Rider-Waite tarot deck
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The Rider-Waite tarot deck (originally published 1910) is one of the most popular tarot decks in use today in the English-speaking world. Other suggested names for this deck include the Rider-Waite-Smith, Waite-Smith, Waite-Colman Smith or simply the Rider deck. The cards were drawn by illustrator Pamela Colman Smith from the instructions of academic and mystic A. E. Waite, and published by the Rider Company.
While the images are simple, the details and backgrounds feature of symbolism. Some imagery remains similar to that found in earlier decks, but overall the Waite-Smith card designs represent a substantial departure from their predecessors.[how?] The Christian imagery of previous decks cards was toned down, for instance the "Pope" card became the "Hierophant", the "Papess" became the "High Priestess". The Minor Arcana are illustrated with images by Smith, where earlier decks had simpler designs for the Minor Arcana but aligning this deck with, for example, the Sola Busca Tarot. The symbols used were influenced by the 19th century magician and occultist Eliphas Levi.[original research?]
The cards were originally published in 1910 by the publisher William Rider & Son of London. The following year, a small guide by A.E. Waite entitled The Key to the Tarot was bundled with the cards, providing an overview of the traditions and history behind the cards, texts about interpretations, and extensive descriptions of their symbols. The year after that, a revised version, Pictorial Key to the Tarot, was issued that featured black-and-white plates of all seventy-eight of Smith's cards. Several later versions of the deck, such as the Universal Waite deck, copy the Smith line drawings with minor changes and added more coloring.
In the United Kingdom, and by extension the rest of the European Union, copyright in the artwork for the deck will expire 70 years after the end of the year in which Smith died, hence they will not fall into the public domain until 1 January 2022.
In the United States, the deck fell into the public domain in 1966 (publication + 28 years + renewed 28 years), and thus has been available for use by American artists in numerous different media projects. U.S. Games Systems, Inc. has a copyright claim on their updated version of the deck published in 1971, but this only covers new material added to the pre-existing work (e.g. designs on the card backs and the box).
The deck has been used in television programs and motion pictures.
- The James Bond film Live and Let Die.
- The deck has been a video backdrop in Madonna's Re-Invention World Tour 2004 for the song "Hollywood".
- The Hermit card in the deck has been used by Led Zeppelin guitarist Jimmy Page, most popularly in The Song Remains The Same and the inner sleeve of Led Zeppelin IV.
- The Lovers card in the deck was used in a theater poster for the musical Hair.
- The Fool, The Hanged Man, The Eight of Swords, and The Moon were used in the music video for "Riptide" by Australian singer-songwriter Vance Joy.
- The Fool card is featured in the opening scene of Wes Craven's 1991 horror film The People Under the Stairs.
- In the first half of JoJo's Bizarre Adventure: Stardust Crusaders, main protagonists and antagonists represents Major Arcana, while the main antagonist DIO represents XXI, The World.
- In the video game The Binding of Isaac: Rebirth and original The Binding of Isaac, there are Major Arcana cards which have its own effect upon use.
0 – The Fool
I – The Magician
II – The High Priestess
III – The Empress
IV – The Emperor
V – The Hierophant
VI – The Lovers
VII – The Chariot
VIII – Strength
IX – The Hermit
X – Wheel of Fortune
XI – Justice
XII – The Hanged Man
XIII – Death
XIV – Temperance
XV – The Devil
XVI – The Tower
XVII – The Star
XVIII – The Moon
XIX – The Sun
XX – Judgement
XXI – The World
- Visions and Prophecies. Alexandria, VA: Time-Life Books, 1988.
- "Ownership of copyright works - Detailed guidance". GOV.UK. 2014-08-19. Retrieved 2016-09-28.
- Learning materials related to A Psychological Interpretation of the Tarot at Wikiversity