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Untitled

Xtort (stylized as XTOЯT) is the ninth studio album by industrial rock group KMFDM. It was released June 25, 1996 on Wax Trax!/TVT. It was recorded in Chicago, Illinois, shortly after the death of Wax Trax! co-founder and band friend Jim Nash, from the end of 1995 through early 1996, and featured a variety of guest artists from other industrial bands, but had limited participation from core member En Esch.

The album was highly promoted by TVT Records, who sent out tens of thousands of free copies of the first single, "Power". The band did their own form of anti-promotion as well, creating a press release that both insulted and hyped the coming set. Xtort was generally well received by critics, with many calling it superlative, and is the highest charting and best-selling KMFDM album to date. After the original release went out of print, a remastered version was released in 2007.

Background

In late 1995, KMFDM was coming off their "Beat by Beat" and "In Your Face" tours in support of their last album, Nihil.[2] KMFDM frontman and founder Sascha Konietzko had described Nihil as "the crown", and said the band had come as close to mainstream popularity as he wanted,[8] and that he "hated all the attention, interviews, photo shoots, etc."[5] He stated the band needed to move away from its success.[8] Konietzko returned to Chicago in order to be with his friend, Jim Nash, co-founder of Wax Trax! Records, who was dying from AIDS.[2] Konietzko referred to the death of Nash that October[9] as "the end of an era."[2]

En Esch, one of the longtime core members of KMFDM, had almost nothing to do with Xtort, contributing to just two songs.[10] With regards to Esch's lack of participation, Konietzko said "En Esch is just En Esch. He never made himself available to do this album, and so it's always my belief that the thing must keep moving; I had to do it without him."[11] He also stated the two were not in communication around the time of the album's release.[11]

Production

Xtort was pre-produced and tracked in Seattle at Hole in the Wall Studio, and recorded and mixed in Chicago at Chicago Recording Company.[5][12] Konietzko contacted F. M. Einheit and had him come to Chicago in January 1996 to work on some tracks together.[5] Konietzko also brought in a number of Wax Trax! alumni, such as Chris Connelly of Revolting Cocks and Bill Rieflin of Ministry, to help with the album's creation,[1] along with assistance from more than a dozen studio musicians.[5] Konietzko required all the album's contributors to be on call thirteen hours a day during production,[13] saying "I don't care what they do on their own time, but when they do KMFDM, if they don't comply with the schedule, they're out."[13]

Konietzko has stated the ideas for songs began with individual sounds, which he then modified until he created a looped rhythm.[14] "Craze", for example, Konietzko called "an homage to Atari Teenage Riot, a band with two guys, one girl, a couple TR90S [sic] drum machines and a bass machine."[15] He said he was inspired by touring with the band in Europe in support of Nihil in 1995.[5] After creating the base tunes, the songs went to Günter Schulz, another longtime member, to add guitars.[14] With the completed songs, Konietzko then allowed guest artists, such as Connelly,[11] to pick songs they wanted to contribute to, and added their vocals or other instrumentation.[14] For Xtort, Konietzko used Macintosh products to do all the synchronization.[14]

"Blame"
The chorus of "Blame", which features some of the horn section from Tower of Power[15]
Problems playing this file? See media help.

Connelly contributed to four tracks,[3] including "Blame", which also featured the horn section from the Oakland, California based group Tower of Power.[15] Nicole Blackman, KMFDM's publicist at the time, contributed spoken word vocals to the track "Dogma", which was adapted from the ten minute live performance she provided while touring with the band.[15] "Power", meanwhile, was made to fulfill a request by the band's label, Wax Trax!, for a radio promo song.[15] Konietzko said he'd heard "radio didn't like big female choruses", so he got voiceover commercial singer Cheryl Wilson to help with the song, which he called "dumb and catchy".[15] The hidden track of the album, "Fairy", is a story narrated by Jr. Blackmail, who had worked with the band previously in the 1980s. Konietzko said it was inspired by Blackmail's "dirty fantasies".[16] He also said it was not a serious track: "it was more like kids at play".[16] For the background sounds, the group did things like roll screws on the floor while Schulz played piano.[16]

Release

The first track on the album, "Power", was featured on the "Wax Trax! Summer Swindle", a cassette sampler included with 45,000 issues of the July 1996 issue of Alternative Press.[1] Another 50,000 copies of the sampler were to be handed out at summer college and beach events and given away at radio stations.[1] 90,000 pre-release posters and information sheets were mailed out to fans.[1]

The character Son of a Gun from the video of the same name.

