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Qijia culture

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Qijia culture
Geographical rangeupper Yellow River
Periodearly Bronze Age
Datesc. 2200 – c. 1600 BC
Preceded byMajiayao culture
Followed byXindian culture
Chinese name
Traditional Chinese齊家文化
Simplified Chinese齐家文化
Transcriptions
Standard Mandarin
Hanyu PinyinQíjiā wénhuà

The Qijia culture (2200 BC – 1600 BC) was an early Bronze Age culture distributed around the upper Yellow River region of Gansu (centered in Lanzhou) and eastern Qinghai, China. It is regarded as one of the earliest bronze cultures in China.

The Qijia Culture is named after the Qijiaping Site (齐家坪) in Gansu Province.

Prior to Qijia culture, in the same area there existed Majiayao culture that was also familiar with metalwork. At the end of the third millennium B.C., Qijia culture succeeded Majiayao culture at sites in three main geographic zones: Eastern Gansu, Middle Gansu, and Western Gansu/Eastern Qinghai.[1]

Research

Johan Gunnar Andersson discovered the initial site at Qijiaping (齊家坪) in 1923. Qijia culture was a sedentary culture, based on agriculture, and breeding pigs, which were also used in sacrifices. Qijia culture is distinguished by a presence of numerous domesticated horses, and practice of oracle divination, the metal knives and axes recovered apparently point to some interactions with Siberian and Central Asian cultures, in particular with the Seima-Turbino complex,[2] or the Afanasievo culture.[3] Archeological evidence points to plausible early contact between the Qijia culture and Central Asia.[2] The cultures of West Asia and Central Asia spread eastward as early as the late Neolithic period and the early Bronze age, when bronze technology, pottery and ornamation styles were introduced to the early cultures of China, such as the Siba culture (about 2000-1600 BCE), the Qijia culture (2500-1500 BCE), the Chawuhugoukou culture (around 800-100 BCE) or the Subeshi culture (1100-100 BCE).[4]

Qijia culture pottery head

Qijia culture produced some of the earliest bronze and copper mirrors found in China. Extensive domestication of horses was found at many Qijia sites.

The archaeological sites at Lajia, Huangniangniangtai, Qinweijia, and Dahezhuang [2] are associated with the Qijia culture. Qijia sites were also found in Ningxia and Inner Mongolia Autonomous regions.

A total of over 350 sites of the Qijia culture have been found superimposed on the Majiayao culture. A large quantity of metal ware, mostly copper objects, including some bronzes, have been excavated from various sites in Gansu province and at Gamatai in Qinghai province.

25 pieces of metalwork were analyzed for their composition. Those made from copper were the most numerous, accounting for 64 per cent of the total. The rest represented various copper alloys, including tin.[5] Contacts between the Afanasievo culture and the Majiayao culture and the Qijia culture have been considered for the transmission of bronze technology.[6] During this period, Central Asian styles of pottery and ornamentation, in addition to bronze techniques, were also introduced to the Qijia Culture and the Siba culture.[7]

  • Bronze mirror, Gansu. Qijia culture (2400–1900) National Museum of China
    Bronze mirror, Gansu. Qijia culture (2400–1900) National Museum of China
  • Bronze axe & copper knife, Qijia Culture, Gansu.
    Bronze axe & copper knife, Qijia Culture, Gansu.
  • Gold earrings, Qijia Culture, Gansu.
    Gold earrings, Qijia Culture, Gansu.

Pottery

Techniques of pottery-making are marked by a fine red ware and a coarse reddish-brown ware. There are also a few pieces of grey ware. They are handmade, there being no evidence of wheel-made ware.[5] While the Qijia culture pottery has its own stylistic characteristics, it also shares many traits in common with the Longshan culture in Shaanxi. Some elements of the Majiayao culture are also present.

Machang culture

Ruins of Lajia.

Machang culture (马厂) also flourished in 2500–2000 BC along the Yellow River; it was an outgrowth of the Banshan culture. Machang culture was partly contemporary with the Qijia; although they were quite different, there was cultural exchange between them.[8] Some scholars consider Machang culture as only a phase of the larger Majiayao culture, with the Qijia being derived from the Machang.

Mogou site

Jade cong, Qijia Culture, 2100-1700 BC.

The Qijia Culture Cemetery at Mogou in Lintan County, Gansu was excavated beginning from 2008. More than one thousand graves have been found there. The area was inhabited during the first half of the second millennium BCE. Thousands of funerary goods have been found, such as pottery vessels, bone ornaments and implements, shells, and metal objects.

To date, this represents by far the biggest find of copper and bronze objects ascribed to the Qijia culture, as more than three hundred items were found here. The finds are mostly implements, such as knives, and ornaments, such as buttons, earrings and beads. Some types of objects, such as torques and armbands, were not found before.

