The 100 (TV series)

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The 100
Logo of the 100.jpg
Genre
Based on The 100 by Kass Morgan
Developed by Jason Rothenberg
Starring
Theme music composer Evan Frankfort
Liz Phair
Composer(s)
  • Evan Frankfort
  • Marc Dauer
  • Liz Phair
  • Tree Adams
Country of origin United States
Original language(s) English
No. of seasons 4
No. of episodes 58 (list of episodes)
Production
Executive producer(s)
Producer(s)
  • Jae Marchant
  • Tim Scanlan
  • Aaron Ginsburg
  • Wade McIntyre
  • T.J. Brady
  • Rasheed Newson
Location(s) Vancouver, British Columbia, Canada
Running time 42 minutes
Production company(s)
Distributor Warner Bros. Television Distribution
Release
Original network The CW
Picture format HDTV 1080i
Original release March 19, 2014 (2014-03-19) – present
External links
Official website www.cwtv.com/shows/the-100/

The 100 (pronounced The Hundred[1]) is an American post-apocalyptic science fiction drama television series that premiered on March 19, 2014, on The CW.[2] The series, developed by Jason Rothenberg, is loosely based on a 2013 book of the same name, the first in a series by Kass Morgan.[3]

The series follows a group of teens: Clarke Griffin (Eliza Taylor), Bellamy Blake (Bob Morley), Octavia Blake (Marie Avgeropoulos), Jasper Jordan (Devon Bostick), Monty Green (Christopher Larkin), Raven Reyes (Lindsey Morgan), Finn Collins (Thomas McDonell), John Murphy (Richard Harmon), and Wells Jaha (Eli Goree) as they are among the first people from a space habitat, "The Ark", to return to Earth after a devastating nuclear apocalypse; the series also focuses on Dr. Abby Griffin (Paige Turco), Clarke's mother; Marcus Kane (Henry Ian Cusick), a council member on the Ark; and Thelonious Jaha (Isaiah Washington), the Chancellor of the Ark and Wells' father.

In March 2016, The 100 was renewed for a fourth season of 13 episodes, which premiered on February 1, 2017.[4][5][6] In March 2017, The CW renewed the series for a fifth season.[7]

Plot[edit]

The series is set 97 years after a devastating nuclear apocalypse wiped out almost all life on Earth. The only known survivors lived on twelve space stations in Earth's orbit prior to the apocalyptic event. The space stations banded together to form a single massive station called "The Ark", where about 2,400 people live under the leadership of Chancellor Jaha.[1] Resources are scarce, so all crimes – regardless of their nature or severity – are punishable by ejection into space ("floating") unless the perpetrator is under 18 years of age.

After the Ark's life-support systems are found to be critically failing, 100 juvenile prisoners are declared "expendable" and sent to the surface – near former Washington, D.C.[8] – in a last ditch attempt to determine whether Earth is habitable again, in a program called "The 100". The teens arrive in a drop ship on a seemingly pristine planet they have only seen from space. They attempt to find refuge and supplies at an old military installation, Mount Weather Emergency Operations Center, located in the foothills of the Blue Ridge Mountains. However, they land some distance from the intended target and soon face other problems. Confronting both the wonders and the dangers of this rugged new world, they struggle to form a tentative community.

The teens soon discover that not all humanity was wiped out. Some survived the nuclear apocalypse: the Grounders who live in clans locked in a permanent power struggle; another group of Grounders who have become cannibals, known as Reapers; and Mountain Men, who live in Mount Weather, who locked themselves away before the apocalypse and are killed by the residual radiation if they go outside.

In the second season, the remaining 48 of the 100 are captured and taken to Mount Weather by the Mountain Men. It is eventually revealed that the Mountain Men are transfusing blood from imprisoned Grounders as an anti-radiation treatment. Medical tests of the 100 show an even more potent anti-radiation efficacy; their bone marrow will allow the mountain men to survive outside containment. Meanwhile, the inhabitants of the Ark have successfully crash-landed various stations on Earth and begun an alliance with the Grounders to save groups of people, naming the main settlement at Alpha Station "Camp Jaha".

In the third season, Camp Jaha, now renamed "Arkadia", comes under new management when Pike, a former teacher and mentor, is elected over Kane as chancellor and begins a war with the Grounders. An artificial intelligence, named A.L.I.E., was revealed to be responsible for the nuclear apocalypse that devastated Earth 97 years before the series begins, and she takes over the minds of nearly everyone in Arkadia and Polis – the capital city of the Grounders. In the third season's finale, Clarke manages to destroy A.L.I.E. even though A.L.I.E. claims she is humanity's only hope. Clarke is shown a view of Earth from orbit depicting another nuclear disaster caused by hundreds of nuclear reactors around the world melting down due to decades of neglect, again making Earth uninhabitable.

