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Ajrak Craft product double bed-sheet; both side print by artisans from Kutch, India

Sindhi Ajrak

The word Ajrak is derived from an Arabic word “azrak” which means ‘blue’. Ajrak (Sindhi: اجرڪ‎) is a name given to a unique form of blockprinted shawls and tiles found in Sindh; Kutch, Gujarat; and Barmer, Rajasthan in India. These shawls display special designs and patterns made using block printing by stamps. Common colours used while making these patterns may include but are not limited to blue, red, black, yellow and green. Over the years, ajraks have become a symbol of the Sindhi culture and traditions.[1]


Early human settlements in the region which is now the province Sindh in Pakistan along the Indus River found a way of cultivating and using Gossypium arboreum commonly known as tree cotton to make clothes for themselves. These civilizations are thought to have mastered the art of making cotton fabrics.

The origins of the Ajrak can be traced back to 5000 year old Indus valley civilization. A bust of a priest-king excavated at Mohenjo-daro, currently in the National Museum of Pakistan, shows him draped over one shoulder in a piece of cloth that resembles an ajrak. Of special note are the trefoil pattern etched on the person's garment interspersed with small circles, the interiors of which were filled with a red pigment. This symbol illustrates what is believed to be an edifice depicting the fusion of the three sun-disks of the gods of the sun, water and the earth. Excavations elsewhere in the Old World around Mesopotamia have yielded similar patterns appearing on various objects, most notably on the royal couch of Tutankhamen. Similar patterns appear in recent ajrak prints. It is said that ancient Egyptians used to clothe their mummies with Ajrak, imported from Sindh which they called “Sindhin”. In 500 BC, the Ajrak was also presented to Persian King “Dara (first) at his crown ceremony.

The level of geometry on the garment comes from the usage of a method of printing called woodblock printing in which prints were transferred from geometric shapes etched on the wooden blocks by pressing them hard on the fabric. Block printing is thought to have been first used in ancient China, at least as far as movable type is concerned. On its way through the populous regions of the Indus Valley, this technique of fabric printing was adopted at Mohenjo-daro.

The tradition still prevails centuries later, and people still use the same methods of production that were used in the earlier days to create an ajrak. The process of Ajrak making involves 18-19 steps, and is more than just a daily work; it involves the devotion and spiritual association as Ajrak has deep roots to the Sufi culture throughout the Sindh. The basic four themes used in Ajrak preparation are known as, Teli Ajrak, Sabuni Ajrak, Do Rangi Ajrak and Kori Ajrak. The real Ajrak is printed on both sides, which is called “resist printing”.

The garment has become an essential part of the Sindhi culture and apparel of Sindhis. Men use it as a turban, a cummerbund or wind it around their shoulders or simply drape it over one shoulder. Women use it as a dupatta or a shawl and sometimes as a makeshift swing for children. Ajraks are usually about 2.5 to 3-meters long, patterned in intense colours predominantly rich crimson or a deep indigo with some white and black used sparingly to give definition to the geometric symmetry in design.

Ajraks are made all over Sindh, especially in Matiari, Hala, Bhit Shah, Moro, Sukkur, Kandyaro, Hyderabad, and many cities of Upper Sindh and Lower Sindh.

The ajrak is an integral part of Sindhi culture and Sindhi nationalism. Its usage is evident at all levels of society, and is held in high esteem, with the utmost respect given to it. Sindhi people wear it without any status barrier on festive occasions like birth, marriage, and death. It is said that Sindhi people use Ajrak from cradle to grave. According to Sindhi traditions, ajraks are often presented as gifts of hospitality to guests and presented to the person who is utterly respectable. They are also worn on festive occasions such as weddings and cultural events. Many prominent politicians from Sindh publicly adorn Ajrak, including the deceased former Pakistani Prime Minister, Benazir Bhutto.

Natural Dyes[edit]

Ajrak craft products are made with natural dyes. The entire production of the products include both vegetable dyes and mineral dyes. Indigo is key dye.

Natural dye products that are used in Ajrak Craft

See also[edit]


  1. ^ Bilgrami, Noorjehan (March 20, 2009). Sindh Jo Ajrak. Department of Culture and Tourism, Government of Sindh,1990. p. 177. ISBN 9789698100001. Retrieved 28 August 2015. 

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