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==Work==
==Work==
Aitken’s body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance.<ref>{{cite web|last=Corbett|first=Rachel|title=Dakis Joannou AEGEAN ANOMIE|url=http://www.artnet.com/magazineus/news/corbett/doug-aitken-chloe-sevigny-dakis-joannou-6-24-11.asp|publisher=Artnet|accessdate=30 October 2012}}</ref><ref name=autogenerated1>[http://atc.berkeley.edu/bio/Doug_Aitken/ UC Berkeley Art, Technology, and Culture Colloquium - Bio: Doug Aitken<!-- Bot generated title -->]</ref><ref>Sleepwalkers exhibition catalogue, published by the Museum of Modern Art, 2007, ISBN 978-0-87070-045-3</ref> Aitken's video works have taken place in such culturally loaded sites as [[Jonestown]] in Guyana, Africa's diamond mines, and India's [[Bollywood]].<ref>[http://www.regenprojects.com/exhibitions/2005-09-doug-aitken/pressrelease/ Doug Aitken, September 10 – October 8, 2005] Regen Projects, Los Angeles.</ref>
Aitken’s body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance.<ref>{{cite web|last=Corbett|first=Rachel|title=Dakis Joannou AEGEAN ANOMIE|url=http://www.artnet.com/magazineus/news/corbett/doug-aitken-chloe-sevigny-dakis-joannou-6-24-11.asp|publisher=Artnet|accessdate=30 October 2012}}</ref><ref name=autogenerated1>[http://atc.berkeley.edu/bio/Doug_Aitken/ UC Berkeley Art, Technology, and Culture Colloquium - Bio: Doug Aitken<!-- Bot generated title -->]</ref><ref>Sleepwalkers exhibition catalogue, published by the Museum of Modern Art, 2007, ISBN 978-0-87070-045-3</ref> Aitken's video works have taken place in such culturally loaded sites as [[Jonestown]] in Guyana, Africa's diamond mines, and India's [[Bollywood]].<ref>[http://www.regenprojects.com/exhibitions/2005-09-doug-aitken/pressrelease/ Doug Aitken, September 10 – October 8, 2005] {{wayback|url=http://www.regenprojects.com/exhibitions/2005-09-doug-aitken/pressrelease/ |date=20111007093446 }} Regen Projects, Los Angeles.</ref>


===Video Installations===
===Video Installations===
Since the mid-1990s, Aitken has created installations by employing multiple screens in architecturally provocative environments. ''Diamond Sea'' (1997), for example, includes three video projections, one suspended video monitor, and one full-color, illuminated transparency photograph in a dimly lit space. Multiple speakers create an immersive sound experience; the multi-screen film explores a guarded region in the Namib desert in southwestern Africa known as [[Sperrgebiet|Diamond Area 1 and 2]]. The territory, estimated at over 40,000 square miles and sealed off since 1908, contains the world’s largest and richest computer-controlled diamond mine.<ref>[http://www.lannan.org/lf/art/exhibition-program/doug-aitken/ Doug Aitken: Diamond Sea] Lannan Foundation, Santa Fe.</ref> ''Hysteria'' (1998–2000) uses film footage from the past four decades that shows audiences at pop and rock concerts working themselves into a frenzy on four screens in an X formation.<ref>[http://www.tate.org.uk/liverpool/exhibitions/remix/artists.htm Remix: Contemporary Art and Pop, 24 May to 26 August 2002] [[Tate Liverpool]].</ref> Filmed and photographed in the dusty sound stages and film sets of Bombay, ''Into the Sun'' (1999) focuses on the frenetic activity of [[Bollywood]], recreating the sound stages of the Indian film industry with canvas projection screens, a red dirt floor, and video shown in a non-stop, twenty-four-hour loop.<ref>[http://www.victoria-miro.com/exhibitions/_280/?a=2 Doug Aitken: Into the Sun, 7 October - 12 November 1999] Victoria Miro Gallery, London.</ref> ''Diamond Sea'' was presented at the 1997 [[Whitney Biennial]] and his ''Electric Earth'' installation, an eight projection, multi-room post cinematic experience, drew international attention and earned him the International Prize at the [[Venice Biennale]] in 1999.<ref name=autogenerated1 /> His ambitious show ''New Ocean'', which included multiple sound, photo, and video works, began with a transformation of the Serpentine Gallery in London and traveled the world to Austria, Italy and Japan, each time in a new configuration.<ref>{{cite web|title=NEW OCEAN (a shifting exhibition)|url=http://www.kunsthaus-bregenz.at/html/aus_aitken.htm|publisher=Kunsthaus Bregenz|accessdate=30 October 2012}}</ref> In 2010, Aitken exhibited his work ''House'', a study of destruction featuring the artist's parents.<ref>{{cite news|last=Hodge|first=Brooke|title=Seeing Things {{!}} Doug's Aitken "House"|url=http://tmagazine.blogs.nytimes.com/2010/11/11/seeing-things-doug-aitkens-house/|publisher=The New York Times Magazine blog|accessdate=30 October 2012|date=11 November 2010}}</ref>
Since the mid-1990s, Aitken has created installations by employing multiple screens in architecturally provocative environments. ''Diamond Sea'' (1997), for example, includes three video projections, one suspended video monitor, and one full-color, illuminated transparency photograph in a dimly lit space. Multiple speakers create an immersive sound experience; the multi-screen film explores a guarded region in the Namib desert in southwestern Africa known as [[Sperrgebiet|Diamond Area 1 and 2]]. The territory, estimated at over 40,000 square miles and sealed off since 1908, contains the world’s largest and richest computer-controlled diamond mine.<ref>[http://www.lannan.org/lf/art/exhibition-program/doug-aitken/ Doug Aitken: Diamond Sea] Lannan Foundation, Santa Fe.</ref> ''Hysteria'' (1998–2000) uses film footage from the past four decades that shows audiences at pop and rock concerts working themselves into a frenzy on four screens in an X formation.<ref>[http://www.tate.org.uk/liverpool/exhibitions/remix/artists.htm Remix: Contemporary Art and Pop, 24 May to 26 August 2002] {{wayback|url=http://www.tate.org.uk/liverpool/exhibitions/remix/artists.htm |date=20051227000717 }} [[Tate Liverpool]].</ref> Filmed and photographed in the dusty sound stages and film sets of Bombay, ''Into the Sun'' (1999) focuses on the frenetic activity of [[Bollywood]], recreating the sound stages of the Indian film industry with canvas projection screens, a red dirt floor, and video shown in a non-stop, twenty-four-hour loop.<ref>[http://www.victoria-miro.com/exhibitions/_280/?a=2 Doug Aitken: Into the Sun, 7 October - 12 November 1999] Victoria Miro Gallery, London.</ref> ''Diamond Sea'' was presented at the 1997 [[Whitney Biennial]] and his ''Electric Earth'' installation, an eight projection, multi-room post cinematic experience, drew international attention and earned him the International Prize at the [[Venice Biennale]] in 1999.<ref name=autogenerated1 /> His ambitious show ''New Ocean'', which included multiple sound, photo, and video works, began with a transformation of the Serpentine Gallery in London and traveled the world to Austria, Italy and Japan, each time in a new configuration.<ref>{{cite web|title=NEW OCEAN (a shifting exhibition)|url=http://www.kunsthaus-bregenz.at/html/aus_aitken.htm|publisher=Kunsthaus Bregenz|accessdate=30 October 2012}}</ref> In 2010, Aitken exhibited his work ''House'', a study of destruction featuring the artist's parents.<ref>{{cite news|last=Hodge|first=Brooke|title=Seeing Things {{!}} Doug's Aitken "House"|url=http://tmagazine.blogs.nytimes.com/2010/11/11/seeing-things-doug-aitkens-house/|publisher=The New York Times Magazine blog|accessdate=30 October 2012|date=11 November 2010}}</ref>


