|Esther, biblical character|
|Biblical Queen of Persia|
|Father||Abihail (biological), Mordecai (adoptive)|
Esther[a] is described in the Book of Esther as a Jewish queen of the Persian king Ahasuerus (commonly identified as Xerxes I, reigned 486–465 BCE). In the narrative, Ahasuerus seeks a new wife after his queen, Vashti, refuses to obey him, and Esther is chosen for her beauty. The king's chief advisor, Haman, is offended by Esther's cousin and guardian, Mordecai, and gets permission from the king to have all the Jews in the kingdom killed. Esther foils the plan, and wins permission from the king for the Jews to kill their enemies, and they do so.
Her story is the traditional basis for Purim, which is celebrated on the date given in the story for when Haman's order was to go into effect, which is the same day that the Jews killed their enemies after the plan was reversed.
The Book of Daniel provides accounts of Jews in exile being assigned names relating to Babylonian gods and "Mordecai" is understood to mean servant of Marduk, a Babylonian god. "Esther" may have been a different Hebrew interpretation from the Proto-Semitic root "star/'morning/evening star'", which descended with the /th/ into the Ugaritic Athtiratu and Arabian Athtar. The derivation must then have been secondary for the initial ayin to be confused with an aleph (both represented by vowels in Akkadian), and the second consonant descended as a /s/ (like in the Aramaic asthr "bright star"), rather than a /sh/ as in Hebrew and most commonly in Akkadian.
Even in Talmudic times it was realized that the name Esther was of foreign origin. According to one opinion mentioned in the Talmud (Tractate Megillah 13a) and Yalkut Shimoni (1053:7) as well as Targum Sheni the name Esther comes from אסתהר (‘īstəhăr), the morning star Venus. Modern scholars starting with Assyriologist Peter Jensen added on to this by connecting Esther with Ishtar Babylonian goddess of the planet Venus, and this view came to be adopted by almost all commentators.
A. S. Yahuda conjectured that the name Esther is derived from a reconstructed Median word astra meaning myrtle. This would match her Hebrew name as recorded in the Bible, Hadassah, also meaning "myrtle".
In the Bible
In the narrative, King Ahasuerus is drunk at a festival and orders his queen, Vashti, to appear before him and his guests to display her beauty. When she refuses to appear, he deposes her and seeks a new queen. Beautiful maidens gather together at the harem in the citadel of Susa under the authority of the eunuch Hegai.
Esther was the cousin of Mordecai, a member of the Jewish community in the Exilic Period who claimed as an ancestor Kish, a Benjamite who had been taken from Jerusalem into captivity. She was the orphaned daughter of Mordecai's uncle, another Benjamite named Abihail. Upon the king's orders Esther was taken to palace where Hegai prepared her for meeting the king. Even as she advanced to the highest position of the harem, perfumed with myrrh and allocated certain foods and servants, she was under strict instructions from Mordecai, who met with her each day, to conceal her Jewish origins. The king falls in love with her and makes her Queen.
Later, Mordecai refuses to bow to Haman the Agagite, who was recently made Ahasuerus' highest advisor, and Haman requests and is given permission to order all the Jews in Persia to be killed. When Esther learns of this, Mordecai tells her to reveal to the king that she is Jewish and to ask him to repeal the order. Esther hesitates, saying that she could be put to death if she goes to the king without being summoned and the king does not want to see her; Mordecai urges her to try. She goes to the king, and the king welcomes her, and says he will give her anything she wants. Instead of asking directly about the order, she invites the king and Haman to a banquet the next day. During the banquet, the king again asked Esther if there is anything she wants, and this time she asks the king to spare her life and that of all of the Jews. The king asks who was threatening them, and she names Haman. Haman throws himself at her feet; the king thinks that Haman is attacking her and orders him to be put to death, and gives all Haman's possessions to Esther. Esther tells the king about Mordecai's role in her life, and the king makes Mordecai his highest advisor. Esther then asks the king to revoke the order, and king allows Esther and Mordecai to do so, however they wish. They send out an order in the king's name that Jews can assemble and defend themselves, and can kill anyone who threatens them, and their families, and take their goods. On the thirteenth day of Adar, the same day that Haman had set for them to be killed, the Jews do so in one city, killing 500 people but not taking plunder, and they kill around 75,000 the next day again not taking plunder, and then they feast.
