A mug shot or mugshot (an informal term for police photograph or booking photograph) is a photographic portrait of a person from the waist up, typically taken after a person is arrested. The original purpose of the mug shot was to allow law enforcement to have a photographic record of an arrested individual to allow for identification purposes by victims, the public and investigators. However, in the United States, entrepreneurs have recently begun to monetize these public records via the mug shot publishing industry.
A typical mug shot is two-part, with one side-view photo, and one front-view. The background is usually stark and simple, to avoid distraction from the facial image (as distinguished from a casual snapshot in a more naturalistic setting). Mug shots may be compiled into a mug book in order to determine the identity of a criminal. In high-profile cases, mug shots may also be published in the mass media.
The earliest photos of prisoners taken for use by law enforcement may have been taken in Belgium in 1843 and 1844. In the United Kingdom, police in London were photographing criminals by 1846. In Liverpool and Birmingham they were doing so by 1848. By 1857, the New York City Police Department had a gallery where daguerreotypes of criminals were displayed.
The paired arrangement may have been inspired by the 1865 prison portraits taken by Alexander Gardner of accused conspirators in the Lincoln assassination trial, though Gardner's photographs were full-body portraits with only the heads turned for the profile shots.
After the defeat of the Paris Commune in 1871, the Prefecture of Police of Paris hired a photographer, Eugène Appert, to take portraits of convicted prisoners. In 1888, Alphonse Bertillon invented the modern mug shot featuring full face and profile views, standardizing the lighting and angles. This system was soon adopted throughout Europe, and in the United States and Russia.
The arrested person is sometimes required to hold a placard with name, date of birth, booking ID, weight, and other relevant information on it. With digital photography, the digital photograph is linked to a database record concerning the arrest.
Use in wanted posters
Online mug shot publishing
In the US in the early 21st century an online industry developed around the publication and removal of mug shots from internet websites.
The US legal system has long held that mug shots can have a negative effect on juries. The United States Court of Appeals for the District of Columbia Circuit held, "The double-shot picture, with front and profile shots alongside each other, is so familiar, from 'wanted' posters in the post office, motion pictures and television, that the inference that the person involved has a criminal record, or has at least been in trouble with the police, is natural, perhaps automatic."
Acccording to the Handbook of Massachusetts Evidence, "Because of the risk of prejudice to the defendant inherent in the admission of photographs of the 'mug shot' variety, judges and prosecutors are required to 'use reasonable means to avoid calling the jury's attention to the source of such photographs used to identify the defendant.'" (p. 617) Elsewhere, it cites a ruling in Commonwealth v. Martin that "admission of a defendant's mug shot is 'laden for characterizing the defendant as a careerist in crime'".
Other states have similar rules.
A mug book is a collection of photographs of criminals, typically in mug shots taken at the time of an arrest. A mug book is used by an eyewitness to a crime, with the assistance of law enforcement, in an effort to identify the perpetrator. Research has shown that grouped photos result in fewer false-positives than individually displaying each photo.
- "mugshot". Dictionary.cambridge.org. 2013-10-29. Retrieved 2013-11-23.
- Michael H. Graham (2003). Handbook of Illinois Evidence. Aspen Publishers. p. 147. ISBN 978-0-7355-4499-4.
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- Kennedy, Randy (September 15, 2006). "Grifters and Goons, Framed (and Matted)". New York Times. Retrieved February 15, 2014.
- “A Cracksman,” The Will O’the Wisp, 1 (2) Saturday 11 July 1846, p.3
- Norfolk, Lawrence (September 17, 2006). "A history of the twentieth century in mugshots". The Telegraph. London. Retrieved February 15, 2014.
- Papi, Giacomo (2006). Under Arrest: A History of the Twentieth Century in Mugshots. London: Granta Books. pp. 144, 163, 165. ISBN 9781862078925.
- Julie K. Petersen (2007). Understanding Surveillance Technologies: Spy Devices, Privacy, History, & Applications. Auerbach Publications. p. 26. ISBN 978-0-8493-8319-9.
- Pellicer, Raymond (2010). Mug Shots: An Archive of the Famous, Infamous and Most Wanted. New York: Harry N. Abrams, Inc. ISBN 9780810996120.
- Barnes v. United States, 124 U.S.App.D.C. 318, 365 F.2d 509, 510--11 (1966)
- "Where admitted, to the extent possible, the mug shots should be taped over or cut to delete all reference to booking information and be undated. The photographs should not be referred to as either "mug shots" or "booking photographs."" Handbook of Illinois Evidence, Michael H. Graham, §401.8 (citations omitted)
- Thetford, Robert T., Mug Shots, Mug Books, and Photo Spreads, Institute for Criminal Justice Education, Inc (ICJE) Archived 2008-03-29 at the Wayback Machine
- NIJ training manual on the use of mug books and composites with eyewitnesses
- Stewart, Heather A.; Hunter A. McAllister (2001). "One-at-a-time versus grouped presentation of mug book pictures: Some surprising results". Journal of Applied Psychology. 86 (6): 1300–1305. doi:10.1037/0021-9010.86.6.1300. ISSN 0021-9010. PMID 11768071.
- "Frevert, Rhonda, Tales From The Vault: Mug Books, Common Place Vol. 3 No. 1 (October 2002)". Archived from the original on 2015-04-25. Retrieved 2018-06-02.
- Collected Biography, Ancestry Magazine Vol. 13 No. 4 (July/August 1995)
- Conzen, Michael P., "Local Migration Systems in Nineteenth-Century Iowa", Geographical Review, Vol. 64 No. 3 (July 1974), p. 341
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