In the fourth season, Roan becomes the acting Commander of the Coalition and struggles to maintain the peace between clans while Clarke and the others investigate ways to survive the coming wave of radiation, Praimfaya. When it is discovered that Nightbloods, decedents of Becca the first Commander and creator of A.L.I.E, are immune to the effects of radiation Clarke and the others attempt to recreate the formula and turn everyone into Nightbloods. Clarke takes the only sample but before she can learn if she is safe from radiation Jaha discovers an old bunker that can protect 1200 people for over 5 years and the Grounder clans have begun fighting for control of it. In order to save as many people as possible and knowing none of the clans trust each other Roan proposes a tournament where each clan selects one warrior to fight to the death and the winner will be given control of the bunker for their people. Octavia ends up winning and instead decides to share it and allows each of the 12 clans, her people included, to select 100 people to stay in the bunker. Not making it to the bunker in time a small group decides to return to space and survive in the remnants of the original Ark and Clarke sacrifices herself to allow the rocket to safely make it to space. Six years later it is revealed that Clarke survived Praimfaya because of her Nightblood and she, with another young Nightblood, has not made contact with either the Ark or the bunker. Then a drop ship lands on Earth with the words "Eligius Corportion" and "Gagarin Prisoner Transport" on the side suggesting there may have been other survivors in space.

Cast and characters[edit]

Notes[edit]

  1. ^ Kelly Hu was credited as main cast only in the first episode.

Production[edit]

Post production, including ADR recording for the series, was done at the recording studio Cherry Beach Sound.[12]

Episodes[edit]

Season Episodes Originally aired Nielsen ratings
First aired Last aired Rank Viewers
(millions)
1 13 March 19, 2014 (2014-03-19) June 11, 2014 (2014-06-11) 150 2.59[13]
2 16 October 22, 2014 (2014-10-22) March 11, 2015 (2015-03-11) 157 2.46[14]
3 16 January 21, 2016 (2016-01-21) May 19, 2016 (2016-05-19) 165 1.94[15]
4 13 February 1, 2017 (2017-02-01) May 24, 2017 (2017-05-24) TBA TBA

Broadcast[edit]

In Canada, Season 1 of The 100 was licensed exclusively to Netflix. The series premiered on March 20, 2014, the day after the mid-season premiere of Season 1 on the CW.[16]

In New Zealand, the series premiered on TVNZ's on-demand video streaming service on March 21, 2014.[17]

In the UK and Ireland, The 100 premiered on E4 on July 7, 2014.[18] The first episode was viewed by an average audience of 1.39 million, making it the channel's biggest ever program launch. Season 2 premiered on January 6, 2015 and averaged 1,118,000 viewers.[19] Season 3 premiered on February 17, 2016.[20][21]

In Australia, The 100 was originally scheduled to premiere on Go![22] but instead premiered on Fox8 on September 4, 2014.[23] Season 2 premiered on January 8, 2015.[24]

Reception[edit]

Critical response[edit]

On Rotten Tomatoes, the show's first season was certified "fresh", with 72% of professional reviewers reviewing it positively and the consensus: "Although flooded with stereotypes, the suspenseful atmosphere helps make The 100 a rare high-concept guilty pleasure." On Metacritic, the first season scores 63 out of 100 points, indicating "generally favorable reviews."[25]

The second season was met with more favorable reviews, holding a rating of 100% on Rotten Tomatoes.[26] In a review of the season 2 finale, Kyle Fowle of The A.V. Club said, "Very few shows manage to really push the boundaries of moral compromise in a way that feels legitimately difficult. Breaking Bad did it. The Sopranos did it. Game of Thrones has done it. Those shows never back down from the philosophical murkiness of their worlds, refusing to provide a tidy, happy ending if it doesn't feel right. With 'Blood Must Have Blood, Part Two,' The 100 has done the same, presenting a finale that doesn't shy away from the morally complex stakes it's spent a whole season building up".[27] Maureen Ryan of The Huffington Post, in another positive review, wrote: "I can say with some assurance that I've rarely seen a program demonstrate the kind of consistency and thematic dedication that The 100 has shown in its first two seasons. This is a show about moral choices and the consequences of those choices, and it's been laudably committed to those ideas from Day 1."[28]

