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Grey Art Gallery
NYU Silver Center,
home to the Grey Art Gallery
Map
Established1975
Location100 Washington Square East
New York University
New York, New York
TypeUniversity art museum
WebsiteOfficial website

The Grey Art Gallery is New York University's fine art museum, located on historic Washington Square Park, in New York City's Greenwich Village. As a university art museum, the Grey Art Gallery functions to collect, preserve, study, document, interpret, and exhibit the evidence of human culture. While these goals are common to all museums, the Grey distinguishes itself by emphasizing art’s historical, cultural, and social contexts, with experimentation and interpretation as integral parts of programmatic planning. Thus, in addition to being a place to view the objects of material culture, the Gallery serves as a museum-laboratory in which a broader view of an object’s environment enriches our understanding of its contribution to civilization.

Founded in 1958 with the acquisition of Francis Picabia's Resonateur (1922), and Fritz Glarner's Relational Painting (1949–50), The Grey Art Gallery oversees the art collection of New York University; approximately 6,000 works, mainly dating from the nineteenth and twentieth centuries, such as Pablo Picasso's Bust of Sylvette (1967) installed in University Village (Manhattan), and Joseph Cornell's Chocolat Menier (1952), and works by Henri Matisse, Joan Mirò, Ilya Bolotowsky, as well as works by Romare Bearden, Arshile Gorky, Adolph Gottlieb, Kenneth Noland, Jane Freilicher, Ad Reinhardt, and Alex Katz, among others.[1][2][3][4][5][6][7]

Under the directorship of Lynn Gumpert since 1997, each year the Grey's exhibition space hosts traveling shows and creates exhibitions including painting, sculpture, drawing, printmaking, photography, architecture, decorative arts, film, video, performance art, and retrospectives of major contemporary artists.[8] The Grey also develops its own publications and educational programs based on some exhibitions.

The mission of the Grey Art Gallery is to collect, preserves, study, document, interpret, and exhibits evidence of human culture.[9]

History

History of the Building

The Grey Art Gallery’s location is rich in cultural history. The Gallery is housed in the Silver Center (formally Main building), on the site on NYU’s original home, the legendary University Building (1835–94), where many famous artists and writers, including Samuel Colt, Daniel Huntington, George Inness, and Henry James, worked. It was also here that Professor Samuel F. B. Morse established the first academic art department in America.[10]

Between 1927 and 1942, the space now inhabited by the Grey Art Gallery was occupied by A.E. Gallatin’s Gallery (later Museum) of Living Art. NYU’s inaugural art gallery, this was also the first American museum exclusively devoted to modernist art. In exhibiting work by Pablo Picasso, Fernand Léger, Joan Miró, Piet Mondrian, Jean Arp, and artists associated with the American Abstract Artists group, Gallatin created a forum for intellectual exchange and a place where people could acquaint themselves with the latest developments in art.NYU was without a permanent museum until 1975, when a generous gift from Mrs. Abby Weed Grey enabled renovation and improvement of the historic space, and the doors reopened as the Grey Art Gallery.[11]

Patron and founder of the museum and study center, Mrs. Abby Weed Grey[12] collected some 800 works of contemporary art on her travels throughout India,[13] Turkey, and Iran, including works by modernist sculpture Parviz Tanavoli, and artists Charles Hossein Zenderoudi, Siah Armajani, Monir Shahroudy Farmanfarmaian, and Faramarz Pilaram, which comprises the The Abby Weed Grey Collection of Asian and Middle Eastern Art.