===Outdoor Film Installations===
===Outdoor Film Installations===
In 1998, ''Glass Horizon'', an installation comprising a projection of a pair of eyes onto the facade of the [[Vienna Secession]] building after it had closed for the night, showcased an interest in architectural structures and in art that interacts with urban environments.<ref>[http://www.nysun.com/new-york/in-a-first-sleepwalkers-lights-up-momas-facade/46881/ In a First, ‘Sleepwalkers' Lights Up MoMA's Facade - January 17, 2007 - The New York Sun<!-- Bot generated title -->]</ref> In 2001, Aitken’s exhibition at London’s [[Serpentine Gallery]] used the entire building for the complex installation ''New Ocean'' including transforming the museum's tower into a functional lighthouse at night.<ref>[http://www.thisislondon.co.uk/showbiz/article-890267-details/Adventures+in+white+space/article.do Adventures in white space| Showbiz | This is London<!-- Bot generated title -->]</ref>
In 1998, ''Glass Horizon'', an installation comprising a projection of a pair of eyes onto the facade of the [[Vienna Secession]] building after it had closed for the night, showcased an interest in architectural structures and in art that interacts with urban environments.<ref>[http://www.nysun.com/new-york/in-a-first-sleepwalkers-lights-up-momas-facade/46881/ In a First, ‘Sleepwalkers' Lights Up MoMA's Facade - January 17, 2007 - The New York Sun<!-- Bot generated title -->]</ref> In 2001, Aitken’s exhibition at London’s [[Serpentine Gallery]] used the entire building for the complex installation ''New Ocean'' including transforming the museum's tower into a functional lighthouse at night.<ref>[http://www.thisislondon.co.uk/showbiz/article-890267-details/Adventures+in+white+space/article.do Adventures in white space| Showbiz | This is London<!-- Bot generated title -->] {{wayback|url=http://www.thisislondon.co.uk/showbiz/article-890267-details/Adventures+in+white+space/article.do |date=20090227093045 }}</ref>


In the winter of 2007, Aitken's ''Sleepwalkers'' was presented at the [[Museum of Modern Art]] in New York. The project included actors such as [[Donald Sutherland]] and [[Tilda Swinton]], as well as musicians [[Seu Jorge]] and [[Cat Power]].<ref>{{cite news| url=http://www.nytimes.com/2007/01/18/arts/18moma.html?ex=1326776400&en=4f0ed9ce0acf1e98&ei=5088&partner=rssnyt&emc=rss | work=The New York Times | title=The Museum as Outdoor Movie Screen | first=Roberta | last=Smith | date=January 18, 2007 | accessdate=May 1, 2010}}</ref> Five interlocking vignettes shown through eight projections were displayed upon the exterior walls of the museum so as to be visible from the street. Concurrent with the exhibition, Aitken also presented a "happening" inside the museum that featured live drummers and auctioneers, and a performance by Cat Power.<ref>[http://www.artreview.com/video/video/show?id=1474022%3AVideo%3A3671&context=user Doug Aitken Happening, The Museum of Modern Art, New York - artreview.com<!-- Bot generated title -->]</ref>
In the winter of 2007, Aitken's ''Sleepwalkers'' was presented at the [[Museum of Modern Art]] in New York. The project included actors such as [[Donald Sutherland]] and [[Tilda Swinton]], as well as musicians [[Seu Jorge]] and [[Cat Power]].<ref>{{cite news| url=http://www.nytimes.com/2007/01/18/arts/18moma.html?ex=1326776400&en=4f0ed9ce0acf1e98&ei=5088&partner=rssnyt&emc=rss | work=The New York Times | title=The Museum as Outdoor Movie Screen | first=Roberta | last=Smith | date=January 18, 2007 | accessdate=May 1, 2010}}</ref> Five interlocking vignettes shown through eight projections were displayed upon the exterior walls of the museum so as to be visible from the street. Concurrent with the exhibition, Aitken also presented a "happening" inside the museum that featured live drummers and auctioneers, and a performance by Cat Power.<ref>[http://www.artreview.com/video/video/show?id=1474022%3AVideo%3A3671&context=user Doug Aitken Happening, The Museum of Modern Art, New York - artreview.com<!-- Bot generated title -->]</ref>
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Another example of what the artist has called 'liquid architecture', his freestanding installation ''ALTERED EARTH'' (2012) explores the [[Camargue]] region of southern France in a maze-like flowing arrangement of twelve large projections in the hangar-like Grande Halle of the Parc des Ateliers in Arles. The work also inspired an app created by the artist and [[POSTmatter (magazine)|POST]] for the Apple iPad.<ref>{{cite web|title=Altered Earth By MERI Media|url=https://itunes.apple.com/us/app/altered-earth/id470658082?mt=8|publisher=Apple|accessdate=26 October 2012}}</ref><ref>{{cite web|last=Himelfarb|first=Ellen|title=Artist Doug Aitken's 'Altered Earth' exhibition in Arles, France|url=http://www.wallpaper.com/art/artist-doug-aitkens-altered-earth-exhibition-in-arles-france/6144|publisher=Wallpaper|accessdate=26 October 2012}}</ref>
Another example of what the artist has called 'liquid architecture', his freestanding installation ''ALTERED EARTH'' (2012) explores the [[Camargue]] region of southern France in a maze-like flowing arrangement of twelve large projections in the hangar-like Grande Halle of the Parc des Ateliers in Arles. The work also inspired an app created by the artist and [[POSTmatter (magazine)|POST]] for the Apple iPad.<ref>{{cite web|title=Altered Earth By MERI Media|url=https://itunes.apple.com/us/app/altered-earth/id470658082?mt=8|publisher=Apple|accessdate=26 October 2012}}</ref><ref>{{cite web|last=Himelfarb|first=Ellen|title=Artist Doug Aitken's 'Altered Earth' exhibition in Arles, France|url=http://www.wallpaper.com/art/artist-doug-aitkens-altered-earth-exhibition-in-arles-france/6144|publisher=Wallpaper|accessdate=26 October 2012}}</ref>


Commissioned by art patron [[Bagley Wright]], ''Mirror'' (2013) is a large LED screen, wrapped around the corner of the [[Seattle Art Museum]], with thin strips of vertical lights. For the project, Aitken had been filming for the project over five years, capturing images of central Seattle as well as the surrounding area. A computer program selects which parts of the footage to project in response to a live feed of information that ranges from the weather to the density of traffic in the streets of Seattle.<ref>Charlotte Burns (March 1, 2013), [http://theartnewspaper.com/articles/Seattle+to+unveil+Doug+Aitken%E2%80%99s+digital+Land+Art/28993 Seattle to unveil Doug Aitken’s digital Land Art] ''[[The Art Newspaper]]''.</ref>
Commissioned by art patron [[Bagley Wright]], ''Mirror'' (2013) is a large LED screen, wrapped around the corner of the [[Seattle Art Museum]], with thin strips of vertical lights. For the project, Aitken had been filming for the project over five years, capturing images of central Seattle as well as the surrounding area. A computer program selects which parts of the footage to project in response to a live feed of information that ranges from the weather to the density of traffic in the streets of Seattle.<ref>Charlotte Burns (March 1, 2013), [http://theartnewspaper.com/articles/Seattle+to+unveil+Doug+Aitken%E2%80%99s+digital+Land+Art/28993 Seattle to unveil Doug Aitken’s digital Land Art] {{wayback|url=http://theartnewspaper.com/articles/Seattle+to+unveil+Doug+Aitken%E2%80%99s+digital+Land+Art/28993 |date=20130308100534 }} ''[[The Art Newspaper]]''.</ref>


