Jump to content

Vaaname Ellai

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Kailash29792 (talk | contribs) at 09:41, 2 January 2024 (Copying from Category:1990s Tamil-language films to Category:1990s Indian films using Cat-a-lot). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Vaaname Ellai
Theatrical release poster
Directed byK. Balachander
Written byK. Balachander
Produced byRajam Balachander
Pushpa Kandaswamy
StarringAnand Babu
Bhanupriya
Ramya Krishnan
Madhoo
Rajesh
Babloo Prithviraj
CinematographyR. Raghunatha Reddy
Edited byGanesh Kumar
Music byMarakathamani
Production
company
Release date
  • 22 May 1992 (1992-05-22)
CountryIndia
LanguageTamil

Vaaname Ellai (transl. The sky is the limit) is a 1992 Indian Tamil language drama film written and directed by K. Balachander, starring Anand Babu, Ramya Krishnan, Madhoo, Vishali Kannadasan, Rajesh and Babloo Prithiveeraj. The story involves five characters from different backgrounds, who get vexed with their lives, jointly decide to end their lives together, but begin a short journey of 100 days to live together happily before dying.

The story of Vaaname Ellai was conceived after Balachander became upset learning of numerous suicides inspired by his own film Ek Duuje Ke Liye (1981), and was convinced he could make a film speaking against suicide. The film was released on 22 May 1992, and Balachander won the Filmfare Award for Best Director – Tamil.

Plot

Five young people decide that life is not worth living anymore for various reasons.

Deepak, the son of a judge K. Manjunath, is an idealist and never suspects that the many gifts that are showered upon him by his father were things received as bribes. One day, dressed as a robot, he shoots a video song about corruption in society. Seeing this, his friend remarks that his own father is very corrupt. An angered Deepak beats up his friend and challenges him that if that were true, he would commit suicide out of shame. Back at home, he sees his father taking a large amount of money as bribe for a lawsuit. A shocked Deepak argues with his father over his corrupt practices. His mother starts justifying corruption which has brought the family luxuries like the bungalow, the car, and Anand's Yamaha bike. Besides, a large amount of money is needed for the marriage dowry of their two daughters (Anand's sisters). Anand is unable to bear this and immediately sets fire to his new Yamaha bike. He then leaves home.

Gautham is the only son of a rich businessman, M. R. T. He is motherless. He is in love with the computer operator, Suguna working in his father's office. He is happy-go-lucky. One day his father learns of their love and despises it as he has big plans to marry his son to the daughter of a rich, potential business partner. He threatens Gautham to not marry Suguna. But the much pampered Gautham is adamant in marrying her. Meanwhile, Akhila, the widowed mother of Suguna, also objects to their love, fearing for problems arising due to the difference in their social status. M. R. T. comes up with a plan to stop the couple from marrying. He convinces Akhila to marry him, thereby making Gautham and Suguna step-siblings. The couple is heartbroken. Babloo wants to commit suicide, but Suguna wants to continue to live as the new step-daughter of the rich businessman. She soon shows her own brand of revenge by heavy partying and boozing and having one night stands. Whenever arrested, she proudly proclaims being the rich man's daughter.

Madhoo was forced into marriage with a very rich but old man, and Ramya is a gang-rape victim. The other is a poor youth of high caste who does not get employment because of caste based reservation despite scoring very high marks in college.

They all meet at the suicide point and decide to live a happy life for 100 days and then end it all. In those 100 days, they have all sorts of fun. They also sing mourning songs for their own death. But one of them, the unemployed, secretly tries to change his friends' minds away from suicide. But they tell that their mind is made up and he can leave if he chooses to. But he sets his suicide earlier and informs them that he did so to make them realise that death is no joke and if his friends changed their minds, his death would not be in vain. They soon start getting doubts about going ahead with their suicides.

Meanwhile, they find a baby at their doorstep and have no choice but to take care of the child. They get emotionally close to the child. Finally the dead friend's dad comes and meets them having tracked his son's letters with great difficulty. When informed of his son's death he mourns and accuses the remaining youths for being the cause of his death. The four decide to die immediately upon hearing this. As they go to the suicide point, they meet their dead friend there. He says that he had faked his own death as well as arranged for the child and his father to dissuade them. His father takes the child to an orphanage and they meet people with various physical deformities trying to live a fruitful and cheerful life. After gaining inspiration from many of the disabled persons who had achieved things and also from the advice they give them, the five youths decide to life a long and brave life.

Cast

Production

After the release of Ek Duuje Ke Liye (1981), Balachander was upset on learning of numerous people wanting to commit suicide the way it happened in the film. Lakshmi Vijayakumar, a psychiatrist, suggested he make a film showing "the thought of suicide in a positive light — to go through struggle, but overcome it and realise that life is worth living". This laid the foundation for Vaaname Ellai.[3] The film marked the acting debut of actors Madhan Bob and Dhamu as a comedian who went on to become popular.[4][5] Bob had been recommended to Balachander by his father's friend.[6]

Soundtrack

Tamil (original) version

The music was composed by Maragadha Mani, with lyrics by Vairamuthu.[7] He later reused the tune of "Kambangadu" as "Gundu Soodi" for the Telugu film Chatrapathi (2005).[8] The tune of "Jana Gana Mana" was later adapted by Maragadha Mani as "Yedavaku" for the Telugu film S. P. Parasuram.[citation needed]

Song Singers Length
"Ada Yaaringe Manidhan" Rajamani 03:05
"Jana Gana Mana" S. P. Balasubrahmanyam, K. S. Chithra 05:37
"Kambangadu Kambangadu" Maragadha Mani, K. S. Chithra 04:36
"Nadodi Mannargale" K. S. Chithra 05:01
"Nee Aandavana" S. P. Balasubrahmanyam, K. S. Chithra 05:10
"Siragillai" K. S. Chithra 04:26
"Sogam Eni Ellai" S. P. Balasubrahmanyam 04:26
"Thambigala" Maragadha Mani 01:03

Telugu (dubbed) version

The film was dubbed into Telugu as October 2 and all lyrics were written by Rajasri.[9]

Song Singers Length
"Shokame Lede Kalataku" S. P. Balasubrahmanyam 04:27
"Ee Poota Meekanta" K. S. Chithra 05:11
"Nee Tallevaro Tandrevaro" S. P. Balasubrahmanyam, K. S. Chithra 04:54
"Nenega Rachilakanta" K. S. Chithra 02:51
"Janaganamana Ani Pade" S. P. Balasubrahmanyam, K. S. Chithra 05:25
"Abbailu Meeto" Krishna Murthy 01:06
"Ammatodu Ammatodu" Mano, K. S. Chithra, Chorus 04:26
"Oh Manishi" Mano 02:59

Release and reception

Vaaname Ellai was released on 22 May 1992. On the same day, N. Krishnaswamy of The Indian Express wrote, "Given the varied nature of characters at hand, the treatment at first has got to be episodic but Balachander's vibrant style of telling a tale keeps reels crackling".[10] K. Vijiyan of New Straits Times called it a "must-see picture for youth".[11] Kutty Krishnan of Kalki praised Balachander for delivering a message against suicide.[12] The film won the Tamil Nadu State Film Award Special Prize for Best Film, and Balachander won the Best Story Writer award at the same ceremony.[13] Balachander also won the Filmfare Award for Best Director – Tamil.[14]

References

  1. ^ Rao, Thara Mohan (29 August 2002). "Anchored to success". The Hindu. Archived from the original on 27 February 2020. Retrieved 20 May 2020.
  2. ^ "H. Ramakrishnan's Experience". hramakrishnan.com. Archived from the original on 7 July 2020. Retrieved 30 November 2021.
  3. ^ Balasubramanian, Roshne (29 June 2017). "Saving lives, one call at a time". The New Indian Express. p. 2. Archived from the original on 30 November 2021. Retrieved 30 November 2021.
  4. ^ Mani, Bhargavii (22 August 2015). "When his eyes bobbed". The Hindu. Archived from the original on 19 April 2021. Retrieved 20 May 2020.
  5. ^ "'Otteri Nari' picks up the threads of 'Gilli'". The Hindu. 14 September 2007. Archived from the original on 19 April 2021. Retrieved 20 May 2020.
  6. ^ B, Roshne (11 June 2016). "The king of smiles and stories". The New Indian Express. p. 2. Archived from the original on 30 November 2021. Retrieved 30 November 2021.
  7. ^ "Vaaname Yellai (1991) [sic]". Raaga.com. Archived from the original on 1 October 2021. Retrieved 1 October 2021.
  8. ^ "Keeravani on Chatrapati". Idlebrain.com. 27 September 2005. Archived from the original on 28 March 2022. Retrieved 28 March 2022.
  9. ^ "October 2". Spotify. Archived from the original on 26 February 2023. Retrieved 28 December 2020.
  10. ^ Krishnaswamy, N. (22 May 1992). "Vaaname Yellai". The Indian Express. p. 7. Retrieved 8 January 2019.
  11. ^ Vijiyan, K. (27 March 1993). "Strong anti-suicide message for youths". New Straits Times. p. 20. Retrieved 15 March 2019.
  12. ^ குட்டி, கிருஷ்ணன் (7 June 1992). "வானமே எல்லை". Kalki (in Tamil). p. 10. Archived from the original on 26 February 2023. Retrieved 15 December 2022.
  13. ^ "Film city to be ready soon: Jaya". The Indian Express. 19 January 1994. p. 3. Retrieved 30 November 2021.
  14. ^ "40th Filmfare South Best Actor Actress". Filmfare. Retrieved 9 May 2022.