A native of Saint Paul, Minnesota and graduate of Vassar College, Mrs. Grey established the Ben and Abby Grey Foundation to sponsor artists. Mrs. Grey was interested in traditional craft, connections and juxtapositions between the past and present, and promoting global artistic exchange.[14][15] Throughout the 1960s and 1970s, Mrs. Grey undertook curatorial projects, including Fourteen Contemporary Iranians, (1962–65) and Turkish Art Today (1966-70), each of which toured the United States;Communication Through Art (1964), opening simultaneously in Istanbul, Tehran, and Lahore, before traveling throughout the eastern Mediterranean, Asia, and eastern Africa; and art fairOne World Through Art.[16][17] By 1979, Mrs. Grey had become one of American's prominent collectors of Asian and Middle Eastern art.[18]

Mrs. Grey served on the Board of Trustees of The Minnesota Society of Fine Arts (1967-1973) and the Minneapolis College of Art and Design's Board of Overseers (1964-1983).[19][20] She endowed the Grey Fellowship in Museum Studies at the Walker Art Center, and in 1979, established and endowed The Grey Fine Arts Library and Study Center, a resource for the Department of Fine Arts of New York University.[21]

Collections[22]

Abby Weed Grey Collection of Modern Asian and Middle Eastern Art

The gallery, which opened to the public in 1975, was endowed by Abby Weed Grey, who also donated some 1,000 works of modern art that she acquired during her frequent travels in Asia and the Middle East. Mrs. Grey was especially supportive of Iranian art, which comprises one-fifth of her collection at NYU.

Iranian Art

File:Parviz Tanavoli Last Poet of Iran.jpg
Parviz Tanavoli, The Last Poet of Iran, 1964

Artists include: Mahmud Ahmadi, Siah Armajani, Jamal Bakhshpour, Kamran Diba, Bijan Dowlatshahi, Ahmad Esfandiari, Mansour Ghandriz, Behrooz Golzari, Marcos Grigorian, Mahmoud Javadipour, Hossein Kazemi, Hossein Khatayi, Sumbat Kiureghian, Sirous Malek, Morteza Momayez, Mir-Hosein Mousavi (Khameneh), Nassar Ovissi, Ru’in Pakbaz, Faramarz Pilaram, Behjat Sadr, Sohrab Sepehri, Masoumeh Seyhoun, Jazeh Tabatabai, Sadegh Tabrizi, Parviz Tanavoli, Esmail Tavakoli, Hamid Zarrine-Afsar, Charles Hossein Zenderoudi

Indian Art

Artists include: Prabhakar Barwe, Dhanraj Bhagat, Satish Gujral, Maqbool Fida Husain, Kanwal Krishna, Francis Newton Souza, Krishna Reddy, Vivan Sundaram, Jehangir P. Vazifdar

Turkish Art

Artists include: Mustaga Aslier, Aliye Berger, Nurullah Berk, Sabri Berkel, Sadan Bezeyis, Abindin Elderoglu, Dervim Erbil, Ahmet Gürsoy, Nevil Islek, Bedri Rahmi Eyüboglu

The New York University Art Collection

The New York University Art Collection, of which the Grey Art Gallery is now guardian, was founded in 1958 with the acquisition of Francis Picabia's Resonateur (c.1922) and Fritz Glarner's Relational Painting (1949–50). Today the collection (which includes approximately 6,000 objects) is primarily composed of late-nineteenth- and twentieth-century works, ranging from Pablo Picasso's monumental public sculpture Bust of Sylvette to a Joseph Cornell box, Chocolat Menier, from 1952. The collection's particular strength is American painting from the 1940s to the present, with works by such well-known artists as Romare Bearden, Elaine de Kooning, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Kenneth Noland, and Ad Reinhardt. European prints are also well represented, with works by Henri Matisse, Joan Mirò, and Picasso, to name a few.