===Conversations===
===Conversations===
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Aitken has directed many live "happenings" including his ''Broken Screen'' happenings from 2006 in Los Angeles and New York.<ref>http://atc.berkeley.edu/bio/Doug_Aitken/</ref> In 2009, Aitken orchestrated a real-time opera titled "the handle comes up, the hammer comes down" that assembled auctioneers performing against the rhythms of his ''Sonic Table'', at Il Tempo del Postino, at [[Theater Basel]].<ref>[http://www.artknowledgenews.com/art-basel-2009-worlds-premier-international-art-fair.html Art Knowledge News]</ref>
Aitken has directed many live "happenings" including his ''Broken Screen'' happenings from 2006 in Los Angeles and New York.<ref>http://atc.berkeley.edu/bio/Doug_Aitken/</ref> In 2009, Aitken orchestrated a real-time opera titled "the handle comes up, the hammer comes down" that assembled auctioneers performing against the rhythms of his ''Sonic Table'', at Il Tempo del Postino, at [[Theater Basel]].<ref>[http://www.artknowledgenews.com/art-basel-2009-worlds-premier-international-art-fair.html Art Knowledge News]</ref>


Also in 2009, along with his large-scale video installation, ''Frontier'', presented on the Tiber river’s [[Isola Tiberina]] in the heart of Rome, Aitken staged a happening by the same title. The film featured a protagonist played by the iconic American artist [[Ed Ruscha]], as he's seen caught in a landscape between fiction and non-fiction. The work creates a futuristic journey from day to night in a world where reality is put into question.<ref>[http://www.theartnewspaper.com/whatson/results.asp?id=1111254 The Art Newspaper]</ref><ref name="Frieze Magazine">[http://www.frieze.com/blog/entry/i_doug_aitken/ Frieze Magazine]</ref> In the happening, performers from the film, such as a professional whip cracker, come alive in the installation while surrounded by the audience. First shown at the [[Deste Foundation]]’s project space "Slaughterhouse" on the Greek island of [[Hydra (island)|Hydra]], ''Black Mirror'' is displayed on five screens reflected “into infinity” across black mirrors and stars [[Chloë Sevigny]] tethered only by brief conversations over the phone and through voiceover in such disparate locales as Mexico, Greece, and Central America.<ref>Fan Zhong (June 2011), [http://www.wmagazine.com/artdesign/2011/06/doug-aitken#ixzz1SqSnwJDA June 20: Doug Aitken's ''Black Mirror''] ''[[W Magazine]]''</ref> "Black Mirror" was also a four-night event staged on a custom barge, again featuring a performers from the film: Leo Gallo, Tim McAfee-Lewis, No Age, and [[Chloë Sevigny]].<ref>http://pitchfork.com/news/42525-no-age-score-live-art-project-with-chloe-sevigny/</ref>
Also in 2009, along with his large-scale video installation, ''Frontier'', presented on the Tiber river’s [[Isola Tiberina]] in the heart of Rome, Aitken staged a happening by the same title. The film featured a protagonist played by the iconic American artist [[Ed Ruscha]], as he's seen caught in a landscape between fiction and non-fiction. The work creates a futuristic journey from day to night in a world where reality is put into question.<ref>[http://www.theartnewspaper.com/whatson/results.asp?id=1111254 The Art Newspaper]</ref><ref name="Frieze Magazine">[http://www.frieze.com/blog/entry/i_doug_aitken/ Frieze Magazine] {{wayback|url=http://www.frieze.com/blog/entry/i_doug_aitken/ |date=20100316172708 }}</ref> In the happening, performers from the film, such as a professional whip cracker, come alive in the installation while surrounded by the audience. First shown at the [[Deste Foundation]]’s project space "Slaughterhouse" on the Greek island of [[Hydra (island)|Hydra]], ''Black Mirror'' is displayed on five screens reflected “into infinity” across black mirrors and stars [[Chloë Sevigny]] tethered only by brief conversations over the phone and through voiceover in such disparate locales as Mexico, Greece, and Central America.<ref>Fan Zhong (June 2011), [http://www.wmagazine.com/artdesign/2011/06/doug-aitken#ixzz1SqSnwJDA June 20: Doug Aitken's ''Black Mirror''] ''[[W Magazine]]''</ref> "Black Mirror" was also a four-night event staged on a custom barge, again featuring a performers from the film: Leo Gallo, Tim McAfee-Lewis, No Age, and [[Chloë Sevigny]].<ref>http://pitchfork.com/news/42525-no-age-score-live-art-project-with-chloe-sevigny/</ref>


===Photographs, Light Boxes, and Sculptures===
===Photographs, Light Boxes, and Sculptures===
Aitken is well known for his many photographs, which often explore spatial and temporal disruption and narrative suggestion like his installations.<ref>{{cite web|title=Doug Aitken: A Photographic Survey|url=http://www.aspenartmuseum.org/archive_doug_aitken.html|publisher=Aspen Art Museum|accessdate=30 October 2012}}</ref> For example, ''Passenger'', a group of still photographs made in 1999, shows planes in flight, most of which focus on the faint traceries of takeoffs and landings over desolate airport landscapes.<ref>[http://www.metmuseum.org/toah/works-of-art/2004.223 Doug Aitken: Passenger (2004)] Heilbrunn Timeline of Art History, [[Metropolitan Museum of Art]].</ref> More recently, Aitken has created aluminum light boxes that combine photographic image and text. Extending the theme of text and image, Aitken has produced sculptures from materials as diverse as plants inside clear acrylic and kaleidoscopic mirrors.<ref>{{cite web|title=303 Gallery Artist Doug Aitken|url=http://www.303gallery.com/artists/doug_aitken/index.php?exhid=17&p=images|accessdate=25 October 2012}}</ref> Other sculptures, such as ''sunset (black and white)'', 2012, employ the use of hand-carved foam, epoxy and hand silk-screened acrylic.<ref>{{cite web|title=doug aitken at art basel 2012|url=http://www.designboom.com/weblog/cat/10/view/22227/doug-aitken-at-art-basel-2012.html|publisher=Designboom|accessdate=25 October 2012}}</ref>
Aitken is well known for his many photographs, which often explore spatial and temporal disruption and narrative suggestion like his installations.<ref>{{cite web|title=Doug Aitken: A Photographic Survey |url=http://www.aspenartmuseum.org/archive_doug_aitken.html |publisher=Aspen Art Museum |accessdate=30 October 2012 |deadurl=yes |archiveurl=https://web.archive.org/web/20120322063232/http://www.aspenartmuseum.org/archive_doug_aitken.html |archivedate=22 March 2012 |df= }}</ref> For example, ''Passenger'', a group of still photographs made in 1999, shows planes in flight, most of which focus on the faint traceries of takeoffs and landings over desolate airport landscapes.<ref>[http://www.metmuseum.org/toah/works-of-art/2004.223 Doug Aitken: Passenger (2004)] Heilbrunn Timeline of Art History, [[Metropolitan Museum of Art]].</ref> More recently, Aitken has created aluminum light boxes that combine photographic image and text. Extending the theme of text and image, Aitken has produced sculptures from materials as diverse as plants inside clear acrylic and kaleidoscopic mirrors.<ref>{{cite web|title=303 Gallery Artist Doug Aitken|url=http://www.303gallery.com/artists/doug_aitken/index.php?exhid=17&p=images|accessdate=25 October 2012}}</ref> Other sculptures, such as ''sunset (black and white)'', 2012, employ the use of hand-carved foam, epoxy and hand silk-screened acrylic.<ref>{{cite web|title=doug aitken at art basel 2012|url=http://www.designboom.com/weblog/cat/10/view/22227/doug-aitken-at-art-basel-2012.html|publisher=Designboom|accessdate=25 October 2012}}</ref>