The Jews established an annual feast, the feast of Purim, in memory of their deliverance. Haman set the date of Adar 13 to commence his campaign against the Jews. This determined the date of the festival of Purim.
Abraham Kuyper notes some "disagreeable aspects" to her character: that she should not have agreed to take Vashti's place, that she refrained from saving her nation until her own life was threatened, and that she carries out bloodthirsty vengeance.
The tale opens with Esther as beautiful and obedient, but also a relatively passive figure. During the course of the story, she evolves into someone who takes a decisive role in her own future and that of her people. According to Sidnie White Crawford, "Esther's position in a male court mirrors that of the Jews in a Gentile world, with the threat of danger ever present below the seemingly calm surface." Esther is related to Daniel in that both represent a "type" for Jews living in Diaspora, and hoping to live a successful life in an alien environment.
Esther as rhetorical model
According to Susan Zaeske, by virtue of the fact that Esther used only rhetoric to convince the king to save her people, the story of Esther is a "rhetoric of exile and empowerment that, for millennia, has notably shaped the discourse of marginalized peoples such as Jews, women, and African Americans", persuading those who have power over them.
Given the great historical link between Persian and Jewish history, modern day Persian Jews are called "Esther's Children". A building venerated as being the Tomb of Esther and Mordechai is located in Hamadan, Iran, although the village of Kfar Bar'am in northern Israel also claims to be the burial place of Queen Esther.
Depictions of Esther
There are several paintings depicting Esther, including one by Millais. Esther before Ahasuerus is one of the most commonly depicted parts of the story, painted by Artemisia Gentileschi, Tintoretto and many others. Similar scenes appear in some panels of the Sistine Chapel, including one that shows Haman crucified. The 15th century painter Andrea del Castagno shows Esther in early Renaissance period dress. 18th century painter Aert de Gelder shows Mordecai talking to Esther. The scene of Esther's coronation is depicted on an illuminated manuscript in Barcelona. MS 288 contains a miniature showing Esther sending a message to Mordecai that some instructions he gave are too risky for her to fulfill. The Heilspiegel Altarpiece by Konrad Witz depicts Esther appearing before the king to beg mercy for the Jews despite the punishment for appearing without being summoned is death.
Canonicity in Christianity
The status of Esther as a canonical book of the Bible has historically been under dispute. For example, in the first several centuries of Christianity, Esther does not appear in the lists of books produced by Melito, Athanasius, Cyril, Gregory of Nazianzus, and others. Additionally, no copies of Esther were found at Qumran in the contents of the Dead Sea Scrolls. Nevertheless, by the fourth century CE, the majority of Western churches accepted Esther as a part of their Bibles.
Esther is also commemorated as a matriarch in the Calendar of Saints of the Lutheran Church–Missouri Synod on May 24. She is also recognized as a saint in the Eastern Orthodox and Coptic Orthodox Churches. "The Septuagint edition of Esther contains six parts (totaling 107 verses) not found in the Hebrew Bible. Although these interpretations originally may have been composed in Hebrew, they survive only in Greek texts. Because the Hebrew Bible’s version of Esther’s story contains neither prayers nor even a single reference to God, Greek redactors apparently felt compelled to give the tale a more explicit religious orientation, alluding to "God" or the "Lord" fifty times." These additions to Esther in the Apocrypha were added approximately in the second or first century BCE.
- Marc-Antoine Charpentier, Historia Esther, H 396, for soloists, chorus, strings and continuo 1675.
- George Frideric Handel, Esther, libretto by John Arbuthnot et Alexander Pope, 1718 and 1732.
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- Mary Joan Winn Leith (2011). Coogan, Michael D. (ed.). The Oxford Encyclopedia of the Books of the Bible. Oxford University Press. p. 252. ISBN 9780195377378.
Esther, cognate with Ishtar... and/or the Persian word stara, "star".
- Fox, Michael V. (2010). Character and ideology in the book of Esther (2nd ed.). Wipf & Stock. p. 30. ISBN 9781608994953.
The name Esther is derived from either the name of the Babylonian goddess Ishtar or the Persian word stdra, "star".
- Emil G. Hirsch; John Dyneley Prince; Solomon Schechter. "ESTHER - JewishEncyclopedia.com". www.jewishencyclopedia.com.
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- Parenzo, Asher ben Jacob; (Venecia), Giovanni Bragadin (1590). Targum Sheni (II) to Esther 2:7.
