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'''Maureen Paley''' is an [[People of the United States|American]] owner of an eponymous contemporary art gallery in [[London]], where she lives. She exhibited [[Young British Artists]] at an early stage.<ref name=renton/>
'''Maureen Paley''' is the [[People of the United States|American]] owner of a contemporary art gallery, also Maureen Paley, in [[London]], where she lives. She exhibited [[Young British Artists]] at an early stage.<ref name=renton/>


==Life and career==
==Life and career==
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Maureen Paley was born in [[New York]], graduating from [[Brown University]]. She emigrated to [[England]] in 1977, initially attending [[The Royal College of Art]], where she gained an MA in photography.<ref>Victoria Camblin, "[http://www.032c.com/2009/maureen-paley/ Maureen Paley: London Borough of Tower Hamlets]," ''[[032c]]'' magazine, Summer 2009</ref>
Maureen Paley was born in [[New York]], graduating from [[Brown University]]. She emigrated to [[England]] in 1977, initially attending [[The Royal College of Art]], where she gained an MA in photography.<ref>Victoria Camblin, "[http://www.032c.com/2009/maureen-paley/ Maureen Paley: London Borough of Tower Hamlets]," ''[[032c]]'' magazine, Summer 2009</ref>


Paley began a gallery programme in her home, a Victorian terraced house in Beck Road in [[Bethnal Green]], in 1984.<ref>Ward, Ossian. [http://www.timeout.com/london/features/2876/The_rise_of_the_East_End_art_scene.html "The Rise of the East End art scene"], ''[[Time Out (company)|Time Out]]'', 1 May 2007. Retrieved 11 August 2010.</ref><ref>[http://www.maureenpaley.com/medias/history-paley-84-04.pdf Maureen Paley timeline]</ref> She showed the [[Young British Artists]] (YBAs) at an early stage in their careers.<ref name=renton>Renton, Andrew. "Museum wannabes", ''[[Evening Standard]]'': London, p47, 23 April 2002. "In her Hackney living room, Maureen Paley showed the Young British Artists when they were even Younger"</ref> In the early 1990s, the gallery was known as Interim Art, and presented several exhibitions made by the burgeoning group of artists that were to become known as the YBAs—including [[Henry Bond]], [[Angela Bulloch]] and [[Liam Gillick]].<ref>Maureen Paley (ed.) ''On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen'' (London and Plymouth: Interim Art/Plymouth Arts Centre, 1992), no ISBN but details online [http://www.amazon.co.uk/Maureen-Angela-Bulloch-Gillick-Hansen/dp/B003KV7MF2 here]</ref> In 2000, [[Matthew Collings]] said, "everybody knows who the good YBAs are: the ones Maureen and the unrealist colleagues have signed up!"<ref>[[Matthew Collings|Collings, Matthew]], [http://www.guardian.co.uk/theobserver/2000/mar/19/life1.lifemagazine10 "A day in the life of British art"], ''[[The Guardian]]'', 19 March 2000. Retrieved 11 August 2010.</ref>
Paley began a gallery programme in her home, a Victorian terraced house in Beck Road in [[Bethnal Green]], in 1984.<ref>Ossian Ward, [http://www.timeout.com/london/features/2876/The_rise_of_the_East_End_art_scene.html "The Rise of the East End art scene"], ''[[Time Out (company)|Time Out]]'', 1 May 2007. Retrieved 11 August 2010.</ref><ref>[http://www.maureenpaley.com/medias/history-paley-84-04.pdf Maureen Paley timeline]</ref> She showed the [[Young British Artists]] (YBAs) at an early stage in their careers.<ref name=renton>Andrew Renton, "Museum wannabes", ''[[Evening Standard]]'' (London), 23 April 2002, p.47. "In her Hackney living room, Maureen Paley showed the Young British Artists when they were even Younger"</ref> In the early 1990s, the gallery was known as Interim Art, and presented several exhibitions made by the burgeoning group of artists that were to become known as the YBAs—including [[Henry Bond]], [[Angela Bulloch]] and [[Liam Gillick]].<ref>Maureen Paley (ed.) ''On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen'' (London and Plymouth: Interim Art/Plymouth Arts Centre, 1992), no ISBN but details online [http://www.amazon.co.uk/Maureen-Angela-Bulloch-Gillick-Hansen/dp/B003KV7MF2 here]</ref> In 2000, [[Matthew Collings]] said, "everybody knows who the good YBAs are: the ones Maureen and the unrealist colleagues have signed up!"<ref>[[Matthew Collings]], [http://www.guardian.co.uk/theobserver/2000/mar/19/life1.lifemagazine10 "A day in the life of British art"], ''[[The Guardian]]'', 19 March 2000. Retrieved 11 August 2010.</ref>