Blackman wrote the promotional piece for the album's press kit,[17] and at Konietzko's request,[17] wrote the first half of the promo as an insulting take down of the album rather than as a standard promo. The first letter of each line of the first section of the promo spelled out the phrase "April Fools Day Fucker"[18] and included lines such as "It's been 100 years and fifty albums for the German/American rock squad—are they running out of gas or what?"[18] and "KMFDM can't suck hard enough",[18] a quote from the track "Inane".[3] The second half of the promo included phrases such as "XTORT is a supersonic soundtrack"[18] and "The new album is the sound of a band at the height of their powers."[18] Carrie Borzillo of Billboard stated KMFDM was "poised to make a significant commercial breakthrough."[1] Konietzko stated at the time there were no plans to tour in support of the album's release.[1] He later said this was due to the fact that the band as a touring unit had ceased to exist.[5]

Xtort was released on June 25, 1996[1] on Wax Trax!/TVT on cassette,[19] CD, and vinyl.[4] The album was also released in CD format in Europe[19] and Japan.[20] In addition to being the first KMFDM album to chart in the Billboard 200, staying there for three weeks and peaking at No. 92 the week of July 13, 1996,[21] Xtort sold over 200,000 copies,[22] making it the best-selling album in the band's history.[23] The song "Son of a Gun" was made into an animated video by visual artist Aidan "Brute!" Hughes,[24] who also did the album's cover artwork.[3] On March 6, 2007, Metropolis Records released a digitally remastered version of the album on CD and MP3.[4][25] Looking back on the album at the time of its re-release, Konietzko said it was his favorite album of the 1990s.[5]

Critical reception

Professional ratings
Review scores
SourceRating
Allmusic[26]
Chicago Sun-Times[27]
CMJ New Music Monthlypositive[10]
Daily Herald[28]
Entertainment WeeklyA-[29]
Rolling Stonepositive[30]

Reviews for Xtort were almost universally positive. Jon Wiederhorn of Entertainment Weekly called it "the heaviest and most danceable disc in [KMFDM's] 12-year career"[29] while giving it an A-. Heidi MacDonald of CMJ New Music Monthly compared Xtort to getting hit with a wrecking ball, saying, "When KMFDM does what it does best, it is the best at what it does, namely jack-hammer industrial anthems that hit with stunning precision and power."[10] Sandy Masuo of Rolling Stone called the album "the product of a first-rate lineup,"[30] and praised the album's diversity, saying, "The 10 tracks on Xtort are grounded in KMFDM's smart synthesis of metallic crunch, swiveling rhythms and sophisticated electronics, but it's the organic elements that give the album a zesty twist."[30] Kevin M. Williams of the Chicago Sun-Times gave the album an "essential" rating, and said, "KMFDM has some major mojo working with Xtort".[27]Stephen Thomas Erlewine of Allmusic was less enthusiastic, saying, "it would be nice to hear [KMFDM] branch out and start to experiment a little bit more," and commenting that while Xtort did not sound much different from previous releases, "KMFDM sounds as good as they ever have, and several tracks rank among their best."[26] Liz Armstrong of the Daily Herald thought the guest contributors added significant differences to their individual songs.[28]

"Power"
The chorus of "Power", which features "soul-mama vamping" by Cheryl Wilson[31]
Problems playing this file? See media help.

Larry Flick of Billboard said "Power," the opening track, "finds front man Sascha Konietzko snarling and growling with palpable force, while Cheryl Wilson softens the edges with splashes of soul-mama vamping during the chorus."[31] Williams called the song "irresistible".[27] Masuo noted in particular the use of horns and the Hammond B3 organ, and concluded by stating, "In their insidiously arty and intellectually sassy music, KMFDM continue to bring diverse elements together to create a unified whole."[30] Armstrong called "Dogma" a song that crossed over from being industrial to "frightening",[28] while MacDonald described it as "blistering"[10] and Williams said it was "captivating".[27] Armstrong said "Son of a Gun" was the album's "truly explosive track",[28] but Williams thought "Inane" was the best song.[27]

Track listing

All information from 2007 release CD booklet.[5]

No.TitleWriter(s)Length
1."Power"Sascha Konietzko, Günter Schulz5:26
2."Apathy"Mark Durante, Konietzko, Schulz3:11
3."Rules"Chris Connelly, Durante, Konietzko, Schulz4:07
4."Craze"Connelly, Konietzko, Schulz3:34
5."Dogma"Nicole Blackman, F. M. Einheit, Konietzko, Schulz4:06
6."Inane"Durante, Konietzko, Schulz5:30
7."Blame"Connelly, Konietzko, Schulz4:06
8."Son of a Gun"Konietzko, Schulz, Jon Van Eaton4:23
9."Ikons"Connelly, Einheit, Konietzko, Schulz4:12
10."Wrath"Konietzko, Schulz, Van Eaton5:29
11."Fairy" (originally a hidden track at the end of "Wrath" on Wax Trax!/TVT release)Jr Blackmail, Konietzko, Schulz4:27
Total length:48:31

Personnel

All information from 2007 release CD booklet[5] except where noted.

