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B-flat minor is traditionally a 'dark' key.<ref>Wilfred Mellers, "Round and About in Górecki's Symphony No. 3" ''[[Tempo (journal)|Tempo]]'' '''168''' 3 (1989): 23</ref>
B-flat minor is traditionally a 'dark' key.<ref>Wilfred Mellers, "Round and About in Górecki's Symphony No. 3" ''[[Tempo (journal)|Tempo]]'' '''168''' 3 (1989): 23</ref>


The old [[Brass instrument valve|valveless]] [[French horn|horn]] was barely capable of playing in B-flat minor; the only example found in 18th-century music is a modulation that occurs in the first minuet of [[Franz Krommer]]'s Concertino in [[D major]], Op. 80.<ref>J. Murray Barbour, ''Trumpets, Horns, and Music'' (1964), p. 163</ref>
The old [[Brass instrument valve|valveless]] [[French horn|horn]] was barely capable of playing in B-flat minor; the ARÈ B FLAT MINOR IN SPANISH only example found in 18th-century music is a modulation that occurs in the first minuet of [[Franz Krommer]]'s Concertino in [[D major]], Op. 80.<ref>J. Murray Barbour, ''Trumpets, Horns, and Music'' (1964), p. 163</ref>

==Notable classical compositions==
==Notable classical compositions==
{{See also|List of symphonies in B-flat minor}}
{{See also|List of symphonies in B-flat minor}}

Revision as of 03:30, 28 June 2022

B-flat minor
{ \new Staff \with{ \magnifyStaff #3/2 } << \time 2/16 \override Score.TimeSignature #'stencil = ##f { \clef treble \key bes \minor s16 \clef bass \key bes \minor s16 } >> }
Relative keyD-flat major
Parallel keyB-flat major
Dominant keyF minor
SubdominantE-flat minor
EnharmonicA-sharp minor
Component pitches
B, C, D, E, F, G, A

B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used.

The B-flat natural minor scale is:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key bes \minor \time 7/4
  bes4^\markup { Natural minor scale } c des es f ges aes bes aes ges f es des c bes2
  \clef bass \key bes \minor
} }

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key bes \minor \time 7/4
  bes4^\markup { Harmonic minor scale } c des es f ges a bes a ges f es des c bes2
} }
 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key bes \minor \time 7/4
  bes4^\markup { Melodic minor scale (ascending and descending) } c des es f g a bes aes! ges! f es des c bes2
} }

Characteristics

B-flat minor is traditionally a 'dark' key.[1]

The old valveless horn was barely capable of playing in B-flat minor; the ARÈ B FLAT MINOR IN SPANISH only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80.[2]

Notable classical compositions

References