===Sound Experiments===
===Sound Experiments===
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===Books===
===Books===
Aitken is also a producer of innovative books: ''I AM A BULLET: Scenes from an Accelerating Culture'' (2000) a collaboration with writer Dean Kuipers; ''Doug Aitken: A-Z Book (Fractals)'' (2003), the alphabet serves as structure to arrange Aitken's photography and video work, along with texts and interviews; ''Broken Screen'' (2005), a book of interviews with 26 artists pushing the limits of linear narrative; ''Alpha'', published in 2005 by the [[Musée d'Art Moderne de la Ville de Paris]]; ''Sleepwalkers'' (2007), published by the [[Museum of Modern Art]], in correspondence to the film and video installation of the same name; ''99 Cent Dreams'' (2008), a collection of photographs that captures "moments between interaction" to create a 21st-century nomadic travelogue;<ref>99 Cent Dreams, published by the Aspen Art Press, 2008, ISBN 978-0-934324-37-3</ref> ''Write In Jerry Brown President'' (2008), a folded artist book published by the [[Museum of Modern Art]],;<ref>[http://www.victoria-miro.com/artists/_2/ Doug Aitken] Victoria Miro Gallery, London.</ref> ''The Idea of the West'' (2010), which asked 1,000 people about their idea of the west, and was produced in conjunction with a happening at the [[Museum of Contemporary Art, Los Angeles]],;<ref>[http://www.moca.org/audio/blog/?p=1076 Idea of the West]</ref> ''Black Mirror'' (2011), features a nomadic Chloë Sevigny, produced in conjunction with a video installation and live theater performance staged on a barge;<ref>{{cite web|last=Alexander|first=Andrew|title=Book Review: Doug Aitken's "Black Mirror"|url=http://clatl.com/freshloaf/archives/2011/08/03/3798552-book-review-doug-aitkens-black-mirror|publisher=Creative Loafing Atlanta|accessdate=26 October 2012}}</ref> ''SONG 1'' (2012), accompanied an exhibition of the same name at the Hirshhorn Museum and Sculpture Garden, the book takes the form of the Hirshhorn itself, while examining the artwork that explores the idea of pure communication through the pop song [[I Only Have Eyes for You]].<ref>{{cite web|title=Doug Aitken: Song 1 [Hardcover]|url=http://www.amazon.com/Doug-Aitken-Song-Kerry-Brougher/dp/0978906322|accessdate=26 October 2012}}</ref>
Aitken is also a producer of innovative books: ''I AM A BULLET: Scenes from an Accelerating Culture'' (2000) a collaboration with writer Dean Kuipers; ''Doug Aitken: A-Z Book (Fractals)'' (2003), the alphabet serves as structure to arrange Aitken's photography and video work, along with texts and interviews; ''Broken Screen'' (2005), a book of interviews with 26 artists pushing the limits of linear narrative; ''Alpha'', published in 2005 by the [[Musée d'Art Moderne de la Ville de Paris]]; ''Sleepwalkers'' (2007), published by the [[Museum of Modern Art]], in correspondence to the film and video installation of the same name; ''99 Cent Dreams'' (2008), a collection of photographs that captures "moments between interaction" to create a 21st-century nomadic travelogue;<ref>99 Cent Dreams, published by the Aspen Art Press, 2008, ISBN 978-0-934324-37-3</ref> ''Write In Jerry Brown President'' (2008), a folded artist book published by the [[Museum of Modern Art]],;<ref>[http://www.victoria-miro.com/artists/_2/ Doug Aitken] Victoria Miro Gallery, London.</ref> ''The Idea of the West'' (2010), which asked 1,000 people about their idea of the west, and was produced in conjunction with a happening at the [[Museum of Contemporary Art, Los Angeles]],;<ref>[http://www.moca.org/audio/blog/?p=1076 Idea of the West] {{wayback|url=http://www.moca.org/audio/blog/?p=1076 |date=20110929074421 }}</ref> ''Black Mirror'' (2011), features a nomadic Chloë Sevigny, produced in conjunction with a video installation and live theater performance staged on a barge;<ref>{{cite web|last=Alexander|first=Andrew|title=Book Review: Doug Aitken's "Black Mirror"|url=http://clatl.com/freshloaf/archives/2011/08/03/3798552-book-review-doug-aitkens-black-mirror|publisher=Creative Loafing Atlanta|accessdate=26 October 2012}}</ref> ''SONG 1'' (2012), accompanied an exhibition of the same name at the Hirshhorn Museum and Sculpture Garden, the book takes the form of the Hirshhorn itself, while examining the artwork that explores the idea of pure communication through the pop song [[I Only Have Eyes for You]].<ref>{{cite web|title=Doug Aitken: Song 1 [Hardcover]|url=http://www.amazon.com/Doug-Aitken-Song-Kerry-Brougher/dp/0978906322|accessdate=26 October 2012}}</ref>


===[http://stationtostation.com/ Station to Station]===
===[http://stationtostation.com/ Station to Station]===
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== Exhibitions ==
== Exhibitions ==
Doug Aitken has participated in over 200 art exhibitions throughout the world.<ref>http://www.artnet.com/Galleries/Artists_detail.asp?G=&gid=796&which=&aid=1315&ViewArtistBy=online&rta=http://www.artnet.com</ref> His work has been featured in numerous group exhibitions in such institutions as the [[Whitney Museum of American Art]], The [[Museum of Modern Art]], and the [[Centre Georges Pompidou]] in Paris. Among others, he has had solo exhibitions at the [[Schirn Kunsthalle]], Frankfurt,<ref>http://www.schirn.de/en/exhibitions/2015/doug_aitken/</ref> [[Hirshhorn Museum and Sculpture Garden]],<ref>{{cite news|last=Catlin|first=Roger|title=Doug Aitken turns the Hirshhorn’s exterior into ‘the world’s greatest screen’|url=http://www.washingtonpost.com/entertainment/museums/doug-aitken-turns-the-hirshhorns-exterior-into-the-worlds-greatest-screen/2012/03/09/gIQAxY9TGS_story.html|publisher=The Washington Post|accessdate=25 October 2012}}</ref> [[Musée d'Art Moderne de la Ville de Paris]], the [[Serpentine Gallery]], London, [[Kunsthalle Zürich]], Switzerland, [[Kunsthaus Bregenz]], Austria, [[Museum of Modern Art]], New York, [[Deste Foundation]], Greece and Tokyo Opera City Art Gallery, Japan. In 2006, the [[Aspen Art Museum]] mounted the first exhibition dedicated solely to Aitken's photography.<ref>[http://www.aspenartmuseum.org/archive_doug_aitken.html Doug Aitken: A Photographic Survey, June 1 – July 23, 2006] Aspen Art Museum.</ref>
Doug Aitken has participated in over 200 art exhibitions throughout the world.<ref>http://www.artnet.com/Galleries/Artists_detail.asp?G=&gid=796&which=&aid=1315&ViewArtistBy=online&rta=http://www.artnet.com</ref> His work has been featured in numerous group exhibitions in such institutions as the [[Whitney Museum of American Art]], The [[Museum of Modern Art]], and the [[Centre Georges Pompidou]] in Paris. Among others, he has had solo exhibitions at the [[Schirn Kunsthalle]], Frankfurt,<ref>http://www.schirn.de/en/exhibitions/2015/doug_aitken/</ref> [[Hirshhorn Museum and Sculpture Garden]],<ref>{{cite news|last=Catlin|first=Roger|title=Doug Aitken turns the Hirshhorn’s exterior into ‘the world’s greatest screen’|url=http://www.washingtonpost.com/entertainment/museums/doug-aitken-turns-the-hirshhorns-exterior-into-the-worlds-greatest-screen/2012/03/09/gIQAxY9TGS_story.html|publisher=The Washington Post|accessdate=25 October 2012}}</ref> [[Musée d'Art Moderne de la Ville de Paris]], the [[Serpentine Gallery]], London, [[Kunsthalle Zürich]], Switzerland, [[Kunsthaus Bregenz]], Austria, [[Museum of Modern Art]], New York, [[Deste Foundation]], Greece and Tokyo Opera City Art Gallery, Japan. In 2006, the [[Aspen Art Museum]] mounted the first exhibition dedicated solely to Aitken's photography.<ref>[http://www.aspenartmuseum.org/archive_doug_aitken.html Doug Aitken: A Photographic Survey, June 1 – July 23, 2006] {{wayback|url=http://www.aspenartmuseum.org/archive_doug_aitken.html |date=20120322063232 }} Aspen Art Museum.</ref>


