National Trust: Difference between revisions
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This discovery is the second Rembrandt to have found its way into the collection; the first was the ''[[:File:Rembrandt, Portrait of Catrina Hooghsaet.jpg|portrait of Catrina Hooghsaet]]'' at [[Penrhyn Castle]], which was added to the collection after the [[Rijksmuseum]] in the Netherlands failed to acquire it in 2007.<ref>[http://www.codart.nl/news/166/ Rijksmuseum in negotiations to buy £40m Rembrandt from private British collection] on Codart</ref> |
This discovery is the second Rembrandt to have found its way into the collection; the first was the ''[[:File:Rembrandt, Portrait of Catrina Hooghsaet.jpg|portrait of Catrina Hooghsaet]]'' at [[Penrhyn Castle]], which was added to the collection after the [[Rijksmuseum]] in the Netherlands failed to acquire it in 2007.<ref>[http://www.codart.nl/news/166/ Rijksmuseum in negotiations to buy £40m Rembrandt from private British collection] on Codart</ref> |
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In 2015 the National Trust launched its contemporary art programme entitled Trust New Art with the idea of reaching new audiences who may not visit art galleries, museums or stately homes. One of the opening exhibits was “One and All – a digital voyage through sight, sound and sea”, making use of a virtual, interactive experience.<ref>{{Cite web|url=https://www.culture24.org.uk/art/art528252-trust-new-art-national-trust-unveils-its-ambitious-contemporary-art-programme|title=Trust new Art: National Trust unveils its ambitious contemporary art programme {{!}} Culture24|website=www.culture24.org.uk|access-date=2018-11-28}}</ref> |
In 2015 the National Trust launched its [[contemporary art]] programme entitled [https://www.nationaltrust.org.uk/features/trust-new-art-exhibitions-and-events Trust New Art] with the idea of reaching new audiences who may not visit art galleries, museums or stately homes. One of the opening exhibits was “One and All – a digital voyage through sight, sound and sea”, making use of a virtual, interactive experience.<ref>{{Cite web|url=https://www.culture24.org.uk/art/art528252-trust-new-art-national-trust-unveils-its-ambitious-contemporary-art-programme|title=Trust new Art: National Trust unveils its ambitious contemporary art programme {{!}} Culture24|website=www.culture24.org.uk|access-date=2018-11-28}}</ref> Through Trust New Art the National Trust has worked with over 200 artists<ref>{{Cite web|url=https://www.nationaltrust.org.uk/article-1355792872762|title=Trust New Art exhibitions and events|website=National Trust|language=en|access-date=2019-07-22}}</ref> to create new artworks inspired by their places including: [[Jeremy Deller|Jeremy Deller,]] [[Jarvis Cocker]], [[Bob and Roberta Smith]], [http://www.morison.info/ Heather and Ivan Morrison], [[Serena Korda]], [[Marcus Coates]] and [[Katie Paterson]]. This programme is supported by partnerships with [[Arts Council England]] and [[Arts Council of Wales|Arts Council of Wales.]] |
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===Coastline and countryside=== |
===Coastline and countryside=== |
Revision as of 15:06, 22 July 2019
This article needs additional citations for verification. (January 2018) |
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Abbreviation | National Trust |
---|---|
Formation | 1895 |
Legal status | Trust |
Purpose | To look after Places of Historic Interest or Natural Beauty permanently for the benefit of the nation across England, Wales and Northern Ireland |
Headquarters | Heelis, Swindon, Wiltshire |
Location |
|
Region served | England, Wales and Northern Ireland |
Membership | 5.6 million (2019) |
Key people | H.R.H. The Prince of Wales (President) Hilary McGrady (Director-General) Tim Parker (Chairman) |
Main organ | Board of trustees |
Revenue | £494 million (2014–15) |
Staff | 12,000[1] |
Volunteers | 61,000[1] |
Website | www |
The National Trust for Places of Historic Interest or Natural Beauty, commonly known simply as the National Trust, is an independent charity and membership organisation for environmental and heritage conservation in England, Wales and Northern Ireland.