Artists include: Milton Avery, Ilya Bolotowsky, Sonia Delunay, Helen Frankenthaler, Al Held, Hans Hofmann, Alex Katz, Nicholas Krushenick, Yayoi Kusama, Edouard Manet, Agnes Martin, Robert Motherwell, Louise Nevelson, Kenneth Noland, Francis Picabia, Robert Rauschenberg, Bernard (Tony) Rosenthal, Willem de Kooning

Exhibitions and public programs

  • 2015: Global/Local 1960-2015: Six Artists from Iran.[23][24]
  • 2015: For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979[25][26] Organized by the Museum of Fine Arts, Houston.
Symposium: Collapsing Disciplines and Distance: Experiments in Japanese Arts in the 1970s.[27]
Symposium: Destroying Radical Icons: Mexican Muralism and the New York Left.
Panel Discussion: Left, Left, Left, Right, Left: The Spanish Civil War and Visual Culture.
  • 2015: Abby Grey and Indian Modernism: Selections from the NYU Art Collection.[32]
  • 2015: Parviz Tanavoli: Selections from the NYU Art Collection, The Armory Show, Special Projects-Modern.[33]
Symposium: In Conversation: Parviz Tanavoli and Lynn Gumpert, Director, Grey Art Gallery, NYU.
Program: Voice of the Artist: Lorraine O'Grady.
French Art from NYU's Collection, a companion exhibition.[45]
Gallery Programs: Conversations, Fluxus Amongst Us: Insight and Transformation in Fluxus Encounters.
  • 2010: Concrete Improvisations: Collages and Sculpture by Esteban Vicente[50]
  • 2010: Lil Picard and Counterculture New York[51]
  • 2009: Icons of the Desert.[52]
  • 2008: The Poetics of Cloth: African Textiles / Recent Art.[53]
  • 2008: New York Cool: Painting and Sculpture from the NYU Art Collection, Grey Art Gallery, New York University[54]
  • 2007: The Geometry of Hope. Organized by the Blanton Museum of Art at The University of Texas at Austin[55]
Public programs series: The Geometry of Hope: Abstraction as Cultural Expression, a Campus-wide Initiative.
  • 2007: Moving Pictures: American Art & Early Film.[56]
  • 2007: White Cube, A Retrospective of Brian O'Doherty / Patrick Ireland.[57]
  • 2007: Semina Culture: Wallace Berman & His Circle.[58]
  • 2009: John Wood: On the Edge of Clear Meaning.[59]
  • 2005: Mapping Sitting: On Portraiture and Photography[60]
  • 2004: Worldscapes: The Art of Erró. Co-organized by the Grey Art Gallery and Reykjavik Art Museum, Iceland.[61]
  • 2003: Everything Matters: Paul Kos, A Retrospective.[62]
  • 2002: Between Word and Image: Modern Iranian Visual Culture.[63]
  • 1999: John Singer Sargent, Draughtsman: Works From the Corcoran Gallery of Art.[64]
  • 1999: When Time Began to Rant and Rage: Figurative Painting from Twentieth-Century Ireland.[65]
  • 1997: Nahum B. Zenil: Witness to the Self-an exhibition of provocative works by one of Mexico’s foremost contemporary artists .[66]
  • 1996 Contemporary Art In Asia: Traditions/ Tensions.[67] Organized by the Asia Society.
  • 1994: From Media to Metaphor: Art About AIDS.[68] Organized by Grey Art Gallery and Independent Curators Inc.
  • 1991: Camera as Weapon: Worker Photography Between the Wars.[69]
  • 1990: Gerhard Richter. 18. Oktober 1977.[70]* 1990: Peter Hujar.[71]
  • 1989: Against Nature: Japanese Art in the Eighties.[72] Organized by the List Visual Arts Center at MIT, the Japan Foundation, and Grey Art Gallery.
  • 1989: Success Is a Job in New York: The Early Art and Business of Andy Warhol.[73]
  • 1986: Modernism Redux: Critical Alternatives.
  • 1985: Contemporary Indian Art from the Chester and Davida Herwitz Family Collection.[74]
  • 1985: Precious : an American cottage industry of the eighties[75]
  • 1984: Giovanni Boldini and Society Portraiture: 1880-1920.[76]
  • 1983: Eva Hesse: The Drawings.[77] Organized by the Allen Memorial Art Museum of Oberlin College and Grey Art Gallery.
  • 1983: Picasso, the last years, 1963-1973[78]
  • 1981: Tracking The Marvelous.[79]
  • 1980: Walter Gay, a Retrospective.[80]
  • 1979: Louis Comfort Tiffany, the paintings.[81]
  • 1978: The Decorative Designs of Frank Lloyd Wright. Cosponsored by Smithsonian American Art Museum and Grey Art Gallery and Study Center[82]
  • 1976: 1976
  • 1976: Parviz Tanavoli: Fifteen Years of Bronze Sculpture (1976-77).
  • 1975: Grey Art Gallery and Study Center, New York University, Inaugural Exhibition, Part II: Selections from the New York University Art Collection,[83]