On Rotten Tomatoes, the third season received an overall rating of 100%.[29] Maureen Ryan of Variety wrote in an early review of the third season: "When looking at the epic feel and varied array of stories on display in season three, which overtly and covertly recalls "The Lord of the Rings" saga in a number of ways, it's almost hard to recall how limited the scope and the ambitions of "The 100" were two years ago, when a rag-tag band of survivors first crash-landed on Earth. In season three (which the cast and showrunner previewed here), the show is more politically complicated than ever, and the world-building that accompanies the depiction of various factions, alliances and conflicts is generally admirable."[30] In a review of the season 3 finale "Perverse Instantiation: Part Two", Mariya Karimjee of Vulture.com wrote: "Every moment of this finale is pitch-perfect: the choreography of the fight scenes, the plotting and pacing, and the stunning way in which the episode finally reaches it apex. "Perverse Instantiation: Part Two" elevates the season's themes and pulls together its disparate story lines, setting us up nicely for season four."[31] In another review of the season 3 finale and the season overall, Kyle Fowle of The A.V. Club wrote: "Before we even get to tonight's action-packed finale of The 100, it needs to be said that this has been a rocky season. The first half of it was defined by shoddy character motivations and oversized villains. The second half of this season has done some work to bring the show back from the brink, focusing on the City Of Light and issues of freewill and difficult moral choices, bringing some much needed depth to the third season. That work pays off with "Perverse Instantiation: Part Two," a thrilling, forward-thinking finale that provides some necessary closure to this season." He gave the finale itself an "A-" rating.[32]

Brian Lowry of The Boston Globe said: "Our attraction to Apocalypse TV runs deep, as our culture plays out different futuristic possibilities. That's still no reason to clone material, nor is it a reason to deliver characters who are little more than stereotypes."[33] Allison Keene of The Hollywood Reporter wrote a negative review, stating: "The sci-fi drama presents The CW's ultimate vision for humanity: an Earth populated only by attractive teenagers, whose parents are left out in space."[34] Kelly West of Cinema Blend gave it a more positive review while noting: "CW's Thrilling New Sci-fi Drama Is A Keeper. CW's The 100 seeks to explore that concept and more with a series that's about equal parts young adult drama, sci-fi adventure and thriller. It takes a little while for the series to warm up, but when The 100 begins to hit its stride, a unique and compelling drama begins to emerge."[35] IGN's editor Eric Goldman also gave the show a more positive review, writing: "Overcoming most of its early growing pains pretty quickly, The 100 was a very strong show by the end of its first season. But Season 2 elevated the series into the upper echelon, as the show become one of the coolest and most daring series on TV these days."[36] Maureen Ryan of Variety named the show one of the best of 2015.[37]

In 2016, the year Rolling Stone ranked the show #36 on its list of the "40 Best Science Fiction TV Shows of All Time",[38] the episode "Thirteen" attracted criticism when Lexa, one of the series' LGBT characters, was killed off. Critics and fans considered the death a continuation of a persistent trope in television in which LGBT characters are killed off far more often than others – implicitly portraying them as disposable, as existing only to serve the stories of straight characters, or to attract viewers. A widespread debate among writers and fans about the trope ensued, with Lexa's death cited as a prime example of the trope, and why it should end.[39][40][41] Showrunner Jason Rothenberg eventually wrote in response that "I (...) write and produce television for the real world where negative and hurtful tropes exist. And I am very sorry for not recognizing this as fully as I should have".[42]

Ratings[edit]

Season Timeslot (ET) Episodes First aired Last aired TV season Rank Avg. viewers
(millions)
18–49 rating
(average)
Date Viewers
(millions)
Date Viewers
(millions)
1 Wednesday 9:00 pm 13 March 19, 2014 (2014-03-19) 2.73[43] June 11, 2014 (2014-06-11) 1.68[44] 2013–14 150 2.59 1.1[45]
2 16 October 22, 2014 (2014-10-22) 1.54[46] March 11, 2015 (2015-03-11) 1.34[47] 2014–15 157 2.46 0.9[45]
3 Thursday 9:00 pm 16 January 21, 2016 (2016-01-21) 1.88[48] May 19, 2016 (2016-05-19) 1.31[49] 2015–16 165 1.94 0.7[50]
4 Wednesday 9:00 pm 13 February 1, 2017 (2017-02-01) 1.21[51] May 24, 2017 (2017-05-24) 0.91[52] 2016–17 TBD TBD TBD

An estimated 2.7 million American viewers watched the series premiere, which received an 18–49 rating of 0.9, making it the most-watched show in its time slot on The CW since 2010, with the series Life Unexpected.[53]

Viewership[edit]

