaplin was a passenger of at the time.
• Since the 1960s, Chaplin's films have been unendingly compared to those of Buster Keaton, especially among the loyal fans of each comic. The two had very different styles: Chaplin had a strong affinity for sentimentality and pathos (which was more popular in the 1920s) and Keaton adhered to onscreen stoicism with a cynical tone more suited to modern audiences. Chaplin was a strict cinematic traditionalist who focused almost exclusively on performance, whereas Keaton was considered a brilliant and adventurous film innovator. On a historical level, Chaplin was the breakthrough figure of the pioneering generation of film comedians, and the younger Keaton (and the other giant of silent comedy, Harold Lloyd) built upon his groundwork. Chaplin's period of film experimentation ended after the Mutual period (1916-1917), just before Keaton entered films. Beyond a healthy professional rivalry, the two former vaudevillians thought highly of each other. Keaton stated that Chaplin was the greatest comedian that ever lived, and the greatest comedy director. Chaplin also greatly admired Keaton: he advised him against his disastrous move to MGM in 1928, and for his last American film, Limelight, wrote a part specifically for Keaton as his first on-screen comedy partner since 1915.

Trivia

• A bronze statue to Chaplin was erected in the small seaside town of Waterville, Co. Kerry, Ireland where the star spent many holidays in later life.
• A young Chaplin is a character in Shanghai Knights; the movie presented the fictional idea that Chaplin originally came to America by stowing away with Jackie Chan and Owen Wilson's characters.
• It is true that Charlie Chaplin once lost a "Charlie Chaplin look-a-like" competition. In one version he came third, in another second. As Chaplin became popular throughout America, such contests became popular. On one occasion, a rising young actor named Bob Hope took first prize.
• Chaplin was a friend of Luis Buñuel in the early 30s.
• In a 2005 poll to find The Comedian's Comedian, he was voted among the top 20 greatest comedy acts ever by fellow comedians and comedy insiders.
• All his life, Chaplin was known to be an avowed atheist. He had nothing but contempt for any form of religion. He once joked, "I would love to play the part of Jesus! I fit it perfectly because I am a comedian."
• In his later years Chaplin was a fan of Benny Hill (a big Chaplin fan himself), a compliment that touched Benny deeply when he visited Chaplin's home on invitation from Chaplin's family in 1991 and discovered that Charlie had a vast collection of Benny Hill videos.
• During a visit to Chaplin's home with the Great Britain Davis Cup lawn tennis team in 1921, multi-talented sportsman Maxwell Woosnam — an Olympic and Wimbledon tennis champion and one-time captain of the England national football team — defeated Chaplin at table tennis while playing with a butter knife instead of a bat. In an effort to cheer Chaplin up after this loss, Woosnam threw the actor into his own swimming pool, after which Woosnam and his team-mates were asked to leave.

Filmography

Short films as actor

• 1914
  • A Busy Day
  • Between Showers
  • Caught in a Cabaret
  • Caught in the Rain
  • Cruel, Cruel Love
  • Dough and Dynamite
  • The Face on the Bar Room Floor
  • The Fatal Mallet
  • A Film Johnnie
  • Gentlemen of Nerve
  • Getting Acquainted
  • Her Friend the Bandit
  • His Favorite Pastime
  • His Musical Career
  • His New Profession
  • His Prehistoric Past
  • His Trysting Place
  • Kid Auto Races at Venice
  • The Knockout
  • Laughing Gas
  • Mabel at the Wheel
  • Mabel's Busy Day
  • Mabel's Married Life
  • Mabel's Strange Predicament
  • Making a Living
  • The Masquerader
  • The New Janitor
  • The Property Man
  • Recreation
  • The Rounders
  • The Star Boarder
  • Tango Tangles
  • Those Love Pangs
  • Twenty Minutes of Love

• 1915
  • The Bank
  • Charlie Chaplin's Burlesque on Carmen
  • By the Sea
  • The Champion
  • His New Job
  • His Regeneration
  • In the Park
  • A Jitney Elopement
  • A Night Out
  • A Night in the Show
  • Shanghaied
  • The Tramp
  • A Woman
  • Work
• 1916
  • Behind the Screen
  • The Count
  • The Fireman
  • The Floorwalker
  • One A.M.
  • The Pawnshop
  • Police!
  • The Rink
  • The Vagabond
• 1917
  • The Adventurer
  • The Cure
  • Easy Street
  • The Immigrant
• 1918
  • The Bond
  • Shoulder Arms
  • A Dog's Life
  • Triple Trouble
• 1919
  • A Day's Pleasure
  • Sunnyside
• 1921
  • The Idle Class
• 1922
  • Pay Day
• 1923
  • The Pilgrim

Feature films

(as actor and director except as noted)

• Tillie's Punctured Romance (1914) (actor only) - first feature-length comedy film ever produced.
• The Kid (1921)
• The Nut (1921) (cameo only)
• Souls For Sale (1923) (cameo only)
• A Woman of Paris (1923) (cameo, dir)
• The Gold Rush (1925)
• A Woman of the Sea (1926) (produced only)
• The Circus (1928)
• Show People (1928) (cameo only)
• City Lights (1931)
• Modern Times (1936)
• The Great Dictator (1940)
• Monsieur Verdoux (1947)
• Limelight (1952)
• A King in New York (1957)
• A Countess From Hong Kong (1967) (directed and makes a cameo appearance)

See also

• List of United States comedy films
• Chaplin (film 1992)
• Albert Austin
• Edna Purviance
• Henry Bergman
• Eric Campbell

Further reading

• Charles Chaplin: Die Geschichte meines Lebens. Fischer-Verlag, 1964. (germ.)
• Charlie Chaplin Die Wurzeln meiner Komik in: Jüdische Allgemeine Wochenzeitung, 3.3.67, gekürzt: wieder ebd. 12.4. 2006, S. 54 (germ.)
• S. Frind: Die Sprache als Propagandainstrument des Nationalsozialismus, in: Muttersprache, 76. Jg., 1966, S. 129-135. (germ.)
• Victor Klemperer: LTI - Notizbuch eines Philologen. Leipzig: Reclam, 1990. ISBN 3379007595; Frankfurt am Main (19. A.)2001 (germ.)

External links

• Official Sites
  • Official Charlie Chaplin Website
  • Discover Charlie Chaplin
  • The Chaplin Museum
  • The Charlie Chaplin Archive
  • The Chaplin Society of Japan
• Biography
  • Charlie Chaplin Famous in London
  • Charlie Chaplin biography
  • Clown Ministry's biography of Charlie Chaplin
  • Charlie Chaplin - Biographical Chronology
  • Charlie Chaplin - Biography - Photos - Kiera Chaplin, granddaughter of Charlie Chaplin
• Filmography
  • Charles Chaplin at IMDb
• Fan Sites
  • The Little Fellow: A Charlie Chaplin Fan Page
  • Charlie Chaplin Forum - A place for fans to chat
• Others
  • Chaplin Review
  • Charlie Chaplin Photo Galleries
  • A collection of tribute webpages to Charlie Chaplin at Classicmovies.org
  • Chaplin - An essay by Aaron Hale
  • Charlie Chaplin: A WWW Celebration
  • Charlie Chaplin FBI File
  • The TIME 100: Charlie Chaplin
  • Classic Movies (1939 - 1969): Directors: Charles Chaplin
  • Download Chaplin's 'Mutual Films' in full screen dvd quality at World Cinema Online

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