History of the World, Part I
|This article needs additional citations for verification. (October 2015) (Learn how and when to remove this template message)|
|History of the World, Part I|
Theatrical release poster
|Directed by||Mel Brooks|
|Produced by||Mel Brooks|
|Written by||Mel Brooks|
|Narrated by||Orson Welles|
|Music by||John Morris|
|Edited by||John C. Howard|
|Distributed by||20th Century Fox|
|Box office||$31.7 million|
History of the World, Part I is a 1981 American anthology comedy film written, produced, and directed by Mel Brooks. Brooks also stars in the film, playing five roles: Moses, Comicus the stand-up philosopher, Tomás de Torquemada, King Louis XVI, and Jacques, le garçon de pisse. The large ensemble cast also features Sid Caesar, Shecky Greene, Gregory Hines (in his film debut), Charlie Callas; and Brooks regulars Ron Carey, Dom DeLuise, Madeline Kahn, Harvey Korman, Cloris Leachman, Andreas Voutsinas, and Spike Milligan.
The film also has cameo appearances by Royce D. Applegate, Beatrice Arthur, Hugh Hefner, John Hurt, Phil Leeds, Barry Levinson, Jackie Mason, Paul Mazursky, Andrew Sachs and Henny Youngman, among others. Orson Welles narrates each story.
||This article's plot summary may be too long or excessively detailed. (October 2015) (Learn how and when to remove this template message)|
The film is a parody of the historical spectacular film genre anthology, including the sword and sandal epic and the period costume drama subgenres. The four main segments consist of stories set during the Stone Age, the Roman Empire, the Spanish Inquisition, and the French Revolution. Other intermediate skits include reenactments of the giving of the Ten Commandments and the Last Supper.
The Stone Age
Cavemen (including Sid Caesar) depict the invention of fire, the first marriages, the first artist (which in turn gives rise to the first critic), and early attempts at comedy and music, by smashing each other's feet with rocks and thus creating an orchestra of screams (until performing a traditional song "Hallelujah" at the end).
The Old Testament
Moses (Mel Brooks) is shown coming down from Mount Sinai carrying three stone tablets after receiving the Law from God (the voice of an uncredited Carl Reiner). When announcing the giving of the reception of the law to the people, Moses proclaims, “The Lord Jehovah has given unto you these fifteen...” (whereupon he drops one of the tablets, which promptly shatters) “Oy... ten! TEN Commandments! For all to obey!”
The Roman Empire
Comicus (Brooks again), a stand-up philosopher, is notified by his agent Swiftus (Ron Carey) that he has landed a gig at Caesar's palace. En route to the palace Comicus meets and falls in love with a Vestal Virgin named Miriam (Mary-Margaret Humes) and befriends an Ethiopian slave named Josephus (Gregory Hines). Josephus' life is spared when he is conscripted into the service of the Empress Nympho (Madeline Kahn). In ancient Roman culture, Miriam could have freed Josephus just by touching him, because she was a vestal virgin. Comicus' arrival at Caesar's palace was filmed at the Caesars Palace hotel in Las Vegas.
At the Palace, Emperor Nero (Dom DeLuise) gorges on food, ogles pretty maidens and waits to be entertained. Comicus forgets his audience and begins to crack insulting one-liners about the emperor's abundant body contours and corrupt ways. Josephus absentmindedly pours a jug of wine into Nero's lap and is ordered to fight Comicus to the death in a gladiatorial manner. They fight their way out of the palace, assisted in their escape by Miriam, Empress Nympho and a horse named Miracle.
After Miriam helps Comicus, Josephus and Swiftus briefly find refuge in Empress Nympho's home, Josephus is "outed" among a row of eunuchs after "reacting" to a seductive dancer's performance, and the group is chased by Roman soldiers led by Marcus Vindictus (Shecky Greene). As the soldiers gain on the group's cart (pulled by Miracle), Josephus instructs them to pull over in a field and requests lots of papyrus. He takes "Roman Red" marijuana which is growing alongside the road and rolls it into the papyrus, forming a device he calls Mighty Joint, sets fire to it and mounts it to the back of their chariot, trailing smoke into the chasing army.
The resulting smoke confuses and incapacitates the trailing Roman army. The escaping group then sets sail from the port to Judea. While waiting tables at a restaurant, Comicus blunders into a private room where the Last Supper is taking place, as Jesus is telling the apostles "One of you has betrayed me tonight". The Apostles are asking "Who?". Comicus says "JUDAS." Judas, startled, almost jumps out of his seat as Comicus replies "Do you want a beverage?", and interrupting Jesus (John Hurt) repeatedly (using his name as an expression for dismay or concern, right in front of him). Eventually, Leonardo da Vinci (Art Metrano) arrives to paint the group’s portrait. Dissatisfied that he can only see the backs of half of their heads, he has them move to one side of the table and paints them with Comicus behind Jesus, holding a silver plate which doubles as a halo.
The Spanish Inquisition
The Spanish Inquisition segment is performed in the style of a grandiose Busby Berkeley production. The segment is one long song-and-dance number featuring Brooks as the infamous Torquemada. The segment opens with a herald introducing Torquemada and making a play on his name, noting that despite the pleas for mercy from the condemned, that you "can't Torquemada anything" (talk him outta anything). Several instances of "comical" torture are shown including a spinning iron maiden and "water torture" re-imagined as an Esther Williams-style aquatic ballet with nuns. Jackie Mason and Ronny Graham have cameos in this scene as Jewish torture victims.