The trust describes itself as "a charity that works to preserve and protect historic places and spaces—for ever, for everyone".[2] The trust was founded in 1895 and given statutory powers, starting with the National Trust Act 1907. Historically, the Trust acquired land by gift and sometimes by public subscription and appeal, but after WW 2 the loss of English country houses, resulted in many such properties being acquired either by gift from the former owners, or through the National Land Fund later the National Heritage Memorial Fund and the National Lottery. Country Houses and Estates still make up a significant part of its holdings, but it is also known for its protection of wild landscapes such as in the Lake District and Peak District, historic urban properties, and nature reserves such as Wicken Fen. In Scotland, there is an separate and independent National Trust for Scotland.
The National Trust has a unique special power to prevent its inalienable land being sold off, although this can be over-ridden by Parliamentary procedure.[citation needed]
The National Trust has been the beneficiary of many large donations and bequests. It owns over 500 heritage properties, which includes many historic houses and gardens, industrial monuments, and social history sites.[1] Most of these are open to the public, usually for a charge. Others are leased to tenants on terms that manage to preserve their character whilst providing for more limited public access. The Trust is one of the largest private landowners in the United Kingdom, owning over 248,000 hectares (610,000 acres; 2,480 km2; 960 sq mi) of land,[1] including many characteristic sites of natural beauty, most of which are accessible to the public free of charge.[citation needed]
The Trust, one of the largest UK charities financially, is funded by membership subscriptions, entrance fees, legacies, and revenue from gift shops and restaurants within its properties. It has been accused of focusing too much on country estates, and in recent years, the Trust has sought to broaden its activities by acquiring historic properties such as former mills, early factories, workhouses, and the childhood homes of Paul McCartney and John Lennon.[3]
In 2015, the Trust undertook a governance review to mark the 10th anniversary of the current governance structure.[4] The review led to the downsizing of the council and limitation of tenure to two terms.[5]
History
The National Trust was incorporated in 1895 as an "association not for profit" under the Companies Acts 1862–90, in which the liability of its members was limited by guarantee. It was later incorporated by six separate Acts of Parliament: The National Trust Acts 1907, 1919, 1937, 1939, 1953, and 1971.[6] It is also a charitable organisation registered under the Charities Act 2006.[7]
Its formal purpose is:[citation needed]
The preservation for the benefit of the Nation of lands and tenements (including buildings) of beauty or historic interest and, as regards lands, for the preservation of their natural aspect, features and animal and plant life. Also the preservation of furniture, pictures and chattels of any description having national and historic or artistic interest.
The trust was founded on 12 January 1895 by Octavia Hill (1838–1912), Sir Robert Hunter (1844–1913) and Hardwicke Rawnsley (1851–1920), prompted in part by the earlier success of Charles Eliot and the Kyrle Society. [citation needed]
In the early days, the trust was concerned primarily with protecting open spaces and a variety of threatened buildings; its first property was Alfriston Clergy House, and a decorative cornice there may have given the trust its sprig of oak symbol.[citation needed] The trust's first nature reserve was Wicken Fen, and its first archaeological monument was White Barrow.[citation needed]
The trust has been the beneficiary of numerous donations of property and money. From 1924 to 1931, the trust's chairman was John Bailey, of whom The Times said in 1931, "The strong position which the National Trust now occupies is largely due to him, and it will perhaps never be known how many generous gifts of rural beauty and historic interest the nation owes, directly or indirectly, to his persuasive enthusiasm."[8] At the same time, a group of anonymous philanthropists set up the Ferguson's Gang; they wore masks and carried sacks of money, and their use of unusual pseudonyms such as Bill Stickers and Red Biddy caught the public's attention, bringing awareness to the increasing threat of urbanisation.[9]