References

  1. ^ a b c d e f g h Borzillo, Carrie (June 22, 1996). "Wax Trax!/TVT's KMFDM Rides Industrial Revolution with 8th Set". Billboard. 108 (25). Nielsen Business Media, Inc: 9, 97. Retrieved March 1, 2010.
  2. ^ a b c d e "KMFDM History on April 4, 1997 from archive.org". KMFDM.net. KMFDM Enterprises. Archived from the original on April 8, 1997. Retrieved March 15, 2010.
  3. ^ a b c d e f g h i j k l m Xtort (Media notes). Chicago, Illinois: Wax Trax! Records. 1996. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |artist= ignored (|others= suggested) (help)
  4. ^ a b c "Xtort Tracklist". KMFDM.net. KMFDM Enterprises. Retrieved March 15, 2010.
  5. ^ a b c d e f g h i j Xtort (Media notes). Philadelphia, Pennsylvania: Metropolis Records. 2007. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |artist= ignored (|others= suggested) (help)
  6. ^ "Power [Vinyl] Product Details". Amazon.com. Retrieved April 11, 2010.
  7. ^ "Rules Product Details". Amazon.com. Retrieved March 20, 2010.
  8. ^ a b Powell, Eric (1995). "KMFDM". Hypno Magazine. Retrieved February 24, 2011.
  9. ^ Rosenblum, Trudi Miller (October 21, 1995). "Jim Nash Dies At 47; Found of Wax Trax!". Billboard. 107 (42). Nielsen Business Media, Inc: 10. Retrieved March 15, 2010.
  10. ^ a b c d MacDonald, Heidi (September 1996). "Reviews". CMJ New Music Monthly. Robert K. Haber. p. 40. Retrieved March 10, 2010.
  11. ^ a b c Christie, Dixon. "KMFDM Cant Suck Hard Enough!". 2000AD Magazine. Retrieved March 21, 2010.
  12. ^ a b c d "Xtort Credits". Musica News. Vit Belov. Retrieved March 21, 2010.
  13. ^ a b Wiederhorn, Jon (August 8, 1996). "KMFDM make industrial music the old-fashioned way. They trash their hardware". Rolling Stone. No. 740. Jann S. Wenner. p. 24. Retrieved March 22, 2010.
  14. ^ a b c d René, Sheila (1996). "RockNet Interview with Sascha". Retrieved March 21, 2010.
  15. ^ a b c d e f Fortunato, John (1996). "KMFDM Ready to 'Xtort'". The Aquarian Weekly. Arts Weekly, Inc. Retrieved April 23, 2010.
  16. ^ a b c Saffer, Caroline (April 28, 2004). "KMFDM Celebrates 20th Anniversary". Retrieved April 23, 2010.
  17. ^ a b "March 16, 2007: Transmission 4.206". March 16, 2007. Retrieved March 15, 2010.
  18. ^ a b c d e "Xtort Press Folder". Retrieved March 15, 2010.
  19. ^ a b "KFMDM Xtort Releases". Retrieved March 28, 2010.
  20. ^ "Xtort". joshinweb.jp (in Japanese). Retrieved March 26, 2010.
  21. ^ "KMFDM Album & Song chart history". Billboard. Retrieved February 28, 2010.
  22. ^ Olsen, Eric (October 5, 2003). "KMFDM Profile". blogcritics.org. Retrieved March 1, 2010.
  23. ^ Greatest Shit (Media notes). Philadelphia, Pennsylvania: Metropolis Records. 2010. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |artist= ignored (|others= suggested) (help)
  24. ^ "Brute! Propaganda". Retrieved March 15, 2010.
  25. ^ "Xtort at Metropolis Records". Retrieved March 15, 2010.
  26. ^ a b Erlewine, Stephen Thomas. "Xtort Review". Allmusic. Rovi Corporation. Retrieved March 10, 2010.
  27. ^ a b c d e Williams, Kevin M. (June 30, 1996). "Spin Control: KMFDM Xtort". Chicago Sun-Times. Retrieved March 19, 2013. – via HighBeam Research (subscription required)
  28. ^ a b c d Armstrong, Liz (June 21, 1996). "KMFDM's explosive 'Xtort' a scornful foretelling of the apocalypse". Daily Herald. Retrieved March 17, 2013.
  29. ^ a b Wiederhorn, Jon (July 12, 1996). "Xtort: Music Review:Entertainment Weekly". Entertainment Weekly. Retrieved August 23, 2009.
  30. ^ a b c d Masuo, Sandy (July 11, 1996). "Album Reviews: KMFDM Xtort". Rolling Stone (738/739). Jann S. Wenner: 90.
  31. ^ a b Flick, Larry (May 25, 1996). "Reviews and Previews: Singles". Billboard. 108 (21). Nielsen Business Media, Inc: 84. Retrieved March 10, 2010.

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