The French Revolution
In the tavern of Madame Defarge (Cloris Leachman) she incites a mob to plot the French Revolution. Meanwhile, King Louis of France (Brooks again) is warned by his advisors, Count de Monet (played by Harvey Korman and mistakenly called "Count da Money" by the king and others) and his associate Béarnaise (Andreas Voutsinas), that the peasants do not think he likes them — a suspicion reinforced by the king's use of peasants as clay pigeons in a murderous (and humorous) game of skeet. A beautiful woman, Mademoiselle Rimbaud (Pamela Stephenson), asks King Louis to free her father, who has been imprisoned in the Bastille for 10 years because he said "the poor ain't so bad." He agrees to the pardon under the condition that she have sex with him that night, while threatening that should she refuse, her father will die. He then gives her 10 seconds to decide between "hump or death" and at the last second she agrees to "hump".
De Monet manages to convince the king that the revolution is building and he needs to go into hiding, so they will need a stand-in to pretend to be him. Thus Jacques (also Brooks), the garçon de pisse (a.k.a. "piss-boy"), is chosen to impersonate the real king. Later that night, Mlle Rimbaud, unaware of the subterfuge, arrives and offers herself to the piss-boy who is dressed as the king. As she invites him to take her virginity, he pardons her father without requiring the sexual favors. After Mlle Rimbaud and her senile father (Spike Milligan) return from the prison, the peasants burst into the room and capture the piss-boy “king” and Mlle Rimbaud. They are taken to the guillotine for the crimes committed by the crown. When asked if he would like a blindfold or any last words, Jacques declines. However, when they test the guillotine, Jacques make a final request for Novocain. The executioner declares "there is no such thing known to medical science", to which Jacques replies "I'll wait". Just as Jacques is about to be beheaded Mlle Rimbaud muses that "only a miracle can save him now", and Josephus arrives in a cart pulled by Miracle, the horse from the film's Roman Empire segment. They all escape Paris, riding away in the cart. The last shot is of the party approaching a mountain carved with the words “THE END.”
Previews of coming attractions
The end of the film presents a teaser trailer for History of the World, Part II, narrated by Brooks, which promises to include Hitler on Ice, a Viking funeral, and Jews in Space, a parody of Star Wars set to music (whose tune would later be recycled for the title song of Brooks' Robin Hood: Men in Tights — an actual, separate Brooks parody of sci-fi films would come along six years later, focusing primarily on Star Wars and including numerous Jewish jokes). Despite the preview, no sequel has been released, and the “Part I” of the film’s title is merely a historical joke (The History of the World was a book about the ancient history of Greece and Rome, written by Sir Walter Raleigh while prisoner in the Tower of London; he had only managed to complete the first volume before being beheaded).
- Orson Welles – Narrator
- Mel Brooks – Moses, Comicus, Tomas de Torquemada, Louis XVI of France and Jacques le Garçon de Pisse
- Dom DeLuise – Emperor Nero
- Howard Morris - Nero's Court assistant
- Madeline Kahn – Empress Nympho
- Harvey Korman – Count de Monet
- Cloris Leachman – Madame Defarge
- Ron Carey – Swiftus Lazarus
- Gregory Hines – Josephus
- Pamela Stephenson – Mademoiselle Rimbaud
- Spike Milligan – Monsieur Rimbaud
- Andreas Voutsinas – Béarnaise
- Shecky Greene – Marcus Vindictus
- Sid Caesar – Chief Caveman
- Bea Arthur – "Vnemployment" Insurance Clerk
- Johnny Silver – Small Liar
- Mary-Margaret Humes – Miriam
- Paul Mazursky – Roman officer
- Hugh Hefner – Roman outside Temple of Eros
- Barry Levinson – Column Salesman
- Charlie Callas – Soothsayer
- John Hurt – Jesus Christ
- Andrew Sachs – Gerard
- Diane Day – Caladonia
- Cleo Rocos – French Girl
|This section needs expansion. You can help by adding to it. (November 2014)|
History of the World, Part I was a box office success, grossing $31.7 million from a $10 million budget. It grossed $4.8 million in its opening weekend, finishing second at the box office.
|This section needs expansion. You can help by adding to it. (November 2014)|
|This section does not cite any sources. (October 2015) (Learn how and when to remove this template message)|
The catchphrase "It's good to be the king.", which entered into popular culture, originates in this film, being used repeatedly during the French Revolution segment of the film. Brooks, as Louis XVI, says this into the camera in three scenes, breaking the fourth wall, as if to justify the king’s wanton behavior. Brooks also portrays "Le Garçon de Pisse," the "lowly pissboy", who carries a bucket for royalty to urinate into and later impersonates the king. Brooks, as the piss boy, delivers the same line with a sense of surprise when he is able to sample the king's luxurious lifestyle for the first time. Brooks recorded a hip-hop song of the same name which reached the 67th position on Billboard’s Hot Dance Music/Club Play chart. The line was used by Brooks three more times: in Robin Hood: Men in Tights, when King Richard kisses Maid Marian; in Spaceballs when President Skroob is in bed with the twins (modified to "It's good to be the president"); and in the stage musical The Producers, as a lyric in the song "The King of Broadway".
- "History of the World Part 1 (AA)". British Board of Film Classification. July 22, 1981. Retrieved September 18, 2016.
- Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989, p. 259
- "History of the World, Part 1". Box Office Mojo. Retrieved September 2, 2016.
- Alex Carlson (June 1, 2008). "Top 8 Mel Brooks Movies of All-Time". FilmMisery.com. Retrieved December 27, 2012.
- Brooks, Mel. "Director Trademark: Mel Brooks". Retrieved on August 11, 2010.
- "Sir Walter Raleigh". Britishexplorers.com. September 30, 2000. Retrieved February 21, 2012.
- Evans, Bradford (September 1, 2011). "The Lost Roles of Richard Pryor". Splitsider. Retrieved August 10, 2015.
|Wikiquote has quotations related to: History of the World, Part I|