איתקרי שמא אסתר בשם כוכב נוגהא יונית אסתירא
- Cassel, Paulus (1888). An explanatory commentary on Esther : with four appendices consisting of the second Targum translated from the Aramaic with notes : Mithra : the winged bulls of Persepolis : and Zoroaster. Edinburgh : T. & T. Clark. p. 300.
- Koller, Aaron (2014). Esther in Ancient Jewish Thought. Cambridge University Press. p. 38n11. ISBN 9781107048355.
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- Yahuda, A. S. (1946). "The Meaning of the name Esther". Journal of the Royal Asiatic Society. 78 (3–4): 174. doi:10.1017/S0035869X00100413. ISSN 1474-0591.
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- Barton, John; Muddiman, John (2001-09-06). "Esther". The Oxford Bible Commentary. Oxford University Press. ISBN 978-0-19875500-5.
- Solle, Dorothee (2006). Great Women of the Bible: In Art and Literature. Fortress Press. p. 107. ISBN 0800635574. Retrieved 22 August 2019.
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- Crawford, Sidnie White. "Esther: Bible", Jewish Women's Archive.
- Tidball, Dianne (2001). Esther, a True First Lady: A Post-Feminist Icon in a Secular World. Christian Focus Publications. ISBN 978-1-85792671-2.
- Kuyper, Abraham (2010-10-05). Women of the Old Testament. Zondervan. pp. 175–76. ISBN 978-0-31086487-5.
- Coogan, Michael David; Brettler, Marc Zvi; Newsom, Carol Ann and Perkins, Pheme. The New Oxford Annotated Bible, Oxford University Press, 2007 ISBN 978-0-19528880-3
- Crawford, Sidnie White. "Esther", Eerdmans Commentary on the Bible, James D. G. Dunn, John William Rogerson, eds., Wm. B. Eerdmans, 2003 ISBN 978-0-80283711-0
- Zaeske, Susan (2003). "Unveiling Esther as a Pragmatic Radical Rhetoric". Philosophy and Rhetoric. 33 (3): 194.
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- Schaalje, Jacqueline (June 2001). "Ancient synagogues in Bar'am and Capernaum". Jewish Magazine.
- "Esther before Ahasuerus". Metropolitan Museum of Art. Retrieved 22 August 2019.
- McDonald, Lee Martin (2006-11-01). The Biblical Canon: Its Origin, Transmission, and Authority. Baker Academic. pp. 56, 109, 128, 131. ISBN 978-0-80104710-7.
- Harris, Stephen; Platzner, Robert, The Old Testament: An Introduction to the Hebrew Bible, p. 375.
- Vanderkam, James; Flint, Peter, The Meaning of the Dead Sea Scrolls, p. 182.
- "Esther", LXX, EC Marsh.
- Zaeske, Susan. "Unveiling Esther as a Pragmatic Radical Rhetoric", Philosophy and Rhetoric, vol. 33, issue 3.
- Beal, Timothy K. (1997-12-11). The Book of Hiding: Gender, Ethnicity, Annihilation, and Esther (1st ed.). London; New York: Routledge. ISBN 978-0-41516780-2. Postmodern theoretical apparatus, e.g., Jacques Derrida, Emmanuel Levinas.
- Fox, Michael V. (2010-04-01). Character and Ideology in the Book of Esther: Second Edition with a New Postscript on a Decade of Esther Scholarship (2nd ed.). Eugene, OR: Wipf & Stock. ISBN 978-1-60899495-3.
- Sasson, Jack M. (1990). "Esther". In Alter, Robert; Kermode, Frank (eds.). The Literary Guide to the Bible. Harvard University Press. pp. 335–41. ISBN 978-0-67487531-9.
- Kahr, Madlyn Millner (1968). The Book of Esther in Seventeenth-century Dutch Art. New York University.
- Webberley, Helen (Feb 2008). "Rembrandt and The Purim Story". The Jewish Magazine.
- White, Sidnie Ann (1989-01-01). "Esther: A Feminine Model for Jewish Diaspora". In Day, Peggy Lynne (ed.). Gender and Difference in Ancient Israel. Fortress Press. ISBN 978-1-45141576-6.
- Grossman, Jonathan (2011). Esther: The Outer Narrative and the Hidden Reading. Eisenbrauns. ISBN 978-1-57506221-1.
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