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Concept

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For other uses, see Concept (disambiguation).

A concept is a mental symbol, used to denote a class or extension of things in the world.[1] [2] They are a mental representation that allows us to draw appropriate inferences about the type of entities we encounter in our everyday lives.[2] Concepts are not all mental representations, but are merely a subset of them.[1] Concepts, which are the glue that bind entities in the world, are distinct from 'conceptions', which are the beliefs that we hold about these entities.[1]

Notable definitions

John Locke's description of a general idea corresponds to a description of a concept. According to Locke, a general idea is created by abstracting, drawing away, or removing the uncommon characteristic or characteristics from several particular ideas. The remaining common characteristic is that which is similar to all of the different individuals. For example, the abstract general idea or concept that is designated by the word "red" is that characteristic which is common to apples, cherries, and blood. The abstract general idea or concept that is signified by the word "dog" is the collection of those characteristics which are common to Airedales, Collies, and Chihuahuas.[citation needed]

John Stuart Mill argued that general conceptions are formed through abstraction. A general conception is the common element among the many images of members of a class. "...[W]hen we form a set of phenomena into a class, that is, when we compare them with one another to ascertain in what they agree, some general conception is implied in this mental operation" (A System of Logic, Book IV, Ch. II). Mill did not believe that concepts exist in the mind before the act of abstraction. "It is not a law of our intellect, that, in comparing things with each other and taking note of their agreement, we merely recognize as realized in the outward world something that we already had in our minds. The conception originally found its way to us as the result of such a comparison. It was obtained (in metaphysical phrase) by abstraction from individual things" (Ibid.).

Philosopher Arthur Schopenhauer argued that concepts are "mere abstractions from what is known through intuitive perception, and they have arisen from our arbitrarily thinking away or dropping of some qualities and our retention of others." (Parerga and Paralipomena, Vol. I, "Sketch of a History of the Ideal and the Real"). In his On the Will in Nature, "Physiology and Pathology," Schopenhauer said that a concept is "drawn off from previous images ... by putting off their differences. This concept is then no longer intuitively perceptible, but is denoted and fixed merely by words." Nietzsche, who was heavily influenced by Schopenhauer, wrote: "Every concept originates through our equating what is unequal. No leaf ever wholly equals another, and the concept 'leaf' is formed through an arbitrary abstraction from these individual differences, through forgetting the distinctions..."[3]

By contrast to the above philosophers, Immanuel Kant held that the account of the concept as an abstraction of experience is only partly correct. He called those concepts that result from abstraction "a posteriori concepts" (meaning concepts that arise out of experience). An empirical or an a posteriori concept is a general representation (Vorstellung) or non-specific thought of that which is common to several specific perceived objects (Logic, I, 1., §1, Note 1)

A concept is a common feature or characteristic. Kant investigated the way that empirical a posteriori concepts are created.

The logical acts of the understanding by which concepts are generated as to their form are:

  1. comparison, i.e., the likening of mental images to one another in relation to the unity of consciousness;
  2. reflection, i.e., the going back over different mental images, how they can be comprehended in one consciousness; and finally
  3. abstraction or the segregation of everything else by which the mental images differ ...

In order to make our mental images into concepts, one must thus be able to compare, reflect, and abstract, for these three logical operations of the understanding are essential and general conditions of generating any concept whatever. For example, I see a fir, a willow, and a linden. In firstly comparing these objects, I notice that they are different from one another in respect of trunk, branches, leaves, and the like; further, however, I reflect only on what they have in common, the trunk, the branches, the leaves themselves, and abstract from their size, shape, and so forth; thus I gain a concept of a tree.

— Logic, §6

Kant's description of the making of a concept has been paraphrased as "...to conceive is essentially to think in abstraction what is common to a plurality of possible instances..." (H.J. Paton, Kant's Metaphysics of Experience, I, 250). In his discussion of Kant, Christopher Janaway wrote: "...generic concepts are formed by abstraction from more than one species."[4]

Issues in concept theory

Innateness of Concepts

Main article: Category (Kant)

Kant declared that human minds possess pure or a priori concepts. Instead of being abstracted from individual perceptions, like empirical concepts, they originate in the mind itself. He called these concepts categories, in the sense of the word that means predicate, attribute, characteristic, or quality. But these pure categories are predicates of things in general, not of a particular thing. According to Kant, there are 12 categories that constitute the understanding of phenomenal objects. Each category is that one predicate which is common to multiple empirical concepts. In order to explain how an a priori concept can relate to individual phenomena, in a manner analogous to an a posteriori concept, Kant employed the technical concept of the schema.