Awards

  • 1991: Alfred H. Barr Jr. Award, Grey Art Gallery and Carnegie Museum of Art, 'Success is a Job in New York . . .' : The Early Art and Business of Andy Warhol.[84]
  • 2007: The International Association of Art Critics/USA, Best Thematic Museum Show in New York City for The Downtown Show : The New York Scene, 1974-1984, Organized by the Grey Art Gallery and Fales Library and Special Collections of New York University.[85]
  • 2012: The International Association of Art Critics/USA, Best Show In A University Gallery, Gray Art Gallery, The Poetics of Cloth: African Textiles / Recent Art.[86]
  • 2012: The International Association of Art Critics/USA, Best Show In A University Gallery, Grey Art Gallery, Toxic Beauty: The Art of Frank Moore.
  • 2015-16: University Arts Council, NYU, Visual Arts Initiatives Award, Grey Art Gallery, Global/Local 1960-2015: Six Artists from Iran.

Directors

  • Robert R. Littman 1976-1983[87]
  • Thomas Sokolowski 1984-1996[88]
  • Lynn Gumpert 1997–present

References

  1. ^ Rowell, Margit (1997). Objects of desire: the modern still life. New York: Museum of Modern Art. p. 223.
  2. ^ Lee, Jennifer 8. (June 24, 2008). "A Picasso Muse Wants to Protect Pei Towers". The New York Times: City Room.{{cite news}}: CS1 maint: numeric names: authors list (link)
  3. ^ Jackson, Virginia (2013). Dickinson's Misery: A Theory of Lyric Reading (reprint ed.). Princeton University Press. p. 320. ISBN 1400850754.
  4. ^ Rosenberg, Karen (2005). "Art". Vol. 38. New York Magazine Company.
  5. ^ Hampson, Robert; Montgomery, Will (September 1, 2010). Frank O'Hara Now: New Essays on the New York Poet (1st ed.). Liverpool University Press. ISBN 1846312337.
  6. ^ "Museum Collections: Grey Art Gallery, New York University Art Collection". The Archile Gorky Foundation.
  7. ^ "Grey Art Gallery". New York Magazine.
  8. ^ "New director for Grey Art Gallery". Art In America. 85 (1): 25. January 1997.
  9. ^ Dim, Joan M.; Cricco, Nancy (2000). The Miracle on Washington Square. New York: Lexington Books. p. 302. ISBN 9780739102169.
  10. ^ "History - Grey Gallery". Grey Gallery. Retrieved 2016-04-28.
  11. ^ "History - Grey Gallery". Grey Gallery. Retrieved 2016-04-28.
  12. ^ Danilov, Victor J. (2005). Woman And Museums: a comprehensive guide. AltaMira Press. p. 296. ISBN 9780759108554.
  13. ^ "NYU's Grey Art Gallery exhibits 20th century Indian art from its remarkable holdings". Art Daily. December 31, 2015.
  14. ^ Minnesota Historical Society. "Abby Weed Grey and family papers, 1811-1983 (bulk 1910s - 1970s)". Archives Directory for the History of Collecting in America. The Frick Collection.
  15. ^ Cembalest, Robin (February 7, 2013). "The Other Modernism: Rediscovering Iran's Avant-Garde". ARTNEWS.
  16. ^ "Grey, Abby Weed, 1902-1983. Papers, 1922-1978 (bulk 1960-1974)".
  17. ^ Gumpert, Lynn; Balaghi, Shiva (2002). Picturing Iran: Art, Society and Revolution. London: I.B. Tauris & Co. Ltd. ISBN 1860648835.
  18. ^ Surak, Amy; Gelfand, Aleksandr. "Guide to the Papers of Abby Weed Grey 1922-1978". New York University Archive. New York University.
  19. ^ "Abby Weed Grey, Art Patron And Founder of Study Center". New York Times Obituaries. June 4, 1983.
