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Shanghai Russians

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The Russian consulate by Suzhou Creek.
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Ethnicity in Shanghai

The Shanghai Russians were a sizable Russian diaspora that flourished in Shanghai, China between the World Wars. By 1937 it is estimated that there were as many as 25,000 Russians living in the city, the largest European group by far.[1] Most of them had come from the Russian Far East, where, with the support of the Japanese, the Whites had maintained a presence as late as the autumn of 1922.

Background

In the late 19th century, the Russian imperial government was shifting the focus of its investment to Manchuria. As a consequence, China's trade with its northern neighbour soared. As soon as there was a regular ferry service between Vladivostok and Shanghai, the Russian tea merchants started to settle in the commercial capital of China. About 350 Russian citizens resided within the Shanghai International Settlement in 1905. In order to protect their interests, the Russian consulate was opened in 1896. The old building of the consulate, still occupied by the Russian diplomats, ranks among the Bund's minor landmarks.

The bulk of the Russian exile community relocated to Shanghai from Vladivostok following the fall of the Provisional Priamurye Government at the close of the Russian Civil War. Admiral Oskar Victorovich Stark's squadron alone brought several thousand White Russians from Vladivostok in 1922. Many Harbin Russians, attracted by the booming economy of Shanghai, moved from Manchuria to the coast over the following years. Barred by both distance and money from joining established communities in Paris and Berlin, a large number gravitated towards Shanghai, a freeport at the time, requiring no visa or work-permit for entry. For this same reason it was later to become a refuge for Jews fleeing the Nazis.

A group of Russian émigrés arriving in Shanghai. A photograph from the newspaper Shankhaiskaya zarya, 23 February 1930.

Living conditions

Although free, and relatively secure, conditions for the émigrés were far from ideal. For one thing they were all stateless, as the Soviet government had revoked the citizenship of all political exiles in 1921. The only travel document most of them had was the Nansen passport, issued by the League of Nations. Unlike other foreigners in China they did not have the benefits conferred by extraterritoriality, which granted immunity from local laws.

This was made worse by the barriers to employment opportunities, which in this international city required a good command of English or French as a minimum requirement. There were whole families that depended on wives or daughters who made a living as taxi dancers (hired dancing partners). A survey by the League of Nations in 1935 reportedly found that some 22% of Shanghai Russian women between 16 and 45 years of age were engaging in prostitution to some extent.[2]

Some did find professional work, teaching music or French. Other women took work as dressmakers, shop assistants and hairdressers. Many men became career soldiers of the Shanghai Russian Regiment, the only professional/standing unit within the Shanghai Volunteer Corps. By slow degrees, and despite the many difficulties, the community not only retained a good deal of cohesion but did begin to flourish, both economically and culturally. By the mid-1930s there were two Russian schools, as well as a variety of cultural and sporting clubs. There were Russian-language newspapers and a radio station. An important part was also played by the local Russian Orthodox Church under the guidance of St. John of Shanghai and San Francisco.

The cover of Vladimir Zhiganov's album The Russians in Shanghai (1936).

Many exiles set up restaurants in the district known as Little Russia, and Russian musicians (such as Oleg Lundstrem) achieved a dominance over the city's foreign-run orchestra. The most famous Russian singer, Alexander Vertinsky, relocated from Paris to Shanghai; and Fyodor Chaliapin was seen on tour. Vladimir Tretchikoff, the "King of Kitsch", spent his youth in the city. Russian teachers offered lessons in theatre and dancing. Margot Fonteyn, the English ballerina, studied dance in Shanghai as a child with Russian masters, one of whom, George Gontcharov, had formerly danced with the Bolshoi in Moscow.

But it was the contribution that Russian women made to the entertainment industry, dancing and otherwise, that gave the city its exotic reputation, noted in the guidebooks of the day. A fictionalized portrayal of their predicament is presented in the James Ivory film The White Countess (2005). Those who were left became the focus of earnest campaigns by the League of Nations and others to end the "white slave trade."

Pushkin monument in Shanghai

During the Japanese occupation

The Japanese formed a bureau for the Russian emigrees; it provided identification papers necessary to live, work and travel. The Shanghai Russians were left to choose between a Soviet citizenship or to remain stateless by support of the bureau. The stateless Russians were officially favoured by the regime, but in reality, they were not trusted and exposed to a great risk of being arrested as spies for the Soviet Union. They were also often enlisted in the army for work along the border with the Soviet Union. After 1941, when the Soviet Union and Nazi Germany parted, they were in an even more sensitive situation. To separate the anti-Soviet Russians from the Soviet Russians, the former were ordered to wear a badge with the colours of the Czar - later a white numbered disk of aluminium.

After the Second World War

Russian Orthodox Church in Shanghai around 1948

The Shanghai Russians survived through the difficult days of the Japanese occupation, but left in the end with the advance of the Communists. They were forced to flee, first to a refugee camp on the island of Tubabao in the Philippines and then mainly to the United States and Australia however many settled in Hong Kong. The Russian monuments of Shanghai did not escape the ravages of the Cultural Revolution. The Pushkin statue, funded by public subscription and unveiled on the centenary of the poet's death, was smashed by the Red Guards in 1966. It was subsequently restored in 1987. The Orthodox Cathedral of St. Nicholas, consecrated and elaborately frescoed in 1933, was converted into a washing machine factory, and subsequently a restaurant. The municipal government ceased the lease of the Cathedral to the restaurant in 2004.

In the 1967 British film A Countess from Hong Kong, written and directed by Charlie Chaplin, Sophia Loren plays the only child of Russian aristocrats who escaped, during the Russian Revolution, to Shanghai, where she subsequently was born. Her parents died there when she was thirteen; she was the mistress of a gangster at fourteen. Asked how she has come to live in Hong Kong, she replies, "Well, there was another war, another revolution—so here we are."

References

Pushkin bust in 1937

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  1. ^ Fraser Newham, "The White Russians of Shanghai," History Today, Dec 2005, Vol. 55 Issue 12, pp 20-27
  2. ^ Port of last resort : the diaspora communities of Shanghai, by Marcia Reynders Ristaino, Stanford University Press, 2001, page 94
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