In 1994, she was one of 35 art world signatories<ref name=sweeney>Sweeney, John. "It's 'nul points' for the candid critic's critics Final say", ''[[The Guardian]]'', 9 January 1994. Retrieved from [http://www.newsuk.co.uk NewsUK] (pay site), 11 August 2010.</ref> to a letter in the ''Evening Standard'' demanding that its art critic, [[Brian Sewell]] should be sacked for his "artistic prejudice".<ref>Tresidder, Megan. "The Megan Tresidder Interview", ''[[The Guardian]]'', 19 November 1994. Retrieved from [http://www.newsuk.co.uk News UK] (pay site), 11 August 2010.</ref> A letter in response from 20 other art world signatories accused the writers of attempted censorship to promote "a relentless programme of neo-conceptual art in all the main London venues".<ref>Lynton, Norbert. "Playing up to the gallery Abuse is easy, even enjoyable", ''[[The Guardian]]'', 29 January 1994. Retrieved from [http://www.newsuk.co.uk News UK], 11 August 2010.</ref>
In 1994, she was one of 35 art world signatories<ref name=sweeney>John Sweeney, "It's 'nul points' for the candid critic's critics Final say", ''[[The Guardian]]'', 9 January 1994. Retrieved from [http://www.newsuk.co.uk NewsUK] (pay site), 11 August 2010.</ref> to a letter in the ''Evening Standard'' demanding that its art critic [[Brian Sewell]] should be sacked for his "artistic prejudice".<ref>Megan Tresidder, "The Megan Tresidder Interview", ''[[The Guardian]]'', 19 November 1994. Retrieved from [http://www.newsuk.co.uk News UK] (pay site), 11 August 2010.</ref> A letter in response from 20 other art world signatories accused the writers of attempted censorship to promote "a relentless programme of neo-conceptual art in all the main London venues".<ref>Norbert Lynton, "Playing up to the gallery Abuse is easy, even enjoyable", ''[[The Guardian]]'', 29 January 1994. Retrieved from [http://www.newsuk.co.uk News UK], 11 August 2010.</ref>


In 1994 Paley organised an exhibition of works by [[Félix González-Torres]], [[Joseph Kosuth]], and [[Ad Reinhardt]] at [[Camden Arts Centre]].{{fact|date=August 2010}}
In 1994 Paley organised an exhibition of works by [[Félix González-Torres]], [[Joseph Kosuth]], and [[Ad Reinhardt]] at [[Camden Arts Centre]].{{fact|date=August 2010}}

Revision as of 22:21, 11 August 2010

Maureen Paley is the American owner of a contemporary art gallery, also Maureen Paley, in London, where she lives. She exhibited Young British Artists at an early stage.[1]

Life and career

Maureen Paley was born in New York, graduating from Brown University. She emigrated to England in 1977, initially attending The Royal College of Art, where she gained an MA in photography.[2]

Paley began a gallery programme in her home, a Victorian terraced house in Beck Road in Bethnal Green, in 1984.[3][4] She showed the Young British Artists (YBAs) at an early stage in their careers.[1] In the early 1990s, the gallery was known as Interim Art, and presented several exhibitions made by the burgeoning group of artists that were to become known as the YBAs—including Henry Bond, Angela Bulloch and Liam Gillick.[5] In 2000, Matthew Collings said, "everybody knows who the good YBAs are: the ones Maureen and the unrealist colleagues have signed up!"[6]

In 1994, she was one of 35 art world signatories[7] to a letter in the Evening Standard demanding that its art critic Brian Sewell should be sacked for his "artistic prejudice".[8] A letter in response from 20 other art world signatories accused the writers of attempted censorship to promote "a relentless programme of neo-conceptual art in all the main London venues".[9]

In 1994 Paley organised an exhibition of works by Félix González-Torres, Joseph Kosuth, and Ad Reinhardt at Camden Arts Centre.[citation needed]

In 1995, Wall to Wall was presented for the National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery, and Leeds City Art Gallery, showing wall drawings by international artists, including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner.[citation needed]

In 1996 Paley also selected an exhibition, The Cauldron, of work by Young British Artists—Christine Borland, Angela Bulloch, Jake and Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing—for the Henry Moore Sculpture Trust, installed in their studio space in Dean Clough, Halifax.[citation needed]

In September 1999 the gallery moved to Herald Street in Bethnal Green. It changed its name to Maureen Paley in 2004.

Paley was called by Time Out "a true pioneer of the East End", having presented work there before it was fashionable.[10][11]

Artists

An incomplete list of artists represented by Maureen Paley in August 2010:[12] {{Top}} may refer to:

{{Template disambiguation}} should never be transcluded in the main namespace.


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References

  1. ^ a b Andrew Renton, "Museum wannabes", Evening Standard (London), 23 April 2002, p.47. "In her Hackney living room, Maureen Paley showed the Young British Artists when they were even Younger"
  2. ^ Victoria Camblin, "Maureen Paley: London Borough of Tower Hamlets," 032c magazine, Summer 2009
  3. ^ Ossian Ward, "The Rise of the East End art scene", Time Out, 1 May 2007. Retrieved 11 August 2010.
  4. ^ Maureen Paley timeline
  5. ^ Maureen Paley (ed.) On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen (London and Plymouth: Interim Art/Plymouth Arts Centre, 1992), no ISBN but details online here
  6. ^ Matthew Collings, "A day in the life of British art", The Guardian, 19 March 2000. Retrieved 11 August 2010.
  7. ^ John Sweeney, "It's 'nul points' for the candid critic's critics Final say", The Guardian, 9 January 1994. Retrieved from NewsUK (pay site), 11 August 2010.
  8. ^ Megan Tresidder, "The Megan Tresidder Interview", The Guardian, 19 November 1994. Retrieved from News UK (pay site), 11 August 2010.
  9. ^ Norbert Lynton, "Playing up to the gallery Abuse is easy, even enjoyable", The Guardian, 29 January 1994. Retrieved from News UK, 11 August 2010.
  10. ^ Maureen Paley, 21 Herald St, London, E2 6JT, Time Out, London
  11. ^ Maureen Paley, File magazine, 15 October 2009
  12. ^ As retrieved from the gallery's website on 11 August 2010.

External links