From September 10, 2016 - January 15, 2017, The [[Museum of Contemporary Art, Los Angeles]], at the Geffen Contemporary at MOCA, will exhibit ''Doug Aitken: Electric Earth'', the artist's first North American mid-career survey.<ref>http://www.moca.org/exhibition/doug-aitken-electric-earth</ref><ref>http://www.wallpaper.com/art/doug-aitken-on-his-survey-at-moca-geffen-contemporary-plus-plans-for-underwater-pavilion</ref>
From September 10, 2016 - January 15, 2017, The [[Museum of Contemporary Art, Los Angeles]], at the Geffen Contemporary at MOCA, will exhibit ''Doug Aitken: Electric Earth'', the artist's first North American mid-career survey.<ref>http://www.moca.org/exhibition/doug-aitken-electric-earth</ref><ref>http://www.wallpaper.com/art/doug-aitken-on-his-survey-at-moca-geffen-contemporary-plus-plans-for-underwater-pavilion</ref>
Line 82: Line 82:
== Prizes ==
== Prizes ==
*1999 International Prize – Golden Lion, [[Venice Biennale]], Venice, Italy<ref name=autogenerated2 />
*1999 International Prize – Golden Lion, [[Venice Biennale]], Venice, Italy<ref name=autogenerated2 />
*2007 German Film Critic's Award, KunstFilmBiennale, Cologne, Germany<ref>[http://www.kunstfilmbiennale.de/web/en/startseite_1/138.html/ The Winners of the KunstFilmBiennale 2007]</ref>
*2007 German Film Critic's Award, KunstFilmBiennale, Cologne, Germany<ref>[http://www.kunstfilmbiennale.de/web/en/startseite_1/138.html/ The Winners of the KunstFilmBiennale 2007] {{wayback|url=http://www.kunstfilmbiennale.de/web/en/startseite_1/138.html/ |date=20090604133927 }}</ref>
*2000 Aldrich Award, Aldrich Museum of Contemporary Art, Ridgefield, CT<ref name=autogenerated2>[https://www.entrepreneur.com/tradejournals/article/135121787.html Narrative remixed<!-- Bot generated title -->]</ref>
*2000 Aldrich Award, Aldrich Museum of Contemporary Art, Ridgefield, CT<ref name=autogenerated2>[https://www.entrepreneur.com/tradejournals/article/135121787.html Narrative remixed<!-- Bot generated title -->]</ref>
*2009 Aurora Award, Aurora Picture Show, Houston, Texas<ref>[http://www.spacetaker.org/culture_wire/press_release/aurora-honors-internationally-recognized-media-artist-doug-aitken Spacetaker]</ref>
*2009 Aurora Award, Aurora Picture Show, Houston, Texas<ref>[http://www.spacetaker.org/culture_wire/press_release/aurora-honors-internationally-recognized-media-artist-doug-aitken Spacetaker] {{wayback|url=http://www.spacetaker.org/culture_wire/press_release/aurora-honors-internationally-recognized-media-artist-doug-aitken |date=20110118050540 }}</ref>
*2012 Nam June Paik Art Center Prize<ref>{{cite web|last=Russeth|first=Andrew|title=Doug Aitken Wins 2012 Nam June Paik Art Center Prize|url=http://galleristny.com/2012/07/doug-aitken-wins-2012-nam-june-paik-art-center-prize/|publisher=GallertistNY|accessdate=24 October 2012}}</ref>
*2012 Nam June Paik Art Center Prize<ref>{{cite web|last=Russeth|first=Andrew|title=Doug Aitken Wins 2012 Nam June Paik Art Center Prize|url=http://galleristny.com/2012/07/doug-aitken-wins-2012-nam-june-paik-art-center-prize/|publisher=GallertistNY|accessdate=24 October 2012}}</ref>
Aitken's installation "electric earth", a non-linear portrayal of one man’s journey through an anonymous urban wasteland, was included in the [[Whitney Biennial]], 2000 and was awarded the International Prize at the [[Venice Biennale]], 1999.<ref>[http://www.303gallery.com/exhibition/index.php?exhid=103&p=pr Doug Aitken: ''Migration'', September 20 - November 1, 2008] 303 Gallery, New York.</ref>
Aitken's installation "electric earth", a non-linear portrayal of one man’s journey through an anonymous urban wasteland, was included in the [[Whitney Biennial]], 2000 and was awarded the International Prize at the [[Venice Biennale]], 1999.<ref>[http://www.303gallery.com/exhibition/index.php?exhid=103&p=pr Doug Aitken: ''Migration'', September 20 - November 1, 2008] {{wayback|url=http://www.303gallery.com/exhibition/index.php?exhid=103&p=pr |date=20110712155126 }} 303 Gallery, New York.</ref>


Aitken was the 2013 recipient of ''[[Smithsonian (magazine)|Smithsonian]]'' magazine's American Ingenuity Award in the Visual Arts category.<ref>http://www.smithsonianmag.com/videos/category/smithsonian-ingenuity-awards/07_aitken_doug_smithmov/</ref>
Aitken was the 2013 recipient of ''[[Smithsonian (magazine)|Smithsonian]]'' magazine's American Ingenuity Award in the Visual Arts category.<ref>http://www.smithsonianmag.com/videos/category/smithsonian-ingenuity-awards/07_aitken_doug_smithmov/</ref>
Line 105: Line 105:
*[http://www.haberarts.com/aitken.htm Essay on "Sleepwalkers"] by John Haber
*[http://www.haberarts.com/aitken.htm Essay on "Sleepwalkers"] by John Haber
*[http://vernissage.tv/blog/2008/11/14/doug-aitken-the-sonic-happening-migration-303-gallery-new-york/ Doug Aitken: The Sonic Happening (Migration) / 303 Gallery, New York] Video at VernissageTV.
*[http://vernissage.tv/blog/2008/11/14/doug-aitken-the-sonic-happening-migration-303-gallery-new-york/ Doug Aitken: The Sonic Happening (Migration) / 303 Gallery, New York] Video at VernissageTV.
*[http://www.inhotim.org.br/novenovosdestinos/eng/work_doug-aitken.html Installation "Nine New Destinations"] at the [[Centro de Arte Contemporânea Inhotim]] in [[Brumadinho]], [[Brazil]]
*[https://web.archive.org/web/20091125064354/http://www.inhotim.org.br:80/novenovosdestinos/eng/work_doug-aitken.html Installation "Nine New Destinations"] at the [[Centro de Arte Contemporânea Inhotim]] in [[Brumadinho]], [[Brazil]]
*[http://www.theartnewspaper.tv/content.php?vid=975 Interview with Doug Aitken at www.theartnewspaper.tv]
*[http://www.theartnewspaper.tv/content.php?vid=975 Interview with Doug Aitken at www.theartnewspaper.tv]
*[http://kadist.org/en/people/doug-aitken Doug Aitken profile] at [[Kadist Art Foundation]]
*[http://kadist.org/en/people/doug-aitken Doug Aitken profile] at [[Kadist Art Foundation]]