Embodied content

In cognitive linguistics, abstract concepts are transformations of concrete concepts derived from embodied experience. The mechanism of transformation is structural mapping, in which properties of two or more source domains are selectively mapped onto a blended space (Fauconnier & Turner, 1995; see conceptual blending). A common class of blends are metaphors. This theory contrasts with the rationalist view that concepts are perceptions (or recollections, in Plato's term) of an independently existing world of ideas, in that it denies the existence of any such realm. It also contrasts with the empiricist view that concepts are abstract generalizations of individual experiences, because the contingent and bodily experience is preserved in a concept, and not abstracted away. While the perspective is compatible with Jamesian pragmatism (above), the notion of the transformation of embodied concepts through structural mapping makes a distinct contribution to the problem of concept formation.[citation needed]

Ontology

Plato was the starkest proponent of the realist thesis of universal concepts. By his view, concepts (and ideas in general) are innate ideas that were instantiations of a transcendental world of pure forms that lay behind the veil of the physical world. In this way, universals were explained as transcendent objects. Needless to say this form of realism was tied deeply with Plato's ontological projects. This remark on Plato is not of merely historical interest. For example, the view that numbers are Platonic objects was revived by Kurt Gödel as a result of certain puzzles that he took to arise from the phenomenological accounts.[5]

Gottlob Frege, founder of the analytic tradition in philosophy, famously argued for the analysis of language in terms of sense and reference. For him, the sense of an expression in language describes a certain state of affairs in the world, namely, the way that some object is presented. Since many commentators view the notion of sense as identical to the notion of concept, and Frege regards senses as the linguistic representations of states of affairs in the world, it seems to follow that we may understand concepts as the manner in which we grasp the world. Accordingly, concepts (as senses) have an ontological status (Morgolis:7)

According to Carl Benjamin Boyer, in the introduction to his The History of the Calculus and its Conceptual Development, concepts in calculus do not refer to perceptions. As long as the concepts are useful and mutually compatible, they are accepted on their own. For example, the concepts of the derivative and the integral are not considered to refer to spatial or temporal perceptions of the external world of experience. Neither are they related in any way to mysterious limits in which quantities are on the verge of nascence or evanescence, that is, coming into or going out of existence. The abstract concepts are now considered to be totally autonomous, even though they originated from the process of abstracting or taking away qualities from perceptions until only the common, essential attributes remained.

Etymology

The term "concept" is traced back to 1554–60 (Latin conceptum - "something conceived"),[6] but what is today termed "the classical theory of concepts" is the theory of Aristotle on the definition of terms.[citation needed] The meaning of "concept" is explored in mainstream information science,[7][8] cognitive science, metaphysics, and philosophy of mind. In computer and information science contexts, especially, the term 'concept' is often used in unclear or inconsistent ways.[9]

See also

References

  1. ^ a b c Carey, Susan (2009). The Origin of Concepts. Oxford University Press. ISBN 978-0-19-536763-8.
  2. ^ a b Murphy, Gregory (2002). The Big Book of Concepts. Massachusetts Institute of Technology. ISBN 0-262-13409-8.
  3. ^ "On Truth and Lie in an Extra–Moral Sense," The Portable Nietzsche, p. 46
  4. ^ Christopher Janaway, Self and World in Schopenhauer's Philosophy, Ch. 3, p. 112, Oxford, 2003, ISBN 0-19-825003-7
  5. ^ 'Godel's Rationalism', Standford Encyclopedia of Philosophy
  6. ^ http://www.bartleby.com/61/49/C0544900.html%7CThe American Heritage Dictionary of the English Language: Fourth Edition.
  7. ^ Stock, W.G. (2010). Concepts and semantic relations in information science. Journal of the American Society for Information Science and Technology, 61(10), 1951-1969.
  8. ^ Hjørland, B. (2009). Concept Theory. Journal of the American Society for Information Science and Technology, 60(8), 1519–1536
  9. ^ Smith, B. (2004). Beyond Concepts, or: Ontology as Reality Representation, Formal Ontology and Information Systems. Proceedings of the Third International Conference (FOIS 2004), Amsterdam: IOS Press, 2004, 73–84.

A concept is a system of general ideas targeting the multilateral treatment/interpretation of economic, social, legal, scientific, technical and other problems, and reflecting the manner of perception or the multitude of opinions, ideas regarding problems associated with to the development of one or several fields or sectors as a whole.

Publications

  • The History of Calculus and its Conceptual Development, Carl Benjamin Boyer, Dover Publications, ISBN 0-486-60509-4
  • The Writings of William James, University of Chicago Press, ISBN 0-226-39188-4
  • Logic, Immanuel Kant, Dover Publications, ISBN 0-486-25650-2
  • A System of Logic, John Stuart Mill, University Press of the Pacific, ISBN 1-4102-0252-6
  • Parerga and Paralipomena, Arthur Schopenhauer, Volume I, Oxford University Press, ISBN 0-19-824508-4
  • What is Philosophy?, Gilles Deleuze and Félix Guattari
  • Kant's Metaphysic of Experience, H. J. Paton, London: Allen & Unwin, 1936
  • Conceptual Integration Networks. Gilles Fauconnier and Mark Turner, 1998. Cognitive Science. Volume 22, number 2 (April–June 1998), pages 133-187.
  • The Portable Nietzsche, Penguin Books, 1982, ISBN 0-14-015062-5
  • Stephen Laurence and Eric Margolis "Concepts and Cognitive Science". In Concepts: Core Readings, MIT Press pp. 3–81, 1999.
  • Birger Hjørland. (2009). Concept Theory. Journal of the American Society for Information Science and Technology, 60(8), 1519–1536
  • Georgij Yu. Somov (2010). Concepts and Senses in Visual Art: Through the example of analysis of some works by Bruegel the Elder. Semiotica 182 (1/4), 475–506.
  • Daltrozzo J, Vion-Dury J, Schön D. (2010). Music and Concepts. Horizons in Neuroscience Research 4: 157-167. [1]
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