  20. ^ Grey, Abby Weed (1983). The Picture Is the Window, the Window Is the Picture. New York: New York Univ Press. ISBN 0814729886.
  21. ^ "Abby Weed Grey and family papers, 1811-1983 (bulk 1910s - 1970s)".
  22. ^ "Collections - Grey Gallery". Grey Gallery. Retrieved 2016-04-28.
  23. ^ Schwendener, Martha (September 7, 2015). "Museum and Gallery Listings for the Fall and Beyond". The New York Times: Art & Design.
  24. ^ Carter, Holland (January 14, 2016). "Six Artists From Iran at Grey Art Gallery". The New York Times.
  25. ^ Lee, Min-Wei. "Grey Art Gallery houses post-WWII Japan photography". Washington Square News.
  26. ^ Johnson, Ken (November 5, 2015). "Museum & gallery Listings from Nov. 6-12". The New York Times.
  27. ^ "SYMPOSIUM: Collapsing Disciplines and Distance: Experiments in Japanese Arts in the 1970s". www.nyu.edu. New York University. {{cite web}}: Missing or empty |url= (help)
  28. ^ Johnson, Ken (April 23, 2015). "Review: Tseng Kwong Chi's Darkly Comic Images at Grey Art Gallery". The New York Times: Art & Design.
  29. ^ Ebony, David. "Seeing Red: NYU's Grey Art Gallery Revisits America's Socialist Moment in Full".
  30. ^ Cotter, Holland (January 22, 2015). "Raging at Racism, From Streets to Galleries Smack Mellon and Grey Art Display Art Sparked by Politics". The New York Times: Art & Design.
  31. ^ Kotecki (February 4, 2015). "Block Museum exhibit travels to NYU's Grey Art Gallery". The Daily Northwestern.
  32. ^ "Abby Grey and Indian Modernism: Selections from the NYU Art Collection" Exhibition Grey Art Gallery". NY Art Beat. January 13, 2015.
  33. ^ Freeman, Nate (February 18, 2015). "The Armory Show 2015"Potato Chips and Carnations Coming to Special Projects at the Armory Show". Observer.
  34. ^ Cotter, Holland (September 11, 2014). "Capturing Apartheid's Daily Indignity What Ernest Cole's Hidden Camera Revealed". The New York Times: Art & Design.
  35. ^ Johnson, Ken (April 24, 2014). "Prickly but Puppyish in San Francisco 5 Artists in 'Energy That Is All Around: Mission School". The New York Times: Art & Design.
  36. ^ Meyers, William (September 23, 2014). "Through a Black South African's Lens". The Wall Street Journal.
  37. ^ Cotter, Holland (January 16, 2014). "The Company They Kept Robert Duncan and Jess, and Their Wonderland of Art". The New York Times: Art & Design.
  38. ^ Cotter, Holland (September 5, 2013). "Modernism Blooming in Iran Shows at Asia Society and N.Y.U. Grey Art Gallery". The New York Times: Art & Design.
  39. ^ Johnson, Ken (January 17, 2013). "A Beat Poet's Colorful Crew, in Black and White 'Beat Memories: The Photographs of Allen Ginsberg'".
  40. ^ Cotter, Holland (July 25, 2013). "Museum and Gallery Listings for July 26-Aug. 1: Portraits in the Time of AIDS". The New York Times.
  41. ^ Pollack, Marika (November 26, 2013). "On View: Radical Presence: Black Performance in Contemporary Art' at the Grey Art Gallery and the Studio Museum in Harlem". Observer.
  42. ^ Smith, Roberta (September 6, 2012). "Where Anxieties Roam 'Toxic Beauty: The Art of Frank Moore' at N.Y.U.". The New York Times.