Revision as of 04:12, 16 December 2016

Doug Aitken
Aitken's Sleepwalkers displayed at the Museum of Modern Art 2007
Born1968 (1968)
Redondo Beach, California
NationalityAmerican
Known forMultimedia art

Doug Aitken is an American multimedia artist.

Early life and career

Doug Aitken was born in Redondo Beach, California in 1968. In 1987, he initially studied magazine illustration[1] with Philip Hays at the Art Center College of Design in Pasadena before graduating in Fine Arts in 1991. He moved to New York in 1994 where he had his first solo show at 303 Gallery.[1] He currently lives and works in Venice, California, and New York.[2]

Work

Aitken’s body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance.[3][4][5] Aitken's video works have taken place in such culturally loaded sites as Jonestown in Guyana, Africa's diamond mines, and India's Bollywood.[6]

Video Installations

Since the mid-1990s, Aitken has created installations by employing multiple screens in architecturally provocative environments. Diamond Sea (1997), for example, includes three video projections, one suspended video monitor, and one full-color, illuminated transparency photograph in a dimly lit space. Multiple speakers create an immersive sound experience; the multi-screen film explores a guarded region in the Namib desert in southwestern Africa known as Diamond Area 1 and 2. The territory, estimated at over 40,000 square miles and sealed off since 1908, contains the world’s largest and richest computer-controlled diamond mine.[7] Hysteria (1998–2000) uses film footage from the past four decades that shows audiences at pop and rock concerts working themselves into a frenzy on four screens in an X formation.[8] Filmed and photographed in the dusty sound stages and film sets of Bombay, Into the Sun (1999) focuses on the frenetic activity of Bollywood, recreating the sound stages of the Indian film industry with canvas projection screens, a red dirt floor, and video shown in a non-stop, twenty-four-hour loop.[9] Diamond Sea was presented at the 1997 Whitney Biennial and his Electric Earth installation, an eight projection, multi-room post cinematic experience, drew international attention and earned him the International Prize at the Venice Biennale in 1999.[4] His ambitious show New Ocean, which included multiple sound, photo, and video works, began with a transformation of the Serpentine Gallery in London and traveled the world to Austria, Italy and Japan, each time in a new configuration.[10] In 2010, Aitken exhibited his work House, a study of destruction featuring the artist's parents.[11]

Outdoor Film Installations

In 1998, Glass Horizon, an installation comprising a projection of a pair of eyes onto the facade of the Vienna Secession building after it had closed for the night, showcased an interest in architectural structures and in art that interacts with urban environments.[12] In 2001, Aitken’s exhibition at London’s Serpentine Gallery used the entire building for the complex installation New Ocean including transforming the museum's tower into a functional lighthouse at night.[13]

In the winter of 2007, Aitken's Sleepwalkers was presented at the Museum of Modern Art in New York. The project included actors such as Donald Sutherland and Tilda Swinton, as well as musicians Seu Jorge and Cat Power.[14] Five interlocking vignettes shown through eight projections were displayed upon the exterior walls of the museum so as to be visible from the street. Concurrent with the exhibition, Aitken also presented a "happening" inside the museum that featured live drummers and auctioneers, and a performance by Cat Power.[15]

In 2008, Aitken produced another large scale outdoor film installation, titled Migration for the 55th Carnegie International show titled "Life on Mars" in Pittsburgh, PA. The first installment in a three-part trilogy entitled Empire, the work features migratory wild animals of North America as they pass through and curiously inhabit empty and desolate hotel rooms.[16]

Continuing Aitken's work in large scale outdoor video installation, his artwork "SONG 1" (2012), created for the Hirshhorn Museum and Sculpture Garden, challenged the standard of public art in Washington D.C. The artwork, which deconstructed the popular song "I Only Have Eyes for You", created a 360 degree screen out of the circular facade of the museum. Rather than using a more typical concave surface for such a projection, Aitken projected the film onto the convex exterior of the museum creating a cinema experience that required moving around the building and could never be fully seen from any one location.[17]

Another example of what the artist has called 'liquid architecture', his freestanding installation ALTERED EARTH (2012) explores the Camargue region of southern France in a maze-like flowing arrangement of twelve large projections in the hangar-like Grande Halle of the Parc des Ateliers in Arles. The work also inspired an app created by the artist and POST for the Apple iPad.[18][19]

Commissioned by art patron Bagley Wright, Mirror (2013) is a large LED screen, wrapped around the corner of the Seattle Art Museum, with thin strips of vertical lights. For the project, Aitken had been filming for the project over five years, capturing images of central Seattle as well as the surrounding area. A computer program selects which parts of the footage to project in response to a live feed of information that ranges from the weather to the density of traffic in the streets of Seattle.[20]

Conversations

In 2006, Aitken produced Broken Screen: 26 Conversations with Doug Aitken (Distributed Art Publishers, 2006), a book of interviews with twenty-six artists who aim to explore and challenge the conventions of linear narrative. Interviews included Robert Altman, Claire Denis, Werner Herzog, Rem Koolhaas, Kenneth Anger and others. The Idea of the West (2010) presents the collective response of 1000 people on the street who were asked “What is your idea of the West?” to create a manifesto from the quotes and comments of random individuals. Another interview project, Patterns & Repetition (2011) is a series of filmed conversations about creativity in the 21st Century in which Aitken conducts short conversations with pioneers in different artistic disciplines, including Devendra Banhart, Thomas Demand, Jack White, James Murphy, Mike Kelley, Jacques Herzog, Fischli & Weiss, Yayoi Kusama, Stephen Shore, and Dan Graham.[21] Continuing his interest in the exchange of ideas, Aitken's recent work "The Source" (2012) explores the root of creativity. Six projections in a pavilion designed by David Adjaye, cycle through many more interviews with artists, architects, and musicians such as Adjaye, Liz Diller, William Eggleston, Philippe Parreno, Paolo Soleri, Tilda Swinton, and Beck among others.

