Kobayashi Kiyochika

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Asakusa area of Tokyo, in a print by Kobayashi Kiyochika.
Humorous woodcut of the Russo-Japanese War by Kobayashi Kiyochika. Depicts Russian Tsar Nicholas II waking from a nightmare of battered and wounded Russian forces returning from battle. Created 1904 or 1905.

Kobayashi Kiyochika (小林 清親?, September 10, 1847 – November 28, 1915) was a Japanese ukiyo-e artist of the Meiji period.[1]

Kiyochika is best known for his prints of scenes around Tokyo which reflect the transformations of modernity. He has been described as "the last important ukiyo-e master and the first noteworthy print artist of modern Japan... [or, perhaps] an anachronistic survival from an earlier age, a minor hero whose best efforts to adapt ukiyo-e to the new world of Meiji Japan were not quite enough".[2]

The son of a government official, Kiyochika was heavily influenced by Western art, which he studied under Charles Wirgman.[3][4] He also based a lot of his work on Western etchings, lithographs, and photographs which became widely available in Japan in the Meiji period. Kiyochika also studied Japanese art under the great artists Kawanabe Kyōsai and Shibata Zeshin.[5]

His woodblock prints stand apart from those of the earlier Edo period, incorporating not only Western styles but also Western subjects, as he depicted the introduction of such things as horse-drawn carriages, clock towers, and railroads to Tokyo.[5] These show considerable influence from the landscapes of Hokusai and the work of Utagawa Kuniyoshi, but the Western influence is also unquestionable; these are much darker images on the whole, and share many features with Western lithographs and etchings of the time.

These were produced primarily from 1876 to 1881; Kiyochika would continue to publish ukiyo-e prints for the rest of his life, but also worked extensively in illustrations and sketches for newspapers, magazines, and books. He also produced a number of prints depicting scenes from the Sino-Japanese War and Russo-Japanese War, collaborating with caption writer Koppi Dojin, penname of Nishimori Takeki (1861-1913), to contribute a number of illustrations to the propaganda series Nihon banzai hyakusen hyakushō ("Long live Japan: 100 victories, 100 laughs").[5][6][7]


  1. ^ Lane, Richard. (1978). Images from the Floating World, The Japanese Print, pp. 193-194.
  2. ^ Lane, p. 193.
  3. ^ "Japan Holds the String When Russia Reaches to Grasp". World Digital Library. Retrieved 24 May 2013. 
  4. ^ Boscaro, Andrea et al. (1995). Rethinking Japan: Literature, Visual Arts & Linguistics, p. 135., p. 135, at Google Books
  5. ^ a b c Merritt, Helen et al. (1995). Guide to Modern Japanese Woodblock Prints, 1900-1975, p.71., p. 71, at Google Books
  6. ^ "Farewell Present of Useful White Flag, Which Russian General's Wife Thoughtfully Gives When He Leaves for Front, Telling Him to Use It As Soon As He Sees Japanese Army". World Digital Library. Retrieved 24 May 2013. 
  7. ^ "Kuropatkin Secures Safety - Your Flag Does Not Work, Try Another". World Digital Library. Retrieved 24 May 2013. 


External links[edit]