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For other uses, see Zari (disambiguation).
'Banarasi sari' from Varanasi (Banaras), silk and gold-wrapped silk yarn with supplementary weft brocade (zari)

Zari (or Jari) is an even thread traditionally made of fine gold or silver used in traditional Bengali, Indian, and Pakistani garments, especially as brocade in saris etc.[1] This thread is woven into fabrics, primarily made of silk to create intricate patterns. It is believed this tradition started during the Mughal era and the Surat pot being linked to the Haj pilgrims and Indians was a major factor for introducing this craft in India. During the Vedic ages, zari was associated with the grand attired of Gods, kings and literary figures.[2] Today, in most fabrics, zari is not made of real gold and silver, but has cotton or polyester yarn at its core, wrapped by golden/silver metallic yarn.

Zari is the main material in most silk sarees and gharara. It is also used in other garments made of silk, like skirts, tops and vettis.


Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari)

Persian is where the word originated.[3][4][5][6]

Zari is basically a brocade of tinsel thread meant for weaving and embroidery. It is manufactured by winding or wrapping (covering) a flattened metallic strip made from pure gold, silver or slitted metallised polyester film, on a core yarn, usually of pure silk, viscose, cotton, nylon, polyester, P.P., mono/multi filament, wire, etc. Nowadays, it can broadly be divided into three types. Real zari, imitation zari, and metallic zari.

Real Zari is made from fine silver or gold thread is drawn from silver or gold alloys, which is flattened by passing it under through equal pressure rotating rollers. The flattened silver threads are wound on the base yarn that is usually made of silk. These spools with silk and silver threads are further flattened for electroplating. The threads are then plated with gold by the process of electroplating. The lustre of the gilded threads is further increased by passing them through a brightener. These threads are then wound on a reel.

In ancient times, when precious metals were cheaply and easily available, only real zari threads were produced. Due to industrial revolution and invention of electroplating process, imitation techniques came into existence to cut the cost of precious metals. As copper is the most malleable and ductile metal after gold and silver, silver electroplated copper wire replaced pure silver. Various modern colours and chemicals are used to create/impart a golden hue instead of pure gold. The precious metals and copper too became dearer due to huge demand in various modern industries. Thus, a cheap and durable alternative was invented with non-tarnishing properties. Metallic zari came into vogue replacing traditional metals like gold, silver & copper. This non-genuine modern zari is light in weight & more durable than earlier editions. Also, it has the sought after properties of resistance to tarnishing and knotting.

Imitation zari is made when copper wires are drawn from copper alloys. It then undergoes a similar process, except in this case, they are electroplated with silver and then wound around the base yarn, and reeled. This type of zari is less expensive than pure zari, as silver electroplated copper is more economical.

Metallic zari is a modernized version of zari and it replaces traditional metals like gold, silver and copper. It is resistant, durable and light in weight. It is non-tarnishing and maintains its lustre for a considerable period of time.[7][8][9]

Zari is used in various forms such as Zardozi, Kataoki Bel,[10] Mukaish,[11] Tilla or Marori Work,[12] Gota Work,[13] Kinari Work

Surat in the state of Gujarat on the west coast of India is the world's largest producer of all types of zari namely threads, cantile, laces, ribbons, borders, trims, fringes, edges, cordonettes, cords, etc. The art of zari making has been inherited from father to son for many centuries. It is recognised as one of the ancient handicrafts by the government of India. Women from different communities & artisans produce zari and made-ups for weaving, embroidery, crocheting, braiding, etc.

See also[edit]

Further reading[edit]

  • Banaras brocades, by Anand Krishna, Vijay Krishna, All India Handicrafts Board. Ed. Ajit Mookerjee. Crafts Museum, 1966.


  1. ^ Linda Lynton (1995). The sari: styles, patterns, history, techniques. H.N. Abrams. ISBN 0-8109-4461-8. 
  2. ^ Jhingansahu, History of Zari. "History of Zari". Jhingansahu. Jhingansahu. 
  3. ^
  4. ^
  5. ^ Éva Ágnes Csató; Bo Isaksson; Carina Jahani (2005). Linguistic Convergence and Areal Diffusion: Case Studies from Iranian, Semitic and Turkic. Psychology Press. pp. 175–. ISBN 978-0-415-30804-5. 
  6. ^ Angus Stevenson (19 August 2010). Oxford Dictionary of English. OUP Oxford. pp. 2064–. ISBN 978-0-19-957112-3. 
  7. ^ PolkaCoffee, RedPolka. "The History & Manufacturing of Zari". Repolka. 
  8. ^ Kanwal Jahan, Process of Thread Making. "Process of Thread Making". Kanwal Jahan. 
  9. ^ Discovered India, Zari. "Zari". discoveredindia. discoveredindia. 
  10. ^ It's all about Arts & Crafts, Craft and The Artisans. "Katoki Bel". Craft and The Artisans. Craft and The Artisans. 
  11. ^ Mukesh or Mukeish, Utsavpedia. "Mukesh or Mukeish". Utsavpedia. Utsavpedia. 
  12. ^ All About Zari, My Textile Notes. "Tilla or Marori Work". My Textile Notes. My Textile Notes. 
  13. ^ An Encyclopaedia on Crafts of India, Handmade in India. "An Encyclopaedia on Crafts of India". CoHands. cohands.