Happenings

Aitken has directed many live "happenings" including his Broken Screen happenings from 2006 in Los Angeles and New York.[22] In 2009, Aitken orchestrated a real-time opera titled "the handle comes up, the hammer comes down" that assembled auctioneers performing against the rhythms of his Sonic Table, at Il Tempo del Postino, at Theater Basel.[23]

Also in 2009, along with his large-scale video installation, Frontier, presented on the Tiber river’s Isola Tiberina in the heart of Rome, Aitken staged a happening by the same title. The film featured a protagonist played by the iconic American artist Ed Ruscha, as he's seen caught in a landscape between fiction and non-fiction. The work creates a futuristic journey from day to night in a world where reality is put into question.[24][25] In the happening, performers from the film, such as a professional whip cracker, come alive in the installation while surrounded by the audience. First shown at the Deste Foundation’s project space "Slaughterhouse" on the Greek island of Hydra, Black Mirror is displayed on five screens reflected “into infinity” across black mirrors and stars Chloë Sevigny tethered only by brief conversations over the phone and through voiceover in such disparate locales as Mexico, Greece, and Central America.[26] "Black Mirror" was also a four-night event staged on a custom barge, again featuring a performers from the film: Leo Gallo, Tim McAfee-Lewis, No Age, and Chloë Sevigny.[27]

Photographs, Light Boxes, and Sculptures

Aitken is well known for his many photographs, which often explore spatial and temporal disruption and narrative suggestion like his installations.[28] For example, Passenger, a group of still photographs made in 1999, shows planes in flight, most of which focus on the faint traceries of takeoffs and landings over desolate airport landscapes.[29] More recently, Aitken has created aluminum light boxes that combine photographic image and text. Extending the theme of text and image, Aitken has produced sculptures from materials as diverse as plants inside clear acrylic and kaleidoscopic mirrors.[30] Other sculptures, such as sunset (black and white), 2012, employ the use of hand-carved foam, epoxy and hand silk-screened acrylic.[31]

Sound Experiments

Interested in the uneasy intersection of nature and culture or narrative variability, the artist has incorporated into his scores what he calls "field recordings," such as jungle noises from Jonestown, Guyana (in his 1995 monsoon), and the reverberations of tremors generated by the eruption of the Soufrière Hills volcano on the Caribbean island of Montserrat (in eraser, 1998). In 1996, for the public art organization Creative Time, Aitken conceived an installation piece in the Anchorage, a cavernous space inside the base of the Brooklyn Bridge, that used recordings of the traffic noises overhead. In 2004, he completed a sound sculpture for the Barcelona Pavilion composed of a central post supporting a few sweeping steel branches that rotated while highly directional speakers at the end of each branch played snippets of scripted conversation. In October 2009, Aitken's Sonic Pavilion opened to the public. The pavilion is located in the forested hills of Brazil, at Inhotim. The Sonic Pavilion provides a communal space to listen to the sounds of the earth as they are recorded through highly sensitive microphones buried close to a mile deep into the ground and carried back into the pavilion through a number of speakers. The sound heard inside the pavilion is the amplified sound of the moving interior of the earth.[32] Aitken has collaborated on his films with a wide variety of musicians, from hip hop artist André 3000 of Outkast, who was in Aitken’s 2002 multiscreen Interiors to indie bands like Lichens and No Age, which contributed to his score for his 2008 film Migration and 2011's Black Mirror, respectively.

Books

Aitken is also a producer of innovative books: I AM A BULLET: Scenes from an Accelerating Culture (2000) a collaboration with writer Dean Kuipers; Doug Aitken: A-Z Book (Fractals) (2003), the alphabet serves as structure to arrange Aitken's photography and video work, along with texts and interviews; Broken Screen (2005), a book of interviews with 26 artists pushing the limits of linear narrative; Alpha, published in 2005 by the Musée d'Art Moderne de la Ville de Paris; Sleepwalkers (2007), published by the Museum of Modern Art, in correspondence to the film and video installation of the same name; 99 Cent Dreams (2008), a collection of photographs that captures "moments between interaction" to create a 21st-century nomadic travelogue;[33] Write In Jerry Brown President (2008), a folded artist book published by the Museum of Modern Art,;[34] The Idea of the West (2010), which asked 1,000 people about their idea of the west, and was produced in conjunction with a happening at the Museum of Contemporary Art, Los Angeles,;[35] Black Mirror (2011), features a nomadic Chloë Sevigny, produced in conjunction with a video installation and live theater performance staged on a barge;[36] SONG 1 (2012), accompanied an exhibition of the same name at the Hirshhorn Museum and Sculpture Garden, the book takes the form of the Hirshhorn itself, while examining the artwork that explores the idea of pure communication through the pop song I Only Have Eyes for You.[37]

Station to Station

Station to Station is a nomadic “Happening” that first occurred in the fall of 2013 on a transcontinental train. It functioned as a moving platform for artistic experimentation stopping in cities, towns and remote locations across America. An artist-created project, Station to Station embraced constantly changing stories, unexpected encounters, and creative collisions between music, art and film.[38]

The project had the support of a wide range of institutions including MoMA PS1, Carnegie Museum of Art, MCA Chicago, Walker Art Center, SITE Santa Fe, LACMA and SFMOMA.[39] All event proceeds went to fund multi-museum arts programs throughout 2014.

Art works and musical performances changed with every stop. The train traveled from New York City to San Francisco, making a total of 9 stops at train stations across the country - New York; Pittsburgh; Chicago; Minneapolis/St. Paul; Santa Fe/Lamy, New Mexico; Winslow, Arizona; Barstow, California; Los Angeles; and Oakland.[40] The project acted as a studio and cultural incubator, creating unplanned moments and artistic collisions. Artists that participated included Kenneth Anger, Olaf Breuning, Peter Coffin, Thomas Demand, Urs Fischer, Meschac Gaba, Liz Glynn, Fischli & Weiss, Fritz Haeg, Carsten Höller, Olafur Eliasson, Christian Jankowski, Aaron Koblin, Ernesto Neto, Nam June Paik, Jorge Pardo, Jack Pierson, Nicolas Provost, Stephen Shore, Rirkrit Tiravanija, and Lawrence Weiner. Musicians included Beck, The Black Monks of Mississippi, Boredoms, Jackson Browne, Cat Power, Cold Cave, The Congos, Dan Deacon, Eleanor Friedberger, The Handsome Family, Lia Ices, Kansas City Marching Cobras, Lucky Dragons, Thurston Moore, Giorgio Moroder, Nite Jewel, No Age, Patti Smith, Ariel Pink’s Haunted Graffiti, Savages (band), Mavis Staples, Suicide (band), Sun Araw, THEESatisfaction, Twin Shadow and others. Printed matter contributors included Taylor-Ruth Baldwin, Yto Barrada, Sam Durant, Karen Kilimnik, Urs Fischer, Catherine Opie, Jack Pierson, Raymond Pettibon, and Josh Smith. Food was provided by Alice Waters and the Edible Schoolyard Project and chef Leif Hedendal.

From June 27- July 26, 2015, Aitken staged Station to Station: A 30 Day Happening at the Barbican Centre in London. Envisioned as a living exhibition, the entire multi-arts facility was turned into a large scale multi-disciplinary event, with more than 100 artists, including Olafur Eliasson, Martin Creed, and Terry Riley.[41][42]

On August 21, 2015, a feature film directed by Aitken, shot with footage from the 2013 happenings, titled Station to Station, premiered in Los Angeles. Experimental in format, the film was described as "...a textured, visceral collection of 62 shorts capturing moments during the three-week journey..."[43][44]

Exhibitions

Doug Aitken has participated in over 200 art exhibitions throughout the world.[45] His work has been featured in numerous group exhibitions in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, and the Centre Georges Pompidou in Paris. Among others, he has had solo exhibitions at the Schirn Kunsthalle, Frankfurt,[46] Hirshhorn Museum and Sculpture Garden,[47] Musée d'Art Moderne de la Ville de Paris, the Serpentine Gallery, London, Kunsthalle Zürich, Switzerland, Kunsthaus Bregenz, Austria, Museum of Modern Art, New York, Deste Foundation, Greece and Tokyo Opera City Art Gallery, Japan. In 2006, the Aspen Art Museum mounted the first exhibition dedicated solely to Aitken's photography.[48]

From September 10, 2016 - January 15, 2017, The Museum of Contemporary Art, Los Angeles, at the Geffen Contemporary at MOCA, will exhibit Doug Aitken: Electric Earth, the artist's first North American mid-career survey.[49][50]

Aitken is represented by 303 Gallery, New York;[51] Regen Projects, Los Angeles; Galerie Eva Presenhuber, Zürich; and Victoria Miro Gallery, London.