The focus on country houses and gardens, which now comprise the majority of its most visited properties, came about in the mid 20th century when the private owners of many of the properties were no longer able to afford to maintain them. Many were donated to the trust in lieu of death duties. The diarist James Lees-Milne is usually credited with playing a central role in the main phase of the trust's country house acquisition programme, though he was in fact simply an employee of the trust, and was carrying through policies already decided by its governing body.[10]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Stourhead_garden.jpg/220px-Stourhead_garden.jpg)
Sir Jack Boles, Director General of the Trust between 1975 and 1983, oversaw the acquisition of Wimpole Hall, Cragside, Canons Ashby, Erddig and Kingston Lacy. (the last is a particularly notable asset as it comprises an art collection), Corfe Castle, Studland Bay, Badbury Rings and a host of commercial and domestic buildings and land.[11]
One of the biggest crises in the trust's history erupted at the 1967 annual general meeting, when the leadership of the trust was accused of being out of touch and placing too much emphasis on conserving country houses. In response, the council asked Sir Henry Benson to chair an advisory committee to review the structure of the trust. Following the publication of the Benson Report in 1968, much of the administration of the trust was devolved to the regions.[citation needed]
In the 1990s, a dispute over whether deer hunting should be permitted on National Trust land caused bitter disputes within the organisation, and was the subject of much debate at annual general meetings, but it did little to slow the growth in its membership numbers.[citation needed]
In 2005, the trust moved to a new head office in Swindon, Wiltshire. The building was constructed on an abandoned railway yard, and is intended as a model of brownfield renewal. It is named Heelis, taken from the married name of children's author Beatrix Potter, a huge supporter of, and donor to, the trust, which now owns the land she formerly owned in Cumbria.[12]
Governance
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Causeway-code_poet-4.jpg/220px-Causeway-code_poet-4.jpg)
The trust is an independent charity rather than a government institution. Historic England and its equivalents in other parts of the United Kingdom are government bodies that perform some functions which overlap with the work of the National Trust. At an operational level, the trust is organised into regions which are aligned with the official local government regions of the UK. Its headquarters are in Swindon. [13]
It was founded as a not-for-profit company in 1895 but was later re-incorporated by a private Act of Parliament, the National Trust Act 1907. Subsequent acts of Parliament between 1919 and 1978 amended and extended the trust's powers and remit. In 2005, the governance of the trust was substantially changed by the Charity Commission.[6]
The trust is governed by a twelve-strong board of trustees, appointed and overseen by a council of twenty-six people elected by the members of the trust, and twenty-six appointed by other organisations whose work is related to that of the trust, such as the Soil Association, the Royal Horticultural Society and the Council for British Archaeology.[14]
The members elect half of the council of the National Trust, and periodically (most recently, in 2006) vote on the organisations which may appoint the other half of the council.[15] Members may also propose and vote on motions at the annual general meeting, although these are advisory and do not decide the policy of the trust.[16][citation needed]
Funding
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/National_Trust_headquarters%2C_Swindon.jpg/220px-National_Trust_headquarters%2C_Swindon.jpg)
In 2017 the National Trust had 5.2 million members,[1] who enjoy free entry to open NT properties. For the year ended 28 February 2015, the trust's total income was £494 million, up from £460 million in 2013–14, making it one of the largest UK charities by income and assets. The largest sources of income were membership subscriptions (£161 million), direct property income (£145.1 million) and legacies (£50.5 million). In addition, the trust receives money from its commercial arm, National Trust Enterprises Ltd, which undertakes profit-making activities such as running gift shops and restaurants at NT properties. The organisation has cash and financial investments of £1.127 billion, a 7.5% increase on the previous year.[17]
Membership and volunteering