The 100: U.S. viewers per episode (millions)
Season Ep. 1 Ep. 2 Ep. 3 Ep. 4 Ep. 5 Ep. 6 Ep. 7 Ep. 8 Ep. 9 Ep. 10 Ep. 11 Ep. 12 Ep. 13 Ep. 14 Ep. 15 Ep. 16
1 2.73 2.27 1.90 1.69 1.80 1.97 1.88 1.64 1.73 1.46 1.71 1.58 1.68 N/A
2 1.54 1.48 1.68 1.75 1.64 1.86 1.62 1.40 1.48 1.53 1.51 1.36 1.42 1.55 1.49 1.34
3 1.88 1.63 1.57 1.32 1.36 1.41 1.39 1.20 1.23 1.13 1.08 1.15 1.27 1.13 1.17 1.29
4 1.21 1.01 1.05 1.00 1.02 0.98 0.90 0.97 0.81 0.85 0.86 0.83 0.91 N/A

Accolades[edit]

Year Award Category Nominee(s) Result Ref.
2014 Primetime Emmy Award Outstanding Special and Visual Effects Andrew Orloff, Michael Cliett, Tyler Weiss, Kornel Farkas, Chris Pounds, Andrew Bain, Mike Rhone for "We Are Grounders, Part 2" Nominated [54]
Joey Award Young Actor in a TV Series Drama or Comedy, Guest Starring or Principal Role Spencer Drever Nominated [55]
2015 Golden Reel Award Best Sound Editing – Sound Effects and Foley in Short Form Television Norval D. Crutcher III, Peter Austin, Peter D. Lago, Mitch Gettleman, Catherine Harper, Ellen Heuer, Marc Meyer Nominated [56]
Saturn Award Best Youth-Oriented Series The 100 Won [57]
Joey Award Best Actor in a TV Comedy or Action Featured Role Liam O'Neill Nominated [58]
MTV Fandom Awards Ship of the Year Alycia Debnam-Carey and Eliza Taylor Nominated [59]
E! Online Best. Ever. TV. Awards
Best Guest Star Alycia Debnam-Carey Won [60]
Best Kiss Eliza Taylor and Alycia Debnam-Carey Won
Best Fight Eliza Taylor and Dichen Lachman Runner-up
Most Underrated Show The 100 Runner-up
Best Binge-Watch The 100 Runner-up
Best Cast on Social Media The 100 Runner-up
Best Fandom The 100 Nominated [61]
Teen Choice Award Choice TV Show: Sci-Fi/Fantasy The 100 Nominated [62]
Choice TV Actor: Sci-Fi/Fantasy Bob Morley Nominated
Choice TV Actress: Sci-Fi/Fantasy Eliza Taylor Nominated
2016 Saturn Award Best Science Fiction Television Series The 100 Nominated [63]
Teen Choice Award Choice TV Actress: Sci-Fi/Fantasy Eliza Taylor Nominated [64]
Choice TV: Chemistry Eliza Taylor and Bob Morley Nominated [64]
E! TV Scoop Awards Best Drama The 100 Nominated [65]
Best Drama Actor Bob Morley Nominated
Best Drama Actress Eliza Taylor Won
Best Drama Actress Lindsey Morgan Nominated
Best Couple Alycia Debnam-Carey and Eliza Taylor Runner-up
Steamiest/Sexiest Moment Alycia Debnam Carey and Eliza Taylor Won
Female Breakout Star Alycia Debnam-Carey Won
Most Heartbreaking Goodbye Ricky Whittle Won
Best Fight Alycia Debnam Carey and Zach McGowan Won
Best Kiss Alycia Debnam Carey and Eliza Taylor Won
Moment That Made You Want To Throw Out Your TV For episode "Thirteen" Won
Best Villain Erica Cerra Runner-up
Best Guest Star Alycia Debnam-Carey Won
Best Fandom Clexa Won
Best Cast On Social Media The 100 Runner-up
MTV Fandom Awards Ship of the Year Eliza Taylor and Alycia Debnam-Carey Nominated [59]
Fan Freakout of the Year Alycia Debnam-Carey Won [59]
2017 Saturn Awards Best Science Fiction Television Series The 100 Pending [66]

Home media[edit]

Name DVD Blu-ray No. of
episodes
Features
Region 1 Region 2 Region 4 Region A Region B
The Complete First Season September 23, 2014[67] September 29, 2014[68] December 3, 2014[69] September 23, 2014[70] December 3, 2014[71] 13
The Complete Second Season October 13, 2015[72] October 12, 2015[73] October 14, 2015[74] October 13, 2015[75] October 14, 2015[74] 16
  • The 100: Unlocking the Mountain
  • The 100 Pre-Viz Stunts featurette
The Complete Third Season July 19, 2016[76] September 26, 2016[77] September 28, 2016[78] July 19, 2016[76] September 28, 2016[78] 16
  • A Short Lived Victory: Unlocking the Season 3 Finale
  • Arkadia: From Wreckage to Salvation
  • Ice Nation: Brutal and Fierce
  • Wanheda: Clarke's Journey
  • Polis: Capital of the Grounders
  • The 100 Pre-Viz Stunts Season 3

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External links[edit]