Prizes

  • 1999 International Prize – Golden Lion, Venice Biennale, Venice, Italy[52]
  • 2007 German Film Critic's Award, KunstFilmBiennale, Cologne, Germany[53]
  • 2000 Aldrich Award, Aldrich Museum of Contemporary Art, Ridgefield, CT[52]
  • 2009 Aurora Award, Aurora Picture Show, Houston, Texas[54]
  • 2012 Nam June Paik Art Center Prize[55]

Aitken's installation "electric earth", a non-linear portrayal of one man’s journey through an anonymous urban wasteland, was included in the Whitney Biennial, 2000 and was awarded the International Prize at the Venice Biennale, 1999.[56]

Aitken was the 2013 recipient of Smithsonian magazine's American Ingenuity Award in the Visual Arts category.[57]

See also

References

  1. ^ a b Dorothy Spears (July 21, 2011), Can You Hear Me Now? New York Times.
  2. ^ Media Art Net | Aitken, Doug: Biography
  3. ^ Corbett, Rachel. "Dakis Joannou AEGEAN ANOMIE". Artnet. Retrieved 30 October 2012.
  4. ^ a b UC Berkeley Art, Technology, and Culture Colloquium - Bio: Doug Aitken
  5. ^ Sleepwalkers exhibition catalogue, published by the Museum of Modern Art, 2007, ISBN 978-0-87070-045-3
  6. ^ Doug Aitken, September 10 – October 8, 2005 Template:Wayback Regen Projects, Los Angeles.
  7. ^ Doug Aitken: Diamond Sea Lannan Foundation, Santa Fe.
  8. ^ Remix: Contemporary Art and Pop, 24 May to 26 August 2002 Template:Wayback Tate Liverpool.
  9. ^ Doug Aitken: Into the Sun, 7 October - 12 November 1999 Victoria Miro Gallery, London.
  10. ^ "NEW OCEAN (a shifting exhibition)". Kunsthaus Bregenz. Retrieved 30 October 2012.
  11. ^ Hodge, Brooke (11 November 2010). "Seeing Things | Doug's Aitken "House"". The New York Times Magazine blog. Retrieved 30 October 2012.
  12. ^ In a First, ‘Sleepwalkers' Lights Up MoMA's Facade - January 17, 2007 - The New York Sun
  13. ^ Adventures in white space| Showbiz | This is London Template:Wayback
  14. ^ Smith, Roberta (January 18, 2007). "The Museum as Outdoor Movie Screen". The New York Times. Retrieved May 1, 2010.
  15. ^ Doug Aitken Happening, The Museum of Modern Art, New York - artreview.com
  16. ^ Smith, Roberta (May 9, 2008). "An Alien Sighting on Planet Pittsburgh". The New York Times. Retrieved May 1, 2010.
  17. ^ Kennicott, Philip (23 March 2012). "Hirshhorn Museum's "Song 1" is all about projection". The Washington Post. Retrieved 25 October 2012.
  18. ^ "Altered Earth By MERI Media". Apple. Retrieved 26 October 2012.
  19. ^ Himelfarb, Ellen. "Artist Doug Aitken's 'Altered Earth' exhibition in Arles, France". Wallpaper. Retrieved 26 October 2012.
  20. ^ Charlotte Burns (March 1, 2013), Seattle to unveil Doug Aitken’s digital Land Art Template:Wayback The Art Newspaper.
  21. ^ Patterns & Repetition
  22. ^ http://atc.berkeley.edu/bio/Doug_Aitken/
  23. ^ Art Knowledge News
  24. ^ The Art Newspaper
  25. ^ Frieze Magazine Template:Wayback
  26. ^ Fan Zhong (June 2011), June 20: Doug Aitken's Black Mirror W Magazine
  27. ^ http://pitchfork.com/news/42525-no-age-score-live-art-project-with-chloe-sevigny/
  28. ^ "Doug Aitken: A Photographic Survey". Aspen Art Museum. Archived from the original on 22 March 2012. Retrieved 30 October 2012. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  29. ^ Doug Aitken: Passenger (2004) Heilbrunn Timeline of Art History, Metropolitan Museum of Art.
  30. ^ "303 Gallery Artist Doug Aitken". Retrieved 25 October 2012.
  31. ^ "doug aitken at art basel 2012". Designboom. Retrieved 25 October 2012.
  32. ^ New York Times
  33. ^ 99 Cent Dreams, published by the Aspen Art Press, 2008, ISBN 978-0-934324-37-3
  34. ^ Doug Aitken Victoria Miro Gallery, London.
  35. ^ Idea of the West Template:Wayback
  36. ^ Alexander, Andrew. "Book Review: Doug Aitken's "Black Mirror"". Creative Loafing Atlanta. Retrieved 26 October 2012.
  37. ^ "Doug Aitken: Song 1 [Hardcover]". Retrieved 26 October 2012.
  38. ^ "In two weeks, a TV-covered train full of yurts and artists will begin its cross-country tour". The Verge.
  39. ^ http://blogs.artinfo.com/artintheair/2013/06/11/doug-aitkens-station-to-station-project-drops-more-clues-in-artforum-ad/
  40. ^ http://pitchfork.com/news/51242-savages-dirty-projectors-ariel-pink-no-age-more-join-doug-aitkens-station-to-station-train-tour/
  41. ^ https://www.theguardian.com/culture/2015/mar/25/barbican-station-to-station-art-exhibition-doug-aitken
  42. ^ http://www.barbican.org.uk/stationtostation
  43. ^ http://www.latimes.com/entertainment/arts/culture/la-et-cm-station-to-station-movie-doug-aitken-20150805-story.html
  44. ^ http://www.latimes.com/entertainment/movies/la-et-mn-station-to-station-review-20150821-story.html
  45. ^ http://www.artnet.com/Galleries/Artists_detail.asp?G=&gid=796&which=&aid=1315&ViewArtistBy=online&rta=http://www.artnet.com
  46. ^ http://www.schirn.de/en/exhibitions/2015/doug_aitken/
  47. ^ Catlin, Roger. "Doug Aitken turns the Hirshhorn's exterior into 'the world's greatest screen'". The Washington Post. Retrieved 25 October 2012.
  48. ^ Doug Aitken: A Photographic Survey, June 1 – July 23, 2006 Template:Wayback Aspen Art Museum.
  49. ^ http://www.moca.org/exhibition/doug-aitken-electric-earth
  50. ^ http://www.wallpaper.com/art/doug-aitken-on-his-survey-at-moca-geffen-contemporary-plus-plans-for-underwater-pavilion
  51. ^ "303 Gallery". Retrieved 25 October 2012.
  52. ^ a b Narrative remixed
  53. ^ The Winners of the KunstFilmBiennale 2007 Template:Wayback
  54. ^ Spacetaker Template:Wayback
  55. ^ Russeth, Andrew. "Doug Aitken Wins 2012 Nam June Paik Art Center Prize". GallertistNY. Retrieved 24 October 2012.
  56. ^ Doug Aitken: Migration, September 20 - November 1, 2008 Template:Wayback 303 Gallery, New York.
  57. ^ http://www.smithsonianmag.com/videos/category/smithsonian-ingenuity-awards/07_aitken_doug_smithmov/

External links

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