The trust is one of the largest membership organisations in the world, and annual subscriptions are its most important source of income. Membership numbers have grown from 226,200 when the trust celebrated its 75th anniversary in 1970 to 500,000 in 1975, 1 million in 1981, 2 million in 1990, and by 2015, membership had reached 4.24 million.[17] Members are entitled to free entry to trust properties that are open to the public for a charge.[18] There is a separate organisation called the Royal Oak Foundation for American supporters.[19][citation needed]
The trust is heavily supported by volunteers, who, as of 2013, numbered approximately 70,000, contributing 3.77 million hours of work, worth an estimated £29.2 million.[20] Volunteering experiences are wide and varied, ranging from helping in its historic houses and gardens, to fund-raising and providing specialist skills.[21] The trust is a member of NCVYS in recognition of its work for the personal and social development of young people.[22]
National Trust properties
Historic houses and gardens
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Barringtoncourt1.jpg/220px-Barringtoncourt1.jpg)
The trust owns 200 historic houses that are open to the public. The majority of them are country houses, and most of the others are associated with famous individuals. The majority of these country houses contain collections of pictures, furniture, books, metalwork, ceramics and textiles that have remained in their historic context. Most of the houses also have important gardens attached to them, and the trust owns some important gardens not attached to a house. The properties include some of the most famous stately homes in the country and some of the key gardens in the history of British gardening.[citation needed]
The trust acquired the majority of its country houses in the mid 20th century, when death duties were at their most punitive and many houses were being demolished. James Lees-Milne was secretary of the trust's Country House Committee in the key period either side of World War II. The arrangements made with families bequeathing their homes to the trust often allowed them to continue to live in the property.[10] Since the 1980s, the trust has been increasingly reluctant to take over large houses without substantial accompanying endowment funds, and its acquisitions in this category have been less frequent.[10]
In recent years, the trust has sought to broaden its activities and appeal, mainly by acquiring historic properties such as former mills (early factories), workhouses and the childhood homes of Paul McCartney and John Lennon.[10]
Some properties have individual arrangements, so for example Wakehurst Place is managed by the Royal Botanical Gardens, Kew and Waddesdon Manor by a private foundation; both are open to the public.[23]
Paintings and sculpture collection
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Rembrandt_self-portrait_1635.jpeg/220px-Rembrandt_self-portrait_1635.jpeg)
Since its founding in 1895, the trust has gradually expanded its collection of art, mostly through whole property acquisitions. Since 1956, there has been a Curator of Pictures and Sculpture.[24] The first was St John (Bobby) Gore, who was appointed "Adviser on Paintings" in 1956. He published catalogues of the pictures at Upton, Polesden Lacey, Buscot, Saltram, and Ascott.[25]
His successor in 1986 was Alastair Laing, who cared for the works of art at 120 properties and created the exhibition In Trust for the Nation, held at the National Gallery in 1995–96.[24] Since 2009, the curator has been David Taylor, who has approved photos of the trust's 12,567 oil paintings to be included in the Public Catalogue Foundation's searchable online archive of oil paintings, available since 2012.[26] Use of the publicly available website was probably instrumental in the discovery[citation needed] of Rembrandt's Self-portrait wearing a white feathered bonnet which is now displayed at Buckland Abbey near Yelverton in Devon.[citation needed]
This discovery is the second Rembrandt to have found its way into the collection; the first was the portrait of Catrina Hooghsaet at Penrhyn Castle, which was added to the collection after the Rijksmuseum in the Netherlands failed to acquire it in 2007.[27]
In 2015 the National Trust launched its contemporary art programme entitled Trust New Art with the idea of reaching new audiences who may not visit art galleries, museums or stately homes. One of the opening exhibits was “One and All – a digital voyage through sight, sound and sea”, making use of a virtual, interactive experience.[28] Through Trust New Art the National Trust has worked with over 200 artists[29] to create new artworks inspired by their places including: Jeremy Deller, Jarvis Cocker, Bob and Roberta Smith, Heather and Ivan Morrison, Serena Korda, Marcus Coates and Katie Paterson. This programme is supported by partnerships with Arts Council England and Arts Council of Wales.