  43. ^ Johnson, Ken (January 13, 2012). "The Mechanics Behind Perspective". The New York Times.
  44. ^ Rosenberg, Karen (April 26, 2012). "Drawings of Continental Drift 'Storied Past' at N.Y.U.'s Grey Art Gallery". The New York Times: Art & Design.
  45. ^ Rosenberg, Karen (April 4, 2012). "Storied Past: Four Centuries of French Drawings From the Blanton Museum of Art' / 'French Art From N.Y.U.'s Collection". The New York Times : Events.
  46. ^ Esplund, Lance (May 12, 2011). "Overdue but Underdone". The Wall Street Journal: Arts & Entertainment.
  47. ^ Johnsm, Ken (April 14, 2011). "Forward-Looking Sculptures by a Man Straddling Two Worlds". The New York Times: Art & Design.
  48. ^ Rosen, Alana (March 24, 2011). "Art/Memory/Place: Commemorating the Triangle Shirtwaist Factory Fire: A Collaborative Project Between the Grey Art Gallery and NYU Graduate Students". Tenement Museum.
  49. ^ Johnson, Ken (September 23, 2011). "Liberating Viewers, and the World, With Silliness". The New York Times: Art & Design.
  50. ^ Oisteanu, Valery (March 4, 2011). "Artseen: ESTEBAN VICENTE Concrete Improvisations: Collages and Sculpture". The Brooklyn Rail.
  51. ^ Art (April 20, 2010). "Lil Picard and Counterculture New York". The New Yorker.
  52. ^ Melik, Kaylan (October 21, 2009). "Life: From a Primitive Present". The Wall Street Journal.
  53. ^ Rosenberg, Karen (October 9, 2008). "The Poetics of Cloth: African Textiles / Recent Art". The New York Times: Art & Design.
  54. ^ Rosenberg, Karen (April 25, 2008). "Looking Past the Cliché to See a Bit of the Edge". The New York Times: Art & Design.
  55. ^ "The Grey Art Gallery at NYU Presents Today The Geometry of Hope From the Colección Patricia Phelps de Cisneros (CPPC)". artdaily.org. January 2, 2016.
  56. ^ Atkinson, Michael (February 2007). "MOVING PICTURES: AMERICAN ART & EARLY FILM, 1880-1910". Modern Painters: 92.
  57. ^ Goodbody, Bridget L. (April 25, 2007). "Outside the Box: Rethinking All Geometric Limits of Form and Frame, Floor and Ceiling". The New York Times: Art Review.
  58. ^ Cotter, Holland (January 26, 2007). "A Return Trip to a Faraway Place Called Underground". The New York Times : Art Review.
  59. ^ Rosenberg, Karen (May 21, 2009). "A Photographer Who Refused to Think Like a Photographer". The New York Times: Art & Design.
  60. ^ Cotter, Holland (January 14, 2005). "Turning 'Them' to 'Us,' Face by Familiar Face". The New York Times: Art & Design.
  61. ^ "Power Pop". New York. 37 (13): 103. April 13, 2004.
  62. ^ Stevens, Mark (September 22, 2003). "Zen and Now: An artist whose witty Conceptual gems from the Vietnam era to the present transcend the merely absurd to reveal deeper truths". New York Magazine: Art.
  63. ^ Cotter, Holland (September 27, 2002). "ART REVIEW; Modernism Gets a Revolutionary Makeover in Iran". The New York Times: Arts.
  64. ^ Glueck, Grace (October 22, 1999). "ART REVIEW; Family Portraits, Together Again". The New York Times: Art Review.
  65. ^ Stewart. Ed., James (1998). When Time Began to Rant and Rage: Figurative Painting from Twentieth-Century Ireland. Merrell Holberton. p. 256. ISBN 1858940591.
  66. ^ Bonetti, David (March 15, 1996). "Nahum Zenil: "Witness to the Self"". San Francisco Chronicler.
  67. ^ Holden, ed., Wendy (September 1996). "Newsletter: East Asian Art & Archeology". No. 53. Center for Japanese Studies, University of Michigan. {{cite news}}: |last1= has generic name (help)
  68. ^ Smith, Roberta (February 18, 1994). "Review/Art; Response to AIDS Gains in Subtlety". The New York Times : Arts.
  69. ^ Ollman, Leah; San Diego, Calif., Museum of Photographic Arts (1991). Camera as weapon : worker photography between the wars.
  70. ^ Brenson, Michael (March 25, 1990). "ART VIEW; A Concern With Painting the Unpaintable". The New York Times: Arts.
  71. ^ Grundberg, Andy (February 2, 1990). "Review/Photography; Photos by Peter Hujar, A Mapplethorpe Precursor". The New York Times: Arts.
  72. ^ Kimmelman, Michael (August 6, 1989). "ART VIEW; Japanese Artists Forgo Lotus Blossoms for Urban Blight". The New York Times: Arts.
  73. ^ Linda Herskowitz (October 20, 1989). "Workaday World Of Andy Warhol : He Was A No-name On The Job In N.Y., Then Pop Went The Fame". philly.com.
  74. ^ Brown, Rebecca M. (September 2014). "A Distant Contemporary: Indian Twentieth-Century Art in the Festival of India". Art Bulletin. 96 (3): 338.
  75. ^ Sokolowski, T.W.; Grey Art Gallery & Study Center (1985). "Precious : an American cottage industry of the eighties, Grey Art Gallery and Study Center, New York University, March 19-May 4, 1985". OCLC 12860014. {{cite journal}}: Cite journal requires |journal= (help)
  76. ^ Glueck, Grace (November 23, 1984). "ART: SOCIETY PORTRAITS OF GIOVANNI BOLDINI". The New York Times.
  77. ^ Glueck, Grace (January 23, 1983). "GALLERY VIEW; HOW AN AMERICAN SCULPTOR FOUND HER TRUE METIER". The New York Times.
  78. ^ Picasso, P; Schiff, G.; Grey Art Gallery & Study Center (1983). "Picasso, the last years, 1963-1973". {{cite journal}}: Cite journal requires |journal= (help)
  79. ^ Glueck, Grace (April 24, 1981). "Art People; 'Tracking the Marvelous.'". The New York Times: Arts.
  80. ^ Walter Gay, a Retrospective, Grey Art Gallery and Study Center, New York University, September 16-November 1, 1980. New York: The Center. 1980.
  81. ^ O'Neill, John P., Editor In Chief, (1986). In Pursuit of Beauty: Americans and the Aesthetic Movement. New York, N.Y.: Metropolitan Museum of Art , Rizzoli. p. 475. ISBN 0870994689. {{cite book}}: |first1= has generic name (help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  82. ^ Lloyd Wright, Frank; Hanks, David A. (May 14, 1999). The Decorative Designs of Frank Lloyd Wright. Dover Publications. p. 8. ISBN 0486407306.
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  84. ^ "Awards: Alfred H. Barr Jr. Award". College Art Association. 2016.
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  86. ^ "U.S. Art Critics Association Announces Winners of 26th Annual Awards". artdaily.com.
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  88. ^ Gangewere, R. Jay, Editor (September 1996). "Meet Tom Sokolowski". Carnegie Magazine. p. 16. {{cite magazine}}: |first1= has generic name (help)CS1 maint: multiple names: authors list (link)

40°43′50″N 73°59′58″W / 40.7305°N 73.9995°W / 40.7305; -73.9995

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