Examination reveals that tin bronze (Cu-Sn) was the most important alloy used at the Mogou site. Other alloys, such as Cu-Sn-Pb (lead) and Cu-Sn-As (arsenic), were also in use. Some items were manufactured by casting and hot-forging.[9]

Two iron fragments were recently excavated at the Mogou cemetery. They have been dated to the 14th century BC. One of the fragments was made of bloomery iron rather than meteoritic iron.[10][11]

Late stages

During the late stages of the culture, the Qijia culture retreated from the west and suffered a reduction in population size. Some scholars hold that Siwa culture was a descendant of the Qijia culture. Also, Kayue culture is believed by some to have developed from the western part of the Qijia culture.[8]

See also

class=notpageimage|
Qijia culture and contemporary cultures c. 2000 BC
Wikimedia Commons has media related to Qijia culture.

References

  1. ^ Neolithic period Archived 2013-08-17 at the Wayback Machine – Princeton University Art Museum
  2. ^ a b c Cosmo, Nicola Di (2008). Northern Frontier in Pre-Imperial China (Cambridge History of Ancient China). Cambridge University Press. p. 901.
  3. ^ JIANJUN, MEI (2003). "Cultural Interaction between China and Central Asia during the Bronze Age" (PDF). Proceedings of the British Academy. 121: 1–39. the argument for possible Afanasievo-Xinjiang contact based on the finds at the Gumugou cemetery in the north-eastern rim of the Tarim basin would seem reasonable and needs to be kept open for the future archaeological finds. In other words, the possibility for the dispersal of early copperbased metallurgy from the Eurasian steppe into Xinjiang and further east to Gansu cannot be excluded at present and will have to be considered when further archaeological evidence becomes available.
  4. ^ Zhang, Kai (4 February 2021). "The Spread and Integration of Painted pottery Art along the Silk Road" (PDF). Region - Educational Research and Reviews. 3 (1): 18. doi:10.32629/RERR.V3I1.242. S2CID 234007445. In the late Neolithic period and the early Bronze age, pottery, ornamentation and bronze culture with the characteristics of West Asia and Central Asia were introduced into Xinjiang, including Qijia culture (2500-1500 BC), Siba culture (about 2000-1600 BC), Chawuhugoukou culture (around 800-100 BC), Turpan Subeixi culture (1100 bc-100 BC) and other cultures.
  5. ^ a b An, Zhimin (1992). "The Bronze Age in eastern parts of Central Asia" (PDF). In Dani, A.H.; Masson, V.M. (eds.). History of Civilizations of Central Asia, volume 1: The Dawn of Civilization: Earliest Times to 700 B.C. (PDF). UNESCO. pp. 308–325. ISBN 978-92-3-102719-2.
  6. ^ JIANJUN, MEI (2003). "Cultural Interaction between China and Central Asia during the Bronze Age" (PDF). Proceedings of the British Academy. 121: 1–39. the argument for possible Afanasievo-Xinjiang contact based on the finds at the Gumugou cemetery in the north-eastern rim of the Tarim basin would seem reasonable and needs to be kept open for the future archaeological finds. In other words, the possibility for the dispersal of early copperbased metallurgy from the Eurasian steppe into Xinjiang and further east to Gansu cannot be excluded at present and will have to be considered when further archaeological evidence becomes available.
  7. ^ Zhang, Kai (4 February 2021). "The Spread and Integration of Painted pottery Art along the Silk Road" (PDF). Region - Educational Research and Reviews. 3 (1): 18. doi:10.32629/RERR.V3I1.242. S2CID 234007445. In the late Neolithic period and the early Bronze age, pottery, ornamentation and bronze culture with the characteristics of West Asia and Central Asia were introduced into Xinjiang, including Qijia Culture (2500-1500 BC), Siba culture (about 2000-1600 BC), Chawuhugoukou culture (around 800-100 BC), Turpan Subeixi culture (1100 bc-100 BC) and other cultures.
  8. ^ a b Chen, Honghai (2013). "The Qijia culture in the upper Yellow River valley". In Underhill, Anne P. (ed.). A Companion to Chinese Archaeology. Blackwell. pp. 105–124. ISBN 978-1-4443-3529-3.
  9. ^ Kunlong Chen, Xu Jianwei, Chen Kunlong et al., Recent Research on Early Bronze Metallurgy in Northwest China. in Paul Jett (ed.), Scientific Research on Ancient Asian Metallurgy. Washington: Freer Gallery of Arts, 2012, pp. 37–46.
  10. ^ Chen, Jianli, Mao, Ruilin, Wang, Hui, Chen, Honghai, Xie, Yan, Qian, Yaopeng, 2012. The iron objects unearthed from tombs of the Siwa culture in Mogou, Gansu, and the origin of iron-making technology in China. Wenwu (Cult. Relics) 8,45–53 (in Chinese)
  11. ^ Mei, J.; Wang, P.; Chen, K.; Wang, L.; Wang, Y.; Liu, Y. (2015). "Archaeometallurgical studies in China: Some recent developments and challenging issues". Journal of Archaeological Science. 56: 221–232. doi:10.1016/j.jas.2015.02.026.
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