Coastline and countryside
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Worm%27s_Head_%28Rhossili%29.jpg/220px-Worm%27s_Head_%28Rhossili%29.jpg)
The National Trust is the largest private landowner in the United Kingdom.[30] The trust's land holdings account for more than 610,000 acres (250,000 ha), or 985 square miles (2,550 km2), mostly of countryside, and covering nearly 1.5% of the total land mass of England, Wales and Northern Ireland.[31] A large part of this consists of parks and agricultural estates attached to country houses, but there are many countryside properties which were acquired specifically for their scenic or scientific value. The trust owns or has covenant over about a quarter of the Lake District;[30] it has similar control over about 12% of the Peak District National Park (e.g. South Peak Estate and High Peak Estate).[30] It owns or protects roughly one fifth of the coastline in England, Wales and Northern Ireland (780 miles (1,260 km)),[1] and has a long-term campaign, Project Neptune, which seeks to acquire more.[31]
Protection of National Trust property
The National Trust Acts grant the trust the unique statutory power to declare land inalienable. This prevents the land from being sold or mortgaged against the trust's wishes without special parliamentary procedure. The inalienability of trust land was over-ridden by Parliament in the case of proposals to construct a section of the Plympton bypass through the park at Saltram, on the grounds that the road proposal had been known about before the park at Saltram was declared inalienable.[32]
The Acts also give the trust the power to make bylaws to regulate the activities of people when on its land. All photography at National Trust properties, other than that for private and personal use or for entry into approved competitions, is strictly prohibited,[33][34] except for social networking sites such as Flickr.[35] Visitors are instead directed to request images from the National Trust Photo Library.[36]
In 2017, the National Trust was criticised by members for supporting the government's intention to build a 1.8-mile long tunnel under the Stonehenge World Heritage Site as part of the plans to upgrade the A303 motorway. The trust was accused of prioritising government criteria like cost effectiveness and deliverability over cultural heritage and environmental preservation.[37]
Most visited properties
![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Cliveden-2382.jpg/400px-Cliveden-2382.jpg)
The 2017–18 annual report lists the National Trust properties for which an admission charge is made that attracted more than 50,000 visitors. The 10 most visited properties are:[1]
# | Property | Location | Visitors |
---|---|---|---|
1 | Giant's Causeway | County Antrim | ![]() |
2 | Clumber Park | Nottinghamshire | ![]() |
3 | Cliveden | Buckinghamshire | ![]() |
4 | Attingham Park | Shropshire | ![]() |
5 | Belton House | Lincolnshire | ![]() |
6 | Carrick-a-Rede Rope Bridge | County Antrim | ![]() |
7 | Waddesdon Manor | Buckinghamshire | ![]() |
8 | Fountains Abbey Estate | North Yorkshire | ![]() |
9 | Anglesey Abbey | Cambridgeshire | ![]() |
10 | Calke Abbey | Derbyshire | ![]() |
See also
- List of National Trust properties in England
- List of National Trust properties in Wales
- List of National Trust properties in Northern Ireland
- An Taisce (Republic of Ireland)
- English Heritage
- Historic Houses Association
- Landmark Trust
- National Trust (typeface)
- The Preservation of Places of Interest or Beauty
References
- ^ a b c d e f g "National Trust Annual Report 2017–18" (PDF). National Trust. 2018. Archived from the original (PDF) on 13 April 2019. Retrieved 19 April 2019.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "What we do". National Trust. Retrieved 17 March 2013.
- ^ "Beatles Childhood Homes, National Trust". Retrieved 8 January 2017.
- ^ "Governance review". National Trust. Retrieved 17 October 2018.
- ^ "National Trust to review governance structure". www.civilsociety.co.uk. Retrieved 17 October 2018.
- ^ a b "The National Trust Acts 1907–71" (PDF). National Trust. Archived from the original (PDF) on 4 June 2011.
- ^ "The National Trust for Places of Historic Interest or Natural Beauty". Charity Commission. Retrieved 17 March 2013.
- ^ "Mr John Bailey – The English Heritage", The Times, 30 June 1931, p. 16
- ^ Anna Hutton-North (2013). Ferguson's Gang – The Maidens behind the Masks. Lulu.com. ISBN 978-1-291-48453-3.
- ^ a b c d e David Cannadine (May 2004). In Churchill's Shadow: Confronting the Past in Modern Britain. Oxford University Press. ISBN 978-0-19-517156-3.
- ^ "Sir Jack Boles". Telegraph.co.uk. Retrieved 1 August 2017.
- ^ "Heelis". National Trust. Archived from the original on 28 May 2011.
- ^ "Former chief at Swindon-based National Trust recognised in New Year's honours". Swindon Advertiser. Retrieved 11 January 2019
- ^ "Council members". National Trust. Archived from the original on 11 January 2012.
- ^ "Our Council". National Trust. Retrieved 21 October 2014.
- ^ "The Charities (National Trust) Order 2005" (PDF). National Trust. 18 November 2010. Retrieved 18 January 2019.
- ^ a b "National Trust Annual Report 2014–15" (PDF). National Trust. 2015. Archived from the original (PDF) on 8 December 2015.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "Membership". National Trust. Retrieved 21 October 2014.
- ^ "FAQ - Frequently Asked Questions". The Royal Oak Foundation. Retrieved 17 March 2019.
- ^ "National Trust Annual Report 2012–13" (PDF). National Trust. 2013. Retrieved 21 October 2014.
- ^ "Volunteering". National Trust. Retrieved 17 March 2013.
- ^ "Our Members". NCVYS. Archived from the original on 12 May 2013. Retrieved 17 March 2013.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ 2014–2015 Annual Report, p. 71 Archived 8 December 2015 at the Wayback Machine
- ^ a b de Vries, Annette. "An interview with Alastair Laing, retired Curator of Pictures and Sculpture at the National Trust, interviewed by Annette de Vries". Codart eZine. Retrieved 21 October 2014.
- ^ "Obituary of St John Gore". The Telegraph. 13 May 2010.
- ^ "Paintings held by National Trust". Art UK.
- ^ Rijksmuseum in negotiations to buy £40m Rembrandt from private British collection on Codart
- ^ "Trust new Art: National Trust unveils its ambitious contemporary art programme | Culture24". www.culture24.org.uk. Retrieved 28 November 2018.
- ^ "Trust New Art exhibitions and events". National Trust. Retrieved 22 July 2019.
- ^ a b c Ian D. Whyte (15 June 2013). A Dictionary of Environmental History. I.B.Tauris. p. 346. ISBN 978-1-84511-462-6.
- ^ a b "Coast & Countryside". National Trust. Archived from the original on 16 October 2014. Retrieved 21 October 2014.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "History of the National Trust: 1967–94". National Trust. Archived from the original on 21 September 2011.
- ^ "National Trust Images". National Trust. Retrieved 21 October 2014.
- ^ Roy Nikon (15 May 2009). "National Trust Photography Persecution". Wild About Britain. Retrieved 17 March 2013.
- ^ Chris Cheesman (20 May 2009). "National Trust: Photographers free to post on Flickr". Amateur Photographer. Retrieved 17 March 2013.
- ^ "National Trust Images". National Trust. Retrieved 21 October 2014.
- ^ [1] on The Telegraph
Bibliography
External links
- National Trust properties in England
- National Trust properties in Northern Ireland
- National Trust properties in Wales
- National trusts
- Organizations established in 1895
- Organisations based in Swindon
- Environmental charities based in the United Kingdom
- Conservation in England
- Conservation in Northern Ireland
- Conservation in Wales
- Land management in the United Kingdom
- Tourism in England
- Tourism in Northern Ireland
- Tourism in the United Kingdom
- Tourism in Wales
- National Trust for Places of Historic Interest or Natural Beauty
- Charities based in Wiltshire
- 1895 establishments in the United Kingdom
- British landowners