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1961 studio album by Art Blakey and the Jazz Messengers
Art Blakey and the Jazz Messengers (stylized as Art Blakey!!!!! Jazz Messengers!!!!! and titled Alamode in Japan) is a studio album by Art Blakey and the Jazz Messengers , released on September 1, 1961, through Impulse! Records . Expanding to a sextet for the first time, it was the group's final recording with Bobby Timmons , who would be replaced by Cedar Walton .
In his DownBeat review of January 4, 1962, critic Ira Gitler commented: "This is a change of pace from most recent Messenger releases. There is only one original; the rest are standards that have not been overdone."[ 2] AllMusic reviewer Steven McDonald described it as: "An absolutely wonderful 1961 set from Blakey and company, who demonstrate here how to be note-perfect without leeching away the emotion of a performance."[ 1]
"À la Mode" (Curtis Fuller ) — 6:40
"Invitation" (Bronislau Kaper , Paul Francis Webster ) — 7:25
"Circus" (Lou Alter, Bob Russell ) — 5:12
"You Don't Know What Love Is" (Gene de Paul , Don Raye ) — 6:55
"I Hear a Rhapsody" (Jack Baker , George Fragos , Dick Gasparre ) — 6:30
"Gee Baby, Ain't I Good to You" (Andy Razaf , Don Redman ) — 5:00
Studio albums Live albums Compilation albums Soundtrack albums Art Blakey solo albums Related
Year(s) indicated are for the recording(s), not first release .
As leader or co-leader WithArt Blakey & The Jazz Messengers WithHank Mobley With others
Minor Move (Tina Brooks , 1958)
Blue Train (John Coltrane , 1957)
Intensity (Charles Earland , 1972)
Charles III (Charles Earland, 1972)
Brass Shout (Art Farmer , 1959)
Sliding Easy (Curtis Fuller , 1959)
The Curtis Fuller Jazztet (1959)
Images of Curtis Fuller (1960)
Dizzy in Greece (Dizzy Gillespie , 1957)
Birks' Works (Dizzy Gillespie, 1957)
Dizzy Gillespie at Newport (Dizzy Gillespie, 1957)
Benny Golson and the Philadelphians (Benny Golson , 1958)
A Blowin' Session (Johnny Griffin , 1957)
Mode for Joe (Joe Henderson , 1966)
Last Chorus (Ernie Henry , 1957)
Grass Roots (Andrew Hill , 1968)
Lift Every Voice (Andrew Hill, 1969)
Flute-In (Bobbi Humphrey , 1971)
The Prime Element (Elvin Jones , 1969)
Drums Around the World (Philly Joe Jones , 1959)
The Great Wide World of Quincy Jones (1959)
Cliff Jordan (Clifford Jordan , 1957)
Kelly Great (Wynton Kelly , 1959)
Greasy Kid Stuff! (Harold Mabern , 1970)
Jacknife (Jackie McLean , 1965)
Consequence (Jackie McLean, 1965)
Evolution (Grachan Moncur , 1963)
Introducing Wayne Shorter (1959)
Night Dreamer (Wayne Shorter , 1964)
House Party (Jimmy Smith , 1957–58)
The Sermon! (Jimmy Smith, 1957–58)
Mr. Natural (Stanley Turrentine , 1964)
Tender Moments (McCoy Tyner , 1967)
Easterly Winds (Jack Wilson , 1967)
Mother Ship (Larry Young , 1969)
Love Bug (Reuben Wilson , 1969)
Years given are for the recording(s), not first release.
As leader or co-leader With Art Blakey andthe Jazz Messengers With others
10 to 4 at the 5 Spot (Pepper Adams , 1958)
The Cannonball Adderley Quintet in San Francisco (1959)
Them Dirty Blues (Cannonball Adderley , 1960)
Work Song (Nat Adderley , 1960)
Chet Baker & Crew (1956)
Chet Baker Big Band (1956)
Blue Lights (Kenny Burrell , 1958)
On View at the Five Spot Cafe (Kenny Burrell, 1959)
More Party Time (Arnett Cobb , 1960)
Movin' Right Along (Arnett Cobb, 1960)
'Round About Midnight at the Cafe Bohemia (Kenny Dorham , 1956)
Matador (Kenny Dorham, 1962)
Brass Shout (Art Farmer , 1959)
The Opener (Curtis Fuller , 1957)
Benny Golson and the Philadelphians (1958)
The Big Soul-Band (Johnny Griffin , 1960)
The Soul Society (Sam Jones , 1960)
Nice and Easy (Johnny Lytle , 1962)
Hank (Hank Mobley , 1957)
The Cooker (Lee Morgan , 1957)
Lee-Way (Lee Morgan, 1960)
Comin' On! (Dizzy Reece , 1960)
Personal Appearance (Sonny Stitt , 1